View allAll Photos Tagged Infinity
Infinity Bench by Carl Fredrik Svenstedt for lerival.
CNC millwork / assembly by Associated Fabrication.
FSC Certified A1 Maple Europly.
Infinity Bench by Carl Fredrik Svenstedt for lerival.
CNC millwork / assembly by Associated Fabrication.
FSC Certified A1 Maple Europly.
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
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Haqqislam Murabid Tuareg Sniper miniature.
Painted for the Infinity 28mm skirmish game, by Corvus Belli.
Perfect end to a perfect work holiday touring Northern India; Sunset reflected in an infinity pool at my 5-star hotel. (Saturation has been deliberately increased as my photos from trip are hosted here: martin_sylvester.500px.com
Infinity pool with the length of three times Olympic size, on 57th floor of Marina Sands Bay Hotel, Singapore
Finished the colour test model for my Infinity Haqqislam squad. She's a standard Ghulam Light Infantry trooper.
Typically, I got kinda carried away and spent longer than intended on her. I just can't help myself!
Quite pleased with the rusted green metal bits on the base, though the photo angle doesn't highlight them particularly.
Infinity pool with the length of three times Olympic size, on 57th floor of Marina Sands Bay Hotel, Singapore
Infinity pool with the length of three times Olympic size, on 57th floor of Marina Sands Bay Hotel, Singapore
Studio Swine, ∞ Blue (Infinity Blue), 2018
Ceramic, robotics, water vapour
A huge ceramic ‘breathing’ sculpture pays homage to one of the world’s smallest but most important organisms: the cyanobacteria. Artist duo Studio Swine wanted to build a monument to these vital but invisible unsung heroes, in the same way as notable people are commemorated with statues.
A Statue that blows smoke rings!
Naffatun miniature for the Infinity sci-fi skirmish game, by Corvus Belli.
She's from the Haqqislam faction.
Infinity is at 89m is number 104 on the super yacht list.She is owned by Eric Smidt and is accompanied by support yacht Intrepid flic.kr/p/2mtUJb8 which at 69m is itself number 281 on the super yacht size list.
See at anchor at Port de Soller, Mallorca
SD + MSD Infinity Sparkle Scarf (Preorder)
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Test @ infinity, which is the distance the lens is optimised for, allegedly. The brown blob on the full frame is a fence post but it was the aerials I wanted knowing I would crop heavily. Crop is from right hand side not the middle. They are about 5 miles away and it was very windy so this is wide open for shutter speed. The wind keeps the atmospherics down, so I am told. This from the P20 which "only" has 16MP to play with.
Can't complain about the crop detail, they are great structures for detail. Just a touch of blue aberration from the lens, I'm sure there is a program somewhere to remove it :-)