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Alexander Dennis E40D - ADL Enviro 400 MMC City H74F
New to this Operator durind December-2019
In heavy rain 574 proceeds eastbound along Royal Parade Plymouth . Heading for Tamerton Foliot via Derriford and Southway working on Route 42A.
Tuesday lunchtime 19th-October-2021
Stagecoach In Fife
Express City Connect
Dunfermline Via Rosyth X55
Volvo Plaxton Panther LE
Ferrytoll P&R
Inverkeithing
Oh yeah, this was published in fiveonfive magazine, the official magazine of the Women's Flat Track Derby Association (WFTDA), issue #2. Roller derby tournament season is coming up, you should subscribe. Pic is a crop of the left half of the original pic, totally an accident I got this shot.
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Note :
> The cake stand, cutlery and accessories used in the image are only for representations purposes. They are not delivered with the cake.
> The image displayed is indicative in nature. Cake being handmade may differ as per craftsmanship.
> The cake is hand delivered in a good quality box.
> The cake should be consumed within 1 hour unless refrigerate.
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www.flickr.com/photos/monginis/albums/with/72157719664993176
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( Cream Choco / Vanilla )
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( Black Forest / Pineapple )
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( Strawberry )
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( Classic Butter Scotch / Sachher / Dual Forest / Mango / Swiss Caramel / Soft Truffle / Choco Vanilla / White Forest / Orange / Milk Badam )
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( Kitkat / Moist Choco )
Price : ₹ 910/kg
( Choco Almond / Mocha / Rasmalai / Blueberry Cream )
Price : ₹1000/kg
( Chocolate Truffle / Pure Chocolate / Fresh Fruit / Red Velvet / Rainbow )
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( Choco Chips / Royal Opera )
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( Blueberry )
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Minimum weight : 5 Kg
Type of cake : 3D Designer
100% Eggless
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Call us for instant help : 8873005500
Note :
> The cake stand, cutlery and accessories used in the image are only for representations purposes. They are not delivered with the cake.
> The image displayed is indicative in nature. The cake being handmade may differ as per craftsmanship.
> Sculptural elements and figurines may contain wire supports or toothpicks or wooden skewers for support, Please consume with caution.
> The cake should be consumed within 1 hour unless refrigerate.
> Enjoy your cake!
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CAPA-012772
Face-on barred spiral galaxy, NGC 1433.
In Webb’s high-resolution infrared images, the gas and dust stand out in stark shades of orange and red, and show finer spiral shapes with the appearance of jagged edges, though these areas are still diffuse.
More information: webbtelescope.org/contents/media/images/2024/105/01HM9YB3...
Read the feature: science.nasa.gov/missions/webb/nasas-webb-depicts-stagger...
Full set of images: webbtelescope.org/contents/news-releases/2024/news-2024-1...
NASA, ESA, CSA, STScI, Janice Lee (STScI), Thomas Williams (Oxford), PHANGS Team
Image description: In Webb’s image, the spiral arms are composed of many filaments in shades of orange. Thin dust lanes connect from the core, through the bar to the spiral arms.
The gorgeous Clivia plant, showing off its bold beauty in bright sunlight! Straight out of the camera.
On January 8 1984 the Commonwealth Speakers and Presiding Officers conference began in Wellington, New Zealand. The conference ran until January 15. The Conference brings together the Speakers and Presiding Officers of the national parliaments of the independent sovereign states of the Commonwealth. It was created in 1969 as an initiative of the Speaker of the House of Commons of Canada, the Honourable Lucien Lamoureux.
The Conference is an independent group and has no formal affiliation with the Commonwealth Parliamentary Association, the Commonwealth Secretariat or the Commonwealth Heads of Government. The conference operates on a two-year cycle, holding a conference of the full membership every two years, usually early in January, and a meeting of the Standing Committee at the same time the intervening year.
The Conference aims to:
•Maintain, foster, and encourage impartiality and fairness on the part of Speakers and Presiding Officers of Parliaments;
•Promote knowledge and understanding of parliamentary democracy in its various forms; and
•Develop parliamentary institutions.
Pictured here are the speakers of Parliament, on the steps of the Parliament in Wellington, New Zealand. The last Commonwealth Speakers and Presiding Officers conference held in Wellington was in 2014.
Reference: ABGX 7574 W4969 2/a (R2186542)
collections.archives.govt.nz/web/arena/search#/?q=2186542
For further enquiries please email
Research.Archives@dia.govt.nz
Material from Archives New Zealand
Source: en.wikipedia.org/wiki/Monument_Valley
Monument Valley (Navajo: Tsé Biiʼ Ndzisgaii, pronounced [tsʰépìːʔ ǹtsɪ̀skɑ̀ìː], meaning "valley of the rocks") is a region of the Colorado Plateau characterized by a cluster of sandstone buttes, with the largest reaching 1,000 ft (300 m) above the valley floor. The most famous butte formations are located in northeastern Arizona along the Utah–Arizona state line. The valley is considered sacred by the Navajo Nation, the Native American people within whose reservation it lies.
Monument Valley has been featured in many forms of media since the 1930s. Famed director John Ford used the location for a number of his Westerns. Film critic Keith Phipps wrote that "its five square miles [13 km2] have defined what decades of moviegoers think of when they imagine the American West".
Sourc: navajonationparks.org/navajo-tribal-parks/monument-valley/
History
Before human existence, the Park was once a lowland basin. For hundreds of millions of years, materials that eroded from the early Rock Mountains deposited layer upon layer of sediment which cemented a slow and gentle uplift, generated by ceaseless pressure from below the surface, elevating these horizontal strata quite uniformly one to three miles above sea level. What was once a basin became a plateau.
Natural forces of wind and water that eroded the land spent the last 50 million years cutting into and peeling away at the surface of the plateau. The simple wearing down of altering layers of soft and hard rock slowly revealed the natural wonders of Monument Valley today.
From the visitor center, you see the world-famous panorama of the Mitten Buttes and Merrick Butte. You can also purchase guided tours from Navajo tour operators, who take you down into the valley in Jeeps for a narrated cruise through these mythical formations. Places such as Ear of the Wind and other landmarks can only be accessed via guided tours. During the summer months, the visitor center also features Haskenneini Restaurant, which specializes in both native Navajo and American cuisines, and a film/snack/souvenir shop. There are year-round restroom facilities. One mile before the center, numerous Navajo vendors sell arts, crafts, native food, and souvenirs at roadside stands.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "米国" "美国" "미국" "Estados Unidos" "États-Unis" "ארצות הברית" "संयुक्त राज्य" "США"
(Arizona) "أريزونا" "亚利桑那州" "אריזונה" "एरिजोना" "アリゾナ州" "애리조나" "Аризона"
(Utah) "يوتا" "犹他州" "יוטה" "यूटा" "ユタ州" "유타" "Юта"
(Monument Valley) "وادي النصب التذكاري" "纪念碑谷" "Vallée des monuments" "מוניומנט ואלי" "स्मारक घाटी" "モニュメントバレー" "모뉴먼트 밸리" "Долина Монументов" "Valle de los Monumentos"
In A Heartbeat
KOOP
Standing next to you
A dream is coming true
In a heartbeat
Feeling's right
I finally see the light
In a heartbeat
Something in your eyes
Has got me hypnotized
In a heartbeat
And near or far
I try to be where you are
In a heartbeat
Wanna laugh wanna sing
Wanna do everything
In a heartbeat
Wanna live wanna be
Where's the spirits are free
In a heartbeat
Keep it up keep it down
Keep it turning around
In a heartbeat
Make it dark make it light
Make it magic tonight
In a heartbeat
It all seems strange
My whole life has changed
In a heartbeat
Love is shining through
In everything you do
Honey in a heartbeat
And something in your eyes
Has got me hypnotized
In a heartbeat
And near or far
I try to be where you are
In a heartbeat
Her Majesty’s Theatre in Ballarat’s Lydiard Street is one of the most intact, commercial nineteenth century theatres in Australia. Originally opened as the Ballarat Academy of Music in order to avoid the negative moral connotations associated with theatres at the time, Her Majesty’s was completed in 1875 to a design by architect George Browne. The Academy had a flat floored auditorium suitable for respectable dances and dinners, and a fully equipped stage. It was built to supersede Ballarat's Theatre Royal (built in 1858), which stood in Sturt Street. While very grand, the Royal had become outdated and no longer met the technical requirements of the touring companies.
The Academy was built by the wealthy Clarke family at the initiative of a group of local people who felt that Ballarat, as the premier city of the Victorian goldfields, should have a theatre worthy of its status. They guaranteed to rent it from the Clarkes at 10% of the construction cost, which was £13,000.
Built over a disused mineshaft, the original timber theatre initially comprised a theatre with rectangular auditorium, a steep lyre-shaped gallery, three entries leading to separate parts of the auditorium and two shops facing Lydiard Street.
Ballarat's handsome new theatre was ready ahead of schedule, and was opened on 7th June 1875. The first production was a comic opera by the French composer Lecocq, "La Fille de Madame Angot," presented by the Royal Opera Bouffe Company run by W. S. Lyster, Australia's first opera impresario.
Soon after the Academy opened, the large Supper Room above Lydiard Street was leased to William Bridges, a former miner, who ran it as an art gallery, displaying an excellent collection of European and Australian artworks, including his own tapestries. After Bridges moved his operations to Melbourne in 1883, the Ballarat Fine Art Gallery was formed. The Gallery Society ran the Gallery from the Academy from 1884 until 1890, when the present Art Gallery in Lydiard Street North was opened.
For the next twenty five years, the Academy of Music was unchallenged as Ballarat's main theatrical venue. It was never as popular as the old Theatre Royal, however, as the rather cavernous hall lacked the intimacy of the older playhouse. In 1898, when Sir William Clarke died, the building was bought by a local consortium and transformed into the delightful theatrical space we know today.
The new owners commissioned Australia's leading theatre architect, William Pitt (1855 – 1918), to remodel the interior and improve the stage facilities. William, who had been apprenticed to George Browne, also designed Melbourne's Princess Theatre amongst many other buildings. The present layout of the auditorium with sloping floor and double balconies, is Pitt's creation. The colour scheme is a recreation of the interior decoration undertaken at that time by Hugh Paterson, one of Melbourne's leading designers.
Paterson also decorated the dome and proscenium arch with murals. The mural in the dome depicted a carnival scene, with dancers in fanciful costumes; Comedy and Tragedy were featured on either side of the proscenium arch, with Shakespeare over the top. Unfortunately all the murals were destroyed in 1907 when Government regulations required the proscenium wall to be replaced with a solid firewall. The dome was removed at the same time for structural reasons, and was restored in 1990. The Dress Circle Lobby also dates from 1907.
The 1898 theatre was constructed in brick with timber roof construction sheeted with iron. The main body is brick with piers both inside and out. The hipped trussed roof covers both the three-level auditorium and the stage with dressing rooms below. The ground floor and foyer have been considerably altered at various times but the auditorium and stage structure are original as is much of the auditorium ceiling and pilastered walls. The roof over the stage also dates from 1875 and the later inclusion of a fly tower stage in 1898 is fitted around the original trusses. The flying system is the only manual (non counterweight) system in existence in Australia. In the auditorium roof there appears to have been two domes, a small one dating from before 1898 for which the horizontal shutters and tube structure to a former sliding ventilated roof are still in existence. When 1898 dome was removed a false octagonal ceiling was fitted in its place. Internally the circle and gallery levels are horseshoe shaped in plan and are carried on cast iron columns. The balcony balustrading is swag bellied and decorated. It is believed that the wall pilasters, panelled ceilings and proscenium are original decorations and some traces of art nouveau decorative motifs are to be seen where later alterations have been made. The two balconies were constructed in 1898, but one balcony front is the reused 1874 front while the second was made to match. The balconies and cast-iron supporting posts are typical for auditoria design in the late Nineteenth and early Twentieth Centuries. The double balcony, supported on columns, is now the last of this form of theatre in Victoria. The facade of this building is two storeyed in height with stucco ornamentation in a somewhat florid Classical style. The upper storey windows are round headed with archivolts supported by slender columns as are the two ground floor subsidiary entrances. The highly decorated curved entrance has now been lost. The ground floor facade has been much altered and a street awning has been added. The first floor facade is intact but the parapet balustrading and ornamentation has been destroyed.
From the First World War on, the Theatre was increasingly used for cinema presentations. A Bio Box (projection room) was built above the Dress Circle Lobby in 1916, and the Theatre was wired for sound in 1930. In 1928, the Hoyts cinema chain took over control over the building through its local subsidiary, Ballarat Theatres Limited, which ran Her Majesty's in tandem with the Regent Theatre (purposely built as a cinema).
In 1936, Her Majesty's was leased and operated by Ballarat Amusements, part of the Woodrow Distributing Company, presenting MGM and Paramount movies. Ballarat Amusements ran it until the early 1960s.
During the silent movie era, a theatre orchestra provided the film accompaniment. The Ballarat Theatre Organ Society installed the Theatre's Compton Theatre Organ in 1982.
Even when Her Majesty's was primarily a cinema, it was always available, to a lesser or greater degree, for live performances. It was used regularly by J. C. Williamson's and other touring companies as well as local groups. Throughout the 1940s and 1950s huge crowds came to see the annual pantomimes staged by the Wavie Williams Pantomime Company. For the last forty years, the Theatre has been used to stage locally produced musical comedies.
Television came to Ballarat in 1962, and had an immediate impact on attendances at the local cinemas. Ballarat Amusements decided to cease screenings and Hoyts put the building on the market.
In 1965, the Theatre was bought by the Royal South Street Society as the home for its Annual Competitions.The Bolte State Government gave the Society £20,000 towards the purchase price and a further grant towards the adaptation of the building for the Competitions. Further assistance towards both purposes came from local businessman, Alf Reid. It was clearly understood at the time that the Society would be managing the Theatre as a community facility.
The Society renamed Her Majesty's the Memorial Theatre, a move which made donations to its renovation appeal tax deductable.
The Society was unable to adequately maintain the upkeep of the building, however, and gifted it to the then City of Ballaarat in 1987, reserving the right to hold competitions in the Theatre every year between August and November.
The City of Ballarat undertook a major renovation, seeking funding from a wide range of businesses, individuals and organisations. The Theatre reopened as Her Majesty's on the 1st of November, 1990.
Grafton Street in Dublin.
I went to Dublin for work this week, and I enjoyed it a lot. Loved the city, loved the people I met, loved the event.
I'm already looking forward to go back there next year! ;)
In 2019, Bolivia lost more than 6 million hectares of forest and grassland to forest fires.
When the country requested support with its response to the crisis last summer, the EU Civil Protection Mechanism helped mobilise a specialised French firefighting team to assist Bolivian authorities in fighting the fires.
The EU also supported the Bolivian firefighters by providing items such as tents and water pumps to enable them to do their job. A team of 6 Swedish experts established a remote basecamp facility which could shelter 200 people in tents with electricity and water.
In addition, the EU team built an operation centre and trained the local forces how to use it in the future.
The response helped protect houses, communities and several national parks from the danger.
©2019 European Union (photographer: Ruth Silva)
Banski Grabovac - site of one of the first Partisan uprisings in Croatia against the fascist and nazi Croatian Ustase. Site shows memorial to Partisans as well as Mass Grave and Monument to the Civilian Villagers of Banski Grabovac who were murdered by the Ustase in reprisals following the uprising.
Scandalous in Sept pics 9/7 & 9/14.. No dress code & twerking @ Club Bounce.. We didnt put up all the pics because they were super scandalous lol You just have to be there see it for yourself! Thank you Rico DjSuave Cox and his hold it down radio team for attempting to control the ladies and host the twerk contest.. Its not as easy as it looks! lol Fun night tho! Stay current with our events by joining our email list at www.clubbounce.net/
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Originally built for use as a battery or overhead Electric locomotive and later converted for battery operation only this locomotive was built in December 1944 and delivered to Upper Boat Power Station in South Wales. The locomotive was built by Baguley of Burton under contract from English Electric. The locomotive later went to Back o'th Bank Power Station in Bolton. The loco is now at the Manchester Museum of Science and Technology and had a new set of batteries in 2012 at a cost of £12,000
Snapped in the pub during the Saturday trad session.
I thought the cap, the coat and his glasses made him look like he just stepped out of the 1920s.
(It's great to take photos of the punters in the pub while we're playinig music, instead of having my picture taken all the time by them. They usually look like this.)
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La cattedrale di Santa Maria del Fiore è il Duomo di Firenze.
È la quinta chiesa d'Europa per grandezza, dopo la Basilica di San Pietro, la Cattedrale di San Paolo a Londra, la Cattedrale di Siviglia e il Duomo di Milano. È lunga, infatti, 153 metri mentre il basamento della cupola è largo 92 braccia fiorentine, pari a circa 54 metri. Ha una pianta peculiare, composta com'è di un corpo basilicale a tre navate saldato ad una enorme rotonda triconca che sorregge l'immensa Cupola del Brunelleschi, la più grande cupola in muratura mai costruita. Al suo interno è visibile la più grande superficie mai decorata ad affresco; 3600 metri quadri, eseguiti tra il 1572-1579 da Giorgio Vasari e Federico Zuccari.
Fonte - Wikipedia.
HELP DEFEAT ARIZONA'S ANTI-GAY MARRIAGE AMENDMENT...
If you live in Arizona, please vote NO on Proposition 102. I am voting NO because of what the Arizona Senate did in order to put this measure on the ballot. And also because it's just simply WRONG.
Here is a link of the video on YouTube showing what had happened in the AZ Senate.
www.youtube.com/watch?v=YATXI0sOGKk
They broke their own rules in order to force the anti-gay marriage amendment vote which happened on June 27, 2008. I am not proud of how the AZ Senate handled itself in regard to this issue.
Here is a post that my partner did on his blog about what happened:
A Shameful, Corrupted Vote To Send Anti-Gay Marriage Amendment To November Ballot!
Here is a quote from Equality Arizona:
"Tonight's debate was intense for everyone on the Senate floor and those of us watching in the gallery. But what happened to our openly-gay Senators by their colleagues was absolutely disgusting. Senate extremists strategically broke the rules of the Senate, which govern the processes for discussion and voting on bills. During a filibuster-like discussion on another bill during Committee of the Whole, Majority Leader Thayer Verschoor (R-22) and Majority Whip John Huppenthal (R-20), among others, devised a scheme with committee chairman Jack Harper (R-4) to outright violate the rules of the Senate and the rights of Senators Aboud and Cheuvront.
In the middle of their discussion, Senator Harper turned off the microphones of Senators Paula Aboud (D-28) and Ken Cheuvront (D-15) and called on the Majority Leader to make a motion. Then, when Senators Aboud and Cheuvront loudly called for a Point of Order several times, even walking to the front desk where Senator Harper sat, he deliberately ignored their calls. To add insult to injury, these people attempted to justify their actions, even after the Senate President and other Senators admonished them for deliberately breaking the rules. Tonight's actions of these and other Senators have forever tainted that body, and it's important that we all let the people of Arizona know how these individuals acted so unethically."
And a quote from my partner's blog posting:
"To give you an example of how breathtakingly two-faced and idiotic the extremist became - earlier they voted against a proposal by Meg Burton-Cahill (D) to make the capitol more accessible to the handicapped even after assuring her, prior to the session, that voting for the measure was "no problem." This clearly smacked of political pay-back for her strong and vocal opposition to the marriage amendment. Following this debacle, Senator Ken Cheuvront (D), who is openly gay, proposed a ban on the sale and use of plastic coverings that slip over license plates and obscure the numbers when a picture is taken of someone speeding. Breaking the law and getting away with it is the sole purpose for these coverings but the Senate Republicans (who are the majority) chose to ignore the logic of the proposal and voted it down. They obviously wanted to "put these people in their place" and couldn't have cared less about the handicapped or the lawbreakers (who, by the way, have been clocked at speeds as high as 120 mph). This is extremism run amok."
I hope you will ACT now and help defeat this measure that the AZ Senate cowardly forced through. If you can donate money or volunteer your time please click HERE. This will take you to thee Vote NO on Prop 102 website.