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View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
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As you may recall, I'm the editor of Everywhere, a user-generated travel magazine. The next issue of Everywhere will include a 14-page feature about travel to San Francisco, and I need your help to make it fabulous.
The package will be a collection of articles, photos, and tips about how to enjoy San Francisco like the locals do. What neighborhoods, stores, restaurants, bars, or events do you put on your must-see list? The quirky, the offbeat, and the unexpected are most welcome. SF's best places to hide on a foggy day? A visitor's guide to understanding Frank Chu? The battle of the best burritos? The city's most under-explored neighborhoods?
Submissions can be as simple as a single photo (with caption, please), or you can add a place to our local guide map, or you can get your prose on and write an article. If you've ever wanted to get published as a travel writer or photographer, here's your chance. Just create a free account at www.everywheremag.com/, and contribute away. Any questions? Just ask.
The deadline for submissions is August 28, 2008.
Balder sincerely wishes we didn't bring kittens home. made the stain for the floor using water based paint thinned 3 or 4 to one. next time we'll know how to apply it more evenly
College of Pharmacy of the University of Perpetual Help System DALTA in the National Pharmacy Week 2011 at the University of the Philippines Manila
Spotted behind the art building at Catonsville Community College, Maryland
© All Rights Reserved. Please do not use or reproduce this image on Websites, Blogs or any other media without my explicit permission.
"It happens as with cages: the birds without despair to get in, and those within despair of getting out."
-John Davies
This lady helped me to use a corner of this decaying park as a toilet for a teenage girl that I accompanied around. She insisted that even if there is no normal toilet she should use the corner that you can see behind her back. Me and hee stayed as a human shield to protect the gilr form the eyes of people passing by.
twitter.com/seanv8power @seanv8power
#SuppliedByKeltruck keltruck.com/suppliedbykeltruck
Keltruck displayed three vintage vehicles at the ‘Help for Heroes’ Action Day held at Throckmorton Airfield, Pershore, Worcestershire last Sunday [13/06/2010] as part of the Throckmorton Air Show.
Keltruck Account Manager Tony Biddlestone; Business Development Manager, Ross Hill; Marketing Executive, Ginette Maiden and her husband and Keltruck West Bromwich Technician, John Maiden managed the stand for the day at the event.
Photo by Michael Brunk / nwlens.com
Stills from the first read-thru and blocking rehearsal for Breeders Theater's production of "Help Desk" by T.M. Sell. Opens July 15, 2011 at the E.B. Foote Winery in Burien, WA.
Copyright© Jesús Guzmán-Moya This image is protected under International Copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without written permission
This family is VERY SPECIAL and in need of a little help. Please read their story on my blog. Please feel free to share the links and images on your own fan page, blog or website. JUST BE SURE TO INCLUDE THE LINKS AND WATERMARKS so our ultimate goal can be accomplished! Helping the kids! eheizerphotography.blogspot.com/2011/08/here-comes-sun-sp...
De Helper is a water pumping windmill. It was built in 1863, dismantled in 1969 and rebuilt in 1971. In the distance, hundreds of ice skaters can be seen taking part in an ice skating tour, over a 10km circuit.
This picture was taken with a camera suspended from a kite line. More in my photostream.
Good Ol' Good Stuff :D| Shop | 500xp | Deviantart | Tumblr |
Ohayou-gozaimasu! Been awhile hasn't it. Well, I found this stuck to the stall wall in a bathroom, I didn't have my camera though, so this was taken with my phone, eh. Well then. Totsiens. :]
Gracia Haby & Louise Jennison
Installation photos from one of two days installing our current exhibition.
There sits now a library of books. Collaged, every page, and awaiting your gaze.
Fonte Official Slayer FB Page :
Slayer, the long-reigning titans of thrash, returns with Repentless, the band’s 11th studio album and its first album for Nuclear Blast. Produced by Terry Date, Repentless was written and recorded by guitarist Kerry King and singer/bassist Tom Araya at Henson Studios in Los Angeles, along with returning drummer Paul Bostaph and guitarist Gary Holt. Repentless is crushing and brutal, steadfastly refusing to cater to the mainstream.
Thirty-four years into its career, Slayer remains the preeminent punk-thrash band that helped establish the genre and that up-and-coming metal heads continue to revere and emulate. Slayer is a five-time nominated, two-time Grammy Award-winning metal juggernaut that writes songs which mirror the turmoil and aberrations of our society. Repentless, the band’s first new album in six years, continues the Slaytanic offensive with a twelve-song, blood-shaking sonic attack. Repentless is dark, fast, aggressive and without mercy. It was also the most challenging record Slayer has ever had to make.
In 2013 the world mourned the loss of guitarist Jeff Hanneman who died from complications following a two-year illness. A co-founder of Slayer, losing Jeff was very difficult for the band. During Jeff’s illness, friend of the band, guitarist Holt stepped in to help out on tour with Jeff’s blessing and stayed on. Around that time, drummer Dave Lombardo exited the band for the third time and Paul Bostaph, (who played with the band from 1992 – 2001), returned to take over the throne. Slayer never skipped a beat and since Holt and Bostaph both played in Exodus, it was all-in-the-thrash-family.
But it didn’t come easily. As guitarist and Slayer co-founder Kerry King puts it, “I remember the day that Jeff died. It was the day of the Revolver Golden Gods Awards. We knew he’d been sick but nobody expected it to be so quick. I assumed I’d be able to go out there and see him after I got done with whatever business I had to do and that day never came.
“We went out and toured afterwards to see how we felt about it. That’s what you do as a musician: you either go out and tour or you stop working. Even though we’d been touring for two years without Jeff, thinking he was going to come back, now there was finality to it. And the thing with Gary was that we were all friends. Exodus was the first band we’d ever met that became our friends immediately and we stayed friends throughout the years. Gary is just a guitar dynamo and he was the guy.”
Tom Araya agrees. “Jeff would want us to continue. I’d think that if something were to happen to someone else in the band, whoever it was would feel the same way. Just get on with it. Gary’s a friend, a friend of Jeff’s, he knew what was going on and he wanted to help in any way he could, so Gary made Slayer a comfortable place to be. Having Paul back was also a comforting feeling. He’s a former member and that’s the best thing about it. It wasn’t some other guy. Having Paul and Gary made everything a little easier to handle. It’s about the band. Slayer was a big thing for Jeff, and so I’m looking at it in that sense. It was his baby, too. And we hope we’ve done Slayer and him justice.”
King said that Slayer still had to test the water. “Now we were out to see if it made sense to continue, to see if we liked it, to see if the band still enjoyed it. And the way I looked at it was: if it wasn’t this, it was going to be something that sounded exactly like this, so why not continue doing this? It’s super-potent. We’re really tight right now and we’re stoked that we’re still doing it. Once we had that under our belts we started thinking about a record and never looked back.”
After two decades with American Recordings, Slayer found a new home with Nuclear Blast, the German independent label known for its metal roster. King is enthusiastic about the move, “I like it,” he declares, stressing the work like. “Having been with American for so long we wanted to give them first right of refusal because that’s how we are. I think continuity is far stronger than switching all the time. But at the end of the day, Nuclear Blast made us a great offer and so it was time to move on. At Nuclear Blast, people go to work, they do their job, get paid and they fuckin’ like it. All hands. So it was the right choice.”
When the time came, Slayer entered the studio with producer Terry Date. Date is the first producer the band has worked with since leaving American, where all their albums were produced or executive produced by Rick Rubin. On working with Date, Tom says, “He’d done all these great albums – Soundgarden, Pantera – and as a singer I need someone I respect who can tell me whether he likes it or not as opposed to telling me how to do something I’ve been doing for 30 years. He would guide me. That’s why I really liked working with him, because he was so cool. I regard him as a friend, for sure.”
Kerry adds, “It was as business as usual as it could be. The oddest thing for me was Jeff’s presence… not being there. When we were recording, in the past, whether he played or not, having him there and having his opinion and stuff like that: that was what I missed. Jeff’s not being there was the oddest thing.”
Gary Holt came on board to help out with tour commitments when Jeff first became ill. “My role in Slayer started out as a tour and happened to come when I was taking time off from Exodus and I spoke to Kerry who asked if I could help out. I went down to rehearsal and Jeff showed me some things. I’ve known Jeff forever but it wasn’t until his memorial that I learned how much of his blessing I really had. At the end of the day, we all wanted Jeff to come back and then tragedy struck; so here we are five years later and Repentless is coming out and I think Jeff would have loved it. I’m super-excited. It’s a good feeling and I know it’s got to be a great feeling for Tom and Kerry for all the work they’ve done – and Paul as well. Everybody’s excited.”
Repentless marks the return of drummer Paul Bostaph, who was extremely enthusiastic.
“Before I was in the band I was a fan and just because I’m the drummer doesn’t mean I stop being a fan: it just means my tickets are cheaper. After I left in 2002 I never thought I’d be sitting on the drum throne with the band again. This particular style of music delivers something for me, musically and physically, that’s challenging and exciting. I feel better as a player and I’m more mature and the band is maturing and getting better, like fine wine. It feels natural to be back and it’s good to be back with Kerry and Tom. The San Francisco Bay-area metal scene is very tight knit: everybody knows everybody. I consider Slayer to be part of that even though they’re from Southern California. Gary I played together in Exodus and he’s amazing – one of the godfathers of thrash with Exodus – so it’s like coming home for me. And we’re having fun and I think if we weren’t having fun we wouldn’t be doing this.”
Repentless marks a number of transitions for the band but with their undisputed attitude, Slayer emerges triumphant, says Tom. “After 35 years, the thing that Kerry and I share is our dedication to the band, and Jeff’s included in that. It’s the same with Gary. He’s been doing this a long time and he’s had the same commitment. It’s a common bond we share with a lot of musicians out there. I’m really excited about the new album, we’ve put a lot of work into it, Kerry especially, and it was all for Slayer.”
Repentless is loaded with sensational songs, from the hyper-aggressive metallic blasts of the title track, “Take Control”, “Implode” and “Atrocity Vendor” to the ferocious thrash pounding of “Vices” “When The Stillness Comes” and “Pride In Prejudice” the album is Slayer through and through. For Paul Bostaph it’s simple: “The songs are awesome.”
Tom puts it bluntly, “This is definitely Slayer. No one will be disappointed with what we’ve done.”
For Kerry King, the feeling is mutual. “Musically for me – it’s certainly not an “I told ya so” because Jeff’s not a part of it – but I do know that a lot of people assumed Slayer’s not going to be functional with Dave not being here and Jeff never being here again. But we did it and it fuckin’ sounds like Slayer – period.”
Slayer's place in music history is secure as one of The Big Four (alongside Metallica, Megadeth and Anthrax): they helped define the thrash-metal genre. With Repentless Kerry, Tom, Paul and Gary affirm that Slayer is unstoppable. Slayer continues fearlessly, aggressively and without contrition; and most importantly, fucking Slayer still rules!
Understand that my Pay moment was a few months back WEN it was that day they took money from me . Just 2 weeks before I extended a 2 year abbonement and paid that 150 euro or 175 i dont know . Whats the reason that crazy going on payments in stead of doing it in 1 time . wen I did not ask to part jes maak het
jessica said her new furry friend would be lonely in the car all by herself all day, so i should take her into my office. well, i figured, since she was going to be there all day, she might as well help us out. i'm fairly certain we didn't violate any bear labor laws.
♫ ......'cause one time they were just like you.
Drinking, smoking cigs and sniffin' glue.
Help the aged.. Don't just put them in a home.
Can't have much fun in there all on their own.
Lend a hand if you can, try to help them to unwind...
Give them hope and give them comfort 'cause they're running out of time...
In the meantime we try.
Try to forget that nothing lasts forever.
No big deal, so give us all a feel.
Funny how it all falls away.
When did you first realise,
it's time you took an older lover, baby.
Teach you stuff, although he's looking rough.
Funny how it all falls away.
So help the aged.
'Cause one day you'll be older too.
You might need someone who can pull y' through.
And if you look very hard behind those lines upon their face,
You might see where you are heading and it's such a lonely place.
Jarvis Cocker.... Pulp - 'Help the Aged' ..1997.
not only Santa seems to have little helpers around. Miss FancyFangs wants to show her new outfit pretending to help....
Photo by Michael Brunk / nwlens.com
Stills from the first read-thru and blocking rehearsal for Breeders Theater's production of "Help Desk" by T.M. Sell. Opens July 15, 2011 at the E.B. Foote Winery in Burien, WA.
This young man saw Kathy and I handing out water and joined us in our efforts. It was so very hot and a few folks had passed out from over heating.
Okay I have no clue how many of you even will look at this photo since I haven't been on or uploaded to Flickr in months and months and like over a year :P But I would really appreciate your help! I finally started a wedding and portrait photography business and made a page on facebook. Apparently facebook doesn't allow you to suggest to friends anymore? Or maybe it's glitching, either way I don't want to look like an idiot with only like...10 people liking my page so if you could head over to facebook and "Like" "Sarah Jean Photography" I would REALLY appreciate it! Remember:
facebook.com/sarahjeanphotography
Thank you!
Oh yeah and you can follow me on twitter at twitter.com/sarahjeanphoto hehe :D
I'm serious. I can't seem to get rid of it, and I need some help, in nice simple language about how to. I'm not on cable TV. I'm on a converter box that lets a very limited number of channels through. Up until recently I could get 3 or 4 public broadcasting stations, very clearly, and one ABC channel pretty clear. My daughter, bless her heart, helped me get it hooked up so I could access DVD player and VHS player, and those pictures do not have the black rectangle. Only the Television images. Any ideas, please?
P. S. It is not about what show is on; I just picked anything to take a picture of where it is black. Thanks.
(0643TVblackrectanglehow2getridofit)
Debunking the common assumption that ageing results in one becoming progressively frail, researchers have found that physical activity could help extend the strength and health of youth.
The study of amateur older cyclists found that many possessed levels of physiological function that would place them at a much younger age bracket compared with the general population.
With similar levels of exercise, the researchers found little physical difference between people aged 79 and those aged 55.
“Inevitably, our bodies will experience some decline with age, but staying physically active can buy you extra years of function compared to sedentary people,” said Norman Lazarus from King’s College London in Britain.
“A sedentary lifestyle causes physiological problems at any age. Hence, the confusion as to how much the decline in bodily functions is due to the natural ageing process and how much is due to the combined effects of ageing and inactivity,” lead author Ross Pollock added.
The study recruited 84 male and 41 female cycling enthusiasts aged 55 to 79 to explore how the ageing process affects the human body, and whether specific physiological markers can be used to determine age.
Men and women had to be able to cycle 100 km in under 6.5 hours and 60 km in 5.5 hours, respectively, to be included in the study.
Smokers, heavy drinkers and those with high blood pressure or other health conditions were excluded from the study.
The researchers found that people of different ages could have similar levels of function such as muscle strength, lung power and exercise capacity.Reference The Journal of Physiology. To know more visit www.yogagurusuneelsingh.com Pic By Rohit Suri
ASHBURN, Va. -- It would be wrong to blame Monday’s loss to the Dallas Cowboys on Washington Redskins quarterback Kirk Cousins. It would not be wrong to think he could have done more to help them win.
This wasn’t about stats: Cousins’ numbers were solid as he posted a 101.4 passer rating. But that also shows how unreliable that statistic can be, because it suggests a terrific game. That wasn’t the case as it does not factor in some missed chances.
But also keep in mind that Cousins led two scoring drives at the end of the half and the game for 10 of their 16 points. He completed nine-of-12 passes on third downs, converting five into firsts (they had five third downs where they needed at least 10 yards). Cousins didn't lift the play of others and played a rather pedestrian game, but the main issue offensively remains the running game.
Here’s a little look at his game overall:
Throw I liked: The completion to Pierre Garcon on third-and-14. For starters, the line gave him time to throw against a three-man rush. Cousins looked middle, right, middle, left and back to the middle where he saw Garcon break over the middle for a first-down catch. The throw was a little behind Garcon, but give Cousins credit for hanging in the pocket and finding him. Also liked the 23-yard gain to Garcon when Cousins hit him in stride; well-designed play cleared out the middle. There were a couple bad throws in the game, sometimes with poor footwork. But other times he kept plays alive, sliding outside or scrambling with his eyes still downfield.
Throw I almost liked: This one looked a little dangerous initially, but I credit Dallas cornerback Mo Claiborne for a good play. But Cousins nearly connected with Reed down the left seam. It was a very tight window and Reed got his hands on the ball. But Claiborne, aligned to the outside with Matt Jones in his area, cheated a little to the inside paying more attention to Reed. With Reed a favorite target, perhaps in that situation it might have been better to have a different receiving option alongside Reed, just to keep Claiborne from paying more attention to the tight end. He’s the one who knocked the ball loose.
Missed chance: This one had to bug Cousins and the coaches. On a third-and-7 in the fourth quarter, Jackson had a half-step on cornerback Brandon Carr with no safety over the top. Not sure why, but Cousins seemed to look there, but did not make the throw, instead dumping to the right for Chris Thompson and a two-yard gain, setting up a missed field goal. For those wanting more downfield throws, the Redskins did go deep on two other occasions, both incomplete, to Garcon and Jackson. Both were in one-on-one situations to the outside, and both were missed by less than a yard.
Second chance: Cousins, of course, did go back to Jackson with a perfect ball for the 28-yard touchdown. It wasn’t the same play; this time Jackson ran a go route from the No. 2 receiver position (the middle of three wideouts on the right side).Jackson released to the outside and, with the safety aligned on the left hash (where the ball had been placed), there was no help.
Missed chance, part 11: On a first-and-10 in the second quarter, Jamison Crowder was in the slot to the left. His man blitzed, leaving him solo with the safety. Crowder gains leverage and a shot was there, but Cousins threw to Jackson on that side for seven yards. They still got a field goal, but Crowder had a step.
Against tendencies: The Redskins gained 20 yards on a bootleg pass to Crowder, thanks in part to breaking tendency. They had Tom Compton at tight end and Ryan Grant at receiver. In the past two games, that has meant run on 12 of their 15 plays (and 18 out of 27 for the season), according to ESPN Stats & Information. That’s one reason both safeties were within eight yards before the snap (dropping to a single-high look afterward). Two linebackers ran with Reed as he crossed to his left, leaving a gap for Crowder, against man coverage, on the bootleg. Earlier in the half, the Redskins threw with both Grant and Compton in the game on a bootleg to the left, hitting Reed for 16 yards.
Not sure about: A third-and-17 in the first half on which Cousins looked at Reed the whole way and then threw incomplete on an out route. If Reed had caught the ball, he would have been tackled well short of a first down. On the other side, Garcon ran a deep-in and was open at the 32-yard line for a first down. Now, I don’t know if Garcon should have been part of the progression or not (not every receiver is on every play; there were three targets to the left). If not, against this coverage they might want to add him or at least peek his way.
Red Weasel Media RWM was there to capture the Monday Night Football MNF magic.
Need a bit of help identifying these seven chaps, seen near Burrill Lake on the coast in New South Wales. I'm guessing red-winged parrots, but I'm probably wrong...
UPDATE: Thanks to Famkefonz for the ID (Rainbow Lorikeets)
Four older MRL EMDs work hard from the middle of a westbound BNSF manifest at Helena West, MT on June 10, 2008. The units are MRL SD40-2 250 (ex-BN 6377), MRL SD45-2 310 (ex-ATSF 5707), MRL SD40-2XR 264 (ex-C&NW SD40 877) and MRL SD45-2 304 (ex-CSX, xx-Seaboard System, nee-Clinchfield).
Canon EOS 350D Digital Rebel XT
Canon EFS 18-55mm lens