View allAll Photos Tagged Humility
「慢心は損害を招き、謙虚は利益を受ける。天狗になるとミスを犯し、謙虚になれば協力を得る」– 孔子『書経』
Pilgrims, visitors, tourists paying homage and giving offerings to the spirits of the Yakuo-In shrine. Hachioji, Tokyo, Japan. © Michele Marcolin, 2023. GR3
[Arrogance causes harm, humility benefits. If you are a tengu, you make mistakes, if you re humble, you get help] - Confucius' Book of Sutras
-----
The Buddhist temple on Mount Takao is formally known as Takao-san Yakuo-in Yuki-ji. It was established in 744 on the orders of Emperor Shomu as a base for Buddhism in eastern Japan and its founder was Gyoki, a charismatic priest closely associated with the erection of the Great Buddha at Todai-ji Temple in Nara.
It was restored late in the 14th century by Shungen Daitoku, a priest of the of the Shingon esoteric Buddhism, with close connections also to Shugendo (mountain asceticism). After a demanding goma fire ritual of 8,000 goma sticks and subsequently receiving a living vision of the deity Izuna Daigongen, he was aften described as the second founder of the temple and Mount Takao flourished as a Shugendo center.
During the 15th to the late 16th century, a number of powerful warrior lords, such as Takeda Shingen and Uesugi Kenshin, looked to Izuna Daigongen as a protector deity. The Hojo family, who held the Kanto region under their sway, were particularly strong devotees and they placed Mount Takao under their special protection. It was no accident either that the mountain occupied an important strategic position. During the Edo period, Yakuo-in expanded under the patronage of the ruling Tokugawa family.
Today Yakuo-in is one of the three head temples of the Shingon-shu Chisan-ha Sect, the others being Narita-san Shinsho-ji and Kawasaki Daishi Heiken-ji.The Tengu association of it dates back as far as the 14th century - through its ties with the practice of mountain asceticism. Tengu - which in an early stage of their history were considered disruptive entities against Buddism - had the reputation of teasing particularly ascetic monks in their search for illumination. Later developments saw them as keeper of Mt. Takao and guardians agains any evil doers. Even to this day, you can see Tengu iconography all over Mt. Takao.
“Humility is the foundation of all the other virtues hence, in the soul in which this virtue does not exist there cannot be any other virtue except in mere appearance.”
~ Saint Augustine (Ancient Roman Christian Theologian and Bishop of Hippo from 396 to 430. One of the Latin Fathers of the Church. 354-430)
I decided to take a late afternoon stroll yesterday in the beautiful evening sun. Walking past so many gardens full of exotic looking flowers was wonderful and yet nothing really caught my eye and made me wish to capture it.
Nothing that is until I came across these very humble looking buttercups.
It served to remind me that sometime it's the simplest of subjects that can prove the most beautiful.
I am thankful for adversity. Likewise, I am thankful for the humility and utter reliance on God it points me to.
Now, before you think I'm all some kind of noble, let me also say that adversity hurts. And the conflict and outright hostility from some in my life hurts especially hard... dismissive ridicule masquerading as high-minded tolerance; mocking sneers written into shaded words; assumptions and presumptions born of enmity and estrangement.
I have lost to that estrangement close family and friend alike. Job would understand. So would Paul, and Luther, and Wilberforce, and Schneider. Each drew a line that defined an arc of adversity against which they leaned continually throughout their days. Mine, like theirs, has become an anchor.
God, it is said, draws straight lines with crooked sticks. And mine was particularly misshapen. But as an invited resident in my life, the line Christ has drawn for me has become a dividing line with those who bear adversity in their bosoms as if it their very breath. And for that I am thankful. No, not that we are divided. But thankful that by that line I am forever tethered to a hope and peace and assurance I would not have otherwise discovered.
As adversity isolates it also frees. And I am free, indeed.
“When we visit sacred sites we go there with humility, perform our acts of respect and then see what happens — we surrender to the place rather than try to ‘control’ it.” ~ James Swan
Lower Antelope Canyon - September 2011
Hard to believe that the small opening in the earth that you see below leads you into a whole other world....one that is mesmerizing, spiritual, and sacred rolled all into one. The canyon was formed by erosion of Navajo Sandstone,primarily due to flash flooding and secondarily due to other sub-aerial processes. Rainwater, especially during monsoon season, runs into the extensive basin above the slot canyon sections, picking up speed and sand as it rushes into the narrow passageways. Over time the passageways are eroded away, making the corridors deeper and smoothing hard edges in such a way as to form characteristic 'flowing' shapes in the rock. (source: wikipedia)
Hope everyone enjoyed their weekend....and wishing everyone a great week ahead. Appreciate all your visits, comments, invites, awards, and faves :-)
.
.
"Add to this a good sense of humor, a big dose of patience, and a dash of humility, and you will be rewarded many-fold."
~ Maranatha
.................
2. "Be friendly and helpful.",
3. "Be cordial.",
4. "Be genuinely interested in people."
.................
~ My Easter cactus flowers are blooming on my balcony...
~ the original photo is displayed in the first comment below...
Thanks for stopping by
and God Bless,
hugs, Chris
Created with fd's Flickr Toys
*أصدق الحزن .. ابتسامة في عيون دامعة
______________________________
Copyright © 2009 Arikashika, all right reserved
even amidst a countless creations thereis in nature...we human beings have the humility... to choose to be in servitude to all creation...to protect life on Earth...in servitude to God...who created us all for this Divine Purpose...
It was not a perfect place to take star trail picture as light pollution was so heavy. It was not a perfect weather either as humility was very high and air transparency was below average. But it was only 25 minutes of driving from home and it was fun to get a interesting star trail picture in such unfavorable conditions.
A escultura de Santa Teresa do Menino Jesus, realizada em 1926 pela escultora francesa Lucie Delarue-Mardrus, encontra-se na capela lateral da igreja de Saint-Germain-l'Auxerrois, em Paris. Esta obra foi criada logo após a canonização de Teresa de Lisieux em 1925, refletindo a devoção à sua "pequena via". A escultura dialoga com o vitral gótico que a sobrepõe, o qual ilustra a genealogia de Jessé, David e Salomão, estabelecendo uma ligação teológica entre o Antigo e o Novo Testamento. Esta relação destaca a santidade cristã contemporânea e a tradição bíblica da humildade, que valoriza os pequenos. Delarue-Mardrus, além de escultora, foi escritora e buscou atualizar a iconografia de Santa Teresa, conferindo-lhe uma expressão de força e autenticidade, conforme os ideais espirituais do século XX.
The sculpture of Saint Thérèse of the Child Jesus, created in 1926 by French sculptor Lucie Delarue-Mardrus, is located in the side chapel of the Church of Saint-Germain-l'Auxerrois in Paris. This work was created shortly after the canonization of Thérèse of Lisieux in 1925, reflecting devotion to her “little way.” The sculpture dialogues with the Gothic stained glass window above it, which illustrates the genealogy of Jesse, David, and Solomon, establishing a theological connection between the Old and New Testaments. This relationship highlights contemporary Christian holiness and the biblical tradition of humility, which values the little ones. Delarue-Mardrus, in addition to being a sculptor, was a writer and sought to update the iconography of Saint Teresa, giving her an expression of strength and authenticity, in accordance with the spiritual ideals of the 20th century.
Friends, followers, and my incredible sisters in this journey,
Wow. What an incredible year 2024 has been. Standing here today, I am filled with so many emotions—gratitude, humility, and a deep sense of awe. I can hardly believe how quickly time has passed. It feels like just yesterday I was crowned Whiskey Girl of the Year – 2023. It is a moment I will cherish forever. But here we are at the end of an extraordinary chapter, and I am so grateful for every second of this journey.
First, I want to thank the Whiskey Girl Organization for believing in me and giving me the opportunity to represent this fantastic group. This organization is truly a force for good, and it has given me the opportunity to pursue my passions and make a difference. It has been an honor to carry the title of Whiskey Girl of the Year, and I promise to continue using everything I’ve learned from this experience to continue helping others.
Thank you, Miss Emily, for your friendship, love, and leadership. Without you, Whiskey Girl Studios would not exist. On behalf of all the sisters, thank you from the bottom of our hearts. We love you.
To my Second Life family—thank you from the bottom of my heart for your unwavering support, love, and encouragement. You have been my rock, and I would not be standing here today without you. Your messages of love, encouragement, and belief in me have kept me going during the tough days and have reminded me to have fun while spreading hope and love.
To my fellow sisters —what an incredible group of talented, kind, and inspiring people you are. You are all change-makers in your own right, and I have been so blessed to share this journey with each of you. The friendships I’ve made here are some of the most treasured relationships of my second life, and I know we will continue to support and uplift one another long after this year is over. I’m leaving this year with a heart full of gratitude and a deeper commitment to making our world a better place.
The funds we raised for Relay for Life, in cooperation with Debauche, were a truly amazing achievement. Fighting Cancer hits to the heart of the sickness that darkened my life over the past year. Thank you all for supporting Relay for Life and for supporting me in my own personal fight.
The Whiskey Girl of the Year crown is not just a symbol of beauty or talent; it is a symbol of responsibility. The opportunity to lead with grace and authenticity is something I will never take lightly. I will continue championing the causes that matter most to me—fighting cancer and empowering sisters to believe in themselves and their potential.
To my successor, whoever she may be, I am so excited for you. You are about to embark on a year of growth, challenges, and incredible opportunities. I know you will carry the torch with grace, strength, and passion. The Whiskey Girl sisterhood is a bond that lasts a lifetime, and I look forward to watching you shine.
Thank you all for making this year one I will never forget. I am proud to have served as Whiskey Girl of the Year 2023, and I will carry the lessons, the love, and the memories of this year with me for the rest of my life. I am a Whiskey Girl for Life.
Love - Heather
"O Father, give us the humility which realizes its ignorance, admits its mistakes, recognizes its need, welcomes advice, accepts rebuke. Help us always to praise rather than to criticize, to sympathize rather than to discourage, to build rather than to destroy, and to think of people at their best rather than at their worst. This we ask for thy name's sake." (Prayer of William Barclay, 20th century)
Copyright© 2010 Kamoteus/RonMiguel RN
This image is protected under the United States and International Copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without written permission.
Agfa Box 44 from 1930s
expired Kodak Portra 160, pushed two stops
Inspired by the movie 'Wings of desire' and its remake 'City of angels', I wanted to do this project for a long time. I even started it some time ago as self-portraits wearing long, leather, black jacket:
www.flickr.com/photos/toguko/4741327405/
But this time, I thought I would do something different. I think the use of the traditional, red, Chinese dress was more for the visual reasons in the beginning. Then I started to think what I wanted to show in this project. And the word 'nostalgia' came to my mind in a natural way - the use of an old camera, expired films, dress from another era, showing longing for the past. But when I developed the films, I was disappointed with the results. I was hoping they would look like old photographs. The colours came out more vivid than when using normal kodak portra 160 (perhaps because mine was expired and pushed two stops when developed). I felt that this is not what I wanted and also that it is not really my style. I guess I had some expectations about the whole thing.
And then I thought that I did the best I could, given the tools I have at the moment (I had to sell all my equipment for personal reasons and only kept my grandfather's camera for sentimental reasons and was left with few boxes of kodak portra 160 that I didn't sell) and that the final results were actually not up to me. I felt that this was a great lesson of humility, letting go, diminishing my ego and expectations, trying to deal with my 'control freak' and perfectionist side. So my new idea for the name of this project is 'humility', for the reasons above but also because of the small figure in the vastness of the landscapes (universe) as I am trying to show how small and insignificant we all are.
The other thing I thought about is what does the model feel/experience. What is her perspective? I feel not many people think about that. So I asked her. She said that in the beginning, the posing didn't feel natural to her, she felt awkward standing there looking at all these landscapes in front of her. But in later shots, she started to relax, closed her eyes and meditated.
Changed the name of the project to 'h&n' (for humility&nostalgia but also here&now).
Anima Series 5
Sitting No. 190
Lismore NSW 2018
Model: Naomi Grant
Humility is a very useful quality that allows us to balance the often powerful influence of our ego. The key word here being ‘balance’.
As C S Lewis once said, ‘humility is not thinking less of yourself, it is thinking of yourself less’.
Humility provides a means of seeing beyond our periphery and thereby not obsessing about our own concerns, or being blinded by desire. It is a more grounded, down to earth view that looks outward at the world rather than always inward.
This is not to suggest we should ignore the inner workings of our hearts or minds but simply, like all things, we need to balance between our inner and outer worlds.
In the age of the selfie stick, we risk being drawn into narcissistic habits where our lack of a balanced perspective exposes us to seemingly greater shock – when in truth it is simply our bubble bursting at the slightest touch.
Humility is this balanced perspective.
Agfa Box 44 from 1930s
expired Kodak Portra 160, pushed two stops
Inspired by the movie 'Wings of desire' and its remake 'City of angels', I wanted to do this project for a long time. I even started it some time ago as self-portraits wearing long, leather, black jacket:
www.flickr.com/photos/toguko/4741327405/
But this time, I thought I would do something different. I think the use of the traditional, red, Chinese dress was more for the visual reasons in the beginning. Then I started to think what I wanted to show in this project. And the word 'nostalgia' came to my mind in a natural way - the use of an old camera, expired films, dress from another era, showing longing for the past. But when I developed the films, I was disappointed with the results. I was hoping they would look like old photographs. The colours came out more vivid than when using normal kodak portra 160 (perhaps because mine was expired and pushed two stops when developed). I felt that this is not what I wanted and also that it is not really my style. I guess I had some expectations about the whole thing.
And then I thought that I did the best I could, given the tools I have at the moment (I had to sell all my equipment for personal reasons and only kept my grandfather's camera for sentimental reasons and was left with few boxes of kodak portra 160 that I didn't sell) and that the final results were actually not up to me. I felt that this was a great lesson of humility, letting go, diminishing my ego and expectations, trying to deal with my 'control freak' and perfectionist side. So my new idea for the name of this project is 'humility', for the reasons above but also because of the small figure in the vastness of the landscapes (universe) as I am trying to show how small and insignificant we all are.
The other thing I thought about is what does the model feel/experience. What is her perspective? I feel not many people think about that. So I asked her. She said that in the beginning, the posing didn't feel natural to her, she felt akward standing there looking at all these landscapes in front of her. But in later shots, she started to relax, closed her eyes and meditated.
Changed the name of the project to 'h&n' (for humility&nostalgia but also here&now).
I wonder what you think.
Agfa Box 44 from 1930s
expired Kodak Portra 160, pushed two stops
Inspired by the movie 'Wings of desire' and its remake 'City of angels', I wanted to do this project for a long time. I even started it some time ago as self-portraits wearing long, leather, black jacket:
www.flickr.com/photos/toguko/4741327405/
But this time, I thought I would do something different. I think the use of the traditional, red, Chinese dress was more for the visual reasons in the beginning. Then I started to think what I wanted to show in this project. And the word 'nostalgia' came to my mind in a natural way - the use of an old camera, expired films, dress from another era, showing longing for the past. But when I developed the films, I was disappointed with the results. I was hoping they would look like old photographs. The colours came out more vivid than when using normal kodak portra 160 (perhaps because mine was expired and pushed two stops when developed). I felt that this is not what I wanted and also that it is not really my style. I guess I had some expectations about the whole thing.
And then I thought that I did the best I could, given the tools I have at the moment (I had to sell all my equipment for personal reasons and only kept my grandfather's camera for sentimental reasons and was left with few boxes of kodak portra 160 that I didn't sell) and that the final results were actually not up to me. I felt that this was a great lesson of humility, letting go, diminishing my ego and expectations, trying to deal with my 'control freak' and perfectionist side. So my new idea for the name of this project is 'humility', for the reasons above but also because of the small figure in the vastness of the landscapes (universe) as I am trying to show how small and insignificant we all are.
The other thing I thought about is what does the model feel/experience. What is her perspective.
Changed the name of the project to 'h&n' (for humility&nostalgia but also here&now).
I wonder what you think.
To be great, you must first learn to be small... Humility, therefore, is a long way
Follow me on ! tumblr | 500px | website | Flickr | instagram
© Alain A Foutrier, All Rights Reserved
Candid photography from Thailand
Black & White and color By calculating the
exposure of light.
The other important point in taking a good photo and the composition.
The classic mistake is to rush when a scene seems interesting, we do not check the edges of the canal and try to fit as many elements as possible in the direction no we have to make a choice and it is arranged to organize the together.
at first it is preferable to eliminate from the case anything that is parasitic when reading the image by placing yourself judiciously.
I never use zooms, Than fixed lenses Which forces me to build my image in other words I learn to zoom with my feet.
© Alain A Foutrier
Explore www.flickr.com/explore/2012/11/21
#222 on July 7, 2013
# 224 on June 1, 2013
# 229 on November 27, 2012
# 197 on February 9, 2022
# 196 on April 10, 2022
# 195 on November 25, 2022
# 194 on January 25, 2023
# 192 on January 1, 2024
Learn of the Life Cycle of the Monarch Butterfly at
© Copyright Rebels Abú 2010 | All rights reserved.
Please do not use, copy or edit any of my materials without my written permission. If you want to use this or any other image, please contact me first.
Thanks for the visit!
♫ ♫ ♫ < Joyful music! ♫ ♫ ♫
If anything is good for pounding humility into you permanently, it's the restaurant business.
Anthony Bourdain
Our neighborhood restaurant, The Hilltop.
Lily-of-the-Valley was my maternal Grandmother’s favourite flower, and when I see it, or hear it mentioned, I always think of her. She told me and showed me proudly in photographs, that she had Lily-of-the-Valley in her wedding bouquet during the Second World War. She used to use Yardley Lily-o-the-Valley soap and talc, and for a very special treat, their Lily-of-the-Valley bath salts. I never found out why she had Lily-of-the-Valley in her bridal bouquet. Born in January, it wasn’t her birth flower. Perhaps she chose them because of their sweet and light fragrance, which I do know she loved, or perhaps she also chose them for their meaning.
Floriography, commonly known as the “language of flowers”, was used as a means of coded communication through the use of flowers and floral arrangements. It allowed expression of feelings, sometimes unspoken ones, discreetly during a period when sharing ones feelings openly was not the done thing. Lily-of-the-Valley represents “a return to happiness”. Was my Grandmother trying to communicate the happiness she so dearly hoped for in her bridal bouquet?
The theme for “Smile on Saturday” for the 17th of October is “floriography”, so I chose Lily-of-the-Valley over my own preference for white roses in memory of my beloved maternal Grandmother, but also for its meaning. As the theme stipulates that my image must also “depict the meaning”, I have superimposed a partially transparent photo of a Lily-of-the-Valley that I took at the National Rhododendron Gardens in Melbourne’s Dandenong Ranges over the top of one of my maternal Grandparents’ wedding photos taken in London in 1942, where they look very happy. Sadly, my Grandmother’s bouquet featuring Lily-of-the-Valley only appears in formal studio portraits where the happy couple look far more serious, so I couldn’t use them for this challenge. Still, I hope you find this more happy photo of them on their wedding day on the steps of the church with wedding guests a suitable choice.
So, in Victorian times, Lily-of-the-Valley meant “a return to happiness.” In Germanic mythology, Lily-of-the-Valley are associated with the humility and purity of the virgin goddess Ostara. In Christian legend, Eve’s tears as she was expelled from the Garden of Eden turned into Lily-of-the-Valley. The Lily-of-the-Valley is also seen as a symbol of humility and a sign of Christ’s second coming.
Lily of the valley, Convallaria majalis, sometimes written lily-of-the-valley, is a woodland flowering plant with sweetly scented, pendent, bell-shaped white flowers borne in sprays in spring. It is native throughout the cool temperate Northern Hemisphere in Asia and Europe.
Agfa Box 44 from 1930s
expired Kodak Portra 160, pushed two stops
Inspired by the movie 'Wings of desire' and its remake 'City of angels', I wanted to do this project for a long time. I even started it some time ago as self-portraits wearing long, leather, black jacket:
www.flickr.com/photos/toguko/4741327405/
But this time, I thought I would do something different. I think the use of the traditional, red, Chinese dress was more for the visual reasons in the beginning. Then I started to think what I wanted to show in this project. And the word 'nostalgia' came to my mind in a natural way - the use of an old camera, expired films, dress from another era, showing longing for the past. But when I developed the films, I was disappointed with the results. I was hoping they would look like old photographs. The colours came out more vivid than when using normal kodak portra 160 (perhaps because mine was expired and pushed two stops when developed). I felt that this is not what I wanted and also that it is not really my style. I guess I had some expectations about the whole thing.
And then I thought that I did the best I could, given the tools I have at the moment (I had to sell all my equipment for personal reasons and only kept my grandfather's camera for sentimental reasons and was left with few boxes of kodak portra 160 that I didn't sell) and that the final results were actually not up to me. I felt that this was a great lesson of humility, letting go, diminishing my ego and expectations, trying to deal with my 'control freak' and perfectionist side. So my new idea for the name of this project is 'humility', for the reasons above but also because of the small figure in the vastness of the landscapes (universe) as I am trying to show how small and insignificant we all are.
The other thing I thought about is what does the model feel/experience. What is her perspective? I feel not many people think about that. So I asked her. She said that in the beginning, the posing didn't feel natural to her, she felt awkward standing there looking at all these landscapes in front of her. But in later shots, she started to relax, closed her eyes and meditated.
Changed the name of the project to 'h&n' (for humility&nostalgia but also here&now).
"Pride makes us artificial and humility makes us real."- Thomas Merton
NEW BLOG: tour of Sedona Arts Center unconventionalpaintings.com/2017/02/19/sedona-arts-center/
"If anything is good for pounding humility into you permanently, it's the restaurant business."
Anthony Bourdain
“Eat your vegetables, dammit. We care about you!”
Brenda Langton
Brenda and Tim are wrapping up their time at Spoonriver Restaurant in downtown Minneapolis this Friday, December 20, 2019. The restaurant will close and open up later in the spring under a new partnership between Minneapolis’ Birchwood Café and the Minnesota Farmers Union.
We will miss you! We used to live in the condo building that the restaurant was in and really enjoyed the great food and staff!!
179,114 items / 1,406,479 views
This is where I have my hair trimmed , he feels honored refuses to take money but I insist I give him Rs 50 / he returns Rs 35 back.
And I cant say anything to him as I am literally growing my hair that like this barber in all humility refuses to grow.
Because of the furrows of the kama matam , the ritual of cutting my head during Mohram , there is a bald patch in the front, but because I wear a turban most of the time it is not noticeable.
I used to wear the turban pathani style with the kulha but I stopped it there is a fear psychosis in society regarding people from the north west..and I have nothing to say.. a friend asked me whether I will ever visit Pakistan I said no never not for any reason simply I have no wander lust towards Muslim countries , I wont visit Saudi Arabia simply because my God lives In India and I am comfortably at home with him luckily my God is not under house arrest as he is out there.
I wont visit Iraq because if I do get a free ticket or a paid one I will give it to someone more deserving than me , yes my Hussain lives in India too... my birthplace is my Karbala too.My Hussainyat begins here and ends her too..without being restricted by visa emigration or geographical boundaries.
Glenn wants me to come to Manhattan , but I am happier in my own country and I am not into travel photography, and yes I prefer shooting the streets in Mumbai.
I dont drink I dont smoke I dont fornicate , poets hardly fornicate save in their imaginations, I dont sell pictures I was born broke I will die broke .. I have no savings I have not even saved what I have posted on the internet.
I am an impulsive mouse pusher and I poetize life after death on earth... heaven or hell dont interest me.
My religiosity is individually inclined I am not a congregational man , I am congregational during Moharam only , I am one with the Shia crowds I passionately shoot ..or during Lalbagh Chya Raja Visarjan I walk barefeet with him to his journey towards the sea I become one with my cultural inheritance I become one with a Hindu deity I passionately shoot for all my Hindu friends .. and I still cant repay for all they have done for me when I was undergoing bad times .. they helped me each time I fell so I shoot their faith I shoot the Christian faith and this is the least I can do as a photographer.
Why I shoot the Hijras is one query I cant answer perhaps its part of their Karma and my Dharma.
This barber shop is my hope beyond darkness I shoot him I am inspired by positive thoughts and hard as I try I always bang into Hijras on the street .. they cant stay away from me I cant stay away from them.
I shot a hijra beggar yesterday , and we chatted for sometime after I took 3 shots than I spotted an old lady with a jhadu, I shot her for kicks, and she entered a shop , the shop guy Mr Parmar of Advocate Tailors later told me she was a hijra she comes every Tuesday to his shop.
This was one hijra that did not look like an hijra at all.
In a few minutes I shall walk to my workplace through the slums, away from the internet and the computer that is the fulcrum of my surreal existence.
And away from a written word photographed as a blog .. read as poetry written as prose..
"Parker, what is wrong with people today? What happened to good old fashioned altruism?"
"Well, I-"
"People lack humility! That's your problem, right there! Take me. I'm humble, Parker. I'm so humble I should write a book!"
"Wow, that's literally the joke people make about not being humble."
"What'sat??"
"Nothing, JJJ."
"And giving! Look at us right now! You bring in new photos from the war with that Super-fellow and Venom* that will be front-page and sell me tons of paper! Now, I wouldn't even have to give you a 'thank you' since that's your job I'm already paying you for, but I'm a different kind of man!"
"You sure are, Mr. Jameson."
"I not only give you an 'atta boy!' but I treat you to lunch! Now that's being generous!"
"Yep, that hot dog hit the spot. You didn't let us order a cola and I had to drink from the water fountain, but-"
"What'sat??"
"Nothing, Mr. Jameson."
"And then I give you that photo-shoot of that Lala Shar lady!** I could have given that to anyone but trusted you with it Parker!"
"Her name is Lilandra and she's the Queen of the Shi'ar."
"What'sat??"
"Thank you for the photo shoot, Jonah, it was a privilege and a great time."
"See? Parker, if the world were full of people like me, it'd be a completely different place."
"It sure would, JJJ. It sure would."
__________________________
A year of the shows and performers of the Bijou Planks Theater.
Marvel Minimates
Peter Parker
J Jonah Jameson
* Peter snapped this shot of Venom and the "Super-fellow"!
www.flickr.com/photos/paprihaven/50128041961/
**See the amazing photoshoot of Lilandra, courtesy of Hurricane Studios, starting here!