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wandering through the quiet streets of alcudia, i spotted a man standing by his door. intrigued by the rustic entrance, i asked if i could photograph it. little did i know, this simple request would lead to a spontaneous portrait session inside his home. he revealed himself to be a painter and writer, living without the convenience of the internet or a mobile phone. the conversation flowed, and as he posed with the chessboard, i promised him a print of this portrait. in return, he said he would paint me. sometimes, photography opens doors to more than just images – it connects people in ways you can't predict.
a haiku by my friend [https://www.flickr.com/photos/canonmao/]
The welcoming
Of painter and photographer
Mi casa es su casa
Close-up of a group of cheerful friends leaning over a table, enjoying a sunny day in Szentes, Hungary, 1957.
she turned the corner ahead of me. i followed. camera in hand, waiting for the right moment. she enjoyed her ice cream, unaware, then caught my gaze. a glance, a smirk, a fleeting connection. street photography is sometimes just that—a game of timing, movement, and the joy of a simple moment.
photo rights reserved by Ben
The Svetitskhoveli Cathedral is located in Mtskheta, the ancient capital of Georgia, about a half-hour drive from Tbilisi. The current church—featuring Romanesque stone walls, remaining frescoes, and gold-framed icons—dates from 1010-1029, but the site has been the spiritual heart of the country since the 4th century. According to tradition, the robe of Christ is buried here; hence, it is the main sanctuary of the Georgian Orthodox Church and is listed as a UNESCO World Heritage site. During our visit, a traditional wedding was taking place: guests in festive attire gathered. You can see the bride and groom—both in the central nave of Svetitskhoveli, the bride in white with a veil. The priest, dressed in red, read prayers for the union from the service book. The two men to the left (in tuxedos) were holding lit candles. They symbolized the friends of the groom and testified that the couple was walking in the light of Christ. The woman directly to the bride's right (in the light blue dress) was also a witness. The woman in the silver-gray dress held the bride's bouquet and acted as the maid of honor. The priest sang in Old Georgian, the candles flickered, and the sound of Psalm 128 filled the space. Georgians sing in three-part harmony a capella; the echo in Svetitskhoveli made it almost heavenly. The atmosphere was intense and powerful—a unique blend of holiness and human connection.
It must be said that the temples of Mtskheta are historically the most important in Georgia. Christianity in Georgia began here in the 4th century. The “Great Cathedral” of Svetitskhoveli stands at the heart of Mtskheta. For many Georgians it is a cherished place to marry, surrounded by a wondrous world of tradition and antiquity.
De Svetitskhoveli-kathedraal staat in Mtscheta, de oude hoofdstad van Georgië, op ongeveer een halfuurtje rijden van Tbilisi. De huidige kerk—met romaanse stenen wanden, resterende fresco’s en goudomrande iconen—dateert uit 1010-1029, maar de plek is al sinds de 4e eeuw het geestelijke hart van het land. Volgens de traditie ligt hier het kleed van Christus begraven; daarom is het de hoofd-heiligdom van de Georgisch-Orthodoxe Kerk en staat het op de UNESCO-Werelderfgoedlijst. Tijdens ons bezoek vond er een traditionele bruiloft plaats: gasten in feestelijke kleding verzamelden zich. Je ziet de bruid en bruidegom—beiden in het middenschip van Svetitskhoveli, de bruid in het wit met een sluier. De priester, gehuld in rood, las uit het dienstboek de gebeden voor de verbintenis. De twee mannen links (in smoking) hielden brandende kaarsen vast. Zij stonden symbool voor de “vrienden van de bruidegom” en getuigen dat het paar in het licht van Christus treedt. De vrouw direct rechts van de bruid (in de lichtblauwe jurk) was ook getuige. De vrouw in de zilvergrijze jurk hield het bruidsboeket vast en fungeerde als bruidsmeisje. De priester zong in het Oud-Georgisch, kaarsen flakkerden, en het geluid van Psalm 128 vulde de ruimte. Georgiërs zingen driestemmig a capella; de echo in Svetitskhoveli maakte het bijna hemels. De sfeer was intens en krachtig—aangrijpende mix van heiligheid en menselijke verbondenheid.
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After the outrage over the latest judicial controversy in the Trayvon Martin/George Zimmerman case, please, for the memory of Trayvon (rest in peace!) let's open the eyes to see another human being, our mouths only to smile at one another, and our arms just to offer a comforting hug...
And let's finally start to understand one another, whoever we are...
Times Square,
New York City
2010
© Sion Fullana
All Rights Reserved
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through the sunlight filtering under the arcades at plaza mayor, they walk together, close and quietly connected. the morning shadows stretch around them, creating shapes that tell their own story, a blend of light and form. her arm around his, his hand carrying the morning’s finds – small signs of a shared life and steady companionship. surrounded by the subtle warmth of madrid’s red façades and stone columns, they move in step, wrapped in their own rhythm amidst the hum of the city.
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She pushed the stroller slowly, the man bent to adjust something unseen, and the woman in yellow stood watching the bay. Behind them, Alcatraz sat like a monument to stories long told—distant, iconic, and unmoved. But here on the promenade, life moved gently forward.
It wasn’t a dramatic scene, but it stuck. Maybe it was the contrast: the weight of history across the water, and the lightness of a family moment unfolding in real time. Later, when the trip was just a memory, this image lingered—not for the landmark, but for the quiet choreography of people simply being. Because sometimes, the most meaningful travel memories aren’t about where you are, but what you witness.
i was walking down la rambla in palma, the late afternoon light cutting through the trees, spilling golden shadows onto the pavement. bruno sat there, still as a statue, on a worn bench that looked like it had known his weight for years. his hair caught the sun, silver threads glowing like old wisdom, and his jacket—faded denim and weathered leather—wrapped him in a quiet kind of dignity. his eyes told stories i’d never know, tracing something far beyond the street, beyond the city.
his name was bruno, he said, in a voice rough but kind. he sat as if waiting for time to catch up, unhurried, unshaken. the camera couldn’t lie; it caught the lines of his life etched in his face and the faint light of something unspoken in his gaze. bruno wasn’t just a man sitting on a bench. he was a piece of the city, a part of a melody in a fast world.
Keep your eyes and your heart open, so you'll be able to notice and welcome them in your life...
7th Avenue
New York
February 2011
© Sion Fullana
All Rights Reserved
Outside a small sari-sari store in Palawan, two women and a child share a quiet moment on a wooden bench, while a dog keeps watch in the foreground. Everyday life in the Philippines unfolds in simple, unguarded scenes like this — community, family, and presence.
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captured within the iconic oculus at the world trade center, this photograph portrays a tender moment between an adult and a child. the interplay of light and shadow accentuates the architectural grandeur while highlighting the intimate connection between the figures. the vast, luminous space of the oculus, designed to symbolize a bird in flight, serves as a breathtaking backdrop, merging urban sophistication with human emotion.
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Portrait of a Ju/‘hoansi tribal chief from Namibia, one of the last remaining groups of San, often referred to as Bushmen. Known for their rich traditions and deep connection with the land, the Ju/‘hoansi have passed down generations of wisdom about survival in the Kalahari Desert. This portrait captures the strength, dignity, and resilience of a people who embody one of humanity’s oldest cultural heritages. The Ju/‘hoansi remind us of the beauty and importance of preserving indigenous knowledge and traditions in today’s world.
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A minimalist composition exploring the 'quiet as a fish' concept—juxtaposing the stark contrast of a synthetic doll’s pale form with the dark tones of a fish placed diagonally over her eyes. This fine art black-and-white photo reflects themes of alienation, isolation, and the inner struggle to break silence and express individuality.
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The daughter of one of our artisan clients. She's absolutely adorable.
Britt Natalia for Human Connections, Mexico
As I wandered through Lisbon, moving from one neighborhood to another, I focused on capturing street portraits—sometimes close-ups, other times full-body shots within their environment. This particular moment was taken in the Pena district, a historic neighborhood known for its narrow streets, traditional tiled buildings, and local charm. Away from the tourist crowds, it offers a glimpse into authentic Lisbon life.
This young girl stood at her door, gazing outside. At first, I took a candid shot from a distance when she hadn’t noticed me. But in the end, I chose this moment—the one where we made eye contact, she noticed me, and agreed to have her picture taken.
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A few times a year, Human Connections organizes GETs (Global Engagement Trips) for student groups, tourists, and other visitors eager to gain a better understanding of the local culture in Nayarit, Mexico. This particular GET group, from Northern Illinois University, participated in a week long program centered around social entrepreneurship, NGO management, and sustainable development.
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Photo by Britt Natalia for Human Connections
A quiet corner in Brugge, a fleeting connection across distance. The light catches her face just as the screen does, and two worlds meet in reflection. There’s something intimate about moments like this: a conversation suspended between presence and absence, between here and somewhere else. Even surrounded by history, she’s anchored in the now.
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#Hongkongers
photo rights reserved by Ben
The Svetitskhoveli Cathedral is located in Mtskheta, the ancient capital of Georgia, about a half-hour drive from Tbilisi. The current church—featuring Romanesque stone walls, remaining frescoes, and gold-framed icons—dates from 1010-1029, but the site has been the spiritual heart of the country since the 4th century. According to tradition, the robe of Christ is buried here; hence, it is the main sanctuary of the Georgian Orthodox Church and is listed as a UNESCO World Heritage site. During our visit, a traditional wedding was taking place: guests in festive attire gathered. You can see the bride and groom—both in the central nave of Svetitskhoveli, the bride in white with a veil. The priest, dressed in red, read prayers for the union from the service book. The two men to the left (in tuxedos) were holding lit candles. They symbolized the friends of the groom and testified that the couple was walking in the light of Christ. The woman directly to the bride's right (in the light blue dress) was also a witness. The woman in the silver-gray dress held the bride's bouquet and acted as the maid of honor. The priest sang in Old Georgian, the candles flickered, and the sound of Psalm 128 filled the space. Georgians sing in three-part harmony a capella; the echo in Svetitskhoveli made it almost heavenly. The atmosphere was intense and powerful—a unique blend of holiness and human connection.
It must be said that the temples of Mtskheta are historically the most important in Georgia. Christianity in Georgia began here in the 4th century. The “Great Cathedral” of Svetitskhoveli stands at the heart of Mtskheta. For many Georgians it is a cherished place to marry, surrounded by a wondrous world of tradition and antiquity.
De Svetitskhoveli-kathedraal staat in Mtscheta, de oude hoofdstad van Georgië, op ongeveer een halfuurtje rijden van Tbilisi. De huidige kerk—met romaanse stenen wanden, resterende fresco’s en goudomrande iconen—dateert uit 1010-1029, maar de plek is al sinds de 4e eeuw het geestelijke hart van het land. Volgens de traditie ligt hier het kleed van Christus begraven; daarom is het de hoofd-heiligdom van de Georgisch-Orthodoxe Kerk en staat het op de UNESCO-Werelderfgoedlijst. Tijdens ons bezoek vond er een traditionele bruiloft plaats: gasten in feestelijke kleding verzamelden zich. Je ziet de bruid en bruidegom—beiden in het middenschip van Svetitskhoveli, de bruid in het wit met een sluier. De priester, gehuld in rood, las uit het dienstboek de gebeden voor de verbintenis. De twee mannen links (in smoking) hielden brandende kaarsen vast. Zij stonden symbool voor de “vrienden van de bruidegom” en getuigen dat het paar in het licht van Christus treedt. De vrouw direct rechts van de bruid (in de lichtblauwe jurk) was ook getuige. De vrouw in de zilvergrijze jurk hield het bruidsboeket vast en fungeerde als bruidsmeisje. De priester zong in het Oud-Georgisch, kaarsen flakkerden, en het geluid van Psalm 128 vulde de ruimte. Georgiërs zingen driestemmig a capella; de echo in Svetitskhoveli maakte het bijna hemels. De sfeer was intens en krachtig—aangrijpende mix van heiligheid en menselijke verbondenheid.
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This captivating photo captures an elderly woman from the Hmong community in Vietnam, wrapped in a traditional, colorful scarf and sweater. Her bright smile and gentle expression reflect the warmth and spirit of her culture. Surrounded by lush yellow blossoms, the image highlights the harmony between the people and nature in the mountainous regions of Vietnam. The vibrant colors of her attire and the flowers create a vivid contrast, showcasing the rich and diverse heritage of the Hmong people.
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Captured during a street photography walk in the Philippines, this portrait stands out as one of those rare moments of unspoken connection.
He didn’t pose. He didn’t smile. He just looked — and something in that stare invited the lens deeper.
This final image is the result of multiple rounds of editing — not to perfect him, but to honor what was already there: quiet strength, introspection, and a story you can feel just beneath the surface.
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caught in the glow of the golden hour, her face is illuminated with the warm hues of sunset, her curls lit like a halo, casting playful shadows that dance along her cheeks. the microphone is her confidante, her smile revealing the joy that flows from her soul through the notes she sings. colors mix and mingle—the rich patterns on the guitar strap, the subtle shimmer of her skin—telling a story of music, light, and the beauty of a fleeting moment where voice and sunlight become one.