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This was taken at NOON but turned into blue because of the tungsten film.

(6x9 format / FUJI CDUII Duplicating film ISO6 / 60sec)

 

ドラマ「いいひと」のロケに使われてた茅場町近くのアクロス新川ビルです。

Everything looks blue.

 

(6x9 format / FUJI CDUII Duplicating film ISO6 / 4sec)

 

永代橋です。

FED 3

Jupiter 8 f2 50mm

Kodak Kodalith Ortho Film, ISO6

 

I actually rolled and developed these negatives under a dark red Kodak safe-light, that's why they're so scratched.

 

I didn't need to, just wanted to see if I could.

 

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Society 6

Now that's what I call severely eroded.

Apparently we can get extreamly high contrast with this film. I think I need some practice with this film.

(zebra 35mm pinhole camera / FUJI MINICOPY FILM HRII ISO6 / 4sec)

Camera: Pentax SFXn + FA50mm/1.4

Testing New Heisenberg 6 (ISO 6) film.

Film is very slow Rated ISO 6,but using fast lens(50/1.4) there is no problem at all using this gem.

It is rated ISO 6 but I changed iso speed up to 50. Dark result were taken with iso 25~50. All the images came out good to my eyes.

Swanshurst Park, Birmingham, 2010:07:24. Sinar Norma with Repromaster 210mm F/9 lens 1s at F/22. Kentmere VC Select at ISO6 in R09 1+80, 5-10mins at 20C. Invert, flip, curves, spotting, The Gimp.

Strobist info: Sunpak 400ws Studio strobe at 1/1 into 44" Brolly Umbrella to the right about 2ft forward.

 

Ilford multigrade photo paper at ISO6 in my 1939 Crown Graphic 4x5. Developed in coffee.

Olympus Om-1

Zuiko Auto-S 50mm f1.8

 

Kodak Recordak Dacomatic A 5461 (expired 1975) @ISO 6

Printed on Ilford Multigrade RC Pearl

 

Suffers from "the pinholing effect" (most of which I removed in PS)...I think it's the developer as I didn't even use a stop bath, just water. I also think the negatives look a bit thin. From the bracketing I do think ISO6 will be OK and I already made some other tests with Dektol that look a lot better, now I just need to print them...The perfect combination still awaits, but no horry...after all I do have ~100 meters still left..

Kodak Panchromatic Separation 2238

 

Rx110022-edit

Taken with a Coronet Viscount camera in week 230 of my 52 film cameras in 52 weeks project:

 

52cameras.blogspot.com/

 

www.flickr.com/photos/tony_kemplen/collections/7215762311...

This camera uses the obsolete 828 format, which is unperforated 35mm film with a backing paper. I re-spooled an old reel with some "Poe" film from Six Gates Films of Milan. This is a black and white microfilm stock and is very slow, with an ISO rating of 3. Developed in Ilfosol 3 1:14 for 15 minutes at 20 deg. C.

Kobayashi-Shuzou,Kuriyama, Hokkaido.

Canon AE-1, NFD 200mm F4.0, Kodak microfilm imagelink HQ exposed as ISO 6 and developed with D23 3min. + Stoeckler's B 3min.

Nikon FE2 Ais Nikkor 35mm f1.4. Adox CMS20 @ISO6 with formula from Giolotto: 1.6 g/0.33l Sodium Carbonate, 0.33 g/0.33l Phenidone, 100mg/0.33l VitC, 22centigrade. 8min, invert continuously 30sec. then 2x at 60sec, 2min, 4min, 6min. Fuji variograde paper.

Pentax ME Super + Super Takumar 50mm/f1.4 + ultra expired Tasma Mikrat as ISO6, developed in stock D-76 for 9 min

Olympus Pen EE-2

Kodak Recordak Dacomatic A 5461 (exp 75)

@Iso 6

D-76 1:1 13min

 

Metered by eye as the selenium cell seems to be dead on my Pen. Many underexposed, and I think a 40 year old film would like a stronger developer. At least my previous experiments with Dektol and Caffenol seemed with better density.

olympus penD

fuji minicopyfilm HRII(HR2)

fuji microfine 1:1.75

 

ペンDにミニコピーフィルム、1段増感EI6→EI12で手持ち撮影。

ミクロファインを水割りで26℃6分半処理。

Swanshurst Park, Birmingham, 2010:07:24. Sinar Norma with Dallmeyer Tessar-type WWII aerial lens 355mm F/5.6 lens 1/15s at F/5.6. Kentmere VC Select at ISO6 in R09 1+80, 5-10mins at 20C. Invert, flip, curves, spotting, The Gimp.

Shot on a Canon A-1 with 28mm f/2.8 lens using Ektar 25 which was expired approx 25 years so shot at ISO 6!

Made with my 4x5" Pinhole.

www.flickr.com/photos/misterhonk/sets/72157647005152243/

 

The Photopaper has been pre-exposed under the enlarger with f11 / 1s / Gradationfilter 1.5

Camera: Pentax SFXn + FA50mm/1.4

Testing New Heisenberg 6 (ISO 6) film.

Film is very slow Rated ISO 6,but using fast lens(50/1.4) there is no problem at all using this gem.

It is rated ISO 6 but I changed iso speed up to 50. Dark result were taken with iso 25~50. All the images came out good to my eyes.

EOS rebel II, 6@6, 20100410-21

 

clearfield, ut

 

frame 36

 

canon EOS rebel II, single lens reflex

canon zoom lens EF 35-80mm 1:4-5.6

35mm KodaK 200 GOLD pulled to ISO6

caffenol644C5 – 6 minutes @ 69 degrees

epson perfection V500 photo @ 500%

 

I have begun to suspect that this light-leak-type burning i get on some of my images is in fact not a camera leak. It appears on the left side of my vertical images and on the top edge of my horizontal compositions.

 

Initially, I figured it was related to a crack in the barrel of my Ks super II. However, a crack in the barrel, being in front of the shutter, would not really create the hot spot I am getting.

 

I shot this image with my EOS rebel. I am certain that it does not have a light leak.

 

So, I am either dealing with a scanning issue or perhaps something strange is going on in my developing tank. I will have to go back and look at the images where I have this burning and see if I can correlate a cause.

 

Has anyone ever had a similar scanning problem like this?

 

Lemaniaques

SFX200 + R72 @ ISO6

Lens test. Taken with Ross Xpres WA 5 inch lens at f/5.6. This is the military version of this lens - an aero reconnaissance lens intended to be used quite wide. it was noticeably softer at f/4 and better at f/5.6.

 

Cycas revoluta, Birmingham, 2011:05:24 14:30:00. Sinar Norma with Ross Xpres 125mm F/4 lens 1/8s at F/5.6. Ilford MGIV at ISO6 in Dektol 1+2, 1 min at 20C. Curves, spotting, the Gimp.

Camera: Pentax SFXn + FA50mm/1.4

Testing New Heisenberg 6 (ISO 6) film.

Film is very slow Rated ISO 6,but using fast lens(50/1.4) there is no problem at all using this gem.

It is rated ISO 6 but I changed iso speed up to 50. Dark result were taken with iso 25~50. All the images came out good to my eyes.

Kodak Panchromatic Separation 2238

 

Rx110032-edit

Jakarta car free day, 27 Februari 2011.

Lens test. Taken with Schneider Symmar 150mm lens at f/5.6. This lens is not normally used wide open, but it is still sharp used like this. I wanted to see what the bokeh was like and compare with some other fast lenses around this focal length.

 

Cycas revoluta, Birmingham, 2011:05:24 14:30:00. Sinar Norma with Schneider Symmar 150mm F/5.6 lens 1/8s at F/5.6. Ilford MGIV at ISO6 in Dektol 1+2, 1 min at 20C. Curves, spotting, the Gimp.

el escaneo fue tomando foto al negativo con una nikond5100

Mikasa railway park, Horonai, Mikasa, Hokkaido.

Ricoh XR8 Super, Rikenon 28mm, Kodak Microfilm (Imagelink HQ) exposed at ISO 6, developed with Finedol 1:1 6min.

Scanned at 3200dpi with Epson Perfection V700 on Epson software.

Camera: Pentax SFXn + FA50mm/1.4

Testing New Heisenberg 6 (ISO 6) film.

Film is very slow Rated ISO 6,but using fast lens(50/1.4) there is no problem at all using this gem.

It is rated ISO 6 but I changed iso speed up to 50. Dark result were taken with iso 25~50. All the images came out good to my eyes.

Jakarta car free day, 27 Februari 2011.

Swanshurst Park, Birmingham, 2010:07:24. Sinar Norma with Repromaster 210mm F/9 lens 1s at F/22. Kentmere VC Select at ISO6 in R09 1+80, 5-10mins at 20C. Invert, flip, curves, spotting, The Gimp.

konica autorex-p(half)

hexanon 40/1.8

fujifilm minicopyfilm HR2 ISO6

konica autorex-p

hexanon 40/1.8

fujifilm minicopyfilm HR2 ISO6

A single barrel-vault bridge at the confluence of Afon Rheadr Fawr and Afon Anafon provides a roadway across the river. The date of construction is unknown, but its existence was marked on the Ordnance Survey map of 1822. The bridge provided a safe crossing for drovers leading animals on a Drovers road up the valley. Large stones in the river under the bridge mark the site of an earlier ford.

Abergwygrgyn (also known as Aber) is the coastal crossing point for the ancient drovers and later Roman road that led across the Lafan Sands to Anglesey.

 

Paper negative iso6, Calumet CC400, xenar 135mm f4.7 lens

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