View allAll Photos Tagged Infinity
Magazine I made for Infinity Industries.
Fires a 6.5x45 round and is able to be equipped with a STANAG-compatible weapon, such as the M16.
Pastie: pastebin.com/fsGV6Dzx
Infinity Bench by Carl Fredrik Svenstedt for lerival.
CNC millwork / assembly by Associated Fabrication.
FSC Certified A1 Maple Europly.
Photo By: Cate Infinity
🌙 Transmission: The Dance of Silence 🌙
Date: August 31, 2024
Venue: Echoing Veil
🎶 DJ Performances By 🎶
Creme @ 7pm - 9pm
Seventh @ 9pm - 11pm
..::MAL::.. @ 11pm - 1am
Dress Code: Come As You Are + Headphones 🎧
Finished the colour test model for my Infinity Haqqislam squad. She's a standard Ghulam Light Infantry trooper.
Typically, I got kinda carried away and spent longer than intended on her. I just can't help myself!
Quite pleased with the rusted green metal bits on the base, though the photo angle doesn't highlight them particularly.
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
Infinity pool with the length of three times Olympic size, on 57th floor of Marina Sands Bay Hotel, Singapore
en.wikipedia.org/wiki/Infinity_Bridge
The Infinity Bridge is a public pedestrian and cycle footbridge across the River Tees in the borough of Stockton-on-Tees in the north-east of England. The bridge is situated one kilometre downriver of Stockton town centre, between the Princess of Wales Bridge and the Tees Barrage and it links the Teesdale Business Park and the University of Durham's Queen's Campus in Thornaby-on-Tees on the south bank of the Tees with the Tees Valley Regeneration's £320 million North Shore development on the north bank.
Infinity Bench by Carl Fredrik Svenstedt for lerival.
CNC millwork / assembly by Associated Fabrication.
FSC Certified A1 Maple Europly.
One of my targets for checking lens or rangefinder focus at infinity. This one is a half a kilometre or so distant. For some lenses/rangefinders this is OK. For the best quality stuff a kilometre is even better, lest you set infinity marginally too close to camera. Frankly, a lot of people would not see such a discrepancy during adjustment but it can arise.
Copyright 2019 Brett Rogers All Rights Reserved
Infinity Bench by Carl Fredrik Svenstedt for lerival.
CNC millwork / assembly by Associated Fabrication.
FSC Certified A1 Maple Europly.
[ 35mm F/1.8 ]
[ E U R O P A ]
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[ T H E . X X- I N F I N I T Y ]
...
Wish the best for you
Wish the best for me
Wished for infinity
If that ain't me
Give it up
I can't give it up
I can't give it up
To someone elses touch
Because I care too much
Give it up
I can't give it uP
...
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• Corpo: Sony Alpha 100
• Objectiva: Sony DT 35mm 1.8/3.5 SAM
• Abertura: f/11.0
• Velocidade: 1/80 sec
• ISO: 200
• Distância Focal: 35 mm
• Foco: Automático
• Modo do Programa: Manual
• Modo de Medição: Centro
• Balanço de Brancos: Automatico
• Flash: Não disparado
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Por Favor, nao usar esta imagem em sites, blogs ou outro tipo de media sem a minha devida autorização. © Todos os direitos reservados!
...
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved!
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Todas as minhas imagens estao sob possivel processo de venda. Para tal, basta contactar-me via flickrmail ou através de Lipezito.fotografia@gmail.com
Specifically design froma female point of view.
Infinity (symbol: ∞) is a concept in many fields, most predominantly mathematics and physics, that refers to a quantity without bound or end. People have developed various ideas throughout history about the nature of infinity. The word comes from the Latin infinitas or "unboundedness".
In mathematics, "infinity" is often treated as if it were a number (i.e., it counts or measures things: "an infinite number of terms") but it is not the same sort of number as the real numbers. In number systems incorporating infinitesimals, the reciprocal of an infinitesimal is an infinite number, i.e. a number greater than any real number. Georg Cantor formalized many ideas related to infinity and infinite sets during the late 19th and early 20th centuries. In the theory he developed, there are infinite sets of different sizes (called cardinalities).[1] For example, the set of integers is countably infinite, while the set of real numbers is uncountably infinite.
"Infinity"
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Any constructive criticism highly appreciated.
Infinity pool with the length of three times Olympic size, on 57th floor of Marina Sands Bay Hotel, Singapore
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
Back from my looong vacation!
Belated Happy New Year to all!
This was taken at the Infinity Pool at the KC hotel and resort during my week long stint at the island of Koh Samui, Thailand.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Infinity Bench by Carl Fredrik Svenstedt for lerival.
CNC millwork / assembly by Associated Fabrication.
FSC Certified A1 Maple Europly.