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She is the most beautiful creation in the world, everything about her is perfect.
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We were born to die…
Selda Eruzun
Fashion Designer
The "Lock Up The Year" Royal Canal Trail Marathon was held on the banks of the Royal Canal from Moyvalley, Co. Kildare to Leixlip, Co. Kildare on Tuesday 31st December 2012 at 09:00. The race started at Furey's Pub at Moyvalley (goo.gl/maps/3pqhF) and proceeded westwards to Blackshade bridge (goo.gl/maps/4yVNI) where the race turned around and then the route was direct back to Leixlip. The running route followed the Royal Canal Way from start to finish. There was also the option of a 1/2 marathon (from Cloncurry Bridge near Enfield) and a 10KM distance from The Maws at Kilcock. This event is made possible through the cooperation of East Of Ireland Marathons and Jarlath B. Hynes and Brendan Murphy from Leixlip, Co. Kildare (see a Facebook group page here www.facebook.com/groups/524790427539290/?fref=ts). The key aspect of this run is that they are three races are informal and self supported runs along on the Royal Canal Way trail. There is no chip timing, water stops, marshals, massages, t-shirts or prizes. But it ise an enjoyable run along the Royal Canal and a chance to meet up with fellow runners during the race and then after it at the Le Cheile clubhouse in Leixlip. There are some nice numbers for the race today. 26.2 miles, 2 counties, 5 traversals in and out of Meath and Kildare, crossing 6 roads, and passing under 5 bridges before the finish outside the Leixlip amenities center.
Due to recent heavy rains the canal towpath (particularly between Cloncurry and Kilcock) was very wet and muddy and proved difficult and testing terrain for all of the runners. However despite a strong breeze at a few sections the weather was bright and dry and made for good running conditions.
This photograph is part of a larger set of photographs taken of the event(s) today. They are all available for viewing in this Flickr set. www.flickr.com/photos/peterm7/sets/72157639233559965
The Royal Canal is a very special piece of Irish Heritage. It's waterway channel and it's banks have seen much history with both the rise and subsequent decline in railway and canal travel and transportation. Our run on the Royal Canal is made possible by the incredible hard and dilligent work by the Inland Waterways of Ireland and countless volunteer individuals who turned their vision of a restored Royal Canal into reality.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links
The Lock Up The Year website: sites.google.com/site/lockuptheyear/
Lock up the Year Facebook Group: www.facebook.com/groups/524790427539290/?fref=ts
Leixlip Le Cheile Athletic Club: www.lecheileac.com
Royal Canal Trail Marathon - Our Flickr Photographs from December 2012: www.flickr.com/photos/peterm7/sets/72157632391728899/
A pictorial description of the Royal Canal Way Marathon Route: www.peterm7.com/marathons/royalcanal2013/
East of Ireland Marathons: www.eastofirelandmarathons.com/
Garmin GPS trace of the 2012 Lock Up The Year Marathon: connect.garmin.com/activity/256320990
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set are available for view and download under a Creative Commons License (www.flickr.com/creativecommons/). This means you can view them, post them to other websites, use them, etc provided you provide a link back to the original photograph or photoset here on Flickr. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution also. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
**I posted this in ABCs and 123s**
This is the "Punch" end of the buffet table . . . the floating apples are frozen. These are used instead of ice or a frozen punch ring (hard to make as far as *I* am concerned - I quit doing it years ago and use apples of "seasonal" colors - - - green and yellow in the spring, and red or green (depending on what color the punch is) for Christmas, yellow or red for fall, etc. I used green in the white-cranberry-grape-juice punch for my daughter's wedding. (Picture of THAT punch bowl is in the first comment below . . . it wouldn't "stick" here!
My mom taught me this trick and people love it. The apples can be "trash apples" - things you don't particularly enjoy eating . . . small ones, etc., as long as they are good and clean without bruises or "bad" places since they get quite mushy when they thaw out over several hours time.
They're festive and they make WONDERFUL "ice cubes" - - - keep it very cold without diluting the punch at *all*!!!!
In the immortal words of Mikey, the Life Cereal kid, "Try it! You'll LIKE it!" :)
This week the Sunday Club members Dave K and I visited the Bleanavon Heritage Railway.
Locomotive details-
Builder: R. Stephenson & Hawthorn Ltd., Newcastle-on-Tyne.
Built: 1945, works no.7169
Wheel Arrangement: 0-6-0ST
Wheel diameter: 4’ 3”
Boiler Pressure: 170psi.
Weight : 48 tons 5 cwt.
71515 was commissioned by the War Department in 1945 from Robert Stevenson and Hawthorns as WD71515, but, with WW2 all but over, was quickly put to work at the Swalwell Disposal Point in what was then the county of Durham, but is now Tyne & Wear. At the time the opencast disposal point was worked by Mechanical Navvies Limited, and it is in that company’s livery that the loco now appears.
It was taken into preservation by 1974 to the East Somerset Railway, where shortly after arrival she was was liveried in BR black with the spurious running number 68005.
By 1995 she was in service at the Bolton and Embsay Railway, still in BR black and where she was nicknamed ‘The Mog’. She was overhauled in 2004, but burst a boiler tube two years later and was laid aside.
Three years later, following interest shown by a PBR member, she was purchased in August 2009, and in the following month, taken to the Flour Mill works in the Forest of Dean for repair, and repainting into her original colour. She arrived at Furnace Sidings on 28 April 2010, and has worked the majority of services scheduled for steam haulage since. Her sure-footed bark as she tackles the steep grade between bridge 16 and Whistle Inn, and mournful Midland-style hooter is a familiar sound over Blaenavon.
Sapotaceae (sapota family) » Manilkara zapota
man-il-KAR-uh -- Latinized form of the S. American vernacular name for Malabar
zuh-POH-tuh -- from the S. American vernacular name sapota
commonly known as: beef apple, chicle, chico sapote, chicozapote, chiku, naseberry, noseberry, sapodilla, sapodilla plum • Bengali: সপেটা sapeta • Hindi: चिकू chikoo, sapota • Konkani: चिक्कू chikku • Marathi: चिकू chiku, चिक्कू chikku • Tamil: cappotta, சீமையிலுப்பை cimaiyiluppai • Telugu: sapota, సీమ ఇప్పచెట్టు sima ippacettu
Native of: tropical America
References: Top Tropicals • Dave's Garden • EcoPort • M.M.N.P.D.
Phyllanthaceae » Phyllanthus urinaria
fil-LAN-thus -- meaning, flower leaf; it appears to flower from a leaf like stem
¿ you-REE-nay-ree-uh ? -- plant considered to treat disorders of the urinary tract
commonly known as: chamber bitter, common leaf-flower, shatterstone • Bengali: hazarmani • Hindi: हजारमणी hajarmani, लाल भुईंआंवला lal bhuinanwalah • Kannada: ಕೆಮ್ಪು ಕಿರುನೆಲ್ಲಿ kempu kirunelli, ಕೆಮ್ಪು ನೆಲನೆಲ್ಲಿ kempu nelanelli • Malayalam: ചിറുകീയുകനെല്ലി chirukizhukanelli, ചുക്കാന്കീഴ്നെല്ലി chukannakizhanelli • Manipuri: চকপা হৈক্রূ chakpa-heikru • Marathi: लाल भुईआवळी laal bhooyiavali • Nepalese: खनतड kanthad • Sanskrit: भूम्यामलकी bhumyamalaki, उज्झटा ujjhata • Tamil: சிவப்பு கீழாநெல்லி civappu kilanelli, சிறு கீழாநெல்லி cirukilanelli • Telugu: ఎర్ర ఉసిరిక erra usirika
Native to: tropical east Asia
References: Flowers of India • oswaldasia • NPGS / GRIN • ENVIS - FRLHT • DDSA
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Christmas Countdown
December 15th
www.flickr.com/groups/1593501@N22/
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
I Won't Forget This Christmas
By plusOne
www.youtube.com/watch?v=Qt878PucKaM
Lyrics:
What if there was no manger,
no wise men, no Savior?
Just another day in December.
Id be hopeless, oh so hopeless.
But on that day with the angels watching,
creation waiting, He came as a baby.
Like an echo across the world
a cry was heard and changed everything.
So I wont forget this Christmas,
that I am nothing without You.
You are the star that guides my heart.
I wont forget this Christmas.
Should I get distracted
bring me back to what matters.
All the presents they, they will fade away
but You are forever,
oh You’re forever cause
nothing compares to the gift You gave,
my life You saved. And so I promise You
So I wont forget this Christmas,
that I am nothing without You.
You are the star that guides my heart.
I wont forget this Christmas.
I will not forget what You did.
'Cause You are the Life and the Breath,
the reason I exist.
You know I wont forget
So I wont forget this Christmas,
that I am nothing without You.
You are the star that guides my heart.
I wont forget this Christmas.
www.facebook.com/HenryCavillFans
Screencaps of Henry Cavill in his film Immortals, where he plays Theseus! This film opened nationwide on November 11, 2011. The film also stars Luke Evans, Freida Pinto, Kellan Lutz and many more!
Follow us, "Henry Cavill Fanpage" on facebook, for all the very latest Henry news, "sitings", photos & updates :)
We tweet more news & photos daily @HenryCavill_Fb on Twitter. We just celebrated our first year Henry-Versary too!
Join our Henry Cavill Photo sharing sites Flikr , Pinterest & Facebook albums & check out our annotated Henry Cavill Playlists on YouTube that are updated frequently!
We are Henry Cavill Fans on the Web-Tumblr, Facebook, Twitter, Pinterest, Fickr and YouTube!
Web/Tumblr:
Facebook:
www.facebook.com/HenryCavillFans
Twitter:
www.twitter.com/HenryCavill_Fb
Pinterest:
www.pinterest.com/HenryCavillFans
Flickr.
www.flickr.com/HenryCavillFanpage
YouTube:
Disclaimer: All photos in this set are copyright Relativity Media. No misuse is intended. If you are the owner of one of these photos and wish it to be removed, please message us!
Tuesday 23 July 2013 - Day 04 - Acclimatisation day 2, Huaraz (3,052m)
Our second day's acclimatisation in Huaraz saw us head out of town, past the smart residential district built for the people working for the mines, onto unpaved roads and out through the older villages and farmland beyond. Our minibus coped brilliantly with the ever narrowing, winding route, until we approached our drop off just past the last village, when we stalled on an uphill section and rolled back, almost into a drainage ditch. Much excitement (of varying kinds) ensued. Eventually it was agreed that the ladies should start off on the morning's walk, heading east towards the Quebrada Llaca, a gap in the Cordillera Blanca that lies within the Parque Nacional Huascarán. Having walked back to the village to get planks and successfully getting the minibus out of its hole, Val and the chaps followed in our footsteps.
A lovely morning's walk, rising to over 4000m, with beautiful landscape all around us: luring us ahead were the imposing snow tops of Ranrapalca / Ranrapallqa (6,162 m) to our right and Ocshapalca / Uqshapallqa (5,881 m) to our left, on the lower slopes sheep were grazing and accompanying us on our route east rose an imposing ridge. All around us we could find colourful examples of High Andean flora (including lupins!), and as we rejoined the road for a short stretch we walked between Queñuales / Polylepis (paperbark) trees.
Yesterday evening en route to dinner we'd bought bread rolls from a local lady outside one of the town's supermarkets which had supplied a block of cheese and some oranges, and stopping for our picnic lunch today we were rewarded with fantastic views from our gorge/ous location - looking back the way we'd come we could see Huaraz down the valley and the high mines cutting into the hill tops above, and head of us loomed the snowy, fluted ridges of Ocshapalca / Uqshapallqa with Ranrapalca / Ranrapallqa and its thick duvets of bright, white snow peaking snuggling up from the south.
After our picnic, we didn't continue on to Laguna Churup but instead retraced our steps back to the minibus. Back at base, after a kit check by Val, we packed and then headed into town for a mooch and to (at last!) withdraw some funds from the bank. In the town square, we had our first encounter with the build up of festivities in anticipation of 28 July when Peru celebrates its Independence day (Día de la Independencia) in great style, with the additional excitement of Huaraz's own 156th birthday celebrations. The town was holding its first Battle of the (Brass) Bands, with three groups facing off, literally, two at a time at either end of the stretch of the main street by the main square. Amongst the town residents we saw an occasional visiting villager in more traditional dress - including high hats and full skirts.
We rendezvoused for dinner at Crêperie Patrick, where Val treated us to a Coca Pisco Sour - no wonder sleep proved elusive that night!
Read more about the Cordillera Huayhuash Circuit plus Inca Trail to Machu Picchu.
DSC09627_small
Festival de danse servi au volant - ZemmourBallet - Nicolas Zemmour
www.zemmourballet.org/festivaldedanseserviauvolant
www.facebook.com/ZemmourBallet-476032902603870/
www.facebook.com/events/278621680137277/?event_time_id=29...
Depuis votre voiture, vous verrez les artistes danser. Toutes les conditions de la Santé Publique seront réunies et vous pourrez profiter du spectacle en toute tranquillité
Chaque soir, vers 20h00, les phares de vos véhicules feront briller les uns après les autres les trois solistes sur scène.
3 artistes par soirée.
8 soirées.
10 minutes de solo par artiste.
En collaboration avec la Radio, nous diffuserons les oeuvres musicales.
Un amphithéâtre en demi-arc de cercle de 30 voitures éclairera l'artiste.
Du Samedi 22 Août au Samedi 29 Août 2020
Grâce à nos nombreux partenaires ce festival vous est offert gratuitement.
Centre des Arts de la Scène Jean Besré.
Centre Culturel de l'Université de Sherbrooke.
Radio Universitaire CFAK 88,3 FM
Sport Trans-Action
Commandites privées.
Les spectacles seront aussi, en plus d'être sur scène, diffusés en direct gratuitement sur notre site internet pour que tout le monde puisse admirer les oeuvres chorégraphiques.
La programmation
www.zemmourballet.org/programmation
La Compagnie ZemmourBallet
www.zemmourballet.org/lacompagnie
ZemmourBallet est constituée en une Organisation à But Non Lucratif (OBNL) basée à Sherbrooke, Québec, Canada.
La compagnie est compagnie résidente 2020 et 2021 au Centre des Arts de la Scène Jean Besré à Sherbrooke.
ZemmourBallet est une compagnie de danse, danse toute en émotions. L'art d'incarner du spirituel dans du corps sensible afin que tout le monde s'en évade dans le présent. À travers des métaphores visibles le zemmourballet vous permet de voyager avec lui.
Ville de Sherbrooke - Centre culturel de l'Université de Sherbrooke - Centre des arts de la scène Jean-Besré - CFAK 88,3 FM
#bringingtheartstolife #lartaucoeurdenosvies #ReimagineTheArts
Vanessa Fortin Photographie
1. go green, 2. Untitled, 3. Untitled, 4. 26 september, 5. Sometimes the past is something you just can't let go of. And sometimes the past is something we'll do anything to forget. And sometimes we learn something new about the past that changes everything we know about the present., 6. stuck on you
7. flickr.com/photos/28731474@N06/5034749678/, 8. ., 9. show!, 10. GLAM, 11. self, 12. J's Subway Poster
13. "let your tears come. let them water your soul. " -eileen mayhew, 14. berries, 15. fox theater 1, 16. Untitled, 17. Here I am., 18. *
19. Untitled, 20. Untitled, 21. Juicy, 22. ., 23. WOMEN, 24. Untitled
25. liquid light ~~ 269:365, 26. whispers from a spiritual garden., 27. first time, 28. Untitled, 29. Untitled, 30. crafty afternoon fun
31. perfect, 32. Essential Maldives (COCOA ISLAND/MALDIVES), 33. whatever happens next, 34. pods, 35. bawk, 36. no. 44 - welcome home
Created with fd's Flickr Toys
| My Personal Facebook - Clothing Company - Twitter - Tumblr |
First day back at school, I didnt have a class till 2, so I decided to take pictures with my friend Jesse. We Went inside this what appears to be small church from the outside, but is actually really big on the inside. It was really nice inside, took this quickly and then left cause they were getting ready to lock the doors. I shall return!
flickriver.com/photos/javier1949/popular-interesting/
Proyecto paisaje urbano en Tetuán
Plaza del poeta Leopoldo Luis, calles Matadero con Ángel Puech, Hierbabuena, Lope de Haro, Marqués de Viana, Almortas… Barrio de Tetuán, Madrid
Proyecto Tetuán para la mejora de paisaje urbano de Tetuán tiene como objeto desarrollar una experiencia para explorar las posibilidades de mejora del paisaje urbano mediante intervenciones de carácter artístico durante 2013. Esta acción se encuentra entre las recogidas en el Plan Estratégico de Cultura del Ayuntamiento de Madrid 2012-2015 (PECAM) y se inscribe dentro de las líneas encaminadas al fomento de la creatividad, la participación pública y la difusión en la mejora del paisaje urbano. El proyecto contempla, por tanto, dos ámbitos de trabajo: por un lado el orientado a los artistas y sus intervenciones y, por otro, las tareas de difusión y participación ciudadana.
Tras varias sesiones de trabajo abiertas llevadas a cabo durante este año, se generado un grupo de trabajo para la gestión compartida del proyecto del que forman parte: integrantes de Red de agentes culturales de Tetuán (entre los que se encuentran Moenia, Pkmn, Taller de Casquería, Mood Studio o Bea Burgos, de Aquí Tetuán) colectivos dedicados a la creación, la arquitectura o el paisajismo vinculados o interesados en trabajar en el distrito de Tetuán, como Estudio Montes, Pez Arquitectos, Ahora Arquitectura y La Galería Magdalena, representantes o agentes vecinales del barrio, agentes de la Dirección General de Paisaje Urbano, de la Junta Municipal de Distrito e Intermediae.
Tras desarrollar conjuntamente el proyecto y definir las actuaciones a llevar a cabo, el grupo de trabajo ha invitado a otros colectivos a implicarse en acciones concretas acompañadas por agentes vinculados al distrito de Tetuán que han participado en la definición del proyecto. Entre ellos Germinando, Perricac, La Fresquera, Basurama y Zuloark.
También forman parte del proyecto los artistas implicados en los muros artísticos gestionados por el equipo de la Dirección General de Paisaje Urbano testeando el funcionamiento de la Oficina de Gestión de Muros. Entre ellos se encuentran Suso 33, San, E1000, Spy y Borondo.
La propuesta global del proyecto se concreta en cuatro emplazamientos principales, definidos colectivamente y gracias a la colaboración de la junta municipal de distrito que elaboró el catalogo de solares de propiedad municipal, así como del Área de Urbanismo que facilitó la información sobre la calificación de los terrenos para elegir el lugar del Huerto: la Plaza Leopoldo Luis, el solar situado en la calle Nuestra Señora del Carmen, el solar de la calle López de Haro con Berruguete y el solar de calle Matadero con Ángel Puech. Cada emplazamiento agrupa las distintas intervenciones y colaboradores.
- La Plaza Leopoldo Luis: Intervienen Estudio Montes y Pez Arquitectos, Germinando y Perricac.
- El solar de calle Matadero con Ángel Puech: Intervienen Moenia, La Fresquera, La Galería Magadena y Mood Studio.
- El solar situado en la Calle Hierbabuena: Intervienen Pkmn y Taller de Casquería.
- El solar de la calle Lope de Haro: Intervienen Basurama y Zuloark.
- Además Aquí Tetuán, Bea Burgos, llevará a cabo la intervención “Ventanas a Tetuán” basado participación vecinal y la recuperación de la memoria del distrito. A través de las ventanas, metáforas de la memoria de los ciudadanos, el proyecto trata de recuperar el paisaje urbano que no está presente físicamente, o que tan solo se intuye a partir de ciertos elementos - una fuente, un ladrillo, una acera, un adoquín -pero sigue existiendo en la mente de los vecinos. Mood Studio y La Galería Magdalena llevarán a cabo la documentación del proyecto a través de fotografías, retratos de los vecinos e interacciones a pie de calle que generarán un material fotográfico que será expuesto a posteriori. Miguel Díaz de Ahora Arquitectura propone un programa de paseos donde encontramos de lugares desconocidos y un itinerario guiado desde un punto de vista urbano para mostrar las intervenciones realizadas, su desarrollo y su entorno.
Proyecto paisaje urbano en Tetuán
intermediae.es/project/blog_del_proyecto_paisaje_tetuan/p...
intermediae.es/project/blog_del_proyecto_paisaje_tetuan
www.mataderomadrid.org/ficha/3663/proyecto-paisaje-tetuan...
www.mataderomadrid.org/ficha/3019/proyecto-paisaje-tetuan...
madridstreetartproject.com/%E2%86%92-paisaje-tetuan/
www.tetuanmadrid.com/nuevos-proyectos-en-la-mejora-del-pa...
www.tetuanmadrid.com/tag/paisaje-tetuan/
www.principiafilms.es/Paisaje-Tetuan
Suso Suso33
www.flickr.com/photos/dug_da_bug/sets/72157623453962256/
www.flickr.com/photos/35042698@N02
www.flickr.com/photos/suso33/sets/72157622975044475/detai...
San
www.velvetliga.com/2009/12/entrevista-san.html
E 1000 e1000 ink
www.flickr.com/photos/e1000ink/
www.flickr.com/photos/dug_da_bug/sets/72157623453898370/
Borondo
www.flickr.com/search/?q=borondo
madridstreetartproject.com/%E2%86%92-borondo-figuras-en-e...
SPY
www.urbanario.es/articulos/articulo/art/spy-no-es-un-arti...
www.cookingideas.es/que-vigilan-150-camaras-de-seguridad-...
www.facebook.com/catedraleseiglesias
© Álbum 0761
By Catedrales e Iglesias
By Cathedrals and Churches
Arquidiócesis Primada de México
5a. Vicaría Episcopal, San Pedro Apóstol
Rectoría San Francisco Javier
Rector Pbro: Lope Ruiz Pérez-Aradros, O.A.R.
Pbro : José A.Quintana Bauitista
Plaza Romita 30
Col. Roma
C.P. 6700
Del. Cuauhtémoc
Tel. 5207-7700
Horario de oficina:
Lunes a sábado de 10.00 a 13.00 hrs. y 16.00 a 19.00
Reseña
El crecimiento implacable de la ciudad de México a lo largo del siglo XX hizo desaparecer, casi, los numerosos escenarios de tipo campirano o rural que la rodeaban en sus inicios, arrasados después por la enorme mancha de asfalto, concreto y vidrio en que se ha convertido esta urbe. Por fortuna, aún podemos sentir o evocar ese ambiente provinciano en algunos rinconcitos que han sobrevivido al paso de los siglos, conservando a toda costa sus características singulares. Tal es el caso de la Plaza de Romita.
¿Dónde?
A una cuadra del Eje Cuauhtémoc (por la calle Real de Romita, pasando la de Puebla) y a tres cuadras de la avenida Chapultepec (calle de Guaymas), se localiza esta pequeña plaza adoquinada, acompañada de árboles frondosos y una sencilla fuente circular al centro. Al entrar en ella quedará fascinado por el ambiente de paz y tranquilidad que se respira ahí, como si llegara al centro de un pueblito, y se preguntará ¿cómo puede existir un lugar así a pocos metros de ese par de avenidas ruidosas y congestionadas por el tráfico?
Breviario
Sentado en una de sus bancas, echará a volar la imaginación al saber que este lugar era un islote muy cercano a Tenochtitlan, y corazón del pueblo prehispánico de Aztacalco vocablo náhuatl que significa “en la casa de las garzas”. Cuenta la tradición que en tiempos de la colonia, los ladrones de Tepito eran ahorcados aquí en uno de los cuatro enormes ahuehuetes que tenía entonces, evento que después se convertiría en una celebración popular a fines del siglo XIX y principios del XX, donde sus pobladores representaban con gran estruendo y algarabía —a manera de farsa— tal acontecimiento que resultaba muy atractivo para la ciudad.
El nombre de Romita se debe a que uno de los caminos más cercanos al pueblo, el de Chapultepec, se parecía por su gran arbolado a otro similar en la ciudad de Roma, Italia, y por asociación le pusieron así, mote que aparece en documentos del Ayuntamiento desde 1752. De forma parecida, al expandirse nuestra ciudad y trazarse en los potreros de Romita un fraccionamiento habitacional (1903), éste tomó por nombre colonia Roma. Más adelante, Romita sirvió de escenario para algunas tomas de la destacada película Los Olvidados, de Luis Buñuel. Cabe mencionar también que su principal comercio de tradición es la famosa pulquería La Hija de los Apaches, situada en avenida Cuauhtémoc 39.
¿Qué ver?
Alrededor de la plaza verá algunas construcciones antiguas de un sólo nivel y tabique aparente, que le aportan un toque nostálgico; y uno que otro edificio de varios pisos construidos a mitad del siglo pasado. El más importante es su pequeño templo con una torre, edificado en los albores del siglo XVII; en un principio se le llamó Santa María de la Natividad Aztacalco, después, de San Cristóbal, del Verbo Encarnado y por último de San Francisco Xavier. Bien vale la pena entrar y convivir con los pobladores del rumbo, y admirar el crucifijo del altar mayor, del cual se dice fue elaborado en el siglo XVI y corresponde a uno de los cinco que envió el rey de España a estas tierras. El santo más venerado es San Judas Tadeo y casi frente a él se puede ver al Señor del Buen Ahorcado, al cual se encomendaban los indígenas antes de morir en la horca.
Los pobladores de Romita se mostraron muy reacios a que sus terrenos fueran modificados por el trazo de las calles de la Roma; le invitamos a caminar detrás del templo y recorrer los únicos callejones que se salvaron, en cuyos muros los artistas actuales del antiguo pueblo exhiben su talento en vistosas pinturas.
Leyendas
En Romita no pueden faltar éstas, como aquella surgida en los años cuarenta del siglo pasado en la que sus habitantes afirman que un bulto blanco de forma humana se desprendía de los viejos árboles y tomaba asiento junto a cualquier parroquiano que comía algunas fritangas en la plaza, provocándole un frío de miedo. El protagonista de la novela Las batallas en el desierto, escrita por José Emilio Pacheco, nos habla del gran robachicos de Romita, y del miedo que sentía al pasar por ese lugar.
Source: livinghistories.newcastle.edu.au/nodes/view/1643
This photograph is from the archives of the Coalfields Heritage Group, based at the Sir Edgeworth David Memorial Museum at Kurri Kurri. It was scanned by Cultural Collections at the University of Newcastle, Australia.
Please contact Cultural Collections if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
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A visit to War Memorial Park in Coventry.
It is a short walk from Coventry Station via the Warwick Road.
I only walked around half of the park that day.
The War Memorial Park is a large park of about 48.5 hectares in southern Coventry, England. The park was opened in July 1921 as a tribute to the 2,587 Coventrians who died between 1914 and 1918 fighting in the First World War. The landscaped gardens and sports areas were created in the late-1920s and 1930s, and the most prominent structure in the park is the city's war memorial monument, built in 1927.
The War Memorial in the centre of the park.
Grade II* Listed Building
War Memorial in Coventry War Memorial Park
Summary
A War Memorial built in 1925-7 to a design by Thomas Francis Tickner (1864-1924).
Description
A War Memorial tower in Art Deco style, with stripped Classical detailing, built in 1925-7 to a design by Thomas Francis Tickner (1864-1924).
PLAN: the memorial tower has a square footprint and is set on a circular platform, which was rebuilt in 2011, and replaces the original octagonal shaped platform.
MATERIALS: the memorial tower is built of reinforced concrete and clad in Portland stone, with a stepped platform in granite.
EXTERIOR: the stepped tower is over 27m high. It has heavy buttresses to its corners, rising to ten tiers. Large, decorative bronze doors (restored in 2004) to both the east and west elevation, are set in plain chamfered Portland stone surrounds, and give access to the Chamber of Silence inside the tower. Each door contains, in relief, a full height cross with above it '1914-1918' and '1939-1945'. The north and south elevations each have a plain cross set on a stepped corbel with guttae. Below the cross on the north elevation is a circular wreath carved in stone, with the dates of both World Wars and the Coat of Arms of the City of Coventry below it. At the top of the tower burns an Eternal Light. The replaced steps of 2011, surrounding the monument, incorporate hand rails and an access ramp, and contain a bronze circle engraved with parts of Laurence Binyon's poem 'For the Fallen' and six bronze discs commemorating the Coventry service men who have been awarded the Victoria Cross.
INTERIOR: the Chamber of Silence inside the memorial tower, containing the Rolls of Honour, could not be inspected.
SUBSIDIARY FEATURES: there are four Portland stone pedestals, built in 1928 to support floodlights, standing in line with the corners of the memorial tower. Behind the pedestal north of the Memorial is a cast iron power supply junction box with decorative patterns and hinges to its door, which would supply the electricity for the floodlighting, and loudspeakers used on Armistice Sunday and/or other gatherings.
This List entry has been amended to add sources for War Memorials Online and the War Memorials Register. These sources were not used in the compilation of this List entry but are added here as a guide for further reading, 18 January 2017.
History
In 1919 Coventry City Council invited members of the local community to form a War Memorial Committee to consider ways to create a fitting memorial for the city to commemorate the local soldiers who had lost their lives in the First World War. It was decided that this should be a park, which would also be a welcome and valued new asset, as the provision for open space in Coventry was limited at the time. The favoured location was Stivichall, and in 1919 the land was purchased from the Hon AF Gregory following a public appeal for donations. The plans for the park were partly dictated by earlier features and in particular the course of a medieval track, which would divide a formal section from playing fields. The latter were assigned for games and physical recreation for which Coventry had scant provision in 1919. The formal area would include rock gardens, which utilised existing cattle ponds, and in the centre, a War Memorial with radiating avenues planted with memorial trees. A children’s playground, pavilions, shelters and refreshment rooms would also be provided. Due to a lack of funds and priorities elsewhere, such as local housing provision, the creation of the park would take over ten years. When the park was formally opened on 9 July 1921, which included a dedication and memorial service followed by folk dancing and races, only the preparation of the ground had been completed. In 1922 the path layout was agreed with the Council, and in 1923 it was decided that the main entrance should be at the Grove; that the War Memorial should be sited on the high ground in the centre of the park; and that memorial trees should be an important element within the design. Plans were also made for a pavilion with lavatory accommodation for which works started in 1924. By the end of that year a temporary bandstand that had been erected in the summer of 1923, and the Earlsdon Cricket Club pavilion were removed. Planting of the park started in the spring of 1925, and the avenues were opened that summer. On 8 October 1927, the War Memorial, built to a design by the local architect Thomas Francis Tickner, was opened by Earl Haig. In 1926 the City Engineer drew up plans for the main gates, which were completed a year later. On 25 February 1927 the Coventry Herald reported that the memorial had been partly finished, that the paths in the park were lined with copper beeches and that it included a beautiful rock garden, flower beds and shrubs. Golf was introduced in 1930 when a small golf course was laid out on land by the railway. In 1933 the City Engineer prepared plans for a shelter, tea room and conveniences, for which a classical style was chosen. Building work continued during 1934 and the pavilions were first used for the carnival in June 1935.
During the Second World War large sections of land in the park were ploughed and used for food cropping and demonstration allotments. As shown on aerial photographs taken in c1946-7, most of the mature trees in the playing fields had disappeared, possibly because of intensive sport use, but more likely because of the introduction of anti-aircraft guns in 1941, a row of concrete cubes (probably to defend an underground ammunition store situated in the park), trench shelters, and a roadway to allow military access to the pavilion. After the War in 1948-52, a memorial tree planting campaign took place to commemorate the local people who lost their lives in the Second World War, resulting in the planting of another avenue across the north of the golf course to the pavilion, and one near the Beechwood Avenue entrance, where by 1977 a car park had been created. In the early 1950s children’s facilities were developed in the park including play equipment and a paddling pool. In 1963, a German Peace Garden was opened to the north of the rock garden. In 1990 an aviary was introduced in one of the former tennis courts, and replacing a collection of war time huts that stood on this site.
Memorial tree planting continues (2012) and recently Coventry City Council has refurbished the park through joint funding from the BIG and Heritage Lottery Funds Parks for People Programme.
It was intended from the outset, apart from the planting of memorial trees, there should be a monument in Coventry's War Memorial Park. In 1923, the Memorial Committee had invited architects to submit plans. The selected design was by the local architect Thomas Francis Tickner (1864-1924), who died shortly afterwards, so the work was overseen by his partner TRJ Meakin. Funding for the memorial was achieved through a public appeal in 1924. Building works, carried out by John Gray, a local builder, started in the autumn of 1925. On 8 October 1927, the memorial was inaugurated by Field Marshall Douglas Haig. The Roll of Honour was to be housed in a cabinet in a room inside the memorial, to be called the Chamber of Silence. During the opening ceremony the monument was floodlit, and the power supply box was left in place so that it could be floodlit every year on Armistice Day. At the end of 1928, money became available to install decorative bronze clad doors to the Chamber of Silence, and permanent floodlighting pedestals were placed around the memorial. After the Second World War another Roll of Honour was added. The monument commemorates 2587 military victims of the First World War, and 817 casualties in the forces, 115 in civilian defence organisations and 1085 civilians of the Second World War. Soldiers who lost their lives in more recent conflicts, such as the Gulf War, have also been added to the Roll. In 2011 the tower was restored, and stepped platform to the monument replaced to incorporate railings and an access ramp.
Reasons for Listing
The War Memorial in Coventry War Memorial Park is designated at Grade II* for the following principal reasons:
Architectural interest: it is a particularly important example of a bespoke war memorial tower that is of an unusually bold and arresting Art Deco style design that displays high quality architectural detailing and use of materials and give this memorial more than special visual interest;
Historic Interest: especially in the context of Coventry, a city which suffered such great human loss in both World Wars, the war memorial possesses considerable historic and cultural interest for its link with these world conflicts and the poignant cost of such involvement, both at a local and national level;
Setting: its surrounding park (registered Grade II), specifically designed to complement the War Memorial, with formal avenues radiating from the war memorial, adds significantly to its high level of special interest;
Group Value: it forms an important group with the contemporary main entrance gates and piers to Coventry War Memorial Park (listed Grade II).
Tableau encyclopédique et méthodique des trois règnes de la nature..
A Paris :Chez Mme. veuve Agasse ...,1823..
The complete writings of Thomas Say, on the conchology of the United States
New York :H. Baillière,1858.
I’d been reading about ‘z movie’ in every possible website or publication I could lay my hands on in the last couple of weeks. Waiting with bated breath, I was finding it difficult to contain my excitement (ahh yes, my friends will surely vouch for that) about watching Sex and the City dvd boxset on the 70 mm screen!
Accompanied by friends, who incidentally had no idea about the original HBO series, I was the lone Sex and the City dvd boxset addict who was given the herculean task of filling them in about the sex lives (or the lack of it) of the lead protagonists!
Surrounded by 150-180 odd women who seemed as if they’d stepped out of Manhattan courtesy their tank tops and Greater Kailash substitutes of Manolo Blahniks, I couldn’t wait to watch Sex and the City dvd boxset ! I may sound biased but the movie simply rocks! The team has managed to retain the essence of the original HBO series. Although the director fumbles in between, with the mike visible in some shots and semi-visible faces of Big and Carrie (sic), overall the movie leaves you feeling good about being a woman! Woo hoo :D
Fotos de Luis Bernardo Vélez Saldarriaga www.flickr.com/photos/ludovicoh/
www.facebook.com/catedraleseiglesias
© Álbum 2804
By Catedrales e Iglesias
Arquidiócesis de Bogotá
Parroquia Ntra Sra. de Las Aguas
Cra 3 # 18A-66
Bogotá D.C., Colombia
3412985
Fue fundada en 1644 como ermita, en el valle que forman los montes de Guadalupe y Monserrate, por el bachiller Juan Cotrina Valero, quien encargó al artista bogotano Antonio Acero de la Cruz que pintara una Virgen del Rosario según la imagen que apreció en un sueño.
El nombre de “Las Aguas” es debido a los riachuelos que corrían en ese sector desde los cerros orientales hacia la Sabana de Bogotá. En 1665 fue encomendada a los Dominicos, quienes la regentaron hasta 1802, cuyo convento contiguo pasó a ser hospital. Rehabilitada como iglesia, estuvo al cargo de diversos párrocos diocesanos hasta el 6 de abril de 2008 en que fue confiada a los Misioneros y Misioneras Identes.
El 6 de abril de 2008 tomó posesión como Párroco de esta Iglesia, el P. Domingo García García, Misionero Idente, ante su Eminencia el Cardenal Pedro Rubiano Saenz, Arzobispo de Bogotá. A continuación se celebró la Eucaristía, presidida por Monseñor Fernando Sabogal, Vicario Episcopal de la Arquidocesis de Bogotá y concelebraron el Canciller, P. Francisco Niño Súa; el Vicario de la Zona Episcopal de la Inmaculada Concepción, Monseñor Alberto Ojalvo, el Superior Provincial de los Misioneros Identes de Ecuador, P. Julio Marrero y otros sacerdotes amigos. Fue una ceremonia muy solemne y emotiva donde los amigos de los misioneros identes se dieron la cita para unirse a este acontecimiento. Durante la celebración, el Canciller leyó el Decreto en el hacía referencia a que la Parroquia se le había encomendado, al Instituto Id de Cristo Redentor Misioneras y Misioneros Identes.
Sitio Oficial de la Parroquia
A visit to Wightwick Manor & Gardens in Wolverhampton.
It was a cold Sunday afternoon. The manor is in the Tettenhall area of Wolverhampton.
The legacy of a family's passion for Victorian art and design, Wightwick Manor (pronounced "Wittick") is a Victorian manor house located on Wightwick Bank, Wolverhampton, West Midlands, England. Owned by the National Trust since 1937, the Manor and its grounds are open to the public. It is one of only a few surviving examples of a house built and furnished under the influence of the Aesthetic movement and Arts and Crafts movement. Wightwick was built by Theodore Mander, of the Mander family, who were successful 19th-century industrialists in the area (Mander Brothers), and his wife Flora, daughter of Henry Nicholas Paint, member of Parliament in Canada. It was designed by Edward Ould of Liverpool in two phases; the first was completed in 1887 and the house was extended with the Great Parlour wing in 1893. Notes taken by Theodore Mander at a lecture given in Wolverhampton in 1884 by Oscar Wilde on the 'House Beautiful' inspired Wightwick's interiors.Taking inspiration from this lecture, Theodore and his wife Flora decorated its interiors with the designs of William Morris and his Arts and Crafts contemporaries.
This family house is a notable example of the influence of William Morris, with original Morris wallpapers and fabrics, De Morgan tiles, Kempe glass and Pre-Raphaelite works of art, including works by Dante Gabriel Rossetti, Evelyn De Morgan, Edward Burne-Jones, Ford Madox Brown and John Everett Millais
The Manor has the work of 11 professional female artists on permanent public display, more than any other in the National Trust, including notable examples of works by Lizzie Siddal, Evelyn De Morgan, Lucy Madox Brown, Marie Spartali Stillman, May Morris and other female artists. Most of these artworks were collected by the Manders.
In 1937 Geoffrey Mander a radical Liberal MP and local paint manufacturer who had been left the timber-framed house by his father Theodore, persuaded the National Trust to accept a house that was just 50 years old, under the Country Houses Scheme Act.
This house of the Aesthetic Movement was, by 1937, a relic of an out of fashion era. Yet, so complete was the design that it was worthy of preservation. Having given the house to the Trust, Geoffrey Mander and his second wife, Rosalie, became its live-in curators, opening the house to the public and adding to its contents. In particular they added a notable collection of Pre-Raphaelite paintings by Rossetti, Burne-Jones and their followers.Descendants of the family retain a private apartment in the manor.
The house has 14 acres of Victorian garden and the outbuildings house stables (now a tea room); a gallery in the old malt house; gift shop; and an antiquarian bookshop.
It is situated just off the main A454 Wolverhampton to Bridgnorth road, approximately three miles to the west of the city centre.
The manor has been Grade I listed on the National Heritage List for England since July 1950, and its gardens are Grade II listed on the Register of Historic Parks and Gardens.
Grade I Listed Building
A look around Wightwick Manor. The home has been preserved as the Mander family left it in 1937 when it became part of the National Trust.
Guest bedrooms
Acanthus Bedroom
fireplace
Imaginations calm and fair,
The memory like a cloudless air,
The conscience as a sea at rest.
Unlike the old trucks in the preceding two photos, this Ford (from the 1948-50 period) looked like new and was still in use when spotted in Bedford, Virginia in May 2008. The front license attests to the antique status of the truck. Despite its essentially perfect appearance (quite likely the result of a recent restoration), the truck seems not to be a show vehicle but in use in the landscaping business: note the lettering on the door, the straw on the bed behind the cab, some mud on the tires, and some marks on the green bed side. A first thought was that the truck had been restored to look as it did when new, but the landscaper's information on the door includes a modern area code; also, the siren on the front fender, red light on the roof, and twin spotlights suggest this truck, in its earlier life, may have been in a fire department's fleet. I was going to say that the dice hanging from the right spotlight inside the cab are not period-correct -- but I guess they are.
from the Sumaco Volcano expedition with herpetologists Alejandro Arteaga, Konrad Mebert, Darwin Nuñez and Abel Batista, with support from Juan Manuel Guayasamin, Universidad Tecnológica Indoamérica, and the guides from Pacto Sumaco: Jhoseph Andi, Germanico Ruiz, Oscar Trujillo
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2012-12-28 Sichtbar werden mit Folie Gradinger, AUDI FIS Ski World Cup Semmering, Riesentorlauf Damen, SMPR - Public Relation - Stefan Steinacher - Daniela Maier - Moderation, Athleten, Sport, Interviews, Redaktion PR Services, Eventmoderation, Photografer Gerhard Möhsner, Bilderdatenbank Fotoblitz hier klicken
Fenninger rast am Zauberberg zum überlegenem Sieg. Die ÖSV Rennläuferin Anna Fenninger gewann überlegen den Riesentorlauf am Semmering. Die Salzburgerin setzte sich mit klarem Vorsprung auf RTL- Weltcup- Leaderin Tina Maze aus Slowenien (+1,10 Sekunden) und auf die Französin Tessa Worley (+ 1,18) durch und fixierte so den zweiten Weltcupsieg ihrer Karriere. Den ersten hatte sie vor exakt einem Jahr, am 28. Dezember 2011 in Lienz, gefeiert.
Endergebnis RTL Semmering:
01 FENNINGER Anna AUT 1:06.42 1:06.67 2:13.09
02 MAZE Tina SLO 1:07.32 1:06.87 2:14.19
03 WORLEY Tessa FRA 1:06.98 1:07.29 2:14.27
04 HÖFL- RIESCH Maria GER 1:07.56 1:07.20 2:14.76
05 REBENSBURG Viktoria GER 1:07.67 1:07.33 2:15.00
06 LINDELL- VIKARBY Jessica SWE 1:07.64 1:07.84 2:15.48
07 ZETTEL Kathrin AUT 1:08.28 1:07.21 2:15.49
08 SHIFFRIN Mikaela USA 1:08.56 1:07.21 2:15.77
09 GÖRGL Elisabeth AUT 1:08.38 1:07.71 2:16.09
10 PIETILÄ- HOLMNER Maria SWE 1:08.81 1:07.36 2:16.17
11 HANSDOTTER Frida SWE 1:08.18 1:08.00 2:16.18
12 FANCHINI Nadia ITA 1:09.18 1:07.14 2:16.32
13 GISIN Dominique SUI 1:09.07 1:07.32 2:16.39
14 GAGNON Marie- Michele CAN 1:08.75 1:07.73 2:16.48
15 KIRCHGASSER Michaela AUT 1:09.15 1:07.46 2:16.61
16 CURTONI Irene ITA 1:08.90 1:07.76 2:16.66
17 MARMOTTAN Anemone FRA 1:09.16 1:07.57 2:16.73
18 HRONEK Veronique GER 1:09.90 1:06.86 2:16.76
19 KARBON Denise ITA 1:09.60 1:07.19 2:16.79
20 POUTIAINEN Tanja FIN 1:08.74 1:08.16 2:16.90
21 KÖHLE Stefanie AUT 1:08.31 1:08.75 2:17.06
22 BARIOZ Taina FRA 1:09.09 1:08.03 2:17.12
23 BERTRAND Marion FRA 1:09.06 1:08.09 2:17.15
24 GUT Lara SUI 1:08.85 1:08.34 2:17.19
25 MANCUSO Julia USA 1:09.06 1:08.19 2:17.25
26 BREM Eva- Maria AUT 1:08.87 1:08.42 2:17.29
27 WEIRATHER Tina LIE 1:09.83 1:07.52 2:17.35
28 HECTOR Sara SWE 1:09.93 1:07.46 2:17.39
29 MÖLGG Manuela ITA 1:08.42 1:09.54 2:17.96
30 AGERER Lisa Magdalena ITA 1:09.93 1:08.07 2:18.00
Bericht: WSV Semmering, Fotorechte: Diese Fotos stammen von Gerhard Möhsner und sind urheberrechtlich geschützt. Kopien, Vervielfältigungen für Veröffentlichungen dürfen nur mit ausdrücklicher schriftlicher Zustimmung gemacht werden !! Bilderdatenbank Fotoblitz hier klicken
Études de systématique et de géographie botaniques sur la flore du Bas- et du Moyen-Congo
Bruxelles :Par ordre du Secrétaire d'États,1903-1912.
From www.allbusiness,com :
"When he speaks of the "Puckett Culture," there is a serious glint in the eyes of Richard Puckett, president of Puckett Machinery, one of the state's oldest and largest heavy equipment companies.
Puckett should know. After all, his father, Ben, had served the company, then known as Stribling Brothers Machinery, since 1953 and became president in 1970 when it was renamed Stribling-Puckett Machinery.
However, Ben Puckett bought out the Stribling family in 1982, and the Caterpillar dealership has been known simply as Puckett Machinery ever since."
Superior Match Company, Chicago, Illinois,, 1955.
Double Book, 40 stick.
Mingle Media TV and our Red Carpet Report team were on hand for Marvel’s "Ant-Man” World Premiere at the Dolby Theatre in Hollywood.
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About Ant-Man
The next evolution of the Marvel Cinematic Universe brings a founding member of The Avengers to the big screen for the first time with Marvel Studios’ “Ant-Man.” Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Dr. Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
Marvel’s “Ant-Man” stars Paul Rudd as Scott Lang aka Ant-Man, Evangeline Lilly as Hope Van Dyne, Corey Stoll as Darren Cross aka Yellowjacket, Bobby Cannavale as Paxton, Michael Peña as Luis, Judy Greer as Maggie, Tip “Ti” Harris as Dave, David Dastmalchian as Kurt, Wood Harris as Gale, Jordi Mollà as Castillo and Michael Douglas as Hank Pym.
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Alte und neue Ansichten aus Bochum
Kurzbeschreibung siehe Titel
(c) Stadt Bochum, Bildarchiv
Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques
A Paris :Chez Briasson ... David ... Le Breton ... Durand ...,1762-1772.
Week 1 beginning June 25, 2012 and ending June 29, 2012 was the start to Willow Grove Day Camp's 58th season. What a great feeling to start another great summer! It is great to be back in session for a summer of fun, laughter, and memories!
The first week of camp was filled with sun and fun. Clubs started for the campers this week. WGDC campers spent the week dancing, swimming, playing basketball, tennis, soccer, baseball and so much more! On Friday, campers attended Gustafson's Magic Show.
About Willow Grove Day Camp
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: www.willowgrovedaycamp.com.
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Limelight-Images offer a bespoke, candid style of photography that captures your wedding day in a thoughtful, adventurous way. Our candid, non-intrusive style sets our couples at ease and allows them to enjoy their wedding day uninterrupted. Years and hundreds of weddings later, our experience and insight will help you navigate your day and ensure your memories are captured and enjoyed for many years to come! We offer our services in Pittsburgh, Youngstown, Cleveland and New York City and the boroughs. Please contact us for destination weddings!
Limelight-Images is an elite wedding photographer in Pittsburgh and New York City. Visit us at Limelight-Images.com. Pittsburgh, Youngstown, New York, Manhattan, Bronx, Brooklyn, Queens. Long Island.
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[ 35mm F/1.8 ]
[ P O R T U G A L ]
[ P E S S O A S ]
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[ Q U E E N - I T ´ S . A . H A R D . L I F E ]
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Informações
• f/1.8
• 1/1000 sec
• 35 mm
• ISO100
• Programa Manual
• Modo de Medição: Ao Centro
• Balanço de Brancos: Automático
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Por Favor, nao usar esta imagem em sites, blogs ou outro tipo de media sem a minha devida autorização. © Todos os direitos reservados!
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Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved!
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Todas as minhas imagens estao sob possivel processo de venda. Para tal, basta contactar-me via flickrmail ou através de Lipezito.fotografia@gmail.com
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The Genesee river flows over 3 spectacular falls in Letchworth state park, including the middle falls shown in this photo. This falls is 107 feet in height.
No cropping or processing.
Letchworth State Park, NY - September 16, 2009