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The Freer Gallery of Art joins the Arthur M. Sackler Gallery to form the Smithsonian Institution's national museums of Asian art. The Freer and Sackler galleries house the largest Asian art research library in the United States and contains art from East Asia, South Asia, Southeast Asia, the Islamic world, the ancient Near East, and ancient Egypt, as well as a significant collection of American art.
The Freer houses over 26,000 objects spanning 6,000 years of history from the Neolithic to modern eras. The collections include ancient Egyptian stone sculpture and wooden objects, ancient Near Eastern ceramics and metalware.
we were like hosts on that day.
The sunshine illuminated us all noon and the air was balmy and fresh.
we'll expect you for a visit with all our dear friends.
The large bronze Jockey of Artemision is one of the highlights and most popular sculptures displayed in the National Archaeological Museum in Athens. It depicts a young boy riding a galloping horse, capturing a dynamic and dramatic moment frozen in time.
This exceptionally rare example of Hellenistic bronze artistry dates from around 140–130 BCE. Like the Artemision Zeus, it was re-discovered off Cape Artemision.
The horse is in mid-gallop, its muscles tensed and mouth open as if breathing heavily. The boy, significantly smaller in scale, sits bareback on the powerful horse. The statue stands 2.1 meters (6 feet 10 inches) tall.
→ See Large Bronze Sculptures from Greek Antiquity in the National Archaeological Museum in Athens for a more detailed description.
→ The National Archaeological Museum in Athens, Greece, has a wonderful sculpture collection with around a thousand of the museum's 16,000 sculptures on permanent display. Exceptional highlights include the korai and kouroi sculptures from the archaic period and the rare large bronze sculptures from the classical and Hellenistic periods.
slideshow | DT | WADM | 365 dagen project
#116/365 - Knus
Een kudde hooiwagens.
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A harvestmen herd.
Photographer: Trương Đoàn Huy ( Otuad Huy )
Made by Otuad Huy | Trương Đoàn Huy
Location: Đà Nẵng
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Phone: 090.57.111.75 (Trương Đoàn Huy)
Email: boncoming@yahoo.com
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Copyright © 2011 Otuad Huy. All rights reserved.
Amazing view of Mnt. Edith during sunrise in Jasper National Park. It is 20 min driving from Jasper town and another 15 min hike. The summit is inside the cloud and it looks like that most of time in the morning. Angel glacier on the right side is much larger live than it looks in the picture with huge wing span. Ice wall retrieves at an increasing speed every year. The ice cave at the right side is what the ice wall stood last year.
Check original size for much more details:
www.flickr.com/photos/26289899@N03/6056709193/sizes/o/in/...
www.flickr.com/photos/30536324@N04/5088933420/
Ova je slika snimljena par sati nakon prethodne, pojavilo se sunce. Na tornju se vidi grb Slavonije.
This photo was taken few hours after the previous photo, the sun appeared. On the tower there is the coat of arms of Slavonia.
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See
www.hrw.org/report/2024/12/19/extermination-and-acts-geno...
www.amnesty.org/en/wp-content/uploads/2024/12/MDE15866820...
www.btselem.org/publications/202507_our_genocide
www.ohchr.org/en/special-procedures/sr-palestine
www.fidh.org/fr/regions/maghreb-moyen-orient/israel-pales...
opiniojuris.org/2025/08/04/is-genocide-happening-in-gaza/
and
brunomacaes.substack.com/p/gaza-the-reckoning
Speak out for the victims of genocidal atrocities in Gaza and the West Bank.
No words are too small, no acts too late.
Every human being gets to ask themselves "What did I do in the face of genocide?"
Israel and Zionism have been synonymous with genocide for more than three quarters of a century.
- [ ] Haifa Massacre 1937
- [ ] Jerusalem Massacre 1937
- [ ] Haifa Massacre 1938
- [ ] Balad al-Sheikh Massacre 1939
- [ ] Haifa Massacre 1939
- [ ] Haifa Massacre 1947
- [ ] Abbasiya Massacre 1947
- [ ] Al-Khisas Massacre 1947
- [ ] Bab al-Amud Massacre 1947
- [ ] Jerusalem Massacre 1947
- [ ] Sheikh Bureik Massacre 1947
- [ ] Jaffa Massacre 1948
- [ ] Khan Yunis Massacre 1956
- [ ] Jerusalem Massacre 1967
- [ ] Sabra and Shatila Massacre 1982
- [ ] Al-Aqsa Massacre 1990
- [ ] Ibrahimi Mosque Massacre 1994
- [ ] Jenin Refugee Camp April 2002
- [ ] Gaza Massacre 2008-09
- [ ] Gaza Massacre 2012
- [ ] Gaza Massacre 2014
- [ ] Gaza Massacre 2018-19
- [ ] Gaza Massacre 2021
- [ ] Gaza Genocide 2023-?
Oil Refinery--Fort Worth, Texas
Pattie Richardson East
Born: Hardesty, Oklahoma 1894
Died: Benbrook, Texas 1994
oil on canvas
36 1/8 x 48 1/8 in. (91.9 x 122.3 cm.)
Smithsonian American Art Museum
Transfer from the U.S. Department of Labor
1964.1.120
Personal, educational and non-commercial use of digital images from the American Art Museum's collection is permitted, with attribution to the Smithsonian American Art Museum, for all images unless otherwise noted. http://americanart.si.edu/collections/rights/
found in this flickr search...
www.flickr.com/search/?q=isoxfani&z=m
...and at HiveMind...
fiveprime.org/hivemind/Tags/IsoxFanI/
qwikLoadr™ Videos...
Larry Bird | Top 10 plays of his career NBA.com • YouTube™
1986 NBA Finals | Boston Celtics Celebrate World Championship! • YouTube™
Tenuous Link: crossed-arm sketch
irisBall | Parachute [12.15-16.19] gwennie2006! • YouTube™
treeSparrow | Molecular Model [5.14.19] gwennie2006! • YouTube™
Blogger GrfxDziner | Iris She's a Rainbow...
GrfxDziner.blogspot.com/2018/12/iris-shes-rainbow.html
blogger gwennie2006 | If I were a Carpenter [Go Molly!]…
gwennie2006.blogspot.com/2019/01/if-i-were-carpenter-go...
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My brother and I had a design studio in the past, and I did all of the Celtics promotional work for several years through our client SportsChannel of New England. Paul Freehauf (Eagle Rock Entertainment) was the Creative Director there and we did all the design and production. I also designed the Boston Celtics' Sixth Player trophy that was sponsored through Texaco. It was retired after Reggie Lewis was awarded it. There is more info in the first comment too if you like. My gwennie2006 account is not pro right now, but everything is still here through site searches (described below). My GrfxDziner account is pro and has full size images. Here is a link to that account at flickr...
www.flickr.com/photos/dcmemorialfoundation
I also did many of the commercials for MVP sports at the time. The Johnny Most announcement in that Top 10 qwikLoadr link was used on one in particular. The Bird's Back poster in the first comment was created when Larry Bird came back early from injury, and given out at the game. The World Championship poster from 1986 was also given out at the first Boston Garden game of the 1986-1987 season. SportsChannel had no budget for the poster, so the folks who worked on it received credit on the poster, as well as 150 limited prints. The plates were destroyed once the printing was complete. Mark Burton of Boston, Massachusetts was the official printer, and that is their logo bottom left on the poster.
Oh, and Baseball Fans?!
Check out this blog then...
blogger gwennie2006 | Absolut Fun:
gwennie2006.blogspot.com/2010/08/absolut-fun.html
from the …Deanna Cremin Memorial Foundation
.
Detail: 1905 Memorial window designed by Christopher Whall
www.flickr.com/gp/52219527@N00/3ri9wu "In memory of Monica Peveril Turnbull 13th June 1878 - 4th March 1901 & Dorothea Peveril Turnbull 2nd June 1880 - 27th April 1901
With joy and gladness shall they be brought and shall enter into God's palace"
Monica & Dorothea were the only children of Peveril Turnbull 1851–1926 & his wife Phyllis Anne Kay 1849–1946 of Sandybrook Hall. They died of multiple burns aged 22 & 20 in June & April after a fire in February
This is described in George Shaw’s book ‘People of the Millennium in Ashbourne, from Cockayne to the Queen’ and a personal letter.
‘One of the greatest tragedies to occur in Ashbourne happened on the 9th February 1901 at Sandybrook Hall, the home of the Turnbull family. Peveril Turnbull had just bought a new lamp for the dinner table, and had been warned that it should not be carried whilst lit. For some reason he had not taken the advice and whilst walking out of the dining room the lamp flared and he dropped it. The lamp fell at the feet of his younger daughter Dorothea and her dress burst into flames. Her sister Monica ran to her aid but her dress also caught fire. Both girl’s injuries proved fatal. Monica died 3 weeks later on 4th March, while Dorothea lived for 2 months longer & despite attempted skin grafts, she also died on the 27th April. Their parents later became involved in the care of children in need and in Windmill Lane they built an orphanage St Monica's Home " (St Monica was the patron saint of patience)
Their deaths were reported in the local papers:
SISTER'S FATAL BRAVERY
Miss Monica Turnbull, eldest daughter of Mr. Peveril Turnbull, J.P., of Sandibrook Hall, Ashbourne, Derbyshire, died on Monday morning under exceedingly painful circumstances. A few days ago a paraffin lamp was upset in the drawing room, and her sister Dorothea was set on fire. Miss Monica ran to her aid, but before the flames were extinguished both ladies were terribly burnt. The heroic action of the elder sister cost her her life.
Cornish & Devon Post - 9 March 1901
PATHETIC DEATH OF TWO SISTERS
An inquest was held at Sandybrook Hall, Ashbourne, on Monday, on the body of Miss Dorothea Turnbull, younger daughter of Mr. Peveril Turnbull, J.P., who died from the effects of burns caused by the upsetting of a lamp on February 9th. Miss Monica Turnbull, the elder sister, lost her life in attempting to extinguish the flames, but Miss Dorothea lingered on and died from exhaustion. A verdict of "Accidental death" was returned.
Leigh Chronicle and Weekly District …
The window contains images of the Virgin Martyr Saints with portraits of the sisters as St Barbara and St Dorothea on either side of St Cecilia who is seen falling asleep to the sounds of celestial music, a symbol of death. Small winged angel children play the organ and sing under a sorrowing angel. The celestial city is visible in one panel, viewed through a thicket of thorns.
The face of St Cecilia is that of Christopher Whall's wife Florence, www.flickr.com/gp/52219527@N00/540jWm whilst the sorrowing angel rising from the flames holding a martyrs palm at the top is his daughter, Veronica. www.flickr.com/gp/52219527@N00/5T1d36
Whall’s signature on this stained glass was his own thumbprint.
MEMORIAL UNVEILED - On Tuesday the Bishop of Southwell unveiled in the Parish Church a memorial window dedicated to Monica and Dorothea Peveril Turnbull. ............ After the service, a public tea and garden party was held in the Hall Hotel Grounds. Subsequently, his Lordship addresses a public meeting in the Town Hall on church work and service.
Staffordshire Advertiser - 1 July 1905
Monica & Dorothea are buried in the churchyard , www.findagrave.com/memorial/185143294/dorothea-peveril-tu... their gravestone inscribed:
"Thou thy worldly task hast done, home art gone"
In memory of Monica Peveril Turnbull born 13 Jun 1878, died 4 Mar 1901 and of Dorothea Peveril Turnbull born 2 Jun 1880, died 27 Apr 1901 beloved & only daughters of Peveril & Phyllis Turnbull
"Lighten our darkness, We beseech thee O Lord"
Church of St Oswald, Ashbourne, Derbyshire
Plantarum indigenarum et exoticarum icones ad vivum coloratae, oder, Sammlung nach der Natur gemalter Abbildungen inn- und ausländlischer Pflanzen, für Liebhaber und Beflissene der Botanik /.
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Join We're Here and add some zing to your photo projects.
Today's group: 8 questions - an interview with yourself
****************************
Strobist:
Key: speedlight in DIY striplight, CL
Back: two speedlights on the floor
1. If you could go back to any time in your life, what would you photograph?
My grandmother's house deep in the Appalachian mountains of Virginia. It was built by my grandfather in a holler. There are a couple of photos, but I would love to have taken detailed shots.
2. What kind of picture do you find the least interesting?
Corporate headshots.
3. Which picture took you the most courage to take (or publish)?
The first time I did candid street photography.
4. What do you admire most in other people’s photography?
Intention. My favorite photos are those that somehow express some kind of meaning or experience the photographer wanted to communicate. It doesn't have to be high-minded or socially "important" (those often produce eye-rolling in me). It can be simple, silly, or even mundane. But when a photo somehow evokes that sense of intention, it elevates it for me.
5. If you could follow someone around for a day, who would that be?
David Lynch.
6. Which shot would you never post on Flickr?
Any photo of my wife she did not give explicit permission to share publicly.
7. What is unphotographable?
My seven year old son in a calm, cooperative state.
8. If you had to describe yourself in one word, what would it be?
Curious.
En Biodiversidad virtual y también en Instagram como @proyectoagua.
Quizá para pescar gotas de agua limpia Bambusina borreri lanza sus cañas en los fondos del Lago de Sanabria con su cuerpo de collar, y pone sus broches de joya verde en la densa maraña que forma el tapiz parduzco que ahora viste su lecho. Desde hace años, lo que antes fue una superficie de arena gruesa y roca desnuda bajo unas aguas de cristal, se ha convertido en una huerta sumergida, abonada por aguas sin depurar que tiñen de neblina verde su transparencia original, esa que Bambusina quiere pescar para ella y para el Lago. .
Entre ese manto de de filamentos de algas y de cianobacterias enmarañadas, nunca antes conocido, en el que se tejen selvas inexpugnables, Bambusina como una excepción, asoma su cuerpo tenue, con sus cuentas repetidas y hermosas recordando que nunca se pierda la esperanza, esperanza de aguas limpias y aire limpio que disuelva las aguas sucias y su tristeza.
Como un bambú de transparencia de cristal Bambusina forma tallos bajo el agua como cuenta su nombre, aunque Bambusina ni es bambú ni sus tallos transparentes están hechos de cristal. Bambusina es alga solitaria y sus hilos se desgranan cuando sopla la corriente, sembrando el agua de las pequeñas joyas de turquesas que forman sus tiernas cañas.
La forma de los filamentos de esta pequeña alga que crece en las aguas ácidas es inconfundible, cada célula está formada por dos mitades que recuerdan a macetas colocadas una enfrente de la otra. Es en esta zona de unión entre las dos mitades donde se situa el centro de la célula, con un casi inapreciable itsmo y en cuyo interior se halla el núcleo.
Bambusina borreri forma filamentos rectos, que con facilidad se desarticulan y se desgranan en el agua en fragmentos de dos o varias células.
Las células de Bambusina borreri son relativamente pequeñas, de 14 a 25 micras de anchura y pueden alcanzar entre las 25 y 39 micras de longitud. Su pared celular presenta unas finísima ornamentación de poros dispuestos en filas transversales y cerca de los extremos de la célula aparecen unas estrías que sólo se aprecian bien cuando se vacía su contenido.
Los cloroplastos en Bambusina son siempre dos, uno en cada semicélula y se puede apreciar en ellos su configuración estrellada cuando se observa la célula desde uno de sus extremos.
El género Bambusina se puede reproducir asexualmente mediante la división transversal de sus células, pero no es infrecuente observar mecanismos de reproducción sexual que se lleva a cabo mediante la conjugación de los filamentos de una forma parecida a como lo hacen Mougeotia o Spirogyra
Con diferencia, la especie más extendida de este género es la que mostramos hoy aquí Bambusina borreri, de distribución cosmopolita y poco citada en nuestro país, aunque ya en 1913 Bachmann la señaló de las zonas altas de Sanabria donde también fue señalada por Margalef en los años 1955 y 1956.
Bambusina borreri se suele encontrar en aguas ácidas pobres en nutrientes y su presencia en el Lago está relacionada con los aportes de un buen número de especies que llegan desde las turberas y lagunas de la alta Sanabria a través del río Tera. Cuando llegan al Lago de Sanabria, afectado de la contaminación de aguas residuales desde hace años, sus días estarán contados, pero siempre dejan en él la luz de una esperanza para su recuperación
Las fotografías que mostramos, se han realizado a 400 aumentos empleando las técnicas de contraste de interferencia contraste de fases y epifluorescencia, se han tomado sobre una muestra recolectada a cuatro metros de profundidad, el 12 de marzo de 2018 por Tomás y Mª José en las inmediaciones de la Isla de Moras en el Lago de Sanabria (Zamora), desde el catamarán Helios Sanabria el primer catamarán construido en el Planeta propulsado por energía eólica y solar.
LIBRO: Lago de Sanabria 2015, presente y futuro de un ecosistema en desequilibrio
Presentación ponencia congreso internacional de Limnología de la AIL
Informes de contaminación en el Lago de Sanabria
informe de evolución de la contaminación en el Lago de Sanabria
ID: 003780
This picture is (c) Copyright Frank Titze, all rights reserved.
It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
See more pictures on frank-titze.art.
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Epic goddess video: www.youtube.com/watch?v=NtlVGi_K-Bk
Nikon D800E photography of Pretty Brunette Swimsuit Bikini Model Goddess @ the 45SURF Summer Beach House! Gorgeous Blue Eyes! I'm thinking about adding a deck and a pool to the beach house / surf shack with the famous black 45SURF surfboard, and some cool beach reading for goddesses--Shakespeare, Homer's Iliad and Odyssey, and Melville's Moby Dick! You'll have to visit!
Join/like my facebook page! www.facebook.com/45surfHerosJourneyMythology
Follow me on facebook! facebook.com/elliot.mcgucken
Classic California--an athletic model goddess in a black Gold 45 Revolver bikini with the Moving Dimensions Theory Equation on it: dx4/dt=ic! Tall, thin, fit and very, very pretty!
Here's some new epic video of the epicly pretty brunette goddess--shooting stills & video @ the same time!:
www.youtube.com/watch?v=wHvI4Uyd_FY
www.youtube.com/watch?v=NtlVGi_K-Bk
Be sure to enjoy the epic videos in full screen HD! :)
Photos shot with the AMAZING Nikon D800 E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens and the B W 77mm XS-Pro Kaesemann Circular Polarizer with Multi-Resistant Nano Coating. Classic California Brunette Beach Babe! Beautiful Swimsuit Bikini Model Goddess with Pretty Blue Eyes and wavy brown/black hair!
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 5 ! :)
Modeling the classic 45surf t-shirts and the Gold 45 Revolver Gold'N'Virtue Bikini on a sunny Malibu summer afternoon--my favorite for shooting on the beautiful socal beach!
Shot with the new Nikon D800E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens.
Captured in both RAW and JPEG.
Modeling the black & gold "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! Love, love, love the 70-200mm F/2.8 Lens! :)
All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy!
May the classic California HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!
Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiosissimis expressio, per universam physices historiam :.
Amstelaedami :Apud J. Wetstenium, & Gul. Smith, & Janssonio-Waesbergios,1734-1765..
A selection of Hexandrian plants, belonging to the natural orders Amaryllidae and Liliacae.
London : Robt. Havell, ... , Pubd. 1831- ended Dec. 1, 1834..
LEGAL NOTICE | protected work • All Rights reserved! © B. Egger photographer retains ownership and all copyrights in this work.
photographer | Bernard Egger • collections • sets • # 3768
🏁 | July 17, 2010 ENNSTAL-CLASSIC • Styria 💚 Austria
📷 | Maria Teresa de Filippis RIP - 1957 Maserati 250F/V12
© Dieses Foto darf ohne vorherige Lizenzvereinbarung keinesfalls publiziert oder an nicht berechtigte Nutzer weiter gegeben werden.
Todos los Derechos Reservados • Tous droits réservés • Todos os Direitos Reservados • Все права защищены • Tutti i diritti riservati
licence | → for any user agreement please contact Bernard Egger.
--
Maria Teresa de Filippis (born 11 November 1926 in Naples, Italy / † 9.1.2016 Scanzorosciate) was the first of five female Formula One racing drivers in the sport's history. She participated in five World Championship Grands Prix, debuting on 18 May 1958. She scored no championship points. She also participated in several non-Championship Formula One races. The four other women who attempted to start in Formula One were Lella Lombardi, Divina Galica, Desiré Wilson and Giovanna Amati.
en.wikipedia.org/wiki/Maria_Teresa_de_Filippis (en)
de.wikipedia.org/wiki/Maria_Teresa_de_Filippis (de)
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Maria Teresa de Filippis (* 11. November 1926 in Neapel / † 9.1.2016) war eine ehemalige italienische Automobilrennfahrerin.
Sie war die erste Frau, die bei einem Formel-1-Weltmeisterschaftslauf startete, und zwar beim GP von Belgien 1958 auf Maserati. Sie beendete das Rennen als Zehnte.
Zuvor hatte sie bereits, ebenfalls auf Maserati, Sportwagenrennen bestritten und erfolglos versucht, sich für den GP von Monaco 1958 zu qualifizieren. Bei zwei weiteren Rennen im gleichen Jahr schied sie jeweils aus.
In der Formel-1-Saison 1959 trat sie zum Großen Preis von Monaco auf Porsche an, für den sie sich allerdings nicht qualifizieren konnte. Nach dem Unfalltod ihres guten Freundes Jean Behra auf der AVUS 1959 beendete sie ihre Karriere.
Die gebürtige Neapolitanerin fuhr 1948 ihr erstes Rennen und gewann auf einem Fiat Topolino auf Anhieb ihre Klasse. Bei ihren ersten Rennen traf sie noch mit dem wohl größten italienischen Rennfahrer aller Zeiten zusammen: mit Tazio Tuvolari.
Zwischen 1949 und 1953 holte sie sich viele Siege in einem Fiat-Giannini Sportwagen. 1954 wurde sie Zweite im Straßenrennen Giro die Sicilia. 1955 wurden ihr von Maserati ein Werkswagen zur Verfügung gestellt. Mit einem A6GCS 2000 belegte sie Rang neun in der Targa Florio und Rang drei in den 10 Stunden von Messina. 1956 sah man Maria Teresa wieder auf Maserati bei der Mille Miglia. Beim 1000 km Rennen von Monza schied sie in ihrer Klasse führend aus, bei den 1000 km von Buenos Aires lag sie auf Rang sieben im Gesamtklassement, als sie einen Unfall hatte.
1958 sorgte sie für eine Sensation. Ehrgeizig und furchtlos wie sie nun mal war, debütierte sie in der Formel 1 auf einem Maserati 250F. Immerhin ein Auto, mit dem Fangio im Jahr davor Weltmeister wurde. Im Grand Prix von Syrakus, auf einer besonders gefährlichen Straßenrennstrecke, wurde sie Fünfte, in Monaco hatte sie Motorschaden, im Grand Prix von Europa, in Spa-Francorchamps, wurde sie Zehnte, in Monza schied sie 12 Runden vor Schluss auf Rang fünf liegend aus.
1959 konnte sie sich in Monaco mit dem Spezial-Porsche von Jean Behra nicht qualifizieren. Im 10 Stunden Rennen von Messina wurde sie auf Maserati Dritte. Als Jean Behra am 1. August 1959 beim Sportwagenrennen auf der Avus tödlich verunglückte, beendete sie ihre Karriere. Die Frau, der von Fangio abwärts ein ganzes Grand Prix-Startfeld den Hof machte, heiratete den gebürtigen Wiener Theo Huschek, mit dem sie heute in Oberitalien lebt. Sie ist nicht nur Ehrenpräsidentin des Clubs der einstigen Grand Prix-Piloten, sondern zusammen mit Theo Herz und Seele dieser elitären Vereinigung, zu deren Gründungsmitgliedern der fünffache Weltmeister Juan Manuel Fangio gehörte.
[Scuderia Centro Sud]
Ultracontemporary art works / periode Venice Biennale 2019
www.emergencyrooms.org/biennalist.html
www.emergencyrooms.org/formats.html
more here about the Biennale :
Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»
ALBANIA
Maybe the cosmos is not so extraordinary
Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.
Exhibitor: Driant Zeneli.
ALGERIA***
Time to shine bright
Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.
Venue: Fondamenta S. Giuseppe, 925
ANDORRA
The Future is Now / El futur és ara
Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.
Exhibitor: Philippe Shangti.
Venue: Istituto Santa Maria della Pietà, Castello 3701
ANTIGUA & BARBUDA
Find Yourself: Carnival and Resistance
Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.
Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919
ARGENTINA
El nombre de un país / The name of a country
Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.
Venue: Arsenale
ARMENIA (Republic of)
Revolutionary Sensorium
Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.
Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
AUSTRALIA
ASSEMBLY
Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.
Venue: Giardini
AUSTRIA
Discordo Ergo Sum
Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.
Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.
Venue: Giardini
AZERBAIJAN (Republic of )
Virtual Reality
Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.
Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
BANGLADESH (People’s Republic of)
Thirst
Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.
Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
BELARUS (Republic of)
Exit / Uscita
Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.
Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta
BELGIUM
Mondo Cane
Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.
Exhibitor: Jos de Gruyter & Harald Thys.
Venue: Giardini
BOSNIA and HERZEGOVINA
ZENICA-TRILOGY
Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.
Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.
Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A
BRAZIL
Swinguerra
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.
Venue: Giardini
BULGARIA
How We Live
Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.
Exhibitors: Rada Boukova , Lazar Lyutakov.
Venue: Palazzo Giustinian Lolin, San Marco 2893
CANADA
ISUMA
Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).
Venue: Giardini
CHILE
Altered Views
Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.
Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.
Venue: Arsenale
CHINA (People’s Republic of)
Re-睿
Commissioner: China Arts and Entertainment Group Ltd. (CAEG).
Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.
Venue: Arsenale
CROATIA
Traces of Disappearing (In Three Acts)
Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.
Exhibitor: Igor Grubić.
Venue: Calle Corner, Santa Croce 2258
CUBA
Entorno aleccionador (A Cautionary Environment)
Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.
Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo
CYPRUS (Republic of)
Christoforos Savva: Untimely, Again
Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.
Venue: Associazione Culturale Spiazzi, Castello 3865
CZECH (Republic) and SLOVAK (Republic)
Stanislav Kolíbal. Former Uncertain Indicated
Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.
Exhibitor: Stanislav Kolibal.
Venue: Giardini
DOMINICAN (Republic) *
Naturaleza y biodiversidad en la República Dominicana
Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.
Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace
EGYPT
khnum across times witness
Commissioner: Ministry of Culture. Curator: Ahmed Chiha.
Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.
Venue: Giardini
ESTONIA
Birth V
Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.
Venue: c/o Legno & Legno, Giudecca 211
FINLAND (Alvar Aalto Pavilion)
A Greater Miracle of Perception
Commissioner: Raija Koli, Director Frame Contemporary Art Finland.
Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).
Venue: Giardini
FRANCE
Deep see blue surrounding you / Vois ce bleu profond te fondre
Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.
Venue: Giardini
GEORGIA
REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation
Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.
Venue: Arsenale
GERMANY
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.
Venue: Giardini
GHANA ***
Ghana Freedom
Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.
Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.
Venue: Arsenale
GREAT BRITAIN
Cathy Wilkes
Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.
Venue: Giardini
GREECE
Mr Stigl
Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).
Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.
Venue: Giardini
GRENADA
Epic Memory
Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.
Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
GUATEMALA
Interesting State
Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
HAITI
THE SPECTACLE OF TRAGEDY
Commissioner: Ministry of Culture and Communication.
Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.
Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168
HUNGARY
Imaginary Cameras
Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.
Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.
Venue: Giardini
ICELAND
Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter
Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.
Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.
Venue: Spazio Punch, Giudecca 800
INDIA
Our time for a future caring
Commissioner: Adwaita Gadanayak National Gallery of Modern Art.
Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.
Venue: Arsenale
INDONESIA
Lost Verses
Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.
Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.
Venue: Arsenale
IRAN (Islamic Republic of)
of being and singing
Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.
Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.
Venue: Fondaco Marcello, San Marco 3415
IRAQ
Fatherland
Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.
Exhibitor: Serwan Baran.
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
IRELAND
The Shrinking Universe
Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.
Venue: Arsenale
ISRAEL
Field Hospital X
Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.
Venue: Giardini
ITALY
Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.
Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.
Venue: Padiglione Italia, Tese delle Vergini, Arsenale
IVORY COAST
The Open Shadows of Memory
Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.
Venue: Castello Gallery, Castello 1636/A
JAPAN
Cosmo-Eggs
Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.
Venue: Giardini
KIRIBATI
Pacific Time - Time Flies
Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.
Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659
KOREA (Republic of)
History Has Failed Us, but No Matter
Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.
Venue: Giardini
KOSOVO (Republic of)
Family Album
Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.
Venue: Arsenale
LATVIA
Saules Suns
Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.
Exhibitor: Daiga Grantiņa.
Venue: Arsenale
LITHUANIA
Sun & Sea (Marina)
Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c
LUXEMBOURG (Grand Duchy of)
Written by Water
Commissioner: Ministry of Culture of Luxembourg.
Curator: Kevin Muhlen. Exhibitor: Marco Godinho.
Venue: Arsenale
NORTH MACEDONIA (Republic of )
Subversion to Red
Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.
Venue: Palazzo Rota Ivancich, Castello 4421
MADAGASCAR ***
I have forgotten the night
Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
Exhibitor: Joël Andrianomearisoa.
Venue: Arsenale
MALAYSIA ***
Holding Up a Mirror
Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.
Venue: Palazzo Malipiero, San Marco 3198
MALTA
Maleth / Haven / Port - Heterotopias of Evocation
Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.
Venue: Arsenale
MEXICO
Actos de Dios / Acts of God
Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.
Venue: Arsenale
MONGOLIA
A Temporality
Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.
Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).
Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090
MONTENEGRO
Odiseja / An Odyssey
Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.
Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE (Republic of)
The Past, the Present and The in Between
Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.
Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.
Venue: Palazzo Mora, Strada Nova, 3659
NETHERLANDS (The)
The Measurement of Presence
Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini
NEW ZEALAND
Post hoc
Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.
Exhibitor: Dane Mitchell.
Venue: Palazzina Canonica, Riva Sette Martiri
NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)
Weather Report: Forecasting Future
Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
Venue: Giardini
PAKISTAN ***
Manora Field Notes
Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
Curator: Zahra Khan. Exhibitor: Naiza Khan.
Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111
PERU
“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle
Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.
Venue: Arsenale
PHILIPPINES
Island Weather
Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.
Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.
Venue: Arsenale
POLAND
Flight
Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.
Exhibitor: Roman Stańczak.
Venue: Giardini
PORTUGAL
a seam, a surface, a hinge or a knot
Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.
Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893
ROMANIA
Unfinished Conversations on the Weight of Absence
Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.
Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)
RUSSIA
Lc 15:11-32
Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.
Venue: Giardini
SAN MARINO (Republic of)
Friendship Project International
Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.
Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691
SAUDI ARABIA
After Illusion بعد توهم
Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.
Venue: Arsenale
SERBIA
Regaining Memory Loss
Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.
Venue: Giardini
SEYCHELLES (Republic of)
Drift
Commissioner: Galen Bresson. Curator: Martin Kennedy.
Exhibitors: George Camille and Daniel Dodin.
Venue: Palazzo Mora, Strada Nova, 3659
SINGAPORE
Music For Everyone: Variations on a Theme
Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).
Curator: Michelle Ho. Exhibitor: Song-Ming Ang.
Venue: Arsenale
SLOVENIA (Republic of)
Here we go again... SYSTEM 317
A situation of the resolution series
Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.
Venue: Arsenale
SOUTH AFRICA (Republic of)
The stronger we become
Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.
Venue: Arsenale
SPAIN
Perforated by Itziar Okariz and Sergio Prego
Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.
Exhibitors: Itziar Okariz, Sergio Prego.
Venue: Giardini
SWITZERLAND
Moving Backwards
Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.
Venue: Giardini
SYRIAN ARAB (Republic)
Syrian Civilization is still alive
Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.
Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio
THAILAND
The Revolving World
Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.
Venue: In Paradiso 1260, Castello
TURKEY
We, Elsewhere
Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.
Venue: Arsenale
UKRAINE
The Shadow of Dream cast upon Giardini della Biennale
Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.
Venue: Arsenale
UNITED ARAB EMIRATES
Nujoom Alghanem: Passage
Commissioner: Salama bint Hamdan Al Nahyan Foundation.
Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.
Venue: Arsenale
UNITED STATES OF AMERICA
Martin Puryear: Liberty
Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.
Venue: Giardini
URUGUAY
“La casa empática”
Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.
Exhibitor: Yamandú Canosa.
Venue: Giardini
VENEZUELA (Bolivarian Republic of)
Metaphore of three windows
Venezuela: identity in time and space
Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.
Venue: Giardini
ZIMBABWE (Republic of)
Soko Risina Musoro (The Tale without a Head)
Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.
Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)
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invited artist :
Lawrence Abu Hamdan (Jordan / Beirut)
Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),
Darren Bader (USA),Nairy Baghramian (Iran / Germany,
Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,
Christoph Büchel (Switzerland / Iceland,
Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA
Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,
Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)
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other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
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art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
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Veneziako Venecija Venècia Venetië Veneetsia Venetsia VenedigΒ ενετία Velence Feneyjar Venice Venēcija Venezja Venezia Wenecja VenezaVeneția Venetsiya Benátky Benetke Fenisוועניס Վենետիկ ভেনি স威尼斯 威尼斯 ვენეციისવે નિસवेनिसヴ ェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya Italy italia
Ralph Rugoff Ralph_Rugoff #RalphRugoff RalphRugoff 2019
pavilion giardini artcontemporain contemporary kunst modern #artcontemporain art artsenal gallery gallerie museum
artist curator commissaire country contemporary ultracontemporary art kunst perfomance sport jogging emergency room urgency panic saving artist role responsability
#art #artist #artistic #artists #arte #artwork
Thierry Geoffroy / Colonel
artfair copenhagen
Reference: Photo 24/(117)
From the Girdwood Collection held by the British Library.
This image is part of the Europeana Collections 1914-1918
Date: 25 Jul 1915
See also:
- View this at the British Library's site
From the official web site:
Perimeter Institute for Theoretical Physics is a basic research centre dedicated to exploring the world around us at its most fundamental level. It began in the summer of 1999 when Mike Lazaridis, founder of Research in Motion and the innovator who was instrumental in launching the smart phone revolution, found himself in a position to help foster research and innovation in Canada by establishing a world-class institute devoted to theoretical physics.
Research
Since research operations began in the fall of 2001, the Institute has grown to include over 80 resident researchers who are involved in day-to-day operations. Additionally, the vigorous Visitor Program has enabled PI to host hundreds of international researchers each year for collaborations and workshops. The current groups involved with cross-disciplinary research include Condensed Matter, Cosmology & Gravitation, Particle Physics, Quantum Foundations, Quantum Gravity, Quantum Information Theory, Superstring Theory and related areas.
Training
Among activities that help develop future generations of scientists, is the innovative Perimeter Scholars International. This research training program exposes rising talent from around the world to the full spectrum of theoretical physics, bringing them rapidly to the leading edge of current research.
Outreach
In addition to the scientific operations, Perimeter Institute also shares the importance of basic research and the power of theoretical physics with the wider community. The award winning educational outreach team provides specifically crafted programs and educational resources for youth, teachers and members of the general public across Canada and beyond.
Funding
Perimeter Institute is an independent, non-profit, charitable organization focused on scientific research, training and educational outreach in theoretical physics. The Institute is funded through an innovative public-private partnership - uniting governments, individuals, corporations, and foundations in a shared enterprise to help advance scientific breakthroughs, nurture scientific talent, and share scientific discovery with the broader public.
Workplace
Perimeter Institute endeavors to foster an inclusive culture that embraces and celebrates the diversity of our organization. We are committed to providing a safe, comfortable, harassment-free working environment for all students, scientists, support staff and volunteers, regardless of their gender, race, ethnicity, religion or place of origin. We have a zero tolerance policy towards any form of harassment, discrimination, or violence in the workplace. Trust and mutual respect are the basis of our community.
This High Dynamic Range 360° panorama was stitched from 60 bracketed photographs with PTGUI Pro, tone-mapped with Photomatix, and touched up in Aperture.
Original size: 18528 × 9264 (171.6 MP; 176 MB).
Location: Perimeter Institute, Waterloo, Ontario, Canada
Format: Photographic print.
Rights Info: No known restrictions on publication.
Part Of: Powerhouse Museum Collection
General information about the Powerhouse Museum Collection is available at www.powerhousemuseum.com/collection/database
Persistent URL: www.powerhousemuseum.com/collection/database/?irn=389104
Acquisition credit line: Gift of Dorothy Stuckey, 1987
1. to the right: a station sign on the floor
2. on a sunny day, so without umbrellas: an umbrella rack found on the pavement
3. Red circle on black: the ubiquitous red-and-black one
4. A very scientific milk pan: a pan that tries to give us a science lesson
5. A Big E: street art, civil engineer style
6. Surface: Guinness from the can
7. Help! I can't stop looking for something sc-able!: a vent portrait
8. Grey circle on grey: a manhole cover
9. under construction (protection sheet): with a kanji
10. baby manhole: another manhole cover
11. Many circles: yet another manhole cover
12. After the rain, and it's a circle!: I know this is too easy but it's a manhole cover
13. how to keep your city tidy: the unseen side of our tidiness
14. When I see things like this, I do ...: civil engineering related
15. No bikes: a "do not park your bike here" sign
16. circle one: a street lamp
17. "water": a water-system manhole cover
18. brillante: a French restaurant sign written in English
19. circle closeup: civil engineering related
20. step power: I still don't know how this is called in English and even in Japanese
21. sorry this is blurred: a zabuton (座布団) at a Japanese restaurant
22. Squ"air": a Muji bottle
23. Something that is sc-able: a bottle of hina-matsuri sweet
24. plate: in a window on a street in Aoyama
25. to the left: a station sign on the floor
Created with fd's Flickr Toys.
Model: Ellis Stone Find me elsewhere! Website Blog Twitter Instagram & please like Millie Clinton Photography on Facebook! Email: enquiries@millieclinton.com
Long-tailed Duck Clangula hyemalis
This female Long-tailed Duck is still on I-82 Freeway Pond #4. It was snowing today as she dove at the slushy edge of the ice. The lighting matched her plumage nicely, though wasn't great for photos or video. It was nice and sunny 3 days ago when I found her here. This site requires a Washington State Discover Pass for motor vehicles.
Scott Downes & Luke Safford used me -- they tricked me into helping them cheat on their illegitimate Big Day. They are still lying, pretending to not understand why I could be upset with them for doing that to me and for other unethical and illegal behavior by them.
Scott -- Have you done that to your own daughters? If someone did that to your daughters, would you be happy with that?
Luke -- Have you done that to your own children?
Even if you two have done that to your own children, you should not have done that to me. Your behavior is inexcusable. You are not above the Birding Code of Ethics. You are not above the law. You are not above Big Day Rules.
Who will get them to disqualify themselves from their illegitimate Big Day? Scott should not be allowed to count his Big Year during which he cheated in several ways on his Big Day and he knowingly trespassed on Priest Rapids Dam and on the Yakima Training Center military installation. He got caught and kicked off of each. His claim of ignorance about trespassing on the dam is a flat-out lie. I had previously told him in person specifically that the head of security for Priest Rapids Dam said that it was prohibited, and Scott acknowledged that he understood it. After trespassing and falsifying his checklist location, Scott acknowledged in writing to me that he knew it was prohibited, yet Scott pretended on Tweeters to be going on the advice of other local listers. Andy Stepniewski perhaps? Andy knows and knew better, and explained that quite clearly to my wife & I in his kitchen when he described to us how he trespasses there. Maybe Andy told Scott he could get away with it, but I doubt Andy pretended to Scott that it was allowed. (Andy was with Scott when the two of them were caught trespassing in the Live Fire area on the Yakima Training Center, proving Scott knows Andy trespasses.) Birders, especially those in positions of authority in organizations such as the Yakima Valley Audubon Society, Washington Ornithological Society, Washington Department of Fish and Wildlife, & eBird, should speak out to discourage unethical and illegal bird listing practices, even when it concerns their colleagues. Don't enable problem listers. Good cops are worth their weight in gold.
My original photos have embedded GPS time/date/location -- proving when & where I took the photos. I would never falsify a checklist, nor info under my photos, and never have done so. That would be the antithesis of my bird watching.
Please always consider the sensitivity of birds, nearby humans, and the environment.
Recently I finally received an apology (one he soon qualified, and later lied about, trying to pretend he hadn't apologized -- see next paragraph) from Scott Downes, one of two listers who used me to help them cheat on their Big Day -- His "I'm sorry." was a baby step. The other lister, Luke Safford, has not yet apologized. They both continue to lie, falsely claiming that they don't understand any reasons I'm disgusted by them and others who behave like them. I continue to wish my efforts weren't necessary, and that they and other problem listers would stop their dishonest and disingenuous arguments in defense of their bad and illegal habits. Once you're caught cheating on your Big Day, you're not morally qualified to do another. Leave that competition to decent folks. Perhaps as a state biologist and a preacher, Scott Downes & Luke Safford think they're exempted from ethical constraints while bird listing and while attacking me to try to cover their deeds. They're not.
Edit: To be clear, Scott Downes said, "I'm sorry." several times, but soon said "It doesn't matter anymore anyway, since Eric [Heisey] and I broke that record." With him qualifying it so, it is not an apology. (And why should anyone believe he didn't cheat again?) I should more accurately say that he said "I'm sorry" several times, but did not honestly apologize. I said to him that it does matter -- that he (Scott Downes) & Luke (Safford) cheated, that they used me to cheat, and that they continue to be dishonest about that. Scott Downes also has yet to show the photos he took that day of their claimed (relocated) Tricolored Blackbird. At first he claimed his photos "didn't turn out". At the time of his apology this summer, he changed his story again -- he claimed that he did not even have a camera with him during his (illegitimate) Big Day. My guess is his photos that day showed that their claimed Tricolored Blackbird was not a Tricolored Blackbird -- if so, ironic since they'd cheated to "get" it. Scott volunteered that he would remove the Tricolored Blackbird from his list. I doubt he has. I also doubt that he has contacted Washington Birder (the Knittles) to finally acknowledge his & Luke's cheating & remove their illegitimate Big Day from the records. I think that Scott Downes' & Luke Safford's names should actually stay on the record books, with the note that they were disqualified due to cheating.
To Yakima County's problem listers: Don't cheat on your Big Days. Stop pishing and using playback on rare and sensitive birds and in heavily birded areas. Give others credit for their finds. Don't lie and intentionally mislead to cover your misdeeds, misidentifications, identifictions, and illegal birding practices. Slipping in a different photo when you screwed-up, inserting a photo you took on a later date to your eBird checklist, trying to get me to trespass for your Yakima CBC, blocking links to American Birding Association articles about birding ethics, hiding your trespassing, lying about your apology, using my Dad's death to take a stab at me -- shame on you.
Since bird listing is dominated by white males, it's sadly unsurprising that abusive behavior by them is accepted by their ranks.
Please Follow this Code and Distribute and Teach it to Others ABA Code of Birding Ethics.
Presidential Candidate 總統候選人
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Tianliang Ma
~ a Taiwanese social reformer, philosopher, photographer and film director
“Touching Fairness and Justice”
馬天亮
~ 臺灣的社會改革者，哲學家，攝影師，和電影導演
《感動的公平與正義》
TianLiang Maa, alternative spelling: Tianliang Ma, also known as Theophilus Raynsford Mann; Ma, Tianliang; Chinese: 馬天亮; 马天亮.
SUMMARY
TianLiang Maa is a naturalist, occultist, Buddhist and Taoist. In 1982, Maa developed a technique for abstract photography, applied “Rayonism” into photographic works. Maa staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Maa’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Maa’s works have been quoted by the scholars many times, making Maa one of the highly cited technological, artistic, and managing public administrators in the academia. Maa was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.
Early Life and Record of Genealogy
TianLiang Maa possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Maa about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Maa takes great pride in his roots, which go back 150 years (since 1864); Maa’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.
Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa
In 1980, Maa obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.
In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Maa’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.
Backing to Maa’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.
Early Career
In 1989, Maa instituted Maa’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.
Study Abroad and Immigration into the United Kingdom
In 1998, Maa studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Maa completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013
www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Maa immigrated into the United Kingdom in the early year of 2004.
PHILOSOPHICAL VIEWS
Maa is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand TianLiang Maa. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.
Back in the 1990s when Maa just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.
During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Maa understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?
FAIRNESS and JUSTICE
As TianLiang Maa’s (馬天亮) saying are:
“Touching Fairness and Justice”
Feel good about themselves, but do not know the sufferings of the people...
Who can get easy life like them?
What is profile of modern society?
What type and style is truly solemn for this society identify?
Where “the characterization” is? Who can see? Did you see it?
《感動的公平與正義》
自我感覺良好, 不知民間疾苦...
誰能得到安逸的生活如同他們一樣？
這是個什麼樣子的社會？
這個社會認定什麼樣的類型和風格是真正莊重的?
「特徵」在那裡？誰可以看到？你看到了嗎？
Jurisprudence and Political Philosophy and Perspectives
Maa ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Maa will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.
According as Maa’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.
The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.
Maa had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.
Right now, Maa studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Maa would like to do “something beautiful for `the unknown`”.
In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.
In present world, Maa really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.
No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.
The knowledge Maa has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.
Since 30 July of 1988, Maa settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Maa was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.
Maa had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.
The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.
Developed a Technique for Abstract Photography and Abstractionist
In 1982, Maa developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Maa was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.
Photographic Exhibitions
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.
一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism (32 individual exhibitions) 1983~1985.
馬天亮『光影』攝影特展（個人展32場）1983〜1985年.
Maa staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Maa was the first exhibitor around the country. All of the invited displays were by the Chinese Government, cultural and artistic organisations, and sponsors. Maa’s earliest exhibition took place in the National Taiwan Arts Education Institute (Museum) on 19 December 1983 when Maa was 25 years old; Maa was the youngest exhibitor in the history of the Institute in any solo exhibitions. The Institute that was opened in March 1957, kept a collection of Maa’s work. It is currently updating the Institute’s internal organisation and strengthening co-operation with leading institutes and museums around the world. Meanwhile, it widened the institute’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.
Modernization in the Modern Abstract Arts of Taiwan
Maa’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.
In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Maa may sprout, grow and bloom. Maa aims to provide an educational stimulus for society by introducing his works - Maa can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Maa believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Maa should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.
Became an Author and a Scholar
In 1980, TianLiang Maa completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Maa was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Maa’s writings - scenario original 「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 then Maa was 18 years old. The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Maa’s writings.
Authorship
Maa’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Maa was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Maa one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Maa’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.
Became an Academic and Film Director
Today, Maa is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.
Director Works:
FILMS:
Experimental Film “New Image for the Spring” © 1982
Documentary Film “Rayonnisme” © 2011
“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)
FASHION SHOWS:
New Image for the Spring of Shapely Models International © 1982
High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982
ART EXHIBITIONS:
The Cadillac Club International Fine Arts Exhibition © 1981
The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981
Musician Work:
MUSIC COMPOSITION:
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.
PHOTOGRAPHIC ALBUMS:
Portrait and Landscape in France © 2000
Portrait and Landscape in Scotland © 2001
Portrait and Landscape in England © 2009
Portrait at Queen Mary, University of London © 2010
Rayonism of London © 2011
Portrait at The University of Nottingham, United Kingdom © 2011
Snowy London © 2012
Portrait at King's College London © 2013
BOOKS:
Scenario Original「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.
“Album of the Cadillac Club International Fine Arts Exhibition” © 1981
“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981
“Album of New Image for the Spring of Shapely Models International” © 1982
“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982
“Romantic Carol” © 1982
Album of Academic Work for News Publication: “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibitions of Rayonnisme” © May 1985
新聞出版之學術著作專輯「馬天亮『光影』“Rayonism” 攝影展」© May 1985
New version of scenario original “The Soul's Sentimentalizing” (to be published)
「曾經輝煌到頂天立地」 “The Indomitable Spirit Was Brilliant to Upright” (individual biography, to be published)
“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)
「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)
Research Interests:
University of Oxford
Research Studies in Archaeology:
Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.
National Taiwan University
Graduate Certificate,
Graduate Institute of Electrical Engineering:
Maa’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.
University of Glamorgan
M.Sc. Course,
Master of Science in Real Estate Appraisal:
Maa’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.
National Sun Yat-Sen University
Postgraduate Certificate,
Postgraduate Studies in Computing:
Maa’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.
Associations:
Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)
Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.
Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.
On 15 March 1989, Maa promoted and founded the Consortium Juridical Person Mr. TianLiang Maa Social Benefit Foundation 財團法人馬天亮先生社會公益基金會 in Taiwan. near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...
Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.
Honours:
Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.
中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.
On 26 August 1985, Maa was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.
Careers:
Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:
Academia,
Teaching and Research:
business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and film production.
教學與研究：
企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ，視覺藝術和影片製作。
Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:
consultants of immigration, translations, and legal services.
永生移民顧問翻譯服務社的移民諮詢顧問和翻譯：
移民事務，翻譯和法律服務。
Computer Hardware & Networking Engineer at Maa Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:
Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.
計算機工程和網絡服務。維修主機板，顯示器，電源供應器，光碟機/光盘驱动器，不斷電系統，硬碟/硬盘，硬盤數據恢復，基本輸入輸出系統編程，以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。
Film Director & Photographer at Photographer and Film Director (Shapely), 2 April 2007 to present in London, United Kingdom:
1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.
www.facebook.com/filmshapely/info
Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:
Social Reform in Taiwan
www.facebook.com/twreform/info
《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。TianLiang Maa (Theophilus Raynsford Mann) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.
Website
mtltwp.pixnet.net/album/set/1265174
photo.roodo.com/photos/mtltwp/albums/small/100469.html
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Maa was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.
Website
LINKS:
University of California, Berkeley
berkeley.worldcat.org/search?q=Ma%2C+Tianliang&dblist...
berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...
oskicat.berkeley.edu/record=b11283690~S1
University of Michigan
mirlyn.lib.umich.edu/Record/006237256
catalog.hathitrust.org/Record/006237256
WorldCat® Identities
www.worldcat.org/search?q=au%3AMa%2C+Tianliang%2C&dbl...
www.worldcat.org/wcidentities/np-ma,%20tianliang$1958
Google Books
books.google.co.uk/books?id=PkyaAAAAIAAJ&redir_esc=y
books.google.co.uk/books?id=JfxnMwEACAAJ&dq=editions:...
scholar.google.com/scholar?cluster=3569983911138966023&am...
National Bibliographic Information Network (NBINet)
nbinet3.ncl.edu.tw/search~S10?/a%7bu99AC%7d%7bu5929%7d%7b...
192.83.186.170/search*cht/a%E9%A6%AC%E5%A4%A9%E4%BA%AE
National Yang Ming University 國立陽明大學
library.ym.edu.tw/search~S7*cht?/tThe+Soul%27s+and+sentim...
National Taiwan University of Science and Technology 國立臺灣科技大學
millennium.lib.ntust.edu.tw/record=b1016706~S1
Wikimedia Commons 維基共享資源
commons.wikimedia.org/w/index.php?search=TianLiang+Maa+%E...
commons.wikimedia.org/wiki/File:TianLiang_Maa_馬天亮.jpg
commons.wikimedia.org/wiki/File:馬天亮_TianLiang_Maa.jpg
國家圖書館 期刊文獻資訊網, 臺灣期刊論文索引
readopac3.ncl.edu.tw/nclJournal/search/search_result.jsp?...
聲音藝術的審美角度, 大學雜誌, 天然
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...,
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...
為文化中心把脈, 幼獅文藝
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...,
科學家與守財奴, 中國地方自治
weblib.exam.gov.tw/ccdb2/Result_List.asp?idx_id=CCVOL&...
Yahoo, Bing, Google Search
www.google.com/search?q=TianLiang+Maa
images.search.yahoo.com/search/images;_ylt=AwrB8pGXJyVTVm...
www.bing.com/images/search?q=tianliang+ma&go=&qs=...
Atomzone
atomzone.co.uk/images/search/馬天亮
atomzone.co.uk/images/search/Ma+Tianliang
lurvely.com www.lurvely.com/photographer/77438197_N03/
www.flickriver.com/photos/mtltwp/
www.flickriver.com/photos/mtltwpprof/
Nature - National Library Board Singapore
snap.nl.sg/searchflickr.aspx?q=%E9%A6%AC%E5%A4%A9%E4%BA%A...
snap.nl.sg/searchflickr.aspx?q=TianLiang+Maa+&p=1&...
画像検索
flickr.akitomo.net/TianLiang+Maa/1
Japan Photos and Pictures
japan.pictures-photos.com/professor-tianliang-maa%E2%80%A6
summer.pictures-photos.com/professor-tianliang-maa%E2%80%A6
far-east-movement - Blogcu (Turkey)
far-east-movement.blogcu.com/professor-tianliang-maa/1226...
man fashion
spirehim.com/3454/professor-tianliang-maa-%E9%A6%AC%E5%A4...
Travel Splash
travel-splash.com/photos/view.php?id=13397167315&sear...
Country profile Taiwan
atomzone.co.uk/images/search/Country+profile+Taiwan
itpints
www.itpints.com/?q=TianLiang+Maa&sources%5b%5d=flickr...
AskJot
askjot.com/search/TianLiang-Maa
Who is talking
whotalking.com/flickr/TianLiang+Maa
University of California, Berkeley period
atomzone.co.uk/scaffold/images/search/University%20of%20C...
University of Michigan period
atomzone.co.uk/scaffold/images/search/University%20of%20M...
University of Oxford period
atomzone.co.uk/scaffold/images/search/University%20of%20O...
www.wer-ist.org/person/Oxford_Archaeology
University of Glamorgan period
atomzone.co.uk/images/search/University+of+Glamorgan+period
www.worldofbuildings.worldofbuildings.org/flickr/wob_flic...
University of Huddersfield period
atomzone.co.uk/scaffold/images/search/Huddersfield%20period
art galleries uk
artgalleriesuk.blogspot.co.uk/2012/08/bigandtall-stores-s...
Mitrasites system
sites.google.com/site/mitrasites/system/app/pages/customS...
articles.whmsoft
articles.whmsoft.com/related_search.php?keyword=Tianliang...
pantieslace-forwomen.blogspot.co.uk/2012/08/motherhood-ma...
3piece-suits.blogspot.co.uk/2012/07/nursing-shawl-become-...
3piece-suits.blogspot.co.uk/2012/08/body-briefers-childre...
www.flickriver.com/search/%E6%BC%A2%E5%AD%B8+OR.../intere...
www.flickriver.com/search/%E8%AB%96%E6%96%87+OR.../recent/
German
www.wer-ist.org/person/Jin_Mann
www.pediatr.org.tw/DB/News/file/1913-1.pdf
HOMEPAGE
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Journal of the Royal Horticultural Society of London.
London.Printed for the Royal Horticultural Society by Spottiswoode & Co.
She's from Spain!
www.facebook.com/45surfAchillesOdysseyMythology
A pretty goddess straight out of Homer's Iliad & Odyssey!
New Instagram! instagram.com/45surf
New facebook: www.facebook.com/45surfAchillesOdysseyMythology
Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Seaside Bluff Cliff! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3
New blog!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Blond Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic odyssey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
It was also photographed earlier on route by Steve Franklin at Reading, by Andrew Shapland approaching Prune Hill crossing, Egham and later on route by adammcmillan97 at Paddock Wood. Class 37 number 706 brought up the rear.
According to Realtime Trains the route and timings were;
Reading [RDG] 7.....................0818...............0818.............................RT
Reading New Junction..........0821...............0821.............................RT
Reading Spur Junction.........0823/0830..N/R/0830 1/2.............RT
Earley [EAR] 1...........................0834..............0837..............................3L
Winnersh Triangle [WTI] 1.....0836..............0838 1/2......................2L
Winnersh [WNS] 1...................0837 1/2........0840............................2L
Wokingham [WKM] 1..............0842/0845..0844 1/2/0847 1/4.....2L
Bracknell [BCE] 1.....................0851 1/2........0855.............................3L
Martins Heron [MAO].............0853..............0858............................5L
Ascot [ACT] 1............................0856/0906..0859 3/4/0908 3/4..2L
Sunningdale [SNG] 1..............0910...............0912 1/2.......................2L
Longcross [LNG] 1..................0913...............0914 1/4........................1L
Virginia Water [VIR] 1.............0916...............0916 1/2.......................RT
Egham [EGH] 1.........................0921 1/2........0921 1/4.......................RT
Staines [SNS] 1.........................0927/0929..0926/0929 1/4..........RT
Ashford (Surrey) [AFS] 1.........0932 1/2.......0932 1/4......................RT
Feltham [FEL] 1........................0937..............0936............................RT
Feltham Junction....................0939..............0938 1/2......................RT
Hounslow Junction................0939 1/2.......0939 1/2......................RT
Hounslow [HOU] 1..................0941/0943....0941 1/4/0942 3/4....RT
Isleworth [ISL] 1........................0945 1/2.......0946............................RT
Syon Lane [SYL] 1...................0946..............0947 1/2.......................1L
Brentford [BFD] 1.....................0947..............0948.............................1L
Old Kew Junction...................0948..............0948 1/2......................RT
Kew Bridge [KWB] 1................0948 1/2.......0949............................RT
New Kew Junction.................0949..............0949 1/2......................RT
Chiswick [CHK] 1.....................0951/0953...0951/0955 1/4...........2L
Barnes Bridge [BNI] 1.............0957..............0957 3/4.....................RT
Barnes [BNS] 1.........................0959..............0958 3/4.....................RT
Putney [PUT] 1.........................1003/1006....1001 1/4/1007 1/4........1L
Wandsworth Town 4.............1009 1/2........1009 3/4......................RT
Clapham Junction [CLJ] 3....1012/1022.....1011 1/2/1024...............2L
Factory Junction.....................1028 1/2........1030..............................1L
Voltaire Road Junction ........1029 1/2........1031...............................1L
Denmark Hill [DMK] 2............1035...............1036..............................1L
Crofton Road Junction..........1036...............1038 3/4......................2L
Peckham Rye [PMR] 4...........1036 1/2.........1039 3/4.......................3L
Nunhead [NHD] 2...................1038...............1041 1/2.........................3L
Bellingham [BGM]...................1043...............1046 1/4........................3L
Shortlands Junction[XOR]....1051................1050.............................RT
Shortlands [SRT].....................1052...............1051 1/2........................RT
Bromley South [BMS] 3.........1056/1059....1054 1/2/1058 3/4.....RT
Bickley Junction[XLY]...........1103................1104 1/4.........................1L
Petts Wood Junction[XPE]...1105 1/2.........1112...............................6L
Orpington [ORP] 3..................1108 1/2..........1115...............................6L
Chelsfield [CLD]......................1110.................1117 1/4..........................7L
Sevenoaks [SEV] 3.................1118.................1124 1/4........................6L
Tonbridge [TON] DF..............1128................1130..............................2L
Paddock Wood [PDW] DM...1136................1135 1/2........................RT
Headcorn [HCN] 2..................1150/1208.....1151/1207......................1E
Ashford International 6.........1225...............1228 1/2........................3L
Canterbury West [CBW] 2....1245...............1245 3/4......................RT
Come play with us at wendyrago.typepad.com/project52 - mixed media challenge, due November 21, 2009
Title "Artsy Scrappy Mama" by Julie Ann Shahin
I decided my self-portrait would be a paper mache art doll because I didn't want to buy something, although I did look in a few stores. I wanted to actually make something and get my hands dirty, yet actually I wore "kitchen gloves" for the messy part! The wire mesh for the dress is no accident, I want you to see through it, to see the body has vintage sewing pattern tissue paper on it. I also wanted to attach items to the dress so this wire worked great, it is called "WireForm by Paragon" or "WireMesh by Paragon" depending on whether you want copper, brass, or aluminum diamond. Pam asked me what her name is, and I decided to name her "Artsy Scrappy Mama" because I wanted to show you a self-portrait of me in my studio, which is painted yellow, where I am happy and thriving.
The items on her dress include a cupcake charm (!!!), a handmade rose (tutorial coming soon), a deer brad because I see deer in my neighborhood all the time, a heart brad, an imagine charm for creativity and a nod to John Lennon, and a pin I saved from a trip to Toronto.
My technique: I wanted to use things that were on hand for paper mache. Make note of everything I recycled!
* The doll body was constructed from a toilet paper roll for the torso,
* and a wad of newspaper rolled into a ball for the head,
* taped together with masking tape.
* I used straws for the arms and legs,
* I punched a hole into the body for the legs and arms with my Crop-a-Dile
* Instead of using newspaper for paper mache, I used vintage music paper, vintage sewing patterns, and vintage book pages
* I made a 1-part flour to 1-part water mixture for the paper mache glue, and let each layer dry overnight
* The eyes and mouth were made on Claudine Hellmuth’s Sticky Back Canvas, cut out and applied
* The background behind her is also paper mache, made on a cardboard mailer. The newspaper article is about me, written several years ago, an interview I gave on hybrid scrapbooking when I was Creative Editor of Scrapbook Dimensions Magazine
* For her hair, I took 10 thin strips of fabric, tied a smaller strip of fabric around them at the top, then adhered one end at the crown of her head. I repeated this about 15 times. Then I tied various floral charms and beads to her hair.
Supplies: toilet paper roll, newspaper, masking tape, straws, vintage music paper (PERSONALITY), vintage sewing pattern(PERSONALITY), vintage book pages (FOUND at antique store), Claudine Hellmuth Sticky Back Canvas Paper, Hambly Transparency, pop dots, various fabric strips for hair, Prima flowers, fake eyelashes (FOUND in my cabinet), wire mesh (FOUND), ArtGirlz cupcake/imagine/feet charms (PERSONALITY); Art Matters Pin I saved from Toronto Museum (FOUND & PERSONALITY); chandelier crystal from flea market (FOUND); feather; brads; twist-ties (FOUND); Hard Rock Cafe stir stick (broke stick off) (PERSONALITY), binder clip (FOUND), chair, misc charms and beads, newspaper article (PERSONALITY)
Tools used: Martha Stewart Butterfly Punch; GlimmerMist by Tattered Angels Mist and Screens; Punchella; Acrylic Paints; Stickles glitter glue; Copic marker; oil pastels; water, flour, gloves Please see the forum for further tutorials on my paper mache art doll!