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🏁 | 2005 Oldtimer GP Salzburgring • Austria

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📷 | Luigi Taveri Heinz Rosner :: rumoto images # 5013

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Folsom Dam Spillway, with it's 5 of it's main gates open.

 

Photo taken from the new Folsom lake crossing bypass road.

Before the 9/11 incident, Folsom Dam road was open to the public. The road went directly across the dam, but was permanently closed for security reasons following 9/11. This closure posed a pretty big inconvenience for residents who lived on the east side of the dam. An extra several miles needed to be driven through the congested down town area. The new Folsom Crossing bypass road resolved that problem, plus provides a nice platform for photographing the spillway.

 

Note: Historic Folsom Prison, along with the newer Sacramento State Prison, are directly on the other side of the road, from where I shot this photo. Both prisons are occupied working facilities.

 

Best Viewed, Large On Black

 

And just for fun:

Preemptive memorial honors future victims of imminent Dam Disaster

 

 

s3.amazonaws.com/criterion-production/films/12b76bc360f9b...

 

assets.mubicdn.net/images/notebook/post_images/25367/imag...

 

images.savoysystems.co.uk/GCL/375316.jpg

 

“A flower sprouting from the cracks in a wall is life creeping up everywhere.”

 

Giuseppe Tobia

  

“Un fiore che spunta dalle crepe di un muro è la vita che si arrampica ovunque.”

  

Giuseppe Tobia

  

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www.worldphoto.org/sony-world-photography-awards/winners-...

 

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The late Pope Francis left us a memorable phrase, referring to the tragic events of our current history, he said "build bridges, not walls", and almost paraphrasing Pope Francis, here in Sicily we tear down walls, let me explain... there is a traditional religious festival, during which the wall of a house, always the same wall, is torn down, to then be built again in anticipation of the celebration that will be held in the new year. But it is not so much the wall itself, even more characteristic is the way in which this wall is broken down: it is struck over and over again with the arms of the float, those used by the bearers to hold the float, on which sits the statue of Saint James, an incredible tradition whose origins are not unanimous. Many, many years ago, I was perhaps 20 years old, walking with a few friends one evening along Corso Umberto in Taormina, I learned from one of them about this incredible tradition. I remember it as if it were yesterday. He said, “In Sicily, there is a celebration in which, during the procession, the float with the Saint, loaded with provola (cheeses), is used like a battering ram to break down the wall of a house, which is then rebuilt (the battering ram, a medieval assault weapon, used to break down gates and castle walls).” This year, I was able to witness (and photograph) this very particular and unique tradition, which is celebrated every year on July 26th in the town of Capizzi (Messina), a celebration that commemorates the transfer of the relics of Saint James from his sanctuary. As mentioned, the most characteristic moment of the celebration is the "rite of miracles": the float with Saint James on it is violently hurled against the wall of a house adjacent to the church of Sant'Antonio, and each impact against this wall is interpreted as "a miracle of Saint James". The number of blows needed to overcome the wall is interpreted sometimes positively (if the blows are even), sometimes negatively (if the blows are odd). The "Miracles of St. James" do not have a certain origin, some think it could originate in ancient times from the destruction of a small pagan temple, or a synagogue, someone else instead traces this tradition as a form of revenge of the inhabitants of Capizzi (Capitini), this because the relics of the Saint were stolen from Capizzi to be kept in the city of Messina, by the Spanish nobleman Sancho de Heredia, in obedience in 1435 towards Alfonso V of Aragon, nicknamed "the Magnanimous" (he was king of Aragon, Valencia, Sardinia, Majorca, Sicily, titular king of Jerusalem, Corsica and Hungary, he was count of Barcelona and of the Catalan counties, and from 1442 he would also become king of Naples), therefore the demolition of the wall would be a form of revenge towards what was perhaps the house of the nobleman Sancho de Heredia, finally someone else traces this tradition to a legendary event, which recalls the defeat of a handful of Saracens, who They had barricaded themselves in that place. Currently in Capizzi, in the Sanctuary of San Giacomo Maggiore, the oldest relic of Saint James the Apostle in Sicily is housed: a finger of the saint. Another characteristic aspect of the festival is the presence of numerous provola cheeses placed on the roof of the float. These are offered by the population to Saint James. The presence of these typical cheeses is indicative of the type of economy in Capizzi, primarily linked to agriculture and livestock farming, with significant dairy and pork production, particularly that of the Nebrodi black pig, with typical cheeses such as provola capitina and maiorchino. Some residents told me that sometimes the donations of provola cheeses, even large ones, become so abundant that the float ends up becoming exceptionally heavy, severely testing the bearers' ability to support all that weight.

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Il compianto papa Francesco ci ha lasciato una memorabile frase, in riferimento alle tragiche vicende della nostra attuale storia, ha detto “costruite ponti, non muri”, e quasi parafrasando Papa Francesco, qui da noi in Sicilia i muri li abbattiamo, mi spiego meglio ….c’è una festa tradizionale religiosa, durante la quale il muro di una casa, sempre lo stesso muro, viene abbattuto, per poi venire costruito in attesa della festa che si terrà il nuovo anno, ma non è tanto il muro in se, ancor più caratteristico è il modo in cui questo muro viene sfondato: esso viene colpito più, e più volte con i bracci del fercolo, quelli che servono ai portatori per reggere la vara, sul quale siede la statua di San Giacomo, una incredibile tradizione sulle cui origini non c’è unanimità di pensiero. Io tanti, tanti anni fa, forse avevo 20 anni, passeggiando con pochi amici di sera sul Corso Umberto di Taormina, venni a sapere da uno di questi, di questa tradizione che ha dell’incredibile, lo ricordo come fosse ieri, disse “in Sicilia c’è una festa nella quale durante la processione, la vara con il Santo, carica di provole (formaggi) viene utilizzata come fosse un’ariete per sfondare il muro di una casa, che poi verrà ricostruito (l’ariete, arma medioevale d’assalto, utilizzata per sfondare portoni e muri dei castelli),”. Quest’anno, ho potuto assistere (e fotografare) questa tradizione così particolare ed unica, che si celebra ogni anno il 26 luglio nel paese di Capizzi (Messina), festa che commemora il trasferimento delle reliquie di San Giacomo dal suo Santuario, e, come anticipato, il momento più caratteristico della festa è il “rito dei miracoli”, la vara con sopra San Giacomo viene violentemente scagliata contro il muro di una una casa adiacente la chiesa di Sant'Antonio, ed ogni urto contro questo muro viene inteso come “un miracolo di San Giacomo”, il numero dei colpi necessari per avere la meglio sul muro viene interpretato ora in maniera positiva (se i colpi sono pari), ora in maniera negativa (se i colpi sono dispari). I “Miracoli di San Giacomo” non hanno una origine certa, qualcuno pensa possa originare anticamente dalla distruzione di un piccolo tempio pagano, od una sinagoga, qualcun altro invece fa risalire questa tradizione come una forma di rivalsa degli abitanti di Capizzi (Capitini), questo perché le reliquie del Santo furono sottratte a Capizzi per essere custodite nella città di Messina, da parte del nobile spagnolo Sancho de Heredia, in obbedienza nel 1435 verso Alfonso V d'Aragona, soprannominato "il Magnanimo" (era re di Aragona, Valencia, Sardegna, Maiorca, Sicilia, re titolare di Gerusalemme, Corsica e Ungheria, era conte di Barcellona e delle contee catalane, e dal 1442 sarebbe diventato anche re di Napoli), quindi l’abbattimento del muro sarebbe una forma di vendetta verso quella forse era la casa del nobile Sancho de Heredia, infine qualcun altro fa risalire questa tradizione ad un evento leggendario, che ricorda la sconfitta di un manipolo di saraceni, che si erano asserragliati in quel luogo. Attualmente a Capizzi, nel Santuario di San Giacomo Maggiore, si trova la più antica reliquia di San Giacomo Apostolo Maggiore che abbiamo in Sicilia, si tratta di un dito del Santo. Un altro aspetto caratteristico della festa, è la presenza di numerose provole messe sul tetto della vara, queste sono offerte dalla popolazione a San Giacomo, la presenza di questi tipici formaggi è indicativa del tipo di economia che c’è a Capizzi, principalmente legata all'agricoltura e alla pastorizia, con una importante produzione casearia e di carne suina, in particolare quella del maiale nero dei Nebrodi, con formaggi tipici, come la provola capitina e il maiorchino. Mi dicevano alcuni abitanti che a volte la donazione delle provole, anche di grosse dimensioni, diviene così abbondante, che la vara finisce con acquisire un peso eccezionale, mettendo a dura prova la capacità di reggere tutto quel peso da parte dei portatori.

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Scription Chronodex Weekly Planner 2012 - free download with the cost of a prayer

 

(www.flickr.com/photos/moleskineart/6364230271/in/photostream)

Finally made up my mind to create my own diary for 2012 a week ago, here I go sharing with you all! But first please give me a little support, my Dad recovered from prostate cancer but at the same time developed Parkinson's disease a few years ago. In the past week he has deteriorated a lot, bed bound finally, no more speech, I'm the last person he can recognize. It is so tough for Mom as a care taker. All I ask for is your sincere prayers, as you download this creation, for my Dad and Mom, so that he can go peacefully proud of his sons, and she can start to explore this new world with us. What a courageous woman she is.

 

(www.flickr.com/photos/moleskineart/6361903821/in/photostream)

 

Thanks to my Dad's dedication to Chinese painting and art, I had my implicit training early in life and became a visual person yet unafraid to look deep into the subject matters. For years, I bought diaries but none of them satisfied my visual and creative needs.

 

(www.flickr.com/photos/moleskineart/6335595394/in/photostream)

 

Since the beginning of the diary making business, every single diary is made by representing time in fixed grids. To challenge this right representation, after exploring in deep thoughts the essence of my own perfect diary, I present to you my Chronodex idea.

 

Come to think of it, the paper which makes up a diary originated from trees, when the sheets of paper are bound together in the middle, it is almost like foliages stemming from a tree's trunk. Each page is like a branch, each opened page is a week, each day is like a beautiful flower grew from that page, consist of petals of your day's time slices.

 

You may argue that this format is still slicing time into blocks and far from the fractal nature, but soon as you start using it, you will find that time is no longer right, instead you will find fluidity through free notations.

 

The more important time slices can be drawn larger, activities can be dots or pies (petals if you will) depending on duration or importance, space on a page is no longer limited to grids. Basically you can roam freely and be amazed how beautiful your week can be.

 

What's more is that your mind gradually deviate from the rigid format a typical diary imposes on you, reactivity soon flourishes. Imagine the effect happening in weeks! And I'm not kidding.

 

(www.flickr.com/photos/moleskineart/6364164607/in/photostream)

 

Scription Chronodex Weekly Planner 2012 (Jan - Jun) Download

(just remember to pray for my Dad and Mom, sincerely)

It is done with the Midori Traveler's Notebook size in mind, even if you don't own a Traveler's Notebook, you can still use it without the leather cover.

Hong Kong Holiday version

Japanese Holiday version

Free of Holidays version

 

To grow your own diary, after downloading the PDF version of your choice, print it out double sided (duplex) in landscape mode on A4 papers. Be sure to print it out 100% without scale, left/right binding (try the first few pages on your printer and settings and you'll see what I mean). Check the sequence after the print out.

 

(www.flickr.com/photos/moleskineart/6364170655/in/photostream)

(www.flickr.com/photos/moleskineart/6364175293/in/photostream)

(www.flickr.com/photos/moleskineart/6364180447/in/photostream)

 

Next, cut away the left and right portion of the A4 paper according to the cut line.

 

(www.flickr.com/photos/moleskineart/6364185407/in/photostream)

(www.flickr.com/photos/moleskineart/6364191991/in/photostream)

 

Now here's the interesting part of the binding. Use a chisel to punch holes on both ends of the spine and stitch the pages up. You can staple them together just the same. This method will get you a bound notebook but ready for a cool bookmark which I will mention in a moment.

 

(www.flickr.com/photos/moleskineart/6364194541/in/photostream)

(www.flickr.com/photos/moleskineart/6364200541/in/photostream)

(www.flickr.com/photos/moleskineart/6364206651/in/photostream)

(www.flickr.com/photos/moleskineart/6364210857/in/photostream)

(www.flickr.com/photos/moleskineart/6364216463/in/photostream)

 

To create a bookmark, simple take a piece of hard paper, cut it the way I showed above. Slide it between the papers of the current week, the slide 90 degree up following the spine to have the tab exposed on top of the diary (I hope I'm describing it right). There you go! a bookmark with a tab extruding from the top of your diary.

 

This cool bookmark invention based on the way you bind your diary is so useful and flexible, you will find it amazing when you reach the 12th week of the year! Tell me about that in a few months.

 

(www.flickr.com/photos/moleskineart/6364223093/in/photostream)

 

The last part of my Chronodex journey was to make a cool diary cover. Thanks for my family's tolerance, I had a little free time in broad daylight having fun doing it, 2 cups of coffee, listening to audiobook through my iPhone/Jambox combo.

 

(www.flickr.com/photos/oxothuk/6352848866/)

 

Small features are infused into the diary, I hope you will enjoy the little tibits, do explore the "Boarding pass to success" idea. If you are interested, I will be sharing the July - December version, which is still in stage zero. Fellow Scription reader Boris from Russia already had a taste of the Chronodex, so go ahead and try yours. Your feedback and comment is what keeps me going, please do pray.

 

More on Scription blog: scription.typepad.com/blog/2011/11/scription-chronodex-we...

Die Alpenpflanzen nach der Natur gemalt /.

Prag :F. Tempsky,1879-1884..

biodiversitylibrary.org/page/39674276

www.lockedcog.com/bikes/probaly-the-hottest-bike-ever/

I know. This is old. But i just came across it again for probably like the 50th time, and i just love it so it will live here FOREVER on lockedcog.com

 

www.youtube.com/watch?v=YmEV-hS-kUI&feature=related

 

1.8.2012 Mattapoisett, MA

Your Comments and Favorites are greatly appreciated!

***Must View on Black***

 

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museot.fi/exhibitions/?nayttely_id=17634

 

"The human-centric world of Markku Keränen’s paintings radiates with the joy of colours. The retrospective exhibition portrays the expert touch of Keränen’s tempera paintings from the 1970s until present day.

 

Keränen’s paintings portray encounters and collisions that evoke a vivid sense of movement and dynamic tension. His style of expression has evolved constantly, growing progressively denser as his early human figures have slowly dissolved into the fabric of his abstract tapestries. Figures locked in nuanced embraces have gradually metamorphosed into chain-like patterns, eventually being stripped down to the most basic of shapes: pure coloured dots.

 

Working serially, Keränen engages in a leisurely back-and-forth between systematic order and unruly playfulness from one painting to the next. In his most recent works, Keränen conjures a vivid sense of movement by magically manipulating tonal contrasts and compositional elements."

 

See more here:

taidehalli.fi/en/nayttelyt/markku-keranen-varien-ikuinen-...

Curtis's botanical magazine..

London ;New York [etc.] :Academic Press [etc.].

biodiversitylibrary.org/page/494917

Curtis's botanical magazine..

London ; New York [etc.] :Academic Press [etc.].

biodiversitylibrary.org/page/487383

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Il collettivo britannico Archive in italia per una data unica con il nuovo album The False Foundation, sabato 26 novembre al Fabrique di Milano

 

A poco più di un anno dall’ultimo tour nel nostro Paese, tornano in Italia gli Archive per una data unica con il loro Kings of the False Foundation Tour, sabato 26 novembre al Fabrique di Milano per presentare il nuovo album The False Foundation, in uscita il 7 ottobre!

 

Collettivo britannico che mescola progressive rock, trip-hop, elettronica, psichedelia ed ambient, gli Archive nascono nel 1993 a Londra da un’idea di Darius Keeler e Rosko John, ai quali poco dopo si uniscono Danny Griffiths e la vocalist Roya Arab. Nel 1996 esordiscono con Londinium, un mix di trip-hop, elettronica e breakbeat che li affianca ad artisti come Massive Attack e Portishead. Il moderato successo di critica non impedisce a Rosko John e Roya Arab di lasciare la band; quest’ultima viene sostituita da Suzanne Wooder, insieme alla quale l’ensemble dà alle stampe Take My Head. Gli avvicendamenti all’interno della formazione non hanno fine e, dopo tre album insieme a Craig Walker, nel 2004 Keeler e Griffiths decidono di trasformare la band in un collettivo di artisti individuali che offrono il loro contributo per mantenere vivo il tradizionale sound degli Archive. Ad oggi gli Archive hanno all’attivo la colonna sonora del film Michel Vaillant (2003), tre compilation, sette live album, tre EP e dieci album in studio, l’ultimo dei quali è per l’appunto The False Foundation.

 

Oltre ai due fondatori Darius Keeler (testi, sintetizzatore, piano, programming, arrangiamenti) e Danny Griffiths (testi, sintetizzatore, campionamenti, programming, arrangiamenti), ad oggi il collettivo Archive comprende Pollard Berrier (testi, voce, chitarra, programming, arrangiamenti), Dave Pen (testi, voce, chitarra), Maria Q (voce), Holly Martin (voce), Steve Harris (chitarra, cori), Jonathan Noyce (basso), Steve “The Menace” Davis (basso), Steve “Smiley” Barnard (batteria), Mickey Hurcombe (chitarra) e Tom Brazelle (armonica).

 

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You must give appropriate credit and provide a link to the www.winecountry.com home page.

Find more information about the Isle of Wight on our official tourism website here

 

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Situated just off England’s South coast and less than 2 hours from London, the Isle of Wight is the perfect holiday destination at any time of year.

Expédition dans les parties centrales de l'Amérique du Sud

Paris :Chez P. Bertrand,1850-1859.

biodiversitylibrary.org/page/39510533

Musa x paradisiaca (Banana, maia)

Maia Manini variegated leaf at Maui Nui Botanical Garden Kahului, Maui, Hawaii.

October 29, 2015

#151029-2754 - Image Use Policy

Also known as Musa acuminata x M. balbisiana.

On the instincts and habits of the solitary wasps /.

Madison, Wis. :Pub. by the state,1898..

biodiversitylibrary.org/page/9359716

Dictionnaire iconographique des orchidees :

Bruxelles :Imp. F. Havermans, 1896-1907.

biodiversitylibrary.org/page/37171962

Beti Utsav is a community celebration which takes place every three months in several areas in New Delhi. It is a festive gathering of community members who come together to celebrate the birth of girls in their neighbourhood.

 

In India boys are valued far higher than girls, so much so that many women face pressure to have an illegal sex determination test, and if they are having a girl, also face pressure to abort the foetus. The latest census showed that there were only 914 girls to every 1,000 boys across India.

 

On a Beti Utsav celebration, ActionAid’s partner Action India, goes into the community to sing songs, give out sweets and visit the homes of families of girls who are less than three months old. Ladoos (an Indian sweet) are usually distributed when a boy is born in the family, so these are given out on Beti Utsav celebrations too, and tin plates (thali) are drummed to make noise.

 

Find out more about Beti Utsav events and ActionAid’s work with women and girls.

 

Follow us at @ActionAidUK

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Photo: Poulomi Basu/ActionAid

 

flickriver.com/photos/javier1949/popular-interesting/

 

Museo del Teatro Romano de Cartagena

Plaza del Ayuntamiento 9, Cartagena. Región de Murcia

 

Teatro Romano: finales del S. I A.C. realizado por encargo del emperador Augusto.

 

Palacio Pascual de Riquelme S XVIII. Ampliado en 1908 arquitecto T. Rico Valarino

 

Arquitectos: José Rafael Moneo y Juan Manuel Nicás. Colaboradores: Carla Bovio y Ángel Huertas Suanzes. 2003-08

Promotor: Fundación Teatro Romano de Cartagena. Comunidad Autónoma de Murcia, Ayuntamiento de Cartagena, Fundación Caja Murcia.

 

En 1988 se descubrieron de forma accidental los restos del teatro romano de Carthago Nova, edificio del que no había constancia histórica ni arqueológica, ya que su emplazamiento es uno de los lugares de la ciudad de Cartagena donde la actividad humana ha estado siempre presente a lo largo de su historia. Sobre los restos del teatro se han ido superponiendo diversas edificaciones, entre ellas la Iglesia-catedral de Santa María la Vieja, hasta ocultarlo totalmente. El proyecto de recuperación, además de restaurar el monumento, ha impulsado la regeneración de una de las zonas más degradadas de la ciudad.

 

Según Moneo, su proyecto crea "un modo de convivir con el pasado y hablar de continuidad". El factor sorpresa desempeña un importante papel para los visitantes que comienzan el recorrido en el Palacio Pascual de Riquelme -de mediados del S. XVIII renovado en 1908 por el arquitecto T. Rico Valarino con la elevación de una planta y ornamentación al gusto modernista-, en la Plaza del Ayuntamiento, centro neurálgico de la ciudad, y terminan en una pasarela al aire libre sobre el foro del teatro (S. I A.C.). El proyecto, realizado por el Estudio de Moneo, contempla la integración de los restos arqueológicos en el tejido urbano y su adecuada conservación y exposición con fines didácticos y culturales, un nuevo espacio museístico, además de la adecuación y urbanización del espacio exterior situado tras el teatro, un magnífico fondo paisajístico para el monumento. El Parque Cornisa con sus terrazas ajardinadas constituye la prolongación natural de la colina del Cerro de la Concepción, e incluye las cubiertas de las capillas dieciochescas de la Catedral Vieja estableciendo un nexo de unión entre los restos medievales del Castillo y el complejo Catedral/Teatro Romano.

 

El Museo se concibe como el desarrollo de un itinerario desde el centro de la ciudad, a nivel del mar, que subiendo interiormente culmina la visita con la inesperada aparición del imponente graderío del teatro, salvando 25 metros de altura y el ancho de dos calles. Este paseo discurre a través de espacios expositivos iluminados por un complejo sistema de lucernarios, que sirven de marco a la presentación de las piezas encontradas en las campañas de excavación.

 

El Museo se desarrolla en dos edificios unidos por un corredor dispuesto bajo la calle. El primero, tras la fachada del Palacio de Riquelme, se organiza en torno a un patio a modo de impluvium. El segundo, entre las medianeras de la calle General Ordoñez, alberga las Salas de Exposición y los elementos de comunicación vertical hasta la cripta arqueológica bajo Santa María la Vieja. El recorrido museístico explica, en orden inverso, la evolución urbana del solar del teatro del siglo XXI al siglo I, desde el Barrio de Pescadores (siglos XVIII al XX), siguiendo por el Arrabal Viejo (siglos XVI-XVII), la Medina de Qartayanna al Halfa, el barrio portuario de época bizantina, y la transformación del teatro en mercado a mediados del siglo V d.C. Mediante una recreación virtual el visitante llega a entender cómo esta sucesión de barrios a lo largo de la historia borraron cualquier referencia del teatro romano antes de su excavación.

 

La Sala 1 da las claves para entender la arquitectura del edificio teatral, y su altura ha permitido recrear el primer orden de la fachada escénica con los elementos originales. La Sala 2 se dedica a exponer las funciones del Teatro en la Antigüedad. La conexión del Museo con el monumento se realiza a través de otro corredor bajo la iglesia de Santa María, el denominado Corredor Arqueológico, mostrando la evolución del templo mediante la visión de sus cimentaciones, del siglo XIII al XIX; también se observa un tramo de la muralla de la medina islámica, y las adiciones realizadas tras la conquista cristiana, además de los restos de una vivienda romana anterior a la construcción del teatro. Finalizado el corredor, una pasarela metálica adosada al paramento exterior de la Iglesia conduce hacia el Teatro. Desde este punto se tiene una visión completa del Teatro, cuya geometría se ve remarcada por la restitución del muro de cierre, y el fondo paisajístico del Parque de la Cornisa. Su disposición en la ladera del cerro facilitó la construcción de la cavea, con una capacidad para 7.000 espectadores, que en su parte central aparece excavada en la roca, mientras que los flancos laterales se apoyarían en galerías abovedadas. Frente al graderío se sitúa la fachada escénica, en parte restituida a partir del análisis de las improntas y de los elementos arquitectónicos. Los trabajos de restauración han seguido criterios orientados a la comprensión del monumento, por lo que ha sido necesario reponer con obra nueva aquellos restos que habían desaparecido por completo, sin alterar su fisonomía; mientras que se ha consolidado y dejado visible toda la obra original conservada. Tras completar la visita al monumento, la salida se realiza por el aditus occidental que conecta directamente con la Plaza de la Condesa Peralta.

 

La Restauración del Teatro Romano ha sido Premio Europa Nostra 2010 a la Recuperación del Patrimonio europeo, Premio de Arquitectura de la Región de Murcia 2010 y Premio Ar&Pa 2010 de Intervención en el Patrimonio Histórico entre otros.

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POV

bright white, medium white, dark white ...

there is lots of white I (should) pay attention ;-)

however important to me is that although the light comes from above no shadow under the helmet is

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Canon 5D Mark II photos of Beautiful Brunette Swimsuit Bikini Model Goddess Posing on Beach: Canon USM 24-105 F/4 Lens!

 

Here's some new HD video of the goddesses shot at the same time as stills!

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dailymotion.com/45surf

 

She was tall, thin, fit, and very pretty with long, blonde hair and hazel eyes! From Sweden!

 

The Canon EOS 5D Mark II EF 24-105/4L IS USM was my workhorse until I got the Nikon D800 & D800E with the 70-200 mm 2.8 VR2 zoom.

 

Canon, Nikon, you can't go wrong with the pretty 45surf model goddesses! (Though the D800 is my new love.)

 

May the goddess inspire ye along a hero's journey of yer own making, and the path of yer own taking.

 

Was a classic socal magic hour with a crystal clear dusk! Hope the photos make you feel like you were there! :)

 

A hot beach babe on a hot autumn day!

 

A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour. And like Helen of Troy, she's worth fighting a ten-year war over.

 

A most beautiful magic hour which will now last for all eternity via the art of photography! :)

 

She was tall, thin, fit, and in shape with long, slender skinny legs!

I went out early one morning hoping for some nice fog mixed with a colorful sky. I didn't get the colorful morning sky, but with each different day comes new possibilities. This is a comp of the houseboat at Lake Martin that I've never tried before. I kind of like it.

 

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Please take a look at my photography book, A Carolina Mountain Perspective.

Curtis's botanical magazine..

London ; New York [etc.] :Academic Press [etc.].

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Birds beneficial to agriculture,.

London,Printed by order of the Trustees of the British museum,1919..

biodiversitylibrary.org/page/33073399

Shorebirds of Ireland, Freshwater Birds of Ireland and The Birds of Ireland: A Field Guide 2nd Edition with Jim Wilson.

www.markcarmodyphotography.com

 

The Yellow-legged Gull (Larus michahellis), sometimes referred to as Western Yellow-legged Gull (to distinguish it from eastern populations of yellow-legged large white-headed gulls), is a large gull of Europe, the Middle East and North Africa, which has only recently achieved wide recognition as a distinct species. It was formerly treated as a subspecies of either the Caspian Gull L. cachinnans, or more broadly as a subspecies of the Herring Gull L. argentatus. It is named after the German zoologist Karl Michahelles.

 

It is now generally accepted that the Yellow-legged Gull is a full species. The breeding range is centred around the Mediterranean Sea. In North Africa it is common in Morocco, Algeria and Tunisia and increasing in places. Recent breeding has occurred in Libya and Egypt. In the Middle East a few breed in Israel and Syria with larger numbers in Cyprus and Turkey. In Europe there are colonies all along the Mediterranean coast, and also on the Atlantic islands and coasts north to Brittany and west to the Azores. It also breeds on the west side of the Black Sea; here it overlaps with the Caspian Gull but there is a difference in habitat, with the Yellow-legged Gull preferring sea cliffs and Caspian Gull on flatter shores. In recent decades birds have spread north into central and western Europe. One to four pairs have attempted to breed in southern England since 1995 (sometimes hybrid pairs with Lesser Black-backed Gulls), though colonisation has been very slow.

 

Many birds remain in the same area all year round but others migrate to spend the winter in mild areas of western Europe or head south as far as Senegal, the Gambia and the Red Sea. (wikipedia)

 

The species is quite common along the Portuguese coast. There was a big evening roost of YLGs on the local beach near where we were staying this summer. A handful of Audouin's Gulls were also in amongst them.

Résultats des campagnes scientifiques accomplies sur son yacht

[Monaco]Impr. de Monaco,1889-

biodiversitylibrary.org/page/34178167

Details best viewed in Original Size.

 

The Church of Saint Mary Magdalene (église Sainte-Marie-Madeleine, or less formally, La Madeleine), is a Catholic parish church on Place de la Madeleine in the eighth arrondissement of Paris. It was planned by Louis XV as the focal point of the new Rue Royale, leading to the new Place Louis XV, the present day Place de la Concorde. It was dedicated in 1764 by Louis XV, but work was halted due to the French Revolution. Napoleon Bonaparte had it redesigned in the neoclassical style to become a monument to the glory of his armies. After his downfall in 1814, construction as a church resumed, but it was not completed until 1842. The building is surrounded on all four sides by Corinthian columns. The interior is noted for its frescoes on the domed ceiling, and monumental sculptures by François Rude, Carlo Marochetti and other prominent 19th-century French artists. The exterior and interior of the church are undergoing a major project of cleaning and restoration, which began in 2020 and is scheduled for completion in 2024. As of this writing, it is continuing with many months of work remaining.

Additional information on La Madeleine may be found at Wikipedia.

Report of the United States Entomological Commission

Washington,Govt. print. off.,1878-90.

biodiversitylibrary.org/page/35981746

Rapport présenté à la Chambre de commerce de Lyon par la Commission administrative

Lyon :A. Rey,1885-

biodiversitylibrary.org/page/12689096

Mémoires de l'Académie impériale des sciences de St.-Pétersbourg.

St.-Petersburg :L'Académie,1859-1897.

biodiversitylibrary.org/page/46425900

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