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The stunningly beautiful, colourful, abstract, and geometric design of the ceiling inside Victoria Gate shopping centre, Leeds.
Anode end of a xenon-arc lamp (a slightly larger version of the one shown here) from a 16mm projector, showing its electrode seal. Since the tungsten electrode, the strip of conductive foil for the lead wire, and the quartz envelope expand and contract at different rates as the lamp heats and cools, multiple layers of different types of glass are used between the the electrode and the quartz body to contain the high gas pressure and prevent explosions under normal operation.
A post-apocalyptic hominin tries to reconstitute the great technology God with an intricate painting on his cave wall.
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365: The 2015 Edition (113/365)
In our snowy world (more is coming this weekend), I treasure every tiny sign of spring like this Willow catkin!
“There is no future. There is no past. Do you see? Time is simultaneous, an intricately structured jewel that humans insist on viewing one edge at a time, when the whole design is visible in every facet.”
― Alan Moore
These images are from the archives... when my daughter lived in the city and it was safe to walk in Manhattan, without fearing for your life....
a street vendor was selling these beautiful and intricate eggs...
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National Museum of Modern and Contemporary Art, Seoul, Korea.
June 2014.
Canon 6D.
I love the contrast of the feathery frost with the dark tree silhouette. The frost art on my windows is beautiful solace during these bitterly frigid days.
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Stained glass window in St Patrick's Cathedral -
Building of the cathedral commenced in 1858. Since the Catholic community of Melbourne was at the time almost entirely Irish, the cathedral was dedicated to St Patrick, the patron saint of Ireland.
In 1974 Pope Paul VI conferred the title and dignity of minor basilica on it. In 1986 Pope John Paul II visited the cathedral and addressed clergy during his Papal Visit.
The cathedral is built on a traditional east-west axis, with the altar at the eastern end, symbolising belief in the resurrection of Christ. The plan is in the style of a Latin cross, consisting of a nave with side aisles, transepts with side aisles, a sanctuary with seven chapels, and sacristies. Although its 103.6-metre (340 ft) length is marginally shorter than that of St Mary's Cathedral, Sydney, St Patrick's has the distinction of being both the tallest and, overall, the largest church building in Australia.
Do you guess I have some intricate purpose?
Well I have .. for the April rain has, and the mica on the side of a rock has.
- Walt Whitman.
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Pouwhenua or pou whenua (land post), are carved wooden posts used by Māori, the indigenous peoples of New Zealand to mark territorial boundaries or places of significance. They are generally artistically and elaborately carved and can be found throughout New Zealand. Much like totem poles, pou whenua tell a story. They are significant to the Māori people, representing their contributions to the cultural heritage of New Zealand. They acknowledge the association between the people (tāngata) and the land (whenua). Specifically, they reflect the relationship between the ancestors, environment, and the reputation or standing of the tangata whenua. The Pouwhenua is also a long-handled fighting staff with a club-like broad head for striking. R_26491
Blackburn applies intricate beadwork to a pristine deer hide rendering a disturbingly large and shimmering bruise. Representing a violence that penetrates the body and spirit, this work highlights the impact of Canada’s Indian residential schools (IRS) on Indigenous individuals, families and communities. It may also allude to the reluctance of many Canadians to recognize the ongoing effects of IRS on Indigenous life and culture.