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Elephants in the San Diego Zoo have a huge enclosure.
Today, seven elephants live in the Zoo’s Elephant Odyssey habitat. Its features include a state-of-the-art Elephant Care Center, helpful, as the herd is made up of older, non-breeding elephants at this time.
They’re enormous and intelligent, strong and sociable. Humans have been impressed by elephants for centuries, simply because they are so big—a male African elephant can weigh up to 7.5 tons (6.8 metric tons)! They also amaze us with their long and flexible noses, large and flapping ears, and loose, wrinkly skin. There are many stories about elephants—you’ve probably heard of Horton, Babar, and Dumbo. Elephants are one of the best-known animals in the world.
Elephants are large and gray and have big ears and long trunks, right? If all elephants seem the same to you, take a closer look. There are two elephant species that are usually recognized: the African elephant and the Asian elephant. There is some ongoing debate about how many subspecies may exist, or whether some of these might, in fact, be species in their own right. Here are a few ways to tell them apart:
- African elephants have large ears that are shaped like the continent of Africa, both males and females have visible tusks, their skin is very wrinkly, their back is swayed, and the end of their trunk works as if they have two fingers there to help them pick things up. African elephants are the largest mammals on land.
- Asian elephants have smaller ears, usually only the males have visible tusks, their skin is not as wrinkly as African elephants’, they only have one "finger" at the ends of their trunk, and their back is dome-shaped.
Empress and Queenie were the San Diego Zoo’s first elephants, arriving here in 1923 via train from San Francisco. After being led off the train, the two Asian elephants refused to move another step, no matter how much encouragement they received. The Zoo’s founder, Harry Wegeforth, M.D., was there to greet them, and it occurred to him that they were probably used to being ridden, so he climbed up on Empress and another staff member did the same with Queenie, and off they walked from the train station to the Zoo, gathering many astonished looks along the way!
Peaches was the San Diego Zoo’s first African elephant—and she made sure to be a memorable one too. When she arrived in 1953, she was three years old, smart, curious, and, as then ZOONOOZ editor Ken Stott described her, “playful as a quarter-ton kitten.” She had made the journey from Africa to San Diego with keeper Ralph “Gabe” Davis, and they got along famously—at least most of the time. When Gabe gave her breakfast, she would grumble and trumpet at him until he left her alone to eat—apparently, she was not sociable in the morning. She also showed a marked preference for men, even pushing away Zoo Executive Director Belle Benchley when she tried to say hello. Peaches did become more mellow as she grew up, but even as an adult, she still had a way of “flirting” with men while more often than not giving women a cool stare.
Since that time, we've had numerous elephants at our two facilities, and our first elephant birth occurred in 1981. In 1971, Asian elephant Carol became famous by appearing on The Tonight Show with the Zoo’s animal ambassador Joan Embery, to meet Johnny Carson and paint for him while millions watched nationwide!
Elephants have been hunted relentlessly for their tusks (even though they’re made of dentine, the same as our teeth). Elephants are now protected, but poachers still hunt them, and they face other problems, too. Because they are so big and need so much food, they can eat themselves out of “house and home.” Elephants and people often come into conflict as elephant habitats undergo dramatic reductions in size. Asian and African forest elephants are listed as endangered, primarily due to habitat loss and fragmentation. African bush elephants are threatened, primarily due to habitat loss and being poached for their tusks.
Elephants Without Borders has been deploying satellite-monitoring collars on elephants throughout northern Botswana since 2000, having tracked over 90 individual elephants; this is one of the longest and largest elephant movement studies in Africa. Every individual pachyderm has its unique character and intriguing story to his or her own seasonal march, preferred routes, and favored places. Each new elephant fitted with a tracking device provides new information to understand the ecology of these animals. Unpredictable individual ranging behavior coupled with a dynamic, ever-changing environment in Botswana underscore the need for long-term elephant studies. The elephants are tracked from a fixed-wing plane, which allows a visual assessment of collared elephants to determine herd structure and habitat use.
Conservation farming project
In collaboration with San Diego Zoo Global, Elephants Without Borders has established a conservation farming project in the Chobe Enclave in Botswana. This project is developing experimental plots with various methods of keeping elephants away from crops, including farming of specific chili species that are thought to be unpalatable to elephants and may deter them from invading crop areas. Along with aerial survey wildlife counts and satellite-collared elephant data, these projects are essential for developing community-based conservation programs to reduce human-elephant conflict and make better-informed conservation decisions for all.
- See more at: animals.sandiegozoo.org/animals/elephant#sthash.uFZnr8tJ....
THE GLOBE AND MAIL 05 MARCH 2015
The Ringling Bros. and Barnum & Bailey Circus will phase out the show’s iconic elephants from its performances by 2018, telling Associated Press exclusively that growing public concern about how the animals are treated led to the decision.
the pond is looking good
plants include Achilles chives ajuga in both variegated and a purple leaved forms teasels pansy hardy hardy geranium sweet Williams hellebores
Tiffany Designs PROMO:: Mia Valentine Outfit [Mesh] + Lara X
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• Mesh Top
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• Texture HUD Driven
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➣ Compatible with:
➠ LARA X, Petite
➠ MAITREYA, Petite
➠ LEGACY, Perky
➠ BOMBSHELL
➠ REBORN, Waifus
➠ GENX, Curvy
➠ KUPRA
➠ ERIKA
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★ Before buying, please try the free demo.
★ Thank you for shopping at ::TIFFANY DESIGNS:: !
☎ In world assistance if you need additional help - please contact LucyHope.
Tiffany Designs
LM: maps.secondlife.com/secondlife/Hilton%20Villas/232/207/22
Includes 32 quality dance animations, including male pole dancing. 3 land impact with the base, or you can unlink the pole to use by itself and it's only 1 LI. They are copy/mod and have materials on them for added effect in advanced lighting.
There are also several dance sequences set, or just choose the All Dances sequence and it will cycle through all 22 female pole dances in a loop so you can dance and dance and dance!
See also the fantasy version!
Pedro include a church in the mine centre - Parish of out Lady of Loreto
Parroquia de Nuestra Señora de Loreto
Chapel of Our Lady of Loreto.- is situated on the estate of Santa Maria Regla and was built by Don Pedro Romero de Terreros in the second half of the eighteenth century.
The church is preceded by a small courtyard bounded by a fence topped with various arches on the west another fence masonry wall cloth extends to the southwest corner of the court which concludes in a thick quadrangular tenon crowned by a battlement. This fence has a vain semicircular enclosure and an iron gate.
The tower of the church is disproportionate being built in two phases, first in 1766 and the second in 1798.
· ▸ Heart Socks includes:
ㅤㅤ• Customize HUD
ㅤㅤ · Fishnet version
ㅤㅤ · Sheer version
· ▸ Lali Sneakers includes:
ㅤㅤ• Customize HUD
· ▸ Laia Animation Set includes:
ㅤㅤ• 4 Static Poses & Mirrors
ㅤㅤ• 4 Breathing Stands
ㅤㅤ• 4 Breathing Animations
ㅤㅤ• Posestand
· ▸ Elise Animation Set includes:
ㅤㅤ• 4 Static Poses & Mirrors
ㅤㅤ• 4 Breathing Stands
ㅤㅤ• 4 Breathing Animations
ㅤㅤ• Posestand
· ▸ Copy
· ▸ No Modify
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The full Celeste set includes a stand-alone sweater, a suede jacket with an optional built in sweater and stirrup jeans.
Sizes for all are Maitreya, Freya, Legacy and Hourglass.
Sweaters come in 35 colors total in the fatpack
Jackets come in 35 colors with optional sweaters also in 35 colors. Metals and sweaters are color change in all packs.
Jeans come in 20 total colors int he fatpack and include 4 metal color change options in all packs. The jeans are high waist and feature a stirrup style foot strap that will fit most pumps. These have been fitted to work exceptionally well with Garbaggio brand shoes and are pictured with Garbaggio Nicole D'Orsay.
You can get these at Uber now through October 21st.
Includes: EF-76 Nebulon B Escort Frigate, CR-90 Corvette, X-wings, Y-wings, A-wings, U-wings, and Millenium Falcon.
Meant to be Battle of Scarif plus the Falcon. X-Wing modified from I should mention that the X-wing is based off of:
X-Wing: www.flickr.com/photos/27826007@N05/5136533693/in/photolis...
I plan on adding a Hammerhead Corvette and GR-75 in the next few months.
Any criticism/feedback is welcome
Includes teams from O'Gorman, Yankton, Pierre T.F. Riggs, Huron. Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2021 SDPB
++++ from WIKIPEDIA ++++++
Abruzzo (UK: /æˈbrʊtsoʊ/,[5] US: /ɑːˈbruːtsoʊ, əˈ-/; Italian: [aˈbruttso]; Abbrùzze [abˈbruttsə], Abbrìzze [abˈbrittsə] or Abbrèzze [abˈbrɛttsə] in Neapolitan Abruzzese; Aquilano: Abbrùzzu) or Abruzzi is a region of Southern Italy with an area of 10,763 square km (4,156 sq mi) and a population of 1.3 million. It is divided into four provinces: L'Aquila, Teramo, Pescara, and Chieti. Its western border lies 80 km (50 mi) east of Rome. Abruzzo borders the region of Marche to the north, Lazio to the west and south-west, Molise to the south-east, and the Adriatic Sea to the east. Geographically, Abruzzo is divided into a mountainous area in the west, which includes the Gran Sasso d'Italia, and a coastal area in the east with beaches on the Adriatic Sea.
Abruzzo is considered a region of Southern Italy in terms of its culture, language, history and economy, although geographically it may also be considered central.[8] The Italian Statistical Authority (ISTAT) also deems it to be part of Southern Italy, partly because of Abruzzo's historic association with the Kingdom of the Two Sicilies.
Abruzzo is known as "the greenest region in Europe" as almost half of its territory, the largest in Europe,[9] is set aside as national parks and protected nature reserves. There are three national parks, one regional park, and 38 protected nature reserves. These ensure the survival of 75% of Europe's living species, including rare species such as the golden eagle, the Abruzzo (or Abruzzese) chamois, the Apennine wolf and the Marsican brown bear.[10] Abruzzo is also home to Calderone, Europe's southernmost glacier.
The visiting nineteenth-century Italian diplomat and journalist Primo Levi (1853–1917) said that the adjectives "forte e gentile" (strong and kind) best describe the beauty of the region and the character of its people. "Forte e gentile" has since become the motto of the region and its inhabitants.
Provinces and politics
Abruzzo provinces
Provinces
Abruzzo is divided into four administrative provinces:
Province Area (km2) Population Density (inh./km2)
Chieti 2,588 396,190 153.1
L'Aquila 5,034 308,876 61.3
Pescara 1,225 318,701 260.1
Teramo 1,948 308,769 158.5
Politics
History
Human settlements in Abruzzo have existed since at least the Neolithic times. A skeleton from Lama dei Peligni in the province of Chieti dates back to 6,540 BC under radiometric dating.[13] The name Abruzzo appears to be derivative of the Latin word "Aprutium". In Roman times, the region was known as Picenum, Sabina et Samnium, Flaminia et Picenum, and Campania et Samnium.[14] The region was known as Aprutium in the Middle Ages, arising from four possible sources: it is a combination of Praetutium, or rather of the name of the people Praetutii, applied to their chief city, Interamnia, the old Teramo.
Many cities in Abruzzo date back to ancient times. Corfinio was known as Corfinium when it was the chief city of the Paeligni, and later was renamed Pentima by the Romans. Chieti is built on the site of the ancient city of Teate, Atri was known as Adria. Teramo, known variously in ancient times as Interamnia and Teramne, has Roman ruins which attract tourists.
After the fall of the Roman Empire, a string of invasions and rulers dominated the region, including the Lombards, Byzantines, and Hungarians. Between the 9th and 12th centuries, the region was dominated by the popes. Subsequently, the Normans took over, and Abruzzo became part of the Kingdom of Sicily, later the Kingdom of Naples. Spain ruled the kingdom from the sixteenth to the eighteenth centuries. The French Bourbon dynasty took over in 1815, establishing the Kingdom of the Two Sicilies, and ruled until Italian unification (also known as the Risorgimento) in 1860.
Until 1963, Abruzzo was part of the combined Abruzzi e Molise region. The term Abruzzi (plural of Abruzzo) derives from the time when the region was part of the Kingdom of the Two Sicilies. The territory was administered as Abruzzo Citeriore (nearer Abruzzo) and Abruzzo Ulteriore I and II (farther Abruzzo I and II) from Naples, the capital of the kingdom.[14] Abruzzo Citeriore is now Chieti province. Teramo and Pescara provinces now comprise what was Abruzzo Ulteriore I. Abruzzo Ulteriore II is now the province of L'Aquila.
In the twentieth century, war had a great impact on the region. During the Second World War, Abruzzo was on the Gustav Line, part of the German's Winter Line. One of the most brutal battles was the Battle of Ortona. Abruzzo was the location of two prisoner of war camps, Campo 21 in Chieti,[18] and Campo 78 in Sulmona. The Sulmona camp also served as a POW camp in World War 1; much of the facility is still intact and attracts tourists interested in military history.
Geography
Geographically, Abruzzo is located in central Italy and southern Italy, stretching from the heart of the Apennines to the Adriatic Sea, and includes mainly mountainous and wild land. The mountainous land is occupied by a vast plateau, including Gran Sasso, at 2,912 metres (9,554 ft) the highest peak of the Apennines, and Mount Majella at 2,793 metres (9,163 ft). The Adriatic coastline is characterized by long sandy beaches to the North and pebbly beaches to the South. Abruzzo is well known for its landscapes and natural environment, parks and nature reserves, characteristic hillside areas rich in vineyards and olive groves, and one of the highest densities of Blue Flag beaches.
Climate
The Abruzzo region has two types of climate that are strongly influenced by the Apennine Mountains, dividing the climate of the coastal and sub-Apennine hills from the interior's high mountain ranges. Coastal areas have a Mediterranean climate with hot dry summers and mild winters and rainy hills with a sublittoral climate where temperatures decrease progressively with increasing altitude and precipitation with altitude. Precipitation is also strongly affected by the presence of the Apennines mountain ridges of the region; it increases with the proportion being more abundant in the field and on the slopes exposed to the west, instead of decreasing towards the east and east-facing slopes. Often the Adriatic coast are sidelined rainfall from the west to the barrier effect of the Apennines undergoing the action of gentle winds descending from it (or Libeccio).[21] The minimum annual rainfall, however, is found in some inland valleys, sheltered from much disturbance to the blocking action of mountain ridges, such as the Peligna Valley, or the valley of the river Tirino, which in some places (Ofena, Capestrano) showed barely 500 millimetres (19.7 inches), and not along the coast where it never falls below 600 millimetres (23.6 inches); for if Teramo is relatively little watered by rain (Teramo less than 800 millimetres (31.5 inches)), the metre is exceeded in Chieti, reaching maximum levels in the Adriatic, while between Ortona and Vasto in Costa dei Trabocchi decrease again.[21] The highest rainfall occurs in upland areas on the border with Lazio; they are especially vulnerable to Atlantic disturbances. Around 1,500 to 2,000 millimetres (59 to 79 inches) of precipitation is typical (Pescara in 2010 showed a value close to 2,800 millimetres (110.2 inches)).
Flora and fauna
As with many Mediterranean regions, Abruzzo's vegetation is characterized by different Mediterranean ecosystems. The coast and the surrounding areas are characterized by the presence of typical plants of Mediterranean shrubland, such as myrtle, heather and mastic, while in the hilly areas other species grow, including olive, pine, willow, oak, poplar, alder, arbutus, broom, acacia, capers, rosemary, hawthorn, licorice and almond trees, interspersed with oak trees. At elevations between 600 and 1,000 metres (2,000 and 3,300 ft) there is sub-montane vegetation, mainly characterized by mixed forests of oak and turkey oak, maple and hornbeam; shrubs include dog rose and red juniper. Elevations between 1,000 and 1,900 metres (3,300 and 6,200 ft) are dominated by beech trees. In the Apennine Mountains at elevations above 2,000 metres (6,600 ft) species include alpine orchid, mountain juniper, silver fir, black cranberry and the Abruzzo edelweiss.
The fauna of Abruzzo is highly varied, including the region's symbol, the Abruzzo chamois (Rupicapra pyrenaica ornata), which has recovered from near-extinction. Animals typical of this region include: marsican brown bear, along with Italian wolf, deer, lynx, roe deer, snow vole, fox, porcupine, wild cat, wild boar, badger, otter, and viper.
The natural parks of the region include the Abruzzo National Park, the Gran Sasso and Monti della Laga National Park,[24] the Maiella National Park and the Sirente-Velino Regional Park, as well as many other natural reserves and protected areas.
Economy
Until a few decades ago, Abruzzo was a region of poverty in Southern Italy; over the past decades, however, it has developed to such an extent that it has escaped from the spiral of underdevelopment to become the 'first' region of the 'Italian Mezzogiorno'. This confirms its pivotal role in the national economic system. Since the 1950s, Abruzzo has had steady economic growth. In 1951, Abruzzo per capita income or GDP was 53% of that of Northern Italy, the nation's richest region. By 1971, Abruzzo was at 65% and, by 1994, per capita income was at 76% of Northern Italy's per capita income, giving Abruzzo the highest per capita GDP of Southern Italy and surpassing the growth of every other region of Italy. The construction of autostrade (motorways) from Rome to Teramo (A24) and Rome to Pescara (A25) opened Abruzzo to easy access. State and private investment in the region increased, and Abruzzo attained higher per capita education levels and greater productivity growth than the rest of the South. As of 2003, Abruzzo's per capita GDP was €19,506 or 84% of the national average of €23,181 and well outpacing that of the South (€15,808). The region's average GDP per capita was approximately 20,100 EUR.
The 2009 L'Aquila earthquake led to a sharp economic slowdown. However, according to statistics at the end of 2010, it seems that the economy of Abruzzo is recovering, despite the negative on regarding employment.[28] In fact, at the end of 2010, Abruzzo's growth was 1.47%, which placed it fourth among the Italian regions with the highest annual growth rates after Lazio, Lombardy and Calabria.[30] In 2011 Abruzzo's economic growth was +2.3%, the highest percentage among the regions of Southern Italy.[31] The region is also the richest region of Southern Italy, with a GDP per capita of €25,700.[21]
Travel poster from the 1920s.
Abruzzo's industrial sector expanded rapidly, especially in mechanical engineering, transportation equipment and telecommunications. The structure of production in the region reflects the transformation of the economy from agriculture to industry and services. Although industry has developed strongly, it retains weak points due to the existence of only a few large businesses alongside a huge fabric of small and medium-sized businesses. Both pure and applied research are carried out in the region, where there are major institutes and factories involved in research in the fields of pharmaceutics, biomedicine, electronics, aerospace and nuclear physics. The industrial infrastructure is spread throughout the region in industrial zones. The most important of these are: Val Pescara, Val Sangro, Val Trigno, Val Vibrata and Conca del Fucino. A further activity worthy of note is seaside and mountain tourism, which is of considerable importance to the economy of the region.[33] Agriculture, involving small holdings, has succeeded in modernising and offering high-quality products. The mostly small, agricultural holdings produce: wine, cereals, sugar beet, potatoes, olives, vegetables, fruit and dairy products. Traditional products are saffron and liquorice. Most famous in the world is Abruzzo's wine Montepulciano d'Abruzzo; in the late 20th and early 21st century, Montepulciano d'Abruzzo earned a reputation as being one of the most widely exported DOC classed wine in Italy.[34]
In the past decade, tourism has increased, in particular by internal and European arrivals. Abruzzo is world-famous for its wildlife parks (Abruzzo National Park, Gran Sasso and Monti della Laga National Park, Maiella National Park) and regional park (Sirente Velino), and 38 protected areas between oasis, regional reserves, and state reserves. The inland mountainous region contains several ski resorts, and coastal tourism is also well-developed, in particular, the Trabocchi Coast. Abruzzo's castles and medieval towns, especially around the town of L'Aquila, have earned it in some quarters the nickname of "Abruzzoshire", by analogy with the "Chiantishire", nickname sometimes used to refer to the Chianti area of Tuscany, but Abruzzo is still off the beaten path for most visitors to Italy.[35]
Chieti
Although the population density of Abruzzo has increased over recent decades, it is still well below the Italian national average: in 2008, 123.4 inhabitants per km2, compared to 198.8. In the provinces, the density varies: as of 2008 Pescara is the most densely populated with 260.1 inhabitants per km2, whereas L'Aquila is the least densely populated with 61.3 inhabitants per km2, although it has the largest area. After decades of emigration from the region, the main feature of the 1980s is immigration from third world countries. The population increase is due to the positive net migration. Since 1991 more deaths than births were registered in Abruzzo (except for 1999, when their numbers were equal).[36] In 2008, the Italian national institute of statistics ISTAT estimated that 59,749 foreign-born immigrants live in Abruzzo, equal to 4.5% of the total regional population.
The most serious demographic imbalance is between the mountainous areas of the interior and the coastal strip. The largest province, L'Aquila, is situated entirely in the interior and has the lowest population density. The movement of the population of Abruzzo from the mountains to the sea has led to the almost complete urbanization of the entire coastal strip especially in the province of Teramo and Chieti. The effects on the interior have been impoverishment and demographic aging, reflected by an activity rate in the province of L'Aquila which is the lowest among the provinces in Abruzzo – accompanied by geological degradation as a result of the absence of conservation measures. In the coastal strip, however, there is such a jumble of accommodations and activities that the environment has been negatively affected. The policy of providing incentives for development has resulted in the setting-up of industrial zones, some of which (Vasto, Avezzano, Carsoli, Gissi, Val Vibrata, Val di Sangro) have made genuine progress, while others (Val Pescara, L'Aquila) have run into trouble after their initial success. The zones of Sulmona and Guardiagrele have turned out to be more or less failures. Outside these zones, the main activities are agriculture and tourism.
Main settlements
L'Aquila is both the capital city of the Abruzzo region and of the Province of L'Aquila and second largest city (pop. 73,000). L'Aquila was hit by an earthquake on 6 April 2009, which destroyed much of the city centre. The other provincial capitals are Pescara, which is Abruzzo's largest city and major port (pop. 123,000); Teramo (pop. 55,000) and Chieti (pop. 55,000). Other large municipalities in Abruzzo include the industrial and high tech center Avezzano (pop. 41,000), as well as three important industrial and touristic centers such as Vasto (pop. 40,636), Lanciano (pop. 36,000), and Sulmona (pop. 25,000).
Transport
Airports
Abruzzo International Airport is the only international airport in the region. Open to civilian traffic since 1996, the number of passengers has increased over the years because of low-cost air carriers' use of the facility. Today, the airport has a catchment area of over 500,000 passengers annually and connects the city of Pescara and the entire region with many Italian and Europe destinations.
L'Aquila-Preturo Airport is located in the nearby village of Courts and was recently renovated and modernized to accommodate presidential flights for G8 activities.
Ports
There are four main ports in Abruzzo: Pescara, Ortona, Vasto and Giulianova.
Over the years the Port of Pescara became one of the most important tourist ports of Italy and the Adriatic Sea. Heavily damaged in World War II, it underwent some sixty years of major restoration and was reborn as a modern marina with advanced moorings and shipbuilding facilities. It has been honored with the European Union's blue flag for the quality of services offered. The port of Pescara has lost passenger traffic because of its shallowness and silting, but its fishery and aquaculture activities are thriving.[38]
Railways
There is a significant disparity between the railways of the Abruzzo coast and the inland areas, which badly need modernization to improve the service, in particular, the Rome-Pescara line.
Existing railway lines:
Adriatic railway runs through the whole of Italy from north to south, along the Adriatic Sea.
Train Rome – Sulmona – Pescara
Sulmona – Carpinone
Sulmona–Terni railway
Avezzano railroad – Roccasecca
Giulianova – Teramo
Sangritana (Lanciano – Castel di Sangro)
Highways
There are three highways that serve the region:
Highway A24 Rome – L'Aquila – Teramo, was built in the 1970s and connects Rome with Lazio and more specifically to the Abruzzo Teramo via L'Aquila. It performs an important liaison function of the region, both Tyrrhenian to the Adriatic, due to the presence of several interchanges of connecting roads and highways. The Gran Sasso tunnel, the longest road tunnel entirely on Italian territory, was opened in 1984. It connects L'Aquila and Teramo on the A24 making the northern Abruzzo coast reachable within two hours from Rome.
Highway A25 Turin – Avezzano – Pescara makes the connection between Rome and Pescara. The road running out of Turin begins its journey where it branches off the A24, runs into the Conca del Fucino, crosses the Abruzzo Apennines, comes to the valley of Peligna, and ends at the exit for Pescara-Villanova to join the A14.
Motorway A14 Bologna – Taranto known as the A14 "Adriatica", includes 743 km (461.68 mi) of road, including lengths in the cities of Bologna and Taranto. Opened to traffic in 1965, it is now a major tourist road, running through the coastal towns of Emilia Romagna, Marche, Abruzzo, Molise, and Apulia.
Culture
Castel del Monte, one of Abruzzo's little-known hill towns
Gabriele d'Annunzio from Pescara
Abbazia di San Liberatore a Majella (Serramonacesca)
Ovid from Sulmona
Cathedral of San Giustino (Chieti)
Fishing trabucco of San Vito Chietino
The museum Museo Archeologico Nazionale d'Abruzzo in Chieti houses the famed warrior statue Warrior of Capestrano which was found in a necropolis from 6th century B.C. Of cultural importance are: Teramo Cathedral, its archeological museum and Roman theater, the Castello della Monica, the Collurania-Teramo Observatory, the famous L'Aquila Basilica of Santa Maria di Collemaggio (which holds the remains of Pope Celestine V), the Museo Nazionale d'Abruzzo, Santa Maria del Suffragio, the Forte Spagnolo, the Fountain of 99 Spouts, Gabriele D'Annunzio's house in Pescara, Campli's Scala Sancta and its church, the church of Santissima Annunziata in Sulmona, the cathedrals of Chieti, Lanciano, Guardiagrele, Atri and Pescara along with the castles of Ortona, Celano and Ortucchio.
Every 28–29 August, L'Aquila's Santa Maria di Collemaggio commemorates the Perdonanza Celestiniana, the indulgence issued by Pope Celestine V to any who, "truly repentant and confessed" would visit that Church from the Vespers of the vigil to the vespers of 29 August.[39] Sulmona's Holy Week is commemorated with traditional celebrations and rituals, such as 'La Madonna che Scappa in Piazza', where a large statue of the Madonna, carried by a group of Sulmonesi part of Confraternities, is taken through the square towards her resurrected Son.[40] Cocullo, in the province of L'Aquila, holds the annual 'Festa dei serpari' (festival of snake handlers) in which a statue of St. Dominic, covered with live snakes, is carried in a procession through the town; it attracts thousands of Italian and foreign visitors. In many Abruzzo villages, Anthony the Great's feast is celebrated in January with massive and scenic bonfires.[41] In the past, the region of Abruzzo was well known for the transumanza, the migratory movement of sheep principally south to the region of Puglia during the cold winter months.[42] The Feast of St. Biagio, protector of wool dealers, is the most widespread in Abruzzo. On the third of February in Taranta Peligna every year since the sixteenth century an evocative ritual is carried out, entailing the distribution of panicelle, which are small loaves made of flour and water, in the shape of a blessing hand, which are distributed to the faithful.
Historical figures include: the Roman orator Asinius Pollio; Latin poets Sallust and Ovid, who were born in L'Aquila and Sulmona respectively, Gaius Cassius Longinus, Roman senator and leading instigator of the plot to kill Julius Caesar; and Pontius Pilate, who was born in the province of Teramo and is best known for authorizing the crucifixion of Jesus. Abruzzo's religious personalities include Saint Berardo; John of Capistrano, who led a crusade against the Ottoman Empire; Thomas of Celano, author of three hagiographies about Saint Francis of Assisi; and Alessandro Valignano, who introduced Catholicism to the Far East and Japan. The Polish Pope John Paul II loved the mountains of Abruzzo, where he would retire often and pray in the church of San Pietro della Ienca. When he died, Cardinal Stanislaw Dziwisz, gave the local Abruzzo community some of the late pontiff's blood as a token of the love he had felt for the mountainous area.[43] The greatest Italian poet of the 20th century Gabriele D'Annunzio was from Pescara; other notable Abruzzo personalities in the field of humanities include: poet Ignazio Silone, director Ennio Flaiano who co-wrote La dolce vita, philosopher Benedetto Croce, composer Sir Paolo Tosti and the sculptor Venanzo Crocetti.
American artists and celebrities such as: Madonna, Dean Martin, Bradley Cooper, Perry Como, Henry Mancini, Nancy Pelosi, Rocky Marciano, Rocky Mattioli, Bruno Sammartino, Mario Batali, John and Dan Fante, Tommy Lasorda, Dan Marino, Mario Lanza, Garry Marshall, Penny Marshall, Al Martino, Ariana Grande and Canadian Michael Bublé have Abruzzo origins.
Some international movies shot in Abruzzo include The American, Jean-Jacques Annaud's The Name of the Rose, Fellini's La Strada and I Vitelloni, Schwarzenegger's Red Sonja, Ladyhawke, King David, Francesco, Keoma, The Barbarians, The Fox and the Child and Krull.
Medieval and Renaissance hill towns
The fortress of Civitella is the most visited monument in Abruzzo
For most of its history, a large number of the Abruzzese people have been hill people, often working as shepherds in mountainous areas, or establishing hill towns, especially in the parts of Abruzzo further from the Adriatic coast.[citation needed] Before the 2009 earthquake, Abruzzo was the region with the highest number of castles and hill towns in Italy, but it still holds many of Italy's best-preserved medieval and Renaissance hill towns, twenty-three of which are among The Most Beautiful Villages in Italy.[44] These awards are not only for aesthetic beauty but also for art and culture, historical importance and livability.
The abrupt decline of Abruzzo's agricultural economy in the early to mid-20th-century saved some of the region's historic hill towns from modern development. Many lie entirely within regional and national parks. Among the most well preserved are Castel del Monte and Santo Stefano di Sessanio, which lie in the Gran Sasso National Park on the edge of the high plain of Campo Imperatore and nestled beneath the Apennines' highest peaks. Both hill towns, which were ruled by the Medicis for over a century-and-a-half, have relatively little tourism. Between the two towns sits Rocca Calascio, the ruin of an ancient fortress popular with filmmakers. Both Monteferrante and Roccascalegna are two of the most representative Abruzzo villages in the province of Chieti. Within the Gran Sasso National Park is also found Castelli, an ancient pottery center whose artisans produced ceramics for most of the royal houses of Europe.
Civitella del Tronto played a crucial role in the history of the unification of Italy. The fortress of Civitella is the most visited monument in the Abruzzo region today.[45] Other medieval hill towns located fully within Abruzzo's park system are Pacentro in the Maiella National Park and Pescasseroli in the Abruzzo National Park. Pacentro, which features a 14th-century castle with two intact towers, has been little touched by modernisation. The Shrine of Gabriel of Our Lady of Sorrows, in the province of Teramo, which attracts some two million visitors per year, is one of the 15 most-visited sanctuaries in the world.[46] Capestrano, a small town in the province of L'Aquila, is the hometown of Saint John of Capistrano, Franciscan friar and Catholic priest, as well as the namesake of the Franciscan missions San Juan Capistrano in Southern California, the mission Mission San Juan Capistrano (Texas) and the city of San Juan Capistrano in Orange County. Giulianova is a notable example of a Renaissance "ideal city."
The proximity to Rome, the protected natural reserves and landscapes which make the region one of the greenest in Europe, the presence of some of the most beautiful Italian villages, its rich and heterogeneous gastronomy, along with a long history of deep-rooted local tradition and authentic Italian culture, make Abruzzo fifth among Italian regions for tourist visits after Calabria, Marche, Sardinia and Trentino. In 2010, visitors included 6,381,067 Italians and 925,884 foreign tourists.
In 2015, the American organization Live and Invest Overseas included Abruzzo on its list of World's Top 21 Overseas Retirement Havens. The study was based on such factors as climate, infrastructure, health care, safety, taxes, cost of living and more. In 2017 the Chamber of Commerce of Pescara presented Abruzzo region to the Annual conference of Live and Invest Overseas in Orlando (USA). One year later, in October 2018, Live and Invest Overseas held its first conference in Abruzzo.
Universities
There are three universities in the Abruzzo region:
University of L'Aquila
D'Annunzio University of Chieti–Pescara
University of Teramo
Harvard University bases an intensive summer Italian language and culture program in Vasto, a resort town on Abruzzo's southern coast.
Science
Between the province of Teramo and L'Aquila, under the Gran Sasso Tunnel, is the Laboratori Nazionali del Gran Sasso (LNGS) of the INFN, one of the three underground astroparticle laboratories in Europe.
The Istituto Zooprofilattico Sperimentale dell'Abruzzo e del Molise "Giuseppe Caporale", which conducts research in veterinary and environmental public health, is located in Teramo.
The Gran Sasso Science Institute, located in L'Aquila, is an advanced research institute which offers doctorates in astroparticle physics, computer science, and mathematics as well as urban studies and regional science, and which also conducts scientific research.
Sports
Interamnia World Cup, the largest international youth handball competition worldwide, takes place yearly in Teramo.[51]
There are several football clubs in Abruzzo. Delfino Pescara 1936 is a Serie B club; based in Pescara, its home stadium is Stadio Adriatico – Giovanni Cornacchia.
Dialects
The regional dialects of Abruzzo include Teramano, Abruzzese Orientale Adriatico and Abruzzese Occidentale. The first two form part of the dialect of southern Italy also known simply as "Neapolitan" since the region has been part of the Kingdom of Naples and the Kingdom of the Two Sicilies, while Aquilano is related to the Central Italian dialects including Romanesco. The dialects spoken in the Abruzzo region can be divided into three main groups:
Sabine dialect, in the province of L'Aquila (central Italian dialects)
Abruzzo Adriatic dialect, in the province of Teramo, Pescara and Chieti, that is virtually abandoned in the province of Ascoli Piceno (southern Italian dialects)
Abruzzo western dialect, in the province of L'Aquila (southern Italian dialects)
Cuisine
Renowned for its variety and richness due to the heterogeneity of its territory, Abruzzo's cuisine is among the best in Italy. In 2013 an Italian organization Confesercenti survey of foreign tourists showed that Abruzzo is the best Italian region to eat in. Both the agricultural and coastal aspects of Abruzzo have contributed to its cuisine. Due to the mountains, much of Abruzzo was isolated from international influence until the 20th century. As a result, the region's cuisine remained unique.
Popular dishes
One of the most popular regional dishes is spaghetti alla chitarra which is made by pressing or cutting pasta through a chitarra, an implement to form long thin noodles similar to spaghetti. The pasta is served with a tomato-based sauce, often flavored with peppers, pork, goose, or lamb. This dish is complemented by regional side dishes, such as the bean and noodle soup, sagne e fagioli. This soup is traditionally flavored with tomatoes, garlic, oil, and peperoncini. In terms of common ingredients, cuisine in Abruzzo often includes:
Lamb and mutton, primarily in the mountains.[54] Sheep's milk (or ricotta) is an important source of Abruzzese cheese, and lamb intestines are used as sausage casing or for stuffed meat rolls.[54][55] Mountain goat meat is also common in Abruzzo.
Truffles and mushrooms, particularly wild mushrooms from the forests and hills
Garlic, especially red garlic
Rosemary
Hot chili pepper or peperoncini, regionally known as diavolilli or diavoletti, is common in Abruzzese cuisine and often used to add spice to dishes. Abruzzo residents are well known for frequently adding peperoncini, or hot peppers, to their meals.
Vegetables such as lentils, grasspeas and other legumes, artichoke, eggplant, and cauliflower[54][55][56][57]
Other popular dishes include:
Gnocchi carrati, flavored with bacon, eggs and pecorino cheese
Scrippelle, a rustic French-style crêpe served either mbusse (a type of soup) or used to form a sort of soufflé with some ragù and stuffed with chicken liver, meatballs, hard-boiled eggs, and cheese
Pastuccia, a polenta stew with sausage, eggs, and cheese
Across the region, roast lamb is enjoyed in several variations. Some of these variations include:
Arrosticini, a skewered lamb dish
Pecora al cotturo, lamb stuffed with a variety of mountain herbs and cooked in a copper pot
Lamb cooked whole in a bread oven
Agnello cacio e ovo, a lamb-based fricassee
Mazzerella: lamb intestines stuffed with lamb, garlic, marjoram, lettuce, and spices
Le virtù: a soup from Teramo filled with legumes, vegetables and pork, usually eaten in the spring at celebrations
Timballo abruzzese: lasagna-like dish with pasta sheets (scrippelle) layered with meat, vegetables and rice; often served for Christmas and Easter[58]
Porchetta abruzzese: moist boneless-pork roast, slow-roasted with rosemary, garlic, and pepper[58]
Seafood is also popular, especially in coastal areas. The variety of fish available to the area has resulted in several fish-based Brodetti (broths), coming from such places as Vasto, Giulianova, and Pescara. These broths are often made by cooking fish, flavored with tomatoes, herbs, and peperoncino, in an earthenware pot. Rustic pizzas are also very common. Some of these are:
Easter Pizza, a rustic cake with cheese and pepper from the Teramo area
Fiadoni from Chieti, a dough of eggs and cheese well risen, cooked in the oven in a thin casing of pastry
A rustic tart pastry filled with everything imaginable: eggs, fresh cheeses, ricotta, vegetables, and all sorts of flavorings and spices.
Also from Teramo are the spreadable sausages flavored with nutmeg, and liver sausages tasting of garlic and spices. The ventricina from the Vasto area is made with large pieces of fat and lean pork, pressed and seasoned with powdered sweet peppers and fennel all encased in the dehydrated stomach of the pig itself. Atri and Rivisondoli are famous for cheeses. Mozzarella, either fresh or seasoned, is made from ewe's milk, although a great number of lesser known varieties of these cheeses can be found all over Abruzzo and Molise.
Sweets
The Abruzzo's sweets are world-famous and include:
Confetti, sugar-coated almonds, from Sulmona
Torrone Nurzia, a chocolate nougat from L'Aquila
Parrozzo , a cake-like treat made from a mixture of crushed almonds, and coated in chocolate.
Ferratelle (also known as Pizzelle). A wafer cookie, often flavored with anise
Croccante, a type of nougat made from almonds and caramelized suger, often flavored with lemon[59]
A Montepulciano d'Abruzzo wine labelled as being made from old vines.
Olive oil
The extra-virgin olive oil produced in Colline Teramane (Teramo hills) is marked by the DOP.[60]
The region has several cultivars that includes Carboncella, Dritta (Dritta Francavillese and Dritta di Moscufo), Gentile del Chieti, Nostrana (Nostrana di Brisighella), and Sargano olive cultivars.[61]
Wines and liquors
Renowned wines like Montepulciano DOCG and Trebbiano d'Abruzzo DOC are judged to be amongst the world's finest.[62] In 2012, a bottle of Trebbiano d'Abruzzo ranked No. 1 in the top 50 Italian wine awards.[63] In recent decades these wines have been joined, particularly, by wines from lesser known (heritage) white grapes, such as, Pecorino, Cococciola, Passerina, Montonico Bianco and Fiano.[64]
The region is also well known for the production of liquors such as Centerbe, Limoncello, Ratafia and Genziana.
Common names include ragwort, common ragwort, stinking willie, tansy ragwort, benweed, St. James-wort, ragweed, stinking nanny/ninny/willy, staggerwort, dog standard, cankerwort, stammerwort, mare's fart and cushag. In the western United States it is generally known as tansy ragwort, or tansy, though its resemblance to the true tansy is superficial.
Nyala
Kruger National Park is one of the largest game reserves in Africa. It covers an area of 19,485 km2 (7,523 sq mi) in the provinces of Limpopo and Mpumalanga in northeastern South Africa, and extends 360 km (220 mi) from north to south and 65 km (40 mi) from east to west. The administrative headquarters are in Skukuza. Areas of the park were first protected by the government of the South African Republic in 1898, and it became South Africa's first national park in 1926.
To the west and south of the Kruger National Park are the two South African provinces of Limpopo and Mpumalanga. In the north is Zimbabwe, and to the east is Mozambique. It is now part of the Great Limpopo Transfrontier Park, a peace park that links Kruger National Park with the Gonarezhou National Park in Zimbabwe, and with the Limpopo National Park in Mozambique.
The park is part of the Kruger to Canyons Biosphere an area designated by the United Nations Educational, Scientific and Cultural Organization (UNESCO) as an International Man and Biosphere Reserve (the "Biosphere").
The park has nine main gates allowing entrance to the different camps.
(Wikipedia)
The lowland nyala or simply nyala (Tragelaphus angasii), is a spiral-horned antelope native to southern Africa. It is a species of the family Bovidae and genus Tragelaphus, previously placed in genus Nyala. It was first described in 1849 by George French Angas. The body length is 135–195 cm (53–77 in), and it weighs 55–140 kg (121–309 lb). The coat is maroon or rufous brown in females and juveniles, but grows a dark brown or slate grey, often tinged with blue, in adult males. Females and young males have ten or more white stripes on their sides. Only males have horns, 60–83 cm (24–33 in) long and yellow-tipped. It exhibits the highest sexual dimorphism among the spiral-horned antelopes. It is not to be confused with the endangered mountain nyala living in the Bale region of Ethiopia).
The nyala is mainly active in the early morning and the late afternoon. It generally browses during the day if temperatures are 20–30 °C (68–86 °F) and during the night in the rainy season. As a herbivore, the nyala feeds upon foliage, fruits and grasses, and requires sufficient fresh water. A shy animal, it prefers water holes rather than open spaces. The nyala does not show signs of territoriality, and individuals' areas can overlap. They are very cautious creatures. They live in single-sex or mixed family groups of up to 10 individuals, but old males live alone. They inhabit thickets within dense and dry savanna woodlands. The main predators of the nyala are lion, leopard and African wild dog, while baboons and raptorial birds prey on juveniles. Mating peaks during spring and autumn. Males and females are sexually mature at 18 and 11–12 months of age respectively, though they are socially immature until five years old. After a gestational period of seven months, a single calf is born.
The nyala's range includes Malawi, Mozambique, South Africa, Eswatini, Zambia, and Zimbabwe. It has been introduced to Botswana and Namibia, and reintroduced to Eswatini, where it had been extinct since the 1950s. Its population is stable, and it has been listed as of least concern by the International Union for Conservation of Nature. The principal threats to the species are poaching and habitat loss resulting from human settlement. The males are highly prized as game animals in Africa.
Taxonomy and naming
The nyala was first described by George French Angas, an English naturalist, in 1849. The scientific name of nyala is Tragelaphus angasii. The name angasii is attributed to Angas, who said that John Edward Gray had named this species after Angas' father, George Fife Angas of South Australia. According to Article 50.1.1 of the International Code of Zoological Nomenclature and International Commission on Zoological Nomenclature, though, this is insufficient to state Gray as the author. The name "nyala" is the Tsonga name for this antelope, which is likely the source of the English, along with Zulu inyala. Its first known use was in 1899. The word has a Bantu origin, similar to the Venda word dzì-nyálà (nyala buck).
The nyala is the second taxon to branch off from the tragelaphine family tree just after the lesser kudu. As the nyala line has remained separate for a considerable time (over 5 million years), some authorities have placed it in its own monotypic genus Nyala. Nyala was proposed in 1912 by American zoologist Edmund Heller, who also proposed Ammelaphus for the lesser kudu, but it was not widely recognized. It was re-erected as a valid genus in 2011 under the classification of Peter Grubb and Colin Groves, but has not been embraced by taxonomic authorities such as the Mammal Diversity Database.
In 2005, Sandi Willows-Munro (of the University of KwaZulu-Natal) and colleagues carried out a mitochondrial DNA analysis of the nine Tragelaphus species. Mitochondrial DNA and nuclear DNA data were compared. The results showed the tribe Tragelaphini to be monophyletic, with the lesser kudu (T. imberbis) basal in the phylogeny, followed by the nyala. On the basis of mitochondrial data, studies have estimated that the lesser kudu separated from its sister clade around 13.7 million years ago. However, nuclear DNA data shows lesser kudu and nyala forming a clade, which collectively separated from the sister clade 13.8 million years ago.
Genetics and evolution
The nyala has 55 male chromosomes and 56 female chromosomes. The Y chromosome has been translocated onto the 14th chromosome, as in other tragelaphids, but no inversion of the Y chromosome occurs. Cranial studies have shown that the mountain nyala and nyala, though sharing a common name, are actually distant relatives.
Fossil evidence suggests that the nyala has been a separate species since the end of the Miocene (5.8 million years ago). Genetic evidence suggests that the proto-nyala had some early hybridization with the proto-lesser kudu, but the two have remained separate long after this crossing.
Physical description
The nyala is a spiral-horned and middle-sized antelope, between a bushbuck and a kudu. It is considered the most sexually dimorphic antelope.[The nyala is typically between 135–195 cm (53–77 in) in head-and-body length. The male stands up to 110 cm (43 in), the female is up to 90 cm (3.0 ft) tall. Males weigh 98–125 kg (216–276 lb), while females weigh 55–68 kg (121–150 lb). Life expectancy of the nyala is about 19 years.
The coat is rusty or rufous brown in females and juveniles. It grows a dark brown or slate grey in adult males, often with a bluish tinge. Females and young males have ten or more white vertical stripes on their sides. Other markings are visible on the face, throat, flanks and thighs. Stripes are very reduced or absent in older males. Both males and females have a white chevron between their eyes, and a 40–55 cm (16–22 in) long bushy tail white underside. Both sexes have a dorsal crest of hair running right from the back of the head to the end of the tail. Males have another line of hair along the midline of their chest and belly.
Only the males have horns. Horns are 60–83 cm (24–33 in) long and yellow-tipped. There are one or two twists.The spoor is similar to that of the bushbuck, but larger. It is 5–6 cm (2.0–2.4 in) long. The feces resemble round to spherical pellets. The nyala has hairy glands on its feet, which leave their scent wherever it walks.
The condition of the nyala often varies between the sexes. According to a study, this can be attributed to the differences in their body sizes. It was noted that during nutritional stress, old adults died in more numbers, of which most were males. During an attempt of blood sampling in the nyala, it was found that Vitamin E levels varied during stress.
Parasites
A study of the helminths from 77 nyalas from four game reserves in Natal revealed the presence of ten nematode species and four nematode genera, a trematode species and paramphistomes (members of superfamily Paramphistomoidea), and two cestode genera. The research discovered new parasites that the nyala was host of - namely a Cooperia rotundispiculum race, Gaigeria pachyscelis, a Gongylonema species, Haemonchus vegliai, Impalaia tuberculata, an Oesophagostomum species, a Setaria species, Trichostrongylus deflexus, Trichostrongylus falculatus, the larval stage of a Taenia species, a Thysaniezia species and Schistosoma mattheei. Ostertagia harrisi and C. rotundispiculum were the most dominant nematodes in the antelope.
Another study of 97 blood samples of South African nyalas revealed the presence of tick-borne hemoparasites (blood parasites). The methods used were polymerase chain reaction (PCR) and reverse line blot (RLB) hybridization. The dominant parasites were Theileria species, T. buffeli, T. bicornis, Ehrlichia species, Anaplasma marginale and A. bovis. Ten tick species, two louse species and a louse fly species were recovered in a study of 73 nyalas at Umfolozi, Mkuzi and Ndumu Game Reserves in northeastern KwaZulu-Natal in 1983 and 1984 and an additional six individuals in 1994. It was found that nyalas were hosts to all stages of development in Boophilus decoloratus, Rhipicephalus appendiculatus and R. muehlensi and the immature stages of Amblyomma hebraeum and Rhipicephalus maculatus. Adult males served hosts to more number of ticks and lice than adult females did. Also, a trypanosome was isolated from a nyala, wild-caught in Mozambique, which was diagnosed and found as akin to Trypanosoma vivax, based on biological, morphological and molecular data.
Diseases
The nyala can also suffer from myopathy. In between January 1973 and June 1981, 21 nyalas succumbed to the disease. The main symptoms were stiffness, inability to rise, and failure to suckle in newborns. Necrosis (that is, the premature death of cells in a living tissue) and mineralization were found in the skeletal muscle after a histological analysis. In the juveniles there was acute necrosis of the cardiac muscle. In adults, there was interstitial fibrosis of the cardiac muscle, along with arteriosclerosis.
In a report published in 1994 entitled "Epidemiological observations on spongiform encephalopathies in captive wild animals in the British Isles", it was noted that spongiform encephalopathy had been diagnosed in one nyala captive in a zoo. The nyala was formerly affected by the disease rinderpest, although the viral disease is considered eradicated now.
Ecology and behavior
he nyala is active mainly in the early morning and late afternoon. It browses during the day if temperatures are 20–30 °C (68–86 °F) and during the night in rainy season. These antelopes rest in thick bushes during the hot hours of the day. The nyala is very shy and cautious in nature, and often remains hidden rather than coming out in the open. Most sightings of the nyala in the wild are at water holes. But in protected areas they become less shy and often come out in view of tourists.
Nyala groups are according to sex or mixed. Herds usually browse and drink water together. Each group consists of two to ten individuals. A study in Zinave National Park at Mozambique showed that 67% of the observations were of groups of one to three nyalas, and the rest of the herds consisted of up to 30 nyalas. Herds often broke up and re-formed. Generally adult males remain alone. Females often remain near their mothers when they have their offspring, so the relationships in female herds may be closer than those of males.
Alert and wary in nature, the nyala use a sharp, high, dog-like bark to warn others in a group of danger. This feature is mainly used by females. They also react to the alarm calls of impala, baboon and kudu. The impala has been found to react to the calls of the nyala as well. The main predators of nyala are lion, leopard, cheetah, spotted hyena, African wild dog and nile crocodile while baboons and raptorial birds are predators of juveniles.
Diet
As a herbivore, the nyala's diet consists of foliage, fruits, flowers and twigs. During the rainy season they feed upon the fresh grass. They need a regular intake of water, and thus choose places with a water source nearby. However, they are adapted to live in areas with only a seasonal availability of water. A study in Zululand showed that the nyala fed mainly in the early morning and the late afternoon. They feed at night during the rainy season.
A study in Mkhuze Game Reserve and Ndumu Game Reserve in Natal focused on the dietary habits of the impala and the nyala showed that the amount of dicotyledons in their diets varied seasonally. In the dry season, the nyala's dicotyledon diet content was 83.2% and the impala's 52%. In this season, the diet grew richer in fiber and dietary proteins were less. The reverse occurred in the rainy season. As the rainy season arrived, both species took to a diet of mainly monocotyledons, and the impala consumed more of them. The diet contained more proteins than fiber.
Another study was done to find whether the sexual dimorphism in the nyala influenced its foraging habits. Vegetation surveys were conducted with the end of each feeding bout. It was found that females spent equal periods of time foraging in all the three habitats, but males preferred sand forest more. More differences were noted, as males ate woody species at a greater average height whereas females fed from the low herbaceous layer. It was concluded that the differences resulted from varying nutritional and energetic demands according to their diverse body sizes and differing reproductive strategies.
Reproduction
The nyala breeds throughout the year, but mating peaks in spring and autumn. The reason for this is still unknown, but attributed to the photoperiod and the feeding habits of the animal. Females reach sexual maturity at 11 to 12 months of age and males at 18 months (though they are socially immature until five years old), though they begin to show active spermatogenesis at 14 months.
Before ovulation, the Graafian follicles reach a length of at least 6.7 cm (2.6 in). A female's estrous cycle is about 19 days long. Males will attempt to mate with the female for two days of the cycle, but she allows it for only six hours per cycle. When the male enters a females' herd during mating, he makes a display by raising his white dorsal crest, lowering his horns and moving stiffly. As in many other animals, the males fight over dominance during mating.
The kidney fat indices (KFIs) of impalas and nyalas have been studied to understand the influence of social class and reproduction on them. To determine the KFI, the kidney is removed and weighed with the fat and once again excluding the fat. The resultant difference is the amount of fat on the kidney. The more the fat, the healthier the animal. In rut, male nyalas had lower KFIs, which did not vary much with the season. Pregnant females of both nyala and impala had higher KFIs than non-pregnant ones.
There is a significant increase in corpus luteum in the last third of gestation. Gestation is of seven months. A single calf is born, weighing 5 kg (11 lb). Birth takes place generally away from the sight of predators, in places such as a thicket. The calf remains hidden for up to 18 days, and the mother nurses it at regular intervals. The calf remains with its mother until the birth of the next calf, during which males in rut drive it away from the mother.
Habitat and distribution
The nyala inhabits dense lowland woodlands and thickets, mainly in southern Malawi, Mozambique, Zimbabwe, and eastern South Africa. It chooses places with good quality grasslands as well as provision of fresh water. It also inhabits lush green river country. The nyala's natural range stretches across southeast Africa from the Lower Shire Valley in Malawi through Mozambique and Zimbabwe to eastern South Africa and Eswatini.
The geographic distribution of the nyala may be based on the genetic variation. According to a study of nyala in South Africa, Mozambique, Malawi and Zimbabwe, there was a marked difference in the gene frequencies at three microsatellite loci. Mitochondrial DNA analysis revealed the presence of a unique haplotype in individuals from each location. Thus, the geographic variation in the nyala may be due to a distribution pattern based on habitat specificity.
Today nyala are found in South African protected areas in the Ndumo Game Reserve, uMkuze Game Reserve and Hluhluwe-Umfolozi Game Reserve, all in KwaZulu-Natal, as well as in Kruger National Park. As of 1999, 10–15% of nyala occurred on private land. Efforts are being made to retain the populations of nyala in Gorongosa National Park and Banhine National Park in Mozambique. Nyala also thrive in Lengwe National Park in Malawi.
Nyala have never been observed showing territoriality. Territories of either sex overlap extensively. The home ranges of males are approximately equal to that of females, about 10 square kilometres (3.9 sq mi) in area.
Threats and conservation
The major threats to the population of the nyala are poaching, habitat loss, agriculture and cattle grazing. Rinderpest outbreaks have also contributed in population loss. This species is currently of Least Concern, and the population is considered stable by both the IUCN and CITES. As of 1999, the total population of the nyala was around 32,000 individuals. More recent estimates show that South Africa has at least 30,000 nyalas, with 25,000 in KwaZulu-Natal. There are now more than 1,000 on protected areas and ranches in Eswatini. In Mozambique there are not more than 3,000, in Zimbabwe over 1,000, and numbers in Malawi have fallen from 3,000 to about 1,500. Namibia has the smallest population, at about 250.
Today over 80% of the total population is protected in national parks and sanctuaries, mostly in South African protected areas. In South Africa there is a high demand for adult males as game trophies.
(Wikipedia)
Der Kruger-Nationalpark (deutsch häufig falsch Krüger-Nationalpark) ist das größte Wildschutzgebiet Südafrikas. Er liegt im Nordosten des Landes in der Landschaft des Lowveld auf dem Gebiet der Provinz Limpopo sowie des östlichen Abschnitts von Mpumalanga. Seine Fläche erstreckt sich vom Crocodile-River im Süden bis zum Limpopo, dem Grenzfluss zu Simbabwe, im Norden. Die Nord-Süd-Ausdehnung beträgt etwa 350 km, in Ost-West-Richtung ist der Park durchschnittlich 54 km breit und umfasst eine Fläche von rund 20.000 Quadratkilometern. Damit gehört er zu den größten Nationalparks in Afrika.
Das Schutzgebiet wurde am 26. März 1898 unter dem Präsidenten Paul Kruger als Sabie Game Reserve zum Schutz der Wildnis gegründet. 1926 erhielt das Gebiet den Status Nationalpark und wurde in seinen heutigen Namen umbenannt. Im Park leben 147 Säugetierarten inklusive der „Big Five“, außerdem etwa 507 Vogelarten und 114 Reptilienarten, 49 Fischarten und 34 Amphibienarten.
(Wikipedia)
Der Nyala (Nyala angasii, Syn.: Tragelaphus angasii) ist eine südostafrikanische Antilope aus der Gruppe der Waldböcke. Zur Unterscheidung vom Bergnyala wird er manchmal auch als Flachland-Nyala oder Tiefland-Nyala bezeichnet. Die Bezeichnung Nyala stammt aus dem Swahili.
Der Nyala galt lange als eine der seltensten Antilopenarten. Strenge Schutzmaßnahmen haben dazu beigetragen, dass sich die Bestände wieder erholt haben. Trotzdem zählt der Nyala zu den immer noch sehr wenig erforschten Hornträgern.
Aussehen
Diese Antilopenart erreicht eine Kopfrumpflänge von 140 cm und eine Schulterhöhe von 110 cm. Das Gewicht beträgt 55 bis 125 kg, wobei Männchen deutlich größer und schwerer als Weibchen sind.
Weibchen und Männchen lassen sich vor allem anhand ihrer Körperfärbung unterscheiden: Während die viel größeren männlichen Tiere schiefergrau gefärbt sind und schraubenartig gedrehte Hörner tragen, die mit einer weißen Spitze versehen sind, sind die weiblichen Tiere ebenso wie Jungtiere hornlos und überwiegend rötlichbraun gefärbt. Alle Tiere haben bis zu 18 schmale, weiße Querstreifen. Die Männchen tragen sowohl eine lange, erektile Mähne, die das Rückgrat bedeckt, als auch von der Kehle bis zu den Hinterläufen hängende Bauchmähne. Dieses Merkmal unterscheidet sie von den meisten anderen Antilopenarten. Der buschige Schwanz ist bei beiden Geschlechtern an der Unterseite weiß.
Verbreitung
Nyalas sind in Mosambik, Simbabwe und im äußersten Nordosten Südafrikas verbreitet. Eingeführt wurden sie außerdem in Nationalparks Botswanas und Südafrikas, in denen sie ursprünglich nicht heimisch gewesen waren. Sie leben bevorzugt in dichtem Buschwerk in der Nähe von Wasser. Das Vorkommen ist in den Naturschutzgebieten Hluhluwe/Umfolozi, Mkuzi, Ndumo und Krügerpark bekannt. In den letzten Jahren wurde ebenfalls eine Population im Isimangaliso Park wieder angesiedelt.
Lebensweise
Während Weibchen und Jungtiere kleine Herden bilden, sind die männlichen Tiere Einzelgänger. Die Nyalas ernähren sich vorwiegend von Laub, doch werden gelegentlich auch Gräser gefressen. Zu den Fressfeinden des Nyalas zählt unter anderem der Leopard, dieser hat jedoch keine signifikante Auswirkung auf den Bestand dieser Art.
Fortpflanzung
Nach einer Tragzeit von gut sieben Monaten bringt das Weibchen ein Junges zur Welt. Das Höchstalter der Tiefland-Nyalas liegt bei etwa 16 Jahren.
(Wikipedia)
Dietes is a genus of rhizomatous plants of the family Iridaceae, first described as a genus in 1866. Common names include wood iris, Fortnight lily, African iris, Japanese iris and Butterfly iris, each of which may be used differently in different regions for one or more of the six species within the genus. Most species are native to southern and central Africa. They have flowers with six free tepals that are not joined into a tube at their bases. 13272
Lamington National Park includes a series of densely forested valleys and ranges rising to more than 1,100m on the crest of the McPherson Range, which marks the New South Wales--Queensland border. The park lies on the southern edge of the Scenic Rim, a chain of mountains stretching from the Gold Coast hinterland to Mount Mistake and is joined by parks, such as the Border Rangers National Park, in New South Wales.
First Nations people lived in this area, carefully managing and using its rich natural resources for thousands of years. Known as ‘Woonoongoora’ in the Yugambeh language, the mountains of Lamington National Park are sacred and spiritual, places to be nurtured and respected.
The Yugambeh family groups are identified as the Wangerriburra, Birinburra, Gugingin, Migunberri, Mununjali, Bollongin, Minjungbal and Kombumerri. They shared language, ceremonies, celebrations and economic exchange.
This kinship group used both the open forest and rainforest. Evidence of their occupation has been found in various parts of the park, including the ‘Kweebani’ (cooking) cave near Binna Burra. It is believed a traditional pathway passed through the southern section of Lamington National Park.
Lamington National Park is born—the Gazettal:
Lamington National Park has found a place in the hearts of many that have visited over the last 100 years. The campaign to preserve the resource-rich, mountainous land as national park began in the 1890s with a particularly passionate grazier Robert Collins, who, while travelling overseas, learned about the world’s first national park, Yellowstone, in the United States.
‘… within sight of Brisbane there is a fine area with a climate more equable than any New Zealand town enjoys, volcanic soil of surpassing richness, deep shady forests and scrubs, cool running streams, and splendid, bold mountain scenery.’
Mr Collins was elected to the Queensland Legislative Assembly in 1896 and campaigned to have the area declared a national park. While New South Wales and Victoria had successfully declared national parks by 1900, many in Queensland still saw the land as a timber supply or potential dairy farm, and opposition remained strong. Attitudes began to shift by 1906 when the Queensland Parliament passed the State Forests and National Parks Act 1906. This led to the state’s first national park, Witches Falls (Tamborine Mountain), being declared in March 1908.
In 1911, Romeo Lahey, the engineer son of a Canungra sawmiller, joined the campaign and continued the fight after Collins’ death in 1913. Lahey argued that an even larger parcel of land should be protected, and drummed up support from locals with ‘lantern lectures’ (slide shows) and door-knocking.
In July 1915, 19,035ha of mountainous, forested land was declared Lamington National Park, in honour of the past Queensland Governor Lord Lamington. It was the state’s ninth national park, accomplished by a 20-year campaign.
Lahey and Lamington:
For Romeo Lahey, the campaign to protect the area that would become Lamington National Park would be a life-long passion that would last long after gazettal. The son of a timber-getter and Canungra sawmill operator, Lahey would often explore the surrounding region. In 1911, while studying an engineering degree at Sydney University, he returned to South East Queensland with a friend, William Potts, and documented their journey up the Coomera River to the border (McPherson Range). The article set in train his concept of a larger national park on the Queensland side of the McPherson Range.
‘…it is a land of mountains, waterfalls, valleys, rivers, scrubs, forests, magnificent panorama and charming spots teeming with native animals and plant life. Its mountains run up to 4000ft. high, and its waterfalls are not equalled outside the State. Within a five mile radius of the head of the Coomera River, there are fifty falls from 20ft to 600ft high, some of them the finest I have ever seen’.
Later that year, Lahey made his first approach to the Queensland Government for a large national park in a letter to Hon. E.H. Macartney, Minister for Lands.
‘This country contains some of the most beautiful country scenery I have ever seen…and culminates in the McPherson range in peaks over 4000ft high, from which an unsurpassed panorama is obtained over NSW and SE Queensland, including Brisbane. It is an ideal place in every way for a National Park… It will make a splendid preserve for game; at present it teems with all forms of native animal and bird life, many forms of which (e.g. lyre bird) are becoming extinct.’
In 1913, Lahey continued to write letters promoting the area of the McPherson Range for consideration as a national park to the Lands Department and copied letters to the shire councils of Tamborine and Beaudesert and then Premier Hon. D.F. Denham. He emphasised the economic and national importance of leaving scrub in rough country and articulated the responsibility of his generation in handing down to the next the ‘great heritage’ that had been handed to them.
‘I implore you in the name of, and for the sake of generations yet unborn, to vote for the immediate and total reservation of that area.’
The Beaudesert and Tamborine councils responded favourably to the idea, with the Tamborine Council supportive of the whole area being national park while the Beaudesert Council was agreeable to setting aside around 400ha for national park.
When World War I (WW1) broke out in August 1914, focus shifted away from the national park proposition. Undeterred, Lahey continued the campaign and in April 1915 he wrote to the Lands Minister, Hon. James Tolmie about his exploration of the McPherson Range. By May he had used lantern lectures (slide shows) and canvassed residents around the area of the proposed park for signatures on a petition in favour of the national park. He then wrote to the Minister of Lands Department advising that 521 residents of the district, a clear majority, had signed a petition in favour. He included an 11 page letter setting out 10 reasons for reserving the proposed national park; including the health benefits, the economic benefits, and the benefit to flora and fauna species preservation.
‘The reserve should be set apart for ever for the use and benefit of our people as a whole and not sacrificed to the short-sighted greed of a few.’
Following the state election and the new TJ Ryan Labor Government in May 1915, Lahey appealed to the newly appointed Minister for Lands, Hon. John Hunter, with a letter, photographs and signed petition. On 30 July 1915, the park was proclaimed and gazetted as Lamington National Park in honour of Lord Lamington.
After the area was proclaimed and gazetted as Lamington National Park, Lahey continued to fight for the national park ideal. In October 1915, he delivered a lecture to the Royal Geographical Society of Australasia Queensland Branch titled ‘Some reasons why national parks should be established in Queensland, with special reference to Lamington National Park’, and called for other large areas to be reserved as national parks as well as an extension of the state forest system. While enlisted in WW1 with the 11th Field Company Engineers AIF, Lahey continued to steer discussion about the park’s management, protection of all species, its access and the naming of locations (he suggested Aboriginal words be used as placenames).
‘There is only one way to “improve” a national park and this is to leave it absolutely alone.’
Hon. J. Hunter responded:
‘I could wish that you were here to help with your advice and other ways on this great matter which although to-day is not of much consequence will to come generations be of the greatest moment because the preservation and value of these creations cannot be overestimated. …One thing I am quite determined upon and that is the preservation of the park—an heirloom to the State as nature left it.’
By September 1919, Lahey had returned to Australia and was available to act as guide for Mr J. Hunter (now Queensland Agent General elect.) on his first visit to Lamington.
Rangers of Lamington:
When Lamington National Park was first gazetted in 1915, the park was barely surveyed, and there was no protection against illegal logging and poaching. In July 1918, Lamington National Park was declared a ‘reserve for the protection and preservation of native birds and native animals’. In December that year, the Queensland Naturalists explored, collected and recorded the flora and fauna found in the remote wilderness areas of Lamington National Park. New plant species were collected and the name ‘Green Mountains’ was coined as a result of their visit.
The park remained largely unpatrolled apart from scientists and government surveyors, until early 1919, when the O’Reilly brothers and cousins, along with Mr George Rankin were appointed unpaid honorary rangers under The Native Animals Protection Act 1906. Later that year, Mick O’Reilly was made the first paid park ranger, for £4 a week, an above average wage for the time (the average wage then was about £3 18s 7d a week (3 pounds and 18 shillings 7 pennies)). Mick O’Reilly had recently returned from the WWI Middle East campaign and was charged with protecting the park boundaries against illegal logging and poaching and eventually commencing the access tracks to scenic locations.
In 1937, the Forestry Sub-Department employed Lamington’s first forest ranger, Jack Gresty, and Gus Kouskos was appointed first track sub-foreman. An official full-time national park ranger for South Queensland, George Gentry, had also been appointed. Despite the Great Depression (1929–1939), government funding was approved for construction of tracks and other facilities beginning in July 1937. With the use of relief workers, groups of up to 50 men were employed to build a large portion of the track system, much of which is still open today. It is during this time that the Main Border Track was constructed. Built in two sections; one track crew from O’Reilly’s cut their way towards a second track crew working from Binna Burra, the 21.4km Border Track cost £1080 (approx. $90,300 today) and took 17 months to construct.
Construction crews lived in tent-like accommodation and spent their days clearing trees, shifting large rocks and excavating and benching slopes by hand along the surveyed route.
Many of the techniques, such as rock wall pitching and the construction of stone inverts, are still used in track building and maintenance today.
Today, Lamington is the second-largest national park on the Scenic Rim, and is internationally renowned for its ecological importance and inherent beauty.
In 1994, Lamington was World Heritage-listed and is now part of the Gondwana Rainforests of Australia World Heritage Area that was previously known as the Central Eastern Rainforests of Australia World Heritage Area.
QPWS rangers continue the role of protecting and presenting this World Heritage-listed park while managing increased visitation and the demand on facilities and park infrastructure.
Source: Queensland Government: Parks & Forests (Department of Environment & Science)
Viewed from the inside.
"The Prague Gate - formerly also the Vraclav Gate, is the best-preserved part of the former fortifications from the 14th century. Although it burned down in the great fires of the city in 1461, 1700, 1774 and 1816, its Gothic layout has remained intact to this day. The neo-Gothic reconstruction in 1882–1883 was carried out according to the plans of the architect František Schmoranz. From the walkway at a height of 48 meters there is a view of the city.
Vysoké Mýto (Czech pronunciation: [ˈvɪsokɛː ˈmiːto]; German: Hohenmaut, also Hohenmauth) is a town in Ústí nad Orlicí District in the Pardubice Region of the Czech Republic. It has about 12,000 inhabitants. Its town square is the largest example of its type in the country. The historic town centre is well preserved and is protected by law as an urban monument zone.
The predecessor of the town was a small settlement by a trade route called Mýto (literally "toll"). After a new town was founded, it adopted the privilege of collecting the toll. The old settlement was renamed to Staré Mýto ("Old Toll") and the new town was called Vysoké Mýto ("High Toll"), probably referring to its location above the old settlement.
Vysoké Mýto is located about 27 km (17 mi) southeast of Pardubice. It lies in the Svitavy Uplands. The highest point is at 436 m (1,430 ft) above sea level. The Loučná river flows through the town.
The first written mention of Vysoké Mýto is from 1265. It was founded shortly before this year by King Ottokar II as one of the trading centres on the trade route from Bohemia to Moravia, and was inhabited by German settlers. The town square and the network of streets were built in a regular shape, which is preserved to this day. Stone walls with three gates were gradually built around the whole town.
In the early 14th century, Vysoké Mýto became a dowry town administered by Elizabeth Richeza of Poland. Thanks to its location on a busy mercantile road it soon became rich. During the Hussite Wars, the town was occupied several times. Most of the German population left the town and Czech citizens became the majority. After the wars, it became royal town of King Sigismund, who donated it to his wife Barbara of Cilli and it became again a dowry town.
Vysoké Mýto was devastated by fires between 1461 and 1517. Thanks to its wealth, the town recovered and new buildings were building, including stone houses on the square, the new town hall, and the Church of the Holy Trinity. In the 16th century, the town prospered and crafts developed. Cloth and knives were exported abroad. The prosperity ended with the Thirty Years' War and several fires in the 18th century.
During the 19th century, new development occurred, and the town became a cultural centre. A Czech-language theatre was established in 1825, the first public library in the region was established in 1839, and the town museum was founded in 1871. At the end of the 19th century, Vysoké Mýto was industrialized and two big engineering and machine-building companies were founded.
Until 1918, Vysoké Mýto was part of Austria-Hungary, head of the district of the same name, one of the 94 Bezirkshauptmannschaften in Bohemia.
Bohemia (Latin Bohemia, German Böhmen, Polish Czechy) is a region in the west of the Czech Republic. Previously, as a kingdom, they were the center of the Czech Crown. The root of the word Czech probably corresponds to the meaning of man. The Latin equivalent of Bohemia, originally Boiohaemum (literally "land of Battles"), which over time also influenced the names in other languages, is derived from the Celtic tribe of the Boios, who lived in this area from the 4th to the 1st century BC Bohemia on it borders Germany in the west, Austria in the south, Moravia in the east and Poland in the north. Geographically, they are bounded from the north, west and south by a chain of mountains, the highest of which are the Krkonoše Mountains, in which the highest mountain of Bohemia, Sněžka, is also located. The most important rivers are the Elbe and the Vltava, with the fertile Polabean Plain extending around the Elbe. The capital and largest city of Bohemia is Prague, other important cities include, for example, Pilsen, Karlovy Vary, Kladno, Ústí nad Labem, Liberec, Hradec Králové, Pardubice and České Budějovice, Jihlava also lies partly on the historical territory of Bohemia." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Lavet bad tub for the castle staff , Kasteel de Haar in Utrecht near Vleuten that includes village of Haarzuilen rebuild by architect Pierre Cuyper Project , finished in 1912 took 20 years to finish , Utrecht , the Netherlands , Martin’s photographs , June 5. 2019
Portcullis
Drawbridge
Pulley system for portcullis or drawbridge for the castle , Kasteel de Haar
Pulley system for portcullis or a drawbridge for the castle
Pulley system for portcullis or a drawbridge
Spiral stairway
Central Station in Amsterdam , build by architect Pierre Cuyper
de Rijks Museum in Amsterdam build by architect Pierre Cuyper
de Rijks Museum in Amsterdam
Central Station in Amsterdam
Amsterdam
Lavet bad tub
Lavet bad tub and washing machine
main door
Beautiful staircase
Kasteel de Haar near the suburb of Vleuten that includes village of Haarzuilen
architect Pierre Cuyper
Martin’s photograph
Utrecht
the Netherlands
Nederland
June 2019
Favourites
IPhone 6
Village of Haarzuilen
Kasteel de Haar
Castle the Haar
Kasteel de Haar was rebuild by architect Pierre Cuyper Project was finished in around 1912 took 20 years to be finished
city of Utrecht in the province Utrecht
Beautiful staircase in Kasteel de Haar
Door knocker
Beautiful window and seating
I was caught by a lively shower of rain mixed with hail as I pedaled home from work this evening. The hail stung a bit
the little library comes in worn & old variants and includes all books & shelf decor. high chair sold separately.
little library: 7li
chair: 3li w/ animations
The colourful buildings by the harbour at Portree, Isle of Skye.
Shame that the radiator on the car sprang a leak and we spent the afternoon at a garage waiting to be recovered back to Kyle of Lochalsh. Tomorrow's planned trip to Inverness will be in a recovery truck. Hopefully to get the car fixed for the start of the drive home on Saturday.
The 27cm Obitsu is the most posable by far. I don't like the 23cm soft body Obitsu. It feels weird. The Liv doll is surprisingly posable. The Kurhns and Barbie were the lease posable despite some of them being jointed.
.When I got the TTL, I was shocked at how big it was. It has a very solid feel and holds positions well, though it's not nearly as flexible as I'd hoped. The TTL doesn't fit into much Barbie clothes but Ken's jeans fit her surprisingly well. Her feet are also HUGE and not anywhere close to fitting into fashion doll shoes. I happened to have a pair of vintage Ken sneakers that are snug on her flat feet but fit her "high heel" feet a little loosely.
I meant to include a Momoko in this comparison but forgot.
Tiffany Designs PROMO:: Monroe Dress Outfit
★★★ MESH CASUAL ★★★
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➣ Includes:
• Mesh Top
• Mesh Skirt
• Mesh Belt
• Mesh Shoes
• Texture HUD Driven
════════════════════════════════════════════════════
➣ Compatible with:
➠ LARA X, Petite
➠ MAITREYA, Petite
➠ LEGACY, Perky
➠ BOMBSHELL
➠ REBORN, Waifus
➠ KUPRA
➠ ERIKA
════════════════════════════════════════════════════
★ Before buying, please try the free demo.
★ Thank you for shopping at ::TIFFANY DESIGNS:: !
☎ In world assistance if you need additional help - please contact LucyHope.
Tiffany Designs
LM: maps.secondlife.com/secondlife/Hilton%20Villas/232/207/22
MP: marketplace.secondlife.com/stores/139726?
LaraX
WINGS DG EF1203
STUN Shiva (pose used)
*AvaWay* Felicity necklace, earrings
Lel EvoX Avalon
SWG Victoria skin rose kiss
lilp coffee
Includes teams from Brookings, SF Lincoln, SF Roosevelt, RC Central. Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2021 SDPB
Late evening reflection on Shoreham High Street. A group of road high-viz wearing contractors were just leaving the Domino's Pizza place.
Garters Fatpack Includes:
- Garters (R / L / R + L linked)
- HUD (16 fabric & lace colors | 8 metal colors | Mix & Match options)
Each single pack comes with charms HUD
Parts are separately change color in the fatpack version only!
Rigged for: eBODY Reborn | Legacy - PLEASE TRY DEMO!
♥
TAXI: - TRIGGERED -
____________________________
Credits:
Hair: bonbon - vagatha hair
Lingerie & Sleeves: - TRIGGERED - Cora Set
Collar: [Z O O M] Velvet Lace Choker
Glasses: EVERMORE - ANGELIQUE GLASSES
Pantyhose: MeHoney - Aomi pantyhose V2
____________________________
Here's my Lego fire department Urban Search & Rescue Task Force 3. It includes USAR 3 (front) and Heavy Rescue 3. Not pictured are Engine 3, Squad 3, Medic 3, and Truck 3. The Task Force concept and the USAR uniforms are based on the Los Angeles City Fire Department.
The heavy rescue design is based on San Diego Fire Department's Pierce Urban Search & Rescue rigs. The design is 7-wide (8-wide if you count lights). It uses several Studs Not On Top techniques with bricks going upside down and every direction and is almost zero-studs showing. Custom chrome wheels and other parts were ordered through Bricklink.com. Rescue trucks like this one are basically giant toolboxes that carry hydraulic tools, saws, and other rescue equipment. Unlike a fire engine, they don't carry water or hoses. They respond to incidents like structural collapse, high-angle rescues, and vehicle accidents.
Read about the real USAR rig here www.sandiego.gov/fire/about/apparatus/usarrig
Feel free to leave questions and comments.
includes 24colors.
in store.
maps.secondlife.com/secondlife/SAIKIN/128/127/82
it is for 6DOO bent mesh head applier.
(I don't have a plan to make applier for ohter store's head.i will make mesh hairbase.please use it)
*6DOO* bento mesh head HUCI-01@SaNaRae
Jan.26th~
Includes teams from O'Gorman, Yankton, Pierre T.F. Riggs, Huron. Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2021 SDPB
The set includes 14 brand-new items as shown in the picture, featuring 4 color options for the Flamingo Cart, Drink Tray Dispenser, and Flamingo Soda buckle (both have also wearable glass or can of soda with bento animation and deco version too). The Old Noir Radio comes with 14 preloaded tracks, and the Flamingo Lamp has an on/off function with slight ambient light and glow. The Fatpack includes 2 bonus items, all designed in Elegant/Noir/Goth/Pool themes, exclusive for the event. Perfect for your home, sim, or skybox, and fully compatible with our other items.
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° Flamingo Drink Cart
4 separate color options (upper and lower parts)
° Flamingo Drink Tray Dispenser - include also decor or wearable drink with bento animation
° Flamingo Cocktail Recipes
° Flamingo Soda Dispenser - include also decor or wearable soda can with bento animation
° Flamingo Lamp - On/off function with slight ambient light
° Old Noir Radio - 14 preloaded tracks
° Flamingo Sculpture
° Flamingo Glass Tray
° Flamingo Snacks - Peanut & Pistachos
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FATPACK BONUS
° Lime Bowl
° Sparkling Flavored Water
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Mainstore: maps.secondlife.com/secondlife/Nyn/130/13/20
Onlyfans: thorsecondlife.carrd.co
PrimFeed: www.primfeed.com/thor
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Hope you all like it!
Have fun!♥
✧ INCLUDES
• Style card
• Physics
• Eyebrow shape
• Extra cosmetics:
- HD Eyeliner
- Waterline
- Nose Highlight
- Inner Corner Highlight
• Windlight
• Small and curvy shapes for legacy, reborn, larax, and belleza
✧ IMPORTANT
• The avatar design was created using items from various second life stores, which need to be purchased separately to achieve the final look.
• Please contact me if you have any questions.
A small gable on the roof of the Castle de Haar , Kasteel de Haar near the suburb of Vleuten that includes village of Haarzuilen rebuild by architect Pierre Cuyper Project was finished in around 1912 took 20 years to be finished , Martin’s photograph , Utrecht , the Netherlands , June 5. 2019
Old steam heater
A outside service walk way inside the castle
Fireplace with beautiful screen and mantel
Beautiful formal gardens with piramide shaped trees
Beautiful staircase
Beautiful staircase in castle , Kasteel de Haar
Staircase
Narrow passage inside the castle
Formal gardens
Stairway critters sculptures in Castle
Stairway sculptures
Spiral stairway
Central Station in Amsterdam , build by architect Pierre Cuyper
de Rijks Museum in Amsterdam build by architect Pierre Cuyper
de Rijks Museum in Amsterdam
Central Station in Amsterdam
Amsterdam
Lavet bad tub
Lavet bad tub and washing machine
main door
Beautiful staircase
Kasteel de Haar near the suburb of Vleuten that includes village of Haarzuilen
architect Pierre Cuyper
Martin’s photograph
Utrecht
the Netherlands
Nederland
June 2019
Favourites
IPhone 6
Village of Haarzuilen
Kasteel de Haar
Castle the Haar
Kasteel de Haar was rebuild by architect Pierre Cuyper Project was finished in around 1912 took 20 years to be finished
city of Utrecht in the province Utrecht
Beautiful staircase in Kasteel de Haar
Door knocker
Beautiful window and seating
A small gable
A day at the point-to-point racing at Parham
Apparently, the locals pronounce it as "pa-rum" not "par-ham"
The Queensland Cultural Centre (QCC), located on the south bank of the Brisbane River opposite the central business district, is the state's principal cultural venue and an important example of late 20th century modernist architecture. Constructed between 1976 and 1998, this ambitious complex, a milestone in the history of the arts in Queensland and the evolution of the state, was designed by renowned Queensland architect Robin Gibson in conjunction with the Queensland Department of Public Works, for the people of Queensland.
The Cultural Centre includes the Queensland Art Gallery (1982), the Queensland Performing Arts Centre (1984), the Queensland Museum (1986), the State Library and The Fountain Room Restaurant and Auditorium (The Edge in 2015) (1988). The substantially altered State Library and the Gallery of Modern Art are part of the broader cultural precinct but are not included in the heritage register boundary.
South Brisbane before the Queensland Cultural Centre (QCC)
By the late 1960s, much of South Brisbane, especially along the river, was in economic decline. Prior to European settlement, the whole of the South Brisbane peninsula was known as Kurilpa, an important meeting place for the Yuggera/Jagera people. The tip of the South Brisbane peninsula was a traditional river crossing. After the establishment of the Moreton Bay Penal settlement in 1825, convicts cleared the river flats to grow grain for the settlement and during the 1830s, timber from the south bank was exported to Sydney.
From the 1840s, South Brisbane developed as one of Queensland's key location for portside activity, initially advantaged by its more direct access to the Darling Downs and Ipswich. As maritime trade expanded, wharfs and stores were progressively established adjacent to the river. Over time, a range of commercial, light industrial and manufacturing activities also occurred, along with civic and residential land uses. The area prospered in the 1880s and South Brisbane became a municipality in 1888. Along with the development boom, a dry dock was opened in 1881, coal wharves and associated rail links were constructed and South Brisbane was established as the passenger terminus for suburban and country train lines.
By the end of the 19th century, the area had evolved into a substantial urban settlement, with Stanley Street a major retail centre and thoroughfare. Such development however, could not arrest a gradual 20th century decline which accelerated after World War II, influenced by the reorientation of economic activity and transport networks in Brisbane. Post-war, wharves, stores and railway sidings closed and were subsequently demolished, with the progressive relocation of shipping downriver. The decline of such a centrally located area in the capital city presented an opportunity for significant urban renewal.
Impetus for the Queensland Cultural Centre
The pressure to address the lack of adequate cultural facilities in Queensland increased in the 1960s, as public awareness of the importance of the arts to the cultural health of the community was rising. At this time, the Queensland's principal cultural institutions were located in buildings and sites in Brisbane that did not meet their existing or future requirements. The first purpose-built Museum had opened in William Street in 1879 but proved inadequate from the outset. It was converted to the Public Library of Queensland (the State Library from 1971) in 1900-02, after the 1889 Exhibition Building at Bowen Hills was converted for use as a Museum in 1900. From 1895, the Queensland Art Gallery was housed in the Brisbane Town Hall, moving in 1905 to a purpose designed room on the third floor in the new Executive Building overlooking George Street. When the new City Hall was completed in 1930, the Concert Hall at the Museum building was remodelled to house the art gallery.
Until the opening of the Queensland Cultural Centre, there were no Queensland government-operated performing arts facilities. Most musical and theatrical performances were initially held in local venues such as schools of arts, church halls or town halls, of varying suitability. Purpose-built facilities were limited and only erected in major centres. By the 1880s, Brisbane had four theatres, with the Opera House (later Her Majesty's Theatre), erected in 1888, the most lavish and prestigious, with seating for 2700. The Exhibition Building was one of the first buildings specifically designed for musical performances and contained a concert hall complete with a four-manual pipe organ. It became the centre for major musical events until the opening of the Brisbane City Hall in 1930.
Across Australia, the post-war era saw governments on all tiers commit to large projects related to developing the arts, including standalone and integrated landmark projects for institutions such as libraries, theatres and art galleries. Sites for such projects were often in centrally located areas, where previous uses and activities were in decline, or had become redundant. This type of urban renewal offered a blank slate for development, where the existing layout could be reconfigured and the built environment transformed. The construction of Sydney's Opera House had commenced in 1959; preliminary investigations for Adelaide Festival Centre started in 1964; the National Gallery of Australia was established in 1967; the first stage of the Victorian Arts Centre, the National Gallery of Victoria, was completed in 1969 and Perth's Civic Centre was also developed during the 1960s.
In Queensland, an earlier phase of civic construction (mostly town halls and council chambers) occurred in the 1930s, often incorporating spaces for arts and cultural activities. By the early 1950s, architect and town planner Karl Langer was designing civic centre complexes for larger regional centres such as Mackay, Toowoomba and Kingaroy.
Several attempts were made to secure stately cultural facilities in Queensland's capital but each came to nothing. Construction of an art gallery and museum near the entrance to the Government Domain, on a site granted in 1863, never eventuated. In the 1890s a major architectural competition for a museum and art gallery on a site in Albert Park sought to address the need for sufficient premises. In 1934, on a nearby site along Wickham Park and Turbot Street, an ambitious urban design proposal to incorporate a public art gallery, library and dental hospital resulted only in the construction of the Brisbane Dental Hospital. Post-WWII plans to incorporate the art gallery in the extensions to the original Supreme Court Building did not eventuate. The Queensland Art Gallery Act 1959 paved the way for a new Board of Trustees to establish a gallery with public funds subsidized by Government. The proposal at that time, for a gallery and performance hall at Gardens Point, to mark Queensland's centenary, was not realised; however, an extension to the State Library proceeded and included an exhibition hall and reading rooms.
A proposal for a State Gallery and Centre for Allied Arts, on the former municipal markets site adjacent to the Roma Street Railway station, formed part of a government backed plan for the redevelopment of the Roma Street area. Prepared by Bligh Jessup Bretnall & Partners in 1967, this substantial development over a number of city blocks, inspired by the redevelopment of redundant inner city areas in Europe and new towns in America, incorporated a significant commercial component. The plan was abandoned in 1968 due to conflicting local and state interests, together with the lack of an acceptable tender.
The following year, the Treasury Department initiated a formal investigation into a suitable site for an art gallery, led by Treasurer, Deputy Premier and Liberal Party Leader, Gordon Chalk. An expert committee, including Coordinator-General Charles Barton as chair, Under-Secretary of Works David Mercer and Assistant Under-Secretary Roman Pavlyshyn, considered 12 sites, including those from previous proposals. Three sites were shortlisted: The Holy Name Cathedral site in Fortitude Valley; upstream of the Victoria Bridge at South Brisbane; and the BCC Transport Depot in Coronation Drive. The South Brisbane site was preferred, considered to be the most advantageous for the city and the most architecturally suitable. The recommendation was accepted and work on progressing a design commenced.
Architectural competition and concept (1289)
In April 1973, Robin Gibson and Partners Architects won a two-staged competition to design the new Queensland Art Gallery at South Brisbane, with a sophisticated scheme considered superior in its simplicity and presentation. While this design was never realised, the art gallery that was built as part of the Cultural Centre was in many ways very similar, including the palette of materials and modernist design details inspired by the 1969 Oaklands Museum in California. The original design occupied the block bounded by Melbourne, Grey, Stanley and Peel Streets. Over Stanley Street, a pedestrian walkway connected the gallery to the top of an amphitheatre leading to sculpture gardens along the river.
The development of cultural facilities was reconsidered during 1974, evolving into a much more ambitious project. In early November, Deputy Premier Sir Gordon Chalk (who had a real interest and commitment to developing the arts in Queensland) announced as an election policy, a proposal for a $45 million dollar cultural complex. While the development of the Art Gallery had been progressing, Chalk, with the assistance of Under Treasurer Leo Hielscher, had covertly commissioned Robin Gibson to produce a master plan for an integrated complex of buildings which would form the Queensland Cultural Centre (QCC). The plan included an Art Gallery, Museum, Performing Arts Centre, State Library and an auditorium and restaurant. The devastating floods of January, which had further hastened the decline of South Brisbane, provided a timely opportunity to utilise more space adjacent to the river, through resumptions of flood prone land.
When the proposal was submitted to Cabinet by Chalk in late November, it was initially opposed by Premier Joh Bjelke-Petersen. However, the support of Brisbane's Lord Mayor, Clem Jones, (who gifted council-owned allotments on what became the QPAC site); influential public servants Hielscher, Pavlyshyn; Mercer, and Sir David Muir, Director of the Department of Commercial and Industrial Development, helped the project gain momentum. After winning the December 7 election, the proposal was formally adopted by the Bjelke-Petersen government. Muir was appointed chairman of the planning committee and became the first chairman of the QCC Trust.
Gibson's November 1974 Cultural Centre master plan differed significantly from his winning competition design for the Gallery and gave Gibson the opportunity to further demonstrate his planning principles for inner city development. Stanley Street was to be diverted under the Victoria Bridge through to Peel Street, with the Art Gallery and Museum occupying one large block. The scheme included building forms with oblique angles to the street grid, to address the main approaches. The Performing Arts building, comprising a single, multi-purpose hall, and the Art Gallery, extending from the Museum to the river's edge, were aligned diagonally around a Melbourne Street axis to address the approach from the Victoria Bridge. Pedestrian bridges provided access across the site over Melbourne Street and to the South Brisbane Railway Station over Grey Street.
Gibson's design of the QCC sought to convey a relaxed atmosphere reflective of Queensland's lifestyle. A simple, disciplined palette of materials, and design elements was adopted and rigorously maintained throughout the lengthy construction program to unify the complex: off-white sandblasted concrete; cubic forms with deeply recessed glazing; a constancy of structural elements, fixtures and finishes; repetitive stepped profiles and extensive integrated landscaping.
A fundamental conceptual aspect of the Cultural Centre's design was its relationship to the Brisbane River and the natural environment. Gibson saw the Cultural Centre as an opportunity for ‘amalgamating a major public building with the river on the South Bank'. The external landscaping and built form was carefully articulated to ‘step up' from the river. The comparatively low form of the complex was consciously designed so that the profile of the Taylor Range behind would remain visible when viewed from the city.
Retaining the approved general placement of the individual buildings, subsequent changes to the complex plan included: the orthogonal realignment of each of the buildings; the duplication of the multipurpose hall to create separate purpose-built facilities for musical and theatrical performances; the extension of an existing diversion in Stanley Street upstream to Peel Street and under the Victoria Bridge, which was bridged by a wide plaza as a forecourt to the Gallery.
Robin Gibson & Partners
Robin Gibson (1930-2014) attended Yeronga State School and Brisbane State High before studying architecture at the University of Queensland (UQ). After graduating in 1954, Gibson travelled through Europe and worked in London in the offices of architects, Sir Hugh Casson, Neville Conder, and James Cubitt and Partners. Returning to Brisbane in 1957, he set up an architectural practice commencing with residential projects, soon expanding into larger commercial, public and institutional work. Notable Queensland architects employed by his practice included Geoffrey Pie, Don Winsen, Peter Roy, Allan Kirkwood, Bruce Carlyle and Gabriel Poole.
Gibson's creative, administrative and diplomatic talents were widely recognised. His buildings were consistently simple, refined, and carefully executed, often comprehensively detailed to include fabrics, finishes and furnishings. Characteristically crisp, logical and smoothly functional, his works employed a limited palette of materials and were carefully integrated into their setting.
Robin Gibson & Partners' contribution to Queensland's built environment is significant. Other major architectural projects include: Mayne Hall, University of Queensland (UQ) (1972), Central Library, UQ (1973) Library and Humanities building at Nathan Campus, Griffith University (1975), Post Office Square (1982), Queen Street Mall (1982), Wintergarden building (1984), Colonial Mutual Life (1984) and 111 George Street (1993). Over time, Gibson and his body of work has been highly acclaimed and recognised through numerous awards including: 1968 Royal Australian Institute of Architects (RAIA) Building of the Year award, Kenmore Church; 1982 RAIA Sir Zelman Cowen Award (for public buildings) QAG; 1982 RAIA Canberra Medallion - Belconnen Library, ACT; 1982 Queenslander of the Year; 1983 Order of Australia; 1986 Honorary Doctorate - Griffith University; 1988 Advance Australia Award; 1989 RAIA Gold Medal for outstanding performance and contributions; 2000, and the 2007 25 year RAIA award for Enduring Architecture.
Construction and completion
The design development, documentation and the multifaceted construction program for the entire complex was administered by Roman Pavlyshyn, Director of Building, Department of Public Works. Pavlyshyn had previously overseen the selection of the site and had run the competition for the Queensland Art Gallery. The Cultural Centre was to continue the Department of Public Works' tradition in providing buildings of high quality in design, materials and construction throughout the state.
The funding of the QCC came entirely from the government-owned Golden Casket. The revenue derived from the Golden Casket was effectively ‘freed up' from health funding after Medicare was introduced by the Whitlam government. The then annual income of $4 million was projected to fund the QCC's construction over 10 years. By the early 1980s, inflationary impacts had blown out the cost to $175 million. Under Hielscher's guidance, Treasury looked at other ways to raise revenue. In response, Instant Scratch-Its and mid-week lotto were introduced to Queensland. This successful increase in gambling revenue enabled the QCC to be built at no extra cost to the state's existing budget and without going into debt.
The construction of the Cultural Centre was a complex undertaking and involved a multifaceted program staged over 11 years with a workforce of thousands, from design consultants to onsite labourers. Pavlyshyn guided Stages One, Two and Three to completion and the commencement of Stage Four, before retiring in July 1985. With the number of contractors and suppliers involved, quality control was a critical factor for a successful outcome. For example, the consistent quality of the concrete finish was achieved by securing a guaranteed supply of the principal materials, South Australian white cement, Stradbroke Island sand and Pine River aggregates, for the duration of the project and the strict control of colour and mix for each contract.
The program commenced with the construction of the Art Gallery, the most resolved of the building designs. Stage One also included the underground carpark to the Gallery and Museum and the central services plant facility on the corner of Grey and Peel Streets. Contractors, Graham Evans & Co, commenced construction in March 1977 and the Art Gallery was officially opened by Premier Joh Bjelke-Petersen on 21 June 1982. When awarding the art gallery the Sir Zelman Cowen Award that year, the RAIA jury declared the art gallery would enrich the fabric of Brisbane for many years to come, praising: the sustained architectural expertise and masterly articulation of space; avoidance of rhetorical gestures and fussy details, noting the building would enrich the fabric of the city for many years to come.
A development plan for the largest component of the complex, the Queensland Performing Arts Centre (QPAC), built as Stage Two, was released in 1976. The project architect for the Centre was Allan Kirkwood from Robin Gibson and Partners and contributors to the development and design of the Centre were theatre consultants, Tom Brown and Peter Knowland, the Performing Arts Trust and user committees. Completed in November 1984 by contractors Barclay Bros Pty Ltd, a concert for workers and the first public performance were held in December ahead of the official opening by the Duke and Duchess of Kent on 20 April 1985.
The Centre comprised three venues, each specifically designed for particular performance types. The Lyric Theatre and Concert Hall shared an entrance off Melbourne Street with shared and mimicked foyers, bars, circulation and ancillary facilities. The Studio theatre, now the Cremorne, had a separate entrance and foyer off Stanley Street with its own discreet ancillary facilities.
The Lyric Theatre, (2200 seats) was designed for large-scale dramatic productions including opera, operettas, musicals, ballets and dance performances. It had an orchestra pit, stalls, two balconies and side aisles. The 1800 seat Concert Hall was designed for orchestral concerts, choral performances, chamber music, recitals, popular entertainment and ceremonies. A Klais Grand Organ, featuring 6500 pipes, was built into the stage area. Its ‘shoe box' form, designed to enhance natural acoustics, incorporated an orchestral pit, stalls, single balcony, side galleries and side aisles. The Studio Theatre was built to accommodate up to 300 seats for dramatic performances and could be configured in 6 different ways, from conventional set-ups to theatre-in-the-round. It had stalls and a balcony level with an internal connection to the other two theatres.
Opened in 1986, the Queensland Museum, (Stage Three), was connected to the Art Gallery by a covered walkway and to the Performing Arts Complex by a footbridge over Melbourne Street. The entrance on the Melbourne Street side of the building was accessed from street level and the Melbourne Street footbridge. Built over the Stage One carpark, the six-level Museum building had four floors open to the public, with the two top levels dedicated to offices, laboratories , library and artefact storage. The first floor was designed for a variety of uses, including lecture halls, back of house, preparatory area and workshops. Levels 2 to 4 showcased collections in galleries situated on either side of a central circulation core comprising walkways, stairs, lifts and escalators. The outdoor area contained a geological garden on Grey Street side (in 2014 the Energex Playasaurus Place). Stage Four included the State Library and adjacent restaurant and auditorium building (The Edge) completed in 1988.
Public artworks
As part of the construction of the QCC, several pieces of public art were commissioned from Australian artists. Five outdoor sculptures were purchased and installed in 1985, the largest commission of public sculpture at one time in Australia. Four were directly commissioned: Anthony Pryor's Approaching Equilibrium (Steel, painted. River plaza-upper deck); Leonard and Kathleen Shillam's Pelicans (Bronze. QAG Water Mall); Ante Dabro's Sisters (Bronze. Melbourne Street plaza) and Rob Robertson-Swann's Leviathan Play (Steel, painted. Melbourne Street plaza). Clement Meadmore's Offshoot (Aluminium, painted. Gallery plaza) was an existing work.
Other public artworks commissioned at the time of construction are located at QPAC: Lawrence Daws' large interior mural, Pacific Nexus and Robert Woodward's Cascade Court Fountain.
Use and modifications
Since opening, the institutions of the QCC have played a dominant role in fostering and enabling cultural and artistic activities of Queensland - through performances, exhibitions, collections and events. The purpose built world class facilities of the complex, with their careful consideration of both front and back of house requirements, have enabled Queensland to host national and international performances, events and exhibitions, and expand and display collections, in a way that was not possible previously. In addition to the QCC's artistic endeavours, the role of the Queensland Museum in science disciplines has also been an important activity. The QCC (as part of the larger Cultural Precinct) is a major visitor destination in Brisbane; millions of people from Queensland and elsewhere have visited the site.
The successful development of the Cultural Centre was the catalyst for the broader renewal of South Brisbane along the Brisbane River. In 1983 Queensland won the right to hold the 1988 World Exposition (Expo 88). The site for Expo 88 was directly adjacent to the Cultural Centre and underwent a major transformation to host the event. Robin Gibson designed the Queensland Pavilion. Expo 88 was a highly successful for Brisbane and Queensland. After Expo, the site was again comprehensively redeveloped, opening in 1992 as the South Bank Parklands, now a major public space in Brisbane. More widely, the Cultural Centre's direct relationship with the Brisbane River influenced the way the city has come to engage with its dominant natural feature along its edges.
With the exception of The Edge, each of the buildings within the QCC retains its original use. Subsequent modifications to cater for changing requirements have altered the buildings within the complex to varying degrees. The most significant of these changes were the addition of the Playhouse to QPAC and the multimillion dollar Millennium Arts Project, which provided for a refurbishment of the entire complex.
QPAC was well utilised from the outset and the need for a mid-sized theatre was soon realised. Plans for Stage Five, a 750-850 seat Playhouse theatre, designed by Gibson, were produced with input from the same committees and advisers as Stage Two. Completed in 1998, the Playhouse, attached at the eastern end of QPAC, incorporated stalls, balcony, mid-stalls and balcony boxes for patron seating. It had a separate entrance off Russell Street and was separated from the rest of the complex by the loading dock. The Playhouse was refurbished between 2011-12.
The key features of the Millenium Arts Project (2002-2009) were: the addition of a new Gallery of Modern Art and public plaza; the major redevelopment of the SLQ including the addition of a fifth floor; a new entrance to the QAG, and refurbishment of the QM and QPAC.
At the north-western end of the complex, the Gallery of Modern Art, completed in 2006 was built to house Queensland's growing art collection and is linked to the rest of the complex by a public plaza.
The major refurbishment of the Library in 2006 included the addition of a fifth storey and substantial alterations to both the interior and exterior. A new entrance and new circulation patterns were established and the stepped terraces were removed, replaced by a large extension toward the river.
New entrances to QAG and QM were designed by Gibson and completed in 2009.
The new art gallery entrance provided alternative access from Peel Street and included the partial enclosure of the courtyard, a new staircase, and a lift. At the Museum, in addition to the new entrance provided on the eastern end of the Museum, a café was added to the western end, the internal circulation was rearranged and a new entrance on the Grey Street elevation was created to provide access to the Sciencentre, relocated from George Street to the ground floor of the museum in 2009.
In 2009 QPAC was refurbished to meet safety standards and to improve access. A setdown area was added along Grey Street to replace the drop off tunnel which was closed in 2001. Changes to circulation included the installation of lifts and the replacement and reorientation of staircases. The lobby book shop was replaced with a bar and other bars and lobbies were refurbished, removing the salmon colour scheme in higher traffic areas. Brown carpet was installed and the red marble bar finishes were replaced with black in the Lyric Theatre foyer and white in the Concert Hall foyer. Many seats were also replaced in the Lyric and Concert Hall. The Cremorne Theatre remains largely unchanged.
The Edge, operated and managed by SLQ, was reopened in 2010 as a new facility containing workshops, spaces for creative activities, events and exhibitions. The dropped restaurant floor was filled and new lifts installed. Wide scale changes were made to interior fit-out and finishes. The auditorium floor was replaced, and new openings were created in the rear and side elevations. The external structure was modified at ground level with changes to access and the loading dock which was made obsolete by changes to SLQ car park entry. The major external change was cosmetic and involved the enclosure of the open verandah with pre-fabricated steel window bays to create riverfront study and meeting spaces.
Source: Queensland Heritage Register.
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Set dressing includes consoles from Palisades Swine Trek playset.
Panelists include Joumanna Bercetche, Reporter, CNBC, David Lipton, First Deputy Managing Director, IMF, Hélène Rey, Lord Bagri Professor of Economics, London Business School, Philip Lane, Governor, Central Bank of Ireland, Agustin Carstens, General Manager, Bank of International Settlements (BIS) and Gene Frieda, Executive Vice President and Global Strategist, PIMCO during the seminar Booms and Busts: Are We Better Able to Deal with Them Today? at the 2018 IMF/World Bank Spring Meetings on Saturday, April 21 in Washington, D.C. Ryan Rayburn/IMF Photo
Watermelon Ices Fatpack
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The near-constant parade of wildlife sauntering past my deck includes a number of white-tailed deer. It is a joy to watch these beautiful animals as they mature and live.
As usual, I had the wrong lens on the camera. But, I do enjoy the alternate view.
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Beautiful view trough arched openings in the wall in to Castle , Kasteel de Haar in Utrecht , the Nederlands Kasteel de Haar near Vleuten that includes village of Haarzuilen rebuild by architect Pierre Cuyper Project finished in 1912 took 20 years to finish , Martin’s photographs , Utrecht , The Netherlands , June 5. 2019
Stairway critters sculptures in Castle
Stairway sculptures
Spiral stairway
Central Station in Amsterdam , build by architect Pierre Cuyper
de Rijks Museum in Amsterdam build by architect Pierre Cuyper
de Rijks Museum in Amsterdam
Central Station in Amsterdam
Amsterdam
Lavet bad tub
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main door
Beautiful staircase
Kasteel de Haar near the suburb of Vleuten that includes village of Haarzuilen
architect Pierre Cuyper
Martin’s photograph
Utrecht
the Netherlands
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June 2019
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Village of Haarzuilen
Kasteel de Haar
Castle the Haar
Kasteel de Haar was rebuild by architect Pierre Cuyper Project was finished in around 1912 took 20 years to be finished
city of Utrecht in the province Utrecht
Beautiful staircase in Kasteel de Haar
Door knocker
Beautiful window and seating