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The Werregarenstraatje, a pedestrian street in the center of Ghent, is a graffiti-free zone. Officially, tagging is not permitted, but the practice is tolerated. This free zone was created during the 1995 Ghent Festivities for a graffiti project with a limited number of works on the walls. The street was soon renamed “the graffiti street”.
⭐️ Win a challenge on 10/01/25, thema "What is beautiful is not beautiful, but what is liked" - www.flickr.com/groups/1744262@N24/discuss/72157721922128903/
Parc national de la Gaspésie/ National Park
Haute-Gaspésie, Québec
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© Guylaine Bégin. L'utilisation sans ma permission est illégale. /
Use without permission is illegal.
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Every time I see the sea, I feel this indescribable feeling of happiness...
maps.secondlife.com/secondlife/Gaia%20Rising%20MoonIsles/...
Every circle has two extreme points, one of them is the highest of the whole circle and the other is the lowest. Thats how each period in your life starts and ends no matter from each point you begin in the end you will end up in the point you are supposed to begin again. Life always works and will work in infinite circles..
Une des installations les plus marquantes. Se cramponner aux marches pour ne pas plonger dans l'abime.
Leandro Erlich, "Infinite Staircase", 2020. Collection permanente KAMU, Kanazawa, Japon.
"L'artiste nous invite à entrer physiquement dans son trompe-l’œil et joue avec notre peur du vide. Complété par des miroirs, le dispositif crée une mise en abyme dont on ressort étourdi.
"Comment fait-il ? Comment ça marche ?" L'artiste a tout simplement posé l'escalier et sa cage sur le sol, comme si tout un immeuble était tombé sur le côté. Ce faisant, il fait aussi basculer tous nos repères. En supprimant la fonction essentielle de l'escalier - monter et descendre - il crée, par la subversion de nos sens, une œuvre d'art déconcertante."
franceinfo.fr/culture/coups-de-coeur-culture/sept-installations-renversantes-de-leandro-erlich-pour-se-mettre-la-tete-a-l-envers-au-grand-palais_8039894.html
Nature is an infinite sphere whose center is everywhere and whose circumference is nowhere.
Blaise Pascal Quotes
tones: AllEdges
texture: SkeletalMess
This piece of art is called "Oändlig Förändring" (in English "Infinite Change") and is made by artist Oleg Nourpeissov.
After thousands of years of numerous observations, research and experiments, hypotheses and theories - the only thing we certainly know about the universe is that it is changing.
It can be seen in Ängelsberg sculpture park.
Delta del Ebro
Earth Day - 22.04.2009
Canon EF17-40mm f/4L USM + Polarizador circular
Exposure: 160; Aperture: f/8.0; Focal Length: 17 mm; ISO: 100
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#61 on Explore 22-4-2009
A window into endless symmetry, where every step frames another world.
پنجرهای به سوی تقارنی بیپایان؛ جایی که هر پله، جهانی تازه را در قاب میگیرد.
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Lieu : Rajasthan, Inde
Les puits à degrés du Rajasthan, en Inde, sont riches d'une histoire qui remonte à plus de mille ans. Construits à l'origine pour recueillir l'eau de pluie et fournir un accès aux eaux souterraines, ils sont devenus des merveilles architecturales et des espaces communautaires.
Construites en creusant dans la terre, ces structures étaient ornées de sculptures complexes, servant à la fois de symboles utilitaires et esthétiques. Les puits à degrés facilitaient le stockage de l'eau dans les régions arides, crucial pour l'agriculture, la boisson et les rituels. Ils servaient également de points de rencontre, offrant un répit contre la chaleur torride du désert.
Au fil du temps, les puits à degrés ont décliné avec la modernisation, mais leur importance culturelle perdure, inspirant l'art, la littérature et les efforts de conservation. Aujourd'hui, ils sont des rappels poignants de l'ingéniosité de l'Inde en matière de gestion de l'eau et de prouesses architecturales ...
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Location: Rajasthan, India
Stepwells in Rajasthan, India, boasts a rich history dating back over a thousand years. Initially built to harvest rainwater and provide access to groundwater, they evolved into architectural marvels and communal spaces.
Constructed by digging into the earth, these structures were adorned with intricate carvings, serving as both utilitarian and aesthetic symbols. Stepwells facilitated water storage in arid regions, crucial for agriculture, drinking, and rituals. They also served as meeting points, offering respite from the scorching desert heat.
Over time, step-wells declined with modernization, but their cultural significance endures, inspiring art, literature, and conservation efforts. Today, they stand as poignant reminders of India’s ingenuity in water management and architectural prowess ...
credit : Barry Crosthwaite
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Mural by: Daniel Mazzone | Animated by: Benjamin Mitchley
Visitors can download the Artivive app, point their
smartphones at the artwork on the wall mural, and watch the
artist’s creation come into play.
.: Abandoned lunatic asylum somewhere near the sea :.
"Prima della legge Basaglia i manicomi erano poco più che luoghi di contenimento fisico, dove si applicava ogni metodo di contenzione e pesanti terapie farmacologiche e invasive, o l'elettroshock (che viene tuttora utilizzato).
Le intenzioni della legge 180 erano quelle di ridurre le terapie farmacologiche ed il contenimento fisico, instaurando rapporti umani rinnovati con il personale e la società, riconoscendo appieno i diritti e la necessità di una vita di qualità dei pazienti, seguiti e curati da ambulatori territoriali."
Wikipedia.it