View allAll Photos Tagged Infinity
This was a really detailed photo, unfortunately Flickr have raped the living crap out of it.
First photo I've taken since I passed my driving test. I'm going to try and start a 365 sometime soon now that I can actually go somewhere better than my back garden.
Infinity at Brickell is a 52-story luxury condominium sky-rise that features 459 loft-style residences commanding captivating views in every direction. Located one block from all the action on Brickell Avenue, Infinity is a lifestyle destination buzzing with cosmopolitan comforts and convenience.
Infinity at Brickell is a 52-story luxury condominium sky-rise that features 459 loft-style residences commanding captivating views in every direction. Located one block from all the action on Brickell Avenue, Infinity is a lifestyle destination buzzing with cosmopolitan comforts and convenience.
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The beautiful Morecambe Bay back in January when we still had some snow. Normally this sand is quick sand but because it was frozen at that time we could actually walk on it!
Playing with manual aperture settings on my new camera using Disney Infinity Characters (c Disney) as practice. Also a God of War statuette in there.
Bici ubicada en el interior del establecimiento Infinity de Cartes
De vuelta al pasado con lo RETRO
Foto hecha con Objetivo Nikkor 50mm 1:1,8 en Torrelavega, en la estación de Renfe a las 20:00
Retocada en Photoshop CS5 y Usando filtro de Color Efex Pro3
This photograph was taken at the Cycle of Songs rehearsal for the piece entitled 'Infinity', composed by Peter Gregson, at Emmanuel College on 12th June 2014. This was sung by a composite choir of singers mainly from Women of Note and ReSound.
Yay for something new in my wardrobe! Money's been tight, so this was the perfect way to add something new!
Infinity at Brickell is a 52-story luxury condominium sky-rise that features 459 loft-style residences commanding captivating views in every direction. Located one block from all the action on Brickell Avenue, Infinity is a lifestyle destination buzzing with cosmopolitan comforts and convenience.
Infinity star, designed by Francesco Guarnieri.
Folded by me from an octagon cut from a 30 cm square of stardream paper.
This photograph was taken at the Cycle of Songs rehearsal for the piece entitled 'Infinity', composed by Peter Gregson, at Emmanuel College on 12th June 2014. This was sung by a composite choir of singers mainly from Women of Note and ReSound.
From the stage, looking back toward the balcony and bar.
It was easy to get here - the parking was reasonable (only $5 in the attached garage) - and the acoustics were everything I had hoped for. The original Infinity Hall in Norfolk is a beautiful place but it's a lo-o-ong drive from our house - almost 2 hrs. So I will happily catch more shows at the new Infinity Hall in Hartford.
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.