View allAll Photos Tagged Infinity
One of the two infinity pools at Maya Ubud. It overlooks the lush, green valleys.
I have this thing for infinity pools.
he Infinity bridge at Stockton. view full size for detail.
www.flickr.com/photos/26501317@N03/4581725284/
a short video of the day
Infinity pool with the length of three times Olympic size, on 57th floor of Marina Sands Bay Hotel, Singapore
It is the year 19981. The third great Blacktron/Space Police war. The Blacktron 1 have built a spy satellite. Crewed only by droids, the Infinity-class Satellite doesn't have any life support, so there is next to no heat when the satellite is stationary.
Weapons: 16 light laser cannons, useful for only taking down incoming missiles.
Infinity-class Satellites also have two engines, and a small FTL engine, but neither are very powerful or fast.
Length: 66 studs
Width: 128 studs
Swooshable: Completely.
I started this not long after finishing the Epsilon Elnath, but life got in the way, and wasn't able to take pictures until now.
My first large Blacktron 1 ship. and if width counts, my first Blacktron 1 SHIP.
Model: Nina/小布
Photographer: Edwin Setiawan
Place: 兒童交通博物館
Date: 2009/04/18
Just about Photography: edwinsetiawan.wordpress.com
Edwin Setiawan Photography: www.edwinsetiawan.com
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
It is the year 19981. The third great Blacktron/Space Police war. The Blacktron 1 have built a spy satellite. Crewed only by droids, the Infinity-class Satellite doesn't have any life support, so there is next to no heat when the satellite is stationary.
Weapons: 16 light laser cannons, useful for only taking down incoming missiles.
Infinity-class Satellites also have two engines, and a small FTL engine, but neither are very powerful or fast.
Length: 66 studs
Width: 128 studs
Swooshable: Completely.
I started this not long after finishing the Epsilon Elnath, but life got in the way, and wasn't able to take pictures until now.
My first large Blacktron 1 ship. and if width counts, my first Blacktron 1 SHIP.
An infinity pool on the rooftop of The Columbus - A Renaissance hotel, where the 2008 IDSA Mideast District conference took place. This was on the 4th floor and surrounded by tall buildings on all sides.
I like how the lines from the various buildings and the rooftop pavers interact in this image.
Current state of my Nomad army for Infinity. Most still have bits to do (guns and fiddly doodads mostly) but they are getting there.
A side view of the Celebrity Infinity docked in St. John's, Antigua (I think) -- Infinity is part of the Millennium class of ships.
2013 Infinity Award Publication winner Cristina De Middel receives her award for "The Afronauts" © Image Singuliere.
Haqqislam Murabid Tuareg Sniper miniature.
Painted for the Infinity 28mm skirmish game, by Corvus Belli.
Infinity pool with the length of three times Olympic size, on 57th floor of Marina Sands Bay Hotel, Singapore
From our Infinity video with Professor Laurence Eaves.
See it at: www.youtube.com/watch?v=VjZyOTES6iQ
All the doodles in this gallery are from the sixtysymbols.com video project and were usually drawn by physicists while they were being filmed.
2013 Infinity Award Lifetime Achievement recipient David Goldblatt receives his award © Image Singuliere.
Infinity is at 89m is number 104 on the super yacht list.She is owned by Eric Smidt and is accompanied by support yacht Intrepid flic.kr/p/2mtUJb8 which at 69m is itself number 281 on the super yacht size list.
See at anchor at Port de Soller, Mallorca
Finished the colour test model for my Infinity Haqqislam squad. She's a standard Ghulam Light Infantry trooper.
Typically, I got kinda carried away and spent longer than intended on her. I just can't help myself!
Quite pleased with the rusted green metal bits on the base, though the photo angle doesn't highlight them particularly.