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en.easternlightning.org/testimonies/imprisoned-by-my-husb...
Spiritual Warfare: Two Months Spent “Imprisoned” by My Husband
One day, I went for a walk by the river, and for some reason my husband was not following me that day. Unexpectedly, I happened to bump into Sister Jin from the church, and she immediately asked me why I hadn’t been to meetings in so long and why she hadn’t been able to get in touch with me. I told her all about my current plight, and she took me to her home and read to me God’s words: “In every step of work that God does within people, externally it appears to be interactions between people, as if born of human arrangements, or from human interference. But behind the scenes, every step of work, and everything that happens, is a wager made by Satan before God, and requires people to stand firm in their testimony to God. Take when Job was tried, for example: Behind the scenes, Satan was making a bet with God, and what happened to Job was the deeds of men, and the interference of men. Behind every step that God does in you is Satan’s wager with God—behind it all is a battle” (“Only Loving God Is Truly Believing in God” in The Word Appears in the Flesh)...
Sister Jin then continued her fellowship: “God’s wisdom, however, is founded upon the cunning schemes of Satan, and no matter how savage Satan is, God still holds Satan in the palm of His hand. God uses Satan to render service to Him as He perfects His chosen people. One aspect of the harassment and obstruction of Satan is that we are able to see Satan’s evil essence that hates the truth and hates God, and we are able to see that the Chinese government is the embodiment of Satan. We can see that, not only does the Chinese government conduct widespread arrests and persecution of believers in God and forbid the Chinese people from worshiping God, but it also stretches forth its black hand to all the nations of the world, spreading all kinds of fabricated rumors and outright lies on all the major websites of the world, and discrediting, attacking and laying false charges against The Church of Almighty God. Through doing this, it deceives people, hoping in vain that the peoples of the world will resist and hate The Church of Almighty God, and go along with it in its defiance of God. The CCP truly is insidious, poisonous and insanely ambitious—it is the devil that defies God and sets itself against God. Another aspect of the harassment and obstruction of Satan is that, through this, God tests whether or not we have true faith in Him and whether or not we are able to stand firm in our testimony to God. It is recorded in the Bible that, when Job encountered the temptations of Satan, his wealth was all taken away and his children came to unfortunate ends. Job himself was covered in boils, and yet he didn’t blame God, nor did he speak sinfully. Rather, he sought God’s will with a God-fearing heart and sought to satisfy God. He kept to the way of fearing God and shunning evil and, with his reverence, obedience and loyalty to God, he fought back against Satan’s cunning scheme and he stood firm in his testimony to God. God was glorified by Job, and Satan was utterly shamed and defeated, and never dared to tempt Job again. Sister, we must emulate Job. No matter what methods or underhanded means Satan employs to harass and obstruct us, we must have faith in God, rely on God and forsake Satan, and stand firm in our testimony to God. And when Satan is shamed and defeated, we can then worship God freely.”
Image Source: The Church of Almighty God
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Architect : Antonio Bonet
architecture.arqhys.com/architects/antoniobonet-biography...
ANTONIO BONET. In 1942, Bonet participates in the constitution of the Organization of the Integral House in the Argentine Republic. The idea of the formation of its work ties it with the ideas suggested by Him Corbusier throughout the process of preparation of the Plan of Buenos Aires. "the routine servitude of conception submissive the outsider does not exist any worthy of consideration argument seriously nor even in that some Argentineans live" So that the initial note of a universal modulation does not take place in our country, whose hope appears in the immediate perspective of the world: on the area in catastrophe of the cities martyred by the war, the genius of the man already begins to project the new forms of the human coexistence. On the contrary, the essential circumstance of our historical youth and the one of our adventurous peace, locate to us in the moral obligation to create new forms of life anticipating us to whatever of project and of dream it even subsists in a world of towns in flames and ruins. This thought of Bonet, is taken from the N° Notebook 1 of OVRA, titled Study of the Contemporary Problems for the organization of the integral house in the Argentine Republic. Without a doubt, the text gathers part of the optimism of the Austral Group. But while this one was directed to the architects and its problems, in the OVRA manifesto the horizon is ampler, next to certain discovered nonfree of messianism of the American, coincident with other similar initiatives in other places of the continent.
Reflections of Antonio Bonet on the architecture: "the architectonic elements that will form the new city will be formed by a series, numerous, of structures little systematized. Those structures will be able to arrive to the maximum from their aesthetic, technical perfection and economic, since besides to be placed in free lands, its study must be based on the progressive improvement of such types, so as it has become in the great architectures of the past. Within those structures, that will be the expression of the effort of the social man, to obtain the order and the harmony of its time, never will be obtained to a freedom reached after the development of the life of the man like individual, and the one of its institutions. It is well certain that we are even far from that stage, But does not fit doubt that once demonstrated that the modern buildings can be developed in simple structures, more and more seemed to each other, it will make the importance powerful of this system. Those buildings will be used and the equipped for but diverse uses, without aging with it, although they will have to work at a time whose social programs, industrial, etc., are in permanent evolution. I am going to finish with the confession of my conviction of which to group the programs for the unification of the structures, is something enormously difficult, but some is no doubt that it is the way that will take us forms to the true architectonic of our time. in that the diverse social programs will be developed freely, cultural hygienic, etc., that must form the structure of the new society.
Strawberry-Kiwi-Ginger Crepe Suzette
Ingredients:
Crepes
Either homemade (wiki, franco-centric crepe site) or storebought (mine were storebought)
Sauce
1/2 c white sugar
4 tbls unsalted butter
2 tbls apricot preserves
Dash of sea salt
Zest from 1/4 of an orange, minced
Juice of 2 medium sized navel oranges, fresh squeezed
1/8 tsp minced ginger
1 tbl minced kiwi
Filling
Sliced oranges
Sliced kiwi fruits
Strawberry Whipped Crème filling
Strawberry crème, either home made or store
Out (mine is store bought – tastes like a sweet strawberry yogurt)
Directions:
In a small sauce pan add sugar, butter, preserves, kiwi, salt, zest, and ginger, bring to a simmer. Once well dissolved, add juice and turn down to low or even off.
Make the strawberry crème as directed on package. To make some homemade, try this recipe (http://baking.about.com/od/miscellaneous/r/strwbywhppdcrm.htm):
Ingredients:
1/4 cup heavy cream
2 teaspoons powdered sugar
4 large ripe strawberries, mashed
Preparation:
Whip cream with sugar to soft peaks. Add berries and continue whipping until stiff peaks. Can be used immediately.
If you wish you can warm up your crepes in butter but mine got really hard after that so i used them straight from the package.
Assembly:
Lay out crepe on serving dish, add strawberry cream, layer in sliced strawberries and kiwi, add more cream to taste, fold edges of crepe over and then drizzle sauce overtop. The sauce will soak into the crepe and make it even more delicious.
Serve and enjoy!
The kiwi seems to go really well with the strawberry whipped cream.
This is an original recipe so please do not cut and paste without permission and attribution.
Copyright 2006 Nika
If you try this out, let me know how it goes for you!
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www.masonicforum.ro/?cmd=displaystory&story_id=73&....
www.masonic-lodge-of-education.com/mosaic-pavement.html
The Mosaic Pavement
by GABRIEL VASILE OLTEAN
Expert Inspector of NGLR for Western Region; Past Worshipful Master, ZAMOLXIS Lodge, no. 182, Deva
"The interior decoration of a masonic lodge comprises ornaments, accessories and insignia. The ornaments are: the mosaic on the floor - respresenting spirt and matter, the shining star and the laced edge, which remind us always the first of the presence of God and the second of the protective wall" - cites Charles W Leadbeater from the ritual of mixed masonry in his work "Freemasonry - Rites and Initiations."
In the center of the Temple, on the ground, there is a rectangular floor, with black and white tiles, called the mosaic pavement (theoretically, cubes seen perspectivally), where a relgaion obtains between the sides, either 2:1 (the long square) or 1.618.../1 (the golden number), thus coming up with a surface proportional to the total area of the Lodge. Thus we see that practically the moasica, placed in the center of the Lodge is a microcosmic representation of the whole of creation and is by itself a sacred central area - whence the interdiction to ever step on the mosaic when the work of the Lodge is underway. The pavement symbolizes the indisociable operative complementarity of the two cosmic principles: the initiate must know how no longer let himself be dominated by the confrontation between positive and negative forces, to know (it is indispensable) how to use it, to master it so as to work constructively.
In Ancient Egypt, the mosaic was never stepped on except by a candidate and the masters of ceremony, and only at precise moments (by the Past Worshipful Master for the fulfilment of his tasks, by the First Expert when he took the light of the sacred fire, or by the sexton when he spread frankincense on the altar of the Temple. An extremely important aspect of the mosaic pavement is that, being placed in the middle of the Temple, framed by the three colonettes (which represent the Worshipful Master, the Senior and Junior Wardens), must be avoided by walking in a square, in a symbolic sense. The current of energy cross the floor, some along the length, some along the width, in lines that remind of the warp of a canvas.
Upon opening the work, the Trestle Board is depicted on this pavement, which varies with the first three degrees. The mosaic pavement signifies different things according to the traditional mode of work in the lodge, or the masonic rite employed.
The French Rite specifies that the pavement adorned the threshold of the geat porch of the Temple and showed that this is one of the ornaments of the Lodge, being the emblem of the intimate union among masons. Here it was explained to the Apprentice that he "could not stand on the mosaic pavement to contemplate the interior of the edifice". This started above from the seventh step, as we can well conclude by an attentive research of the Trestle Boards of the first two degrees.
The Rectified Scottish Rite speaks too little of this pavement, noting that "the mosaic pavement adorns the threshold of the great veranda of the Temple. It covers the entry to the subterranean part of the Temple between the two columns, to a crypt that held holy idols and especially the pledge of the alliance between the chosen people and the Creator: the Royal Ark (Ark of the Covenant).
The Ancient and Accepted Scottish Rite does not describe in any way this ornament. As to the decoration of the Lodge, it is said however "the floor of the lodge is the pavement in alternative black and white squares. When it is thus decorated, a pavement is achieved wit the shape of a long square, placed in the center of the Lodge, decorated on the model of the latter".
The York Rite affirms that "the mosaic pavement represents the floor of the Temple of Solomon", having the added laced edge. It is obvious enough that it is about a symbolic contribution in what regards the floor of the Lodge, because in the Bible the floor of the Temple isn't described as an series of black and white squares: "and the floor of the Temple was made from cypress planks" (3 Kings 6:15).
Whereas in the Emulation Rite (the Anglo-Saxon Rites are more precise in their descriptions) specifies that "the mosaic pavement may rightly be considered the wondrous tiling of a freemason Lodge due to its diversity and regularity. Thus the diversity of beings and objects in the world surfaces, as well the ensouled ones as those that are not". In the complementary course of the Rite of Emulation (in the fifth part) it is specified: "our lodge is adorned with mosaic pavement to mark the uncertainty of all terrestrial vanities... as we step on this mosaic, our thought must return to the original idea that we imitate and act as honorable men and masons". Mosaic pavement is presented as an image of faith, harmony, understanding..
Outside the definitions offered by different masonic rites, the mosaic pavement may be approached under many aspect, two of which seem edifying to us:
• The floor of the Lodge,
• The route of squares for the tracing of planes,
When we approach the mosaic pavement as floor of the Lodge, we are forced to distinguish between the pavement of operative and speculative Lodges.
In the first case, we specify that Lodges were usually annexes to the construction site, attached to the construction on the Southern side of the Work (to receive more light and to have the wall of the edifice for protection. It is extremely clear and evident that in this case no floor was imposed (nor would any be functional). The tiling that constitutes the mosaic is fragile in contradiction with the dimensions (weight) of the tools of freemasons (sledgehammers were very heavy). If we are talking about a surface for permanent cutting and polishing of rock, we can easily imagine that the floor of such a place was permanently covered by fragments, remains, abrasive dust. Not in the last place, we must note the fact that mosaic was principally fixed in especially prepared mortar in which designs were first marked that etched the image or drawing that was the purpose of the mosaic.
In the other approach, that of the speculative Lodges, a symbolic rug laid in squares may be laid on the floor, or it may be build from alternating black and white tiles, the decision being that of the Lodge. The notionc of mosaic pavement cannot be discussed before the appearance of Grand Lodges.
As a route of squares - as network of right angles - to trace planes is another mode of approach specific to operative lodges, which must distinguish:
A directory route of the edifice that must be understood after we describe the Medieval constructin site at the beginning of the work: on a leveled and cleared surface (treated with charcoal), a scheme of the main lines of the edifice was traced with the help of a rope covered in chalk. There are documents to this effect that attest the describe practice, which reminds of certain answers from the masonic catechism. To the question: "how do you serve your Master?", there is the answer: "with charcoal, chalk and clay".
A technical assistance set of squares would be another variant of this approach. An amenably arranged surface, spread in regular squares through lines traced for inumerable uses, the first and most important being that of assembly table. It also served to establish easily a series of angles, in an approximate way that was sufficient for a mason (taking four divisions on a line, and on the perpendicular seven at one extremity, a reasaonbly 60° angle is obtained). In fact, we can imagine the banal math copybook paper that has helped us trace with more facility (and more precision) the geometrical shapes that tortured (or didn't) us in the geometry problems in elementary school.
The black and white, chessboard-like pavement is thus the mosaic pavement. In what pertains to the term "mosaic", there are two different opinions, one refering to Moses and one to the technique of decoration. Each school has its pros and cons, more or less logical and valid.
"The canvas of ours lives is a mixed thread, the good together with the bad" wrote Shakespeare. Anything is characterized by a combination of good and bad, light and shadow, joy and sadness, positive and negative, yin and yang. What is good for me may be bad for you, pleasure is generated by pain, etc.
Following the thread of the current Paper, we may say with certainty that the mosaic is not mart of the elements of Judaic architecture and that the mosaic pavement is a contribution of modern speculative Masonry, operative lodges never having been squared this way. It is obvious that the current exposition is not and does not wish to be an exhaustive work. It is a somewhat complex approach of an important symbol in the decoration of the masonic Temple and it wishes in fact to the a paper addressing an open question:
- The mosaic pavement is the floor of the Lodge (as the rituals consider it) or is it the space limited by the three pillars Power, Wisdom, and Beauty?
A good thought accompanied by the triple brotherly accolade!
Copyright Forum Masonice
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Viervlek libelle.Mannetje
De viervlek (Libellula quadrimaculata) is een echte libel uit de familie van de korenbouten (Libellulidae) die zowel in Nederland als België vrij algemeen is. De soort komt in grote delen van Europa voor, behalve in het zuiden van Italië, Griekenland, IJsland en het Noorden van Noorwegen. Daarnaast komt hij ook in Noord-Amerika voor.
Uiterlijk
Een middelgrote libel met een lengte variërend tussen 40-48 mm. De viervlek is de enige libel met een duidelijke zwarte vlek bovenaan in het midden van de vleugels (vier in totaal). Er is tevens een vlek op het pterostigma. De achtervleugel heeft een donkere basisvlek. Boven de donkere basisvlek is een bruinoranje vlek aanwezig die tevens op de voorvleugel aanwezig is. Het voorste deel van het achterlijf is grotendeels oranje van kleur en het achterste deel van het achterlijf is eerder zwart van kleur. Op de zijkanten van het achterlijf zitten gele vlekken.
De mannetjes onderscheiden zich van de vrouwtjes doordat ze lange, in het midden iets verdikte achterlijfsaanhangsels hebben die uiteenwijken. Bij de vrouwtjes wijken de achterlijfsaanhangsels niet uiteen, maar lopen ze uit in een spitse punt.
Biotoop
Stilstaande wateren met een rijke vegetatie. Bron Wikipedia
Camera Nikon D200
Exposure 0.003 sec (1/320)
Aperture f/8.0
Focal Length 180 mm Sigma macro APO
ISO Speed 250
Exposure Bias 0 EV
Flash Fired, Return detected
11C_0946R4-2474pxwNW
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biblehub.com/ephesians/5-11.htm: Have nothing to do with the fruitless deeds of darkness, but rather expose them.
en.wikipedia.org/wiki/Four_Times_of_the_Day#Night
upload.wikimedia.org/wikipedia/commons/e/eb/FourTimesNigh...
freemasonry.bcy.ca/biography/hogarth_w/night.html
www.masonicdictionary.com/hogarth.html
www.britannica.com/EBchecked/topic/268841/William-Hogarth
en.wikipedia.org/wiki/William_Hogarth
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en.wikipedia.org/wiki/The_road_to_hell_is_paved_with_good...
en.wiktionary.org/wiki/idle_hands_are_the_devil's_workshop
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biblehub.com/ephesians/5-12.htm: It is shameful even to mention what the disobedient do in secret.
en.wikipedia.org/wiki/Hellfire_Club_(disambiguation)
en.wikipedia.org/wiki/Hellfire_Club
en.wikipedia.org/wiki/Montpelier_Hill
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en.wikipedia.org/wiki/Obscurantism
www.researchgate.net/publication/232029566_Apostle_of_Obs...(17921838)
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en.wikipedia.org/wiki/Catholic_League
en.wikipedia.org/wiki/Montanism
en.wikipedia.org/wiki/Ultramontanism
en.wikipedia.org/wiki/Joseph_de_Maistre#Political_and_mor...
maistre.uni.cx:8000/st_petersburg.html
en.wikipedia.org/wiki/Holy_Alliance
en.wikipedia.org/wiki/Johann_Heinrich_Jung
en.wikipedia.org/wiki/Franz_Xaver_von_Baader
en.wikipedia.org/wiki/Barbara_von_Kr%C3%BCdener
en.wikipedia.org/wiki/August_Neander#Christian_feeling
de.wikipedia.org/wiki/Preu%C3%9Fisches_Ministerium_der_ge...
en.wikipedia.org/wiki/Prussian_Union_of_churches
en.wikipedia.org/wiki/Alexander_I_of_Russia#Alliances_wit...
en.wikipedia.org/wiki/House_of_Golitsyn#Other_notable_Gol...
orthodoxwiki.org/Alexander_Nikolaevich_Golitsyn
orthodoxwiki.org/Apostolic_Governing_Synod
www.encspb.ru/object/2804019597;jsessionid=8BE4DFFFAB6E2F...
en.wikipedia.org/wiki/Holy_Synod
en.wikipedia.org/wiki/Russian_Bible_Society
en.wikipedia.org/wiki/Philaret_Drozdov#Works
en.wikipedia.org/wiki/Bible_translations_into_Russian
en.wikipedia.org/wiki/Revivalist
en.wikipedia.org/wiki/Christian_revival
en.wikipedia.org/wiki/British_and_Foreign_Bible_Society
en.wikipedia.org/wiki/Mikhail_Miloradovich
en.wikipedia.org/wiki/Pyotr_Bagration
Mikhail Magnitsky: en.wikipedia.org/wiki/Mikhail_Miloradovich#Governor_of_Sa...
books.google.rs/books?id=H2ttBQAAQBAJ&pg=PT17&lpg... RUNICH&f=false
slovaria.ru/esbye/runich-dmitry-pavlovich
en.wikipedia.org/wiki/Nikolay_Gretsch
en.wikipedia.org/wiki/Alexander_Shishkov
en.wikipedia.org/wiki/Aleksey_Arakcheyev
en.wikipedia.org/wiki/Nikolay_Karamzin
books.google.rs/books?id=5sAeBAAAQBAJ&printsec=frontc...
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app.box.com/s/ffwg3xca9nuo2ffitywq
www.myriobiblos.gr/texts/english/florovsky_ways.html
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en.wikipedia.org/wiki/Johann_Adam_M%C3%B6hler
books.google.rs/books?id=KS7kAAAAMAAJ
en.wikipedia.org/wiki/Aleksey_Khomyakov
en.wikipedia.org/wiki/Lancelot_Andrewes
en.wikipedia.org/wiki/User:Terminus_Technicus
en.wikipedia.org/wiki/Tracts_for_the_Times
en.wikipedia.org/wiki/Branch_theory#Eastern_Orthodox
en.wikipedia.org/wiki/Oxford_Movement
en.wikipedia.org/wiki/William_Palmer_%28theologian%29
en.wikipedia.org/wiki/Prince_Philip,_Duke_of_Edinburgh
en.wikipedia.org/wiki/Charles,_Prince_of_Wales
en.wikipedia.org/wiki/Kallistos_Ware
orthodoxwiki.org/Friends_of_Mount_Athos
www.facebook.com/pages/The-Friends-of-Mount-Athos/1249806...
en.wikipedia.org/wiki/Dorothy_de_Rothschild
en.wikipedia.org/wiki/Monitorial_System
en.wikipedia.org/wiki/Waddesdon_Church_of_England_School
upload.wikimedia.org/wikipedia/en/7/7c/Waddesdon_cofe_log...
en.wikipedia.org/wiki/Jacob_Rothschild,_4th_Baron_Rothschild
en.wikipedia.org/wiki/Waddesdon_Manor
www.youtube.com/watch?v=b0su39y7QOM
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biblehub.com/titus/1-15.htm: To the pure, all things are pure, but to those who are corrupted and do not believe, nothing is pure. In fact, both their minds and consciences are corrupted.
pictoumasons.org/library/Wilmshurst,%20Walter%20Leslie%20...
' The religions of the world, though all aiming at teaching truth, express that truth in different ways, and we are more prone to emphasize the differences than to look for the correspondences in what they teach.
[...]
Thus, then, was the origin and birth of Religion. And Religion is a word implying a "binding back" (re-ligare). As with the setting and bandaging a broken limb, so the collective soul of humanity, fractured and comminuted by its fall into countless individuations and their subsequent respective progenies, each separately damaged and imperfect, needed to be restored to the condition from which it had become dislocated and once more built up into a perfect harmonious whole.
www.dailymail.co.uk/news/article-2778110/The-floating-mar...
To the spiritual guardians of primitive man, then, one must attribute the communication of that universal science of rebuilding the fallen temple of humanity, of which science we now surprisedly find traces in every race and religion of the world. To this source we must credit the distribution, in every land and among every people, of the same or equivalent symbols, practices and doctrines, modified only locally and in accordance with the intelligence of particular peoples, yet all manifesting a common root and purpose.
This was the one Holy Catholic (or universal) Religion "throughout all the world"; at once a theoretic doctrine and a practical science intended to reunite man to his Maker. That religion could only be one, as it could not be otherwise than catholic and for all men equally and alike; though, owing to the perverse distortive tendencies of humanity itself, it was susceptible of becoming (as has so happened) debased and sectarianized into as many forms as there are peoples. Moreover, its main principles could never be susceptible of alteration, though they might be (as they have been) exoterically understood by some and esoterically by others, and their full import would not all at once be apparent, but develop with increasing fidelity to and understanding of them. It provided the unalterable "landmarks" of knowledge concerning human nature, human potentialities and human destiny. It laid down the ancient and established "usages and customs" to be followed at all times by everyone content to accept its discipline and which none might deviate from or add innovations to, save at his own peril. It was the "Sacred Law" for the guidance of the fallen soul, a law valid from the dawn of time till its sunset, and of which it is written "As it was in the beginning, is now and ever shall be, world without end." It was the science of life – of temporal limited life lived with the intention of its conversion and sublimation into eternal universal life; and, therefore, it called for a scientific or philosophic method of living, every moment and action of which should be directed to that great goal; – a method very different from the modern method, which is entirely utilitarian in its outlook and totally unscientific in its conduct.
This Proto-Religion is related to have originated in the East, from which proverbially all light comes, and, as humanity itself became diffused and distributed over the globe, to have gradually spread towards the West, in a perpetual watchfulness of humanity's spiritual interests and an unfailing purpose to retrieve "that which was lost" – the fallen human soul.
We have already said that in early times the humanity then under its influence was far less materialized and far more spiritually sensitive and perceptive than it subsequently became or is now; and accordingly it follows that with the increasing age and density of the race the influence of the Proto-Religion itself became correspondingly diminished, though its principles remained as valid and effective as before; for the self-willed vagaries and speculative conceptions of man cannot alter the principles of static Truth and Wisdom.
[...]
The Mysteries came to an end as public institutions in the sixth century, when from political considerations they and the teaching of the secret doctrine and philosophy became prohibited by the Roman Government, under Justinian, who aimed at inaugurating an official uniform state-religion throughout its Empire. Subsequently, as the Roman Empire declined and broke up, the Roman Catholic Church emerged from it, which, as we know, has resolutely discountenanced any authority in religion and philosophy as a rival to her own and at the same time claimed supremacy and an over-riding jurisdiction in temporal matters also. For the Freemason the result of that Church's conduct is instructive. For when an authority upon matters wholly spiritual and belonging to a kingdom which is not of this world, lays claim to temporal power and secular possessions, as the Roman Church has done and still does, it at once vitiates and neutralizes its own spiritual qualifications. It becomes infected with the virus of "worldly possessions." It loads itself with the "money and metals" from which it is essential to keep divested. The result has been that what might have been, and was designed to be, the greatest spiritually educative force in the world's history, has become a materialized institution, exercising an intellectual tyranny which has estranged the minds of millions from religion altogether. As Lot's wife is metaphorically said to have crystallized into a pillar of salt through turning back in desire to what she ought to have renounced altogether, so in trying to serve Mammon and God at the same time the Roman Church has failed in both and, as the result of the false steps and abuses of centuries, the world is to-day a chaos of disunited sects and popular religious teaching is as materialistic as Masonry. It is a pity, for in its original design and practice Christianity was intended to serve as a system of initiation upon a catholic or universal scale, and to take over, supersede and amplify all that previously was taught, in a less efficacious way and to a more restricted public, in the Ancient Mysteries. It is not possible here to enter upon the extremely interesting questions involved in the transition from pre-Christian to Christian religion, or to explain why and how the Christian Mysteries are the efflorescence of the earlier ones and transcend them. In their central teachings, as in the philosophic method of life they demand, the two methods are identical. The differences between them are only such as are due to amplification and formal expression. Christianity came not to destroy, but to fulfil and expand. That fulfilment and expansion were consequent upon an event of cosmic importance which we speak of as The Incarnation. By that event something had happened affecting the very fabric of our planet and every item of the human family. What that something was and the nature of the change it wrought is too great and deep a theme to develop now, but, to illustrate it by Masonic symbolism, it was an event which is the equivalent of, and is represented by, the transference of the Sacred Symbol of the Grand Geometrician of the Universe from the ceiling of the Lodge, where it is located in the elementary grades of the Craft, to the floor, where it is found in the Royal Arch Degree surrounded with flaming lights and every circumstance of reverence and sanctity. How many Masons are there in the Order to-day who recognize that, in this piece of symbolism, Masonry is giving affirmation and ocular testimony to precisely the same fact as the churchman affirms when he recites in his Creed the words "He came down from heaven, and was incarnate and was made man?"
By a tacit and quite unwarranted convention the members of the Craft avoid mention in their Lodges of the Christian Master and confine their scriptural readings and references almost exclusively to the Old Testament, the motive being no doubt due to a desire to observe the injunction as to refraining from religious discussion and to prevent offence on the part of brethren who may not be of the Christian faith. The motive is an entirely misguided one and is negated by the fact that the "greater light" upon which every member is obligated, and to which his earnest attention is recommended from the moment of his admission to the Order, is not only the Old Testament, but the volume of the Sacred Law in its entirety. The New Testament is as essential to his instruction as the Old, not merely because of its moral teaching, but in virtue of its constituting the record of the Mysteries in their supreme form and historic culmination. The Gospels themselves, like the Masonic degrees, are a record of preparation and illumination, leading up to the ordeal of death, followed by a raising from the dead and the attainment of Mastership, and they exhibit the process of initiation carried to the highest conceivable degree of attainment. The New Testament is full of passages in Masonic terminology and there is not a little irony in the failure by modern Masons to recognize its supreme importance and relevancy to their Lodge proceedings and in the fact that in so doing they may be likening themselves to those builders of whom it is written that they rejected the chief Corner Stone. They would learn further that the Grand Master and Exemplar of Masonry, Hiram Abiff, is but a figure of the Great Master and Exemplar and Saviour of the world, the Divine Architect by whom all things were made, without whom is nothing that hath been made, and whose life is the light of men. If, in the words of the Masonic hymn:
"Hiram the architect
Did all the Craft direct
How they should build,"
it is equally true that the protagonist of the Christian Scriptures also taught universal humanity "how they should build" and reconstruct their own fallen nature, and that the method of such building is one which involves the cross as its working tool and one which culminates in a death and a raising from the dead. And, of those who attain their initiation and mastership by that method, is it not further written there that they become of the household of God and built into a spiritual temple not made with hands, but eternal and in the heavens and of which "Jesus Christ is the chief corner stone, in whom all the building, fitly framed together, groweth unto an holy temple builded for an habitation of God?"
Neither the Ancient Mysteries nor Modern Masonry, their descendant, therefore, can be rightly viewed without reference to their relation to the Christian evangel, into which the pre-Christian schools became assumed. The line of succession and evolution from the former to the latter is direct and organic. Allowing for differences of time, place and form of expression, both taught exactly the same truths and inculcated the necessity for regeneration. In such a matter there cannot be a diversity of doctrine. The truth concerning it must be static and uniform at all periods of the world's history.
en.wikipedia.org/wiki/Traditionalist_School#Criticism
en.wikipedia.org/wiki/The_Perennial_Philosophy
www.goodreads.com/work/quotes/889435-the-perennial-philos...
philosophyforlife.org/exploring-the-multiverse-of-spiritu...
archive.org/details/perennialphilosp035505mbp
en.wikipedia.org/wiki/Perennial_philosophy#New_Age
en.metapedia.org/wiki/Perennial_Traditionalism
rationalwiki.org/wiki/Perennial_Traditionalism
When Christianity became a state-religion and the Church a world-power, the materialization of its doctrine proceeded apace and has only increased with the centuries. Instead of becoming the unifying force its leaders meant it to be, its association with "worldly possessions" has resulted in making it a disintegrative one. Abuses led to schisms and sectarianism, and whilst the parent-body, in the form of the Greek and Roman Churches, still possesses and jealously conserves all the original credentials, traditions and symbols in their superb liturgies and rites, more importance is attached to the outer husk of its heritage than to its kernel and spirit, whilst the Protestant communities and so-called "free" churches have unhappily become self-severed altogether from the original tradition and their imagined liberty and independence are in fact but a captivity to ideas of their own, having no relation to the primitive gnosis and no understanding of those Mysteries which must always lie deeper than the exoteric popular religion of a given period. Regeneration as a science has long been, and still is, entirely outside the purview of orthodox religion. The Christian Master's affirmation "Ye must be born again" is regarded as but a pious counsel towards an indefinite improvement of conduct and character, not as a reference to a drastic scientific revolution and reformation of the individual in the way contemplated by the rites of initiation prescribed in the Mysteries. Popular religion may indeed produce "good" men, as the world's standard of goodness goes. It does not and cannot produce divinized men endued with the qualities of Mastership, for it is ignorant of the traditional wisdom and methods by which that end is to be attained. '
www.brad.ac.uk/webofhiram/?section=walter_leslie_wilmshurst
en.wikipedia.org/wiki/Walter_Leslie_Wilmshurst
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www.urbandictionary.com/define.php?term=relegere
en.wikipedia.org/wiki/Eternal_return_(disambiguation)
en.wikipedia.org/wiki/Eternal_return:
"The concept is found in Indian philosophy and in ancient Egypt and was subsequently taken up by the Pythagoreans and Stoics. With the decline of antiquity and the spread of Christianity, the concept fell into disuse in the Western world, with the exception of Friedrich Nietzsche, who connected the thought to many of his other concepts, including amor fati."
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en.wikipedia.org/wiki/Forces_occultes
www.youtube.com/watch?v=AiMR8LuWcLs
en.wikipedia.org/wiki/Jean_Mamy
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en.wikipedia.org/wiki/Religious_experience
en.wikipedia.org/wiki/The_Varieties_of_Religious_Experience
---
www.goodreads.com/quotes/7090-the-intuitive-mind-is-a-sac...
Albert Einstein: " The intuitive mind is a sacred gift and the rational mind is a faithful servant. We have created a society that honors the servant and has forgotten the gift."
en.wikipedia.org/wiki/Cognitive_revolution
en.wikipedia.org/wiki/Flynn_effect
www.dailymotion.com/video/xb9i7a_race-and-intelligence-1-...
viooz.ac/movies/1896-precious-2009.html
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www.brown.edu/academics/contemplative-studies/sites/brown...
www.brown.edu/academics/contemplative-studies/sites/brown...
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en.wikipedia.org/wiki/Aquarius
en.wikipedia.org/wiki/Age_of_Aquarius
en.wikipedia.org/wiki/Hair_%28musical%29
en.wikipedia.org/wiki/Hair_(film)
viooz.ac/movies/8802-hair-1979.html
en.wikipedia.org/wiki/Wolf_Messing
www.youtube.com/watch?v=aivQ8-ZOMqM
www.youtube.com/user/MultiCinema3d/about
www.youtube.com/user/North7even/about
en.wikipedia.org/wiki/Camillo_Golgi
en.wikipedia.org/wiki/Santiago_Ram%C3%B3n_y_Cajal
en.wikipedia.org/wiki/Jos%C3%A9_Manuel_Rodriguez_Delgado
en.wikipedia.org/wiki/The_Kovak_Box
putlocker.is/watch-the-kovak-box-online-free-putlocker.html
en.wikipedia.org/wiki/Jan_Evangelista_Purkyn%C4%9B
en.wikipedia.org/wiki/Purkinje_cell
en.wikipedia.org/wiki/Purkinje_effect
en.wikipedia.org/wiki/Psychotronics
en.wikipedia.org/wiki/Stargate_Project
en.wikipedia.org/wiki/SRI_International
en.wikipedia.org/wiki/First_Earth_Battalion
en.wikipedia.org/wiki/Jim_Channon
www.linkedin.com/company/first-earth-battalion---project-...
en.wikipedia.org/wiki/Jedi_census_phenomenon
en.wikipedia.org/wiki/Zabriskie_Point_%28film%29
www.youtube.com/watch?v=VH_XOOfC6NQ
en.wikipedia.org/wiki/Esalen_Institute
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en.wikipedia.org/wiki/Jesus_Christ_Superstar_(disambiguation)
en.wikipedia.org/wiki/Personal_Jesus
en.wikipedia.org/wiki/Mercedes_Benz_%28song%29
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en.wikipedia.org/wiki/New_Age_(disambiguation)
www.britannica.com/EBchecked/topic/704347/New-Age-movement
---
en.wikipedia.org/wiki/Theosophy
en.wikipedia.org/wiki/Theosophical_Society
en.wikipedia.org/wiki/New_religious_movement
en.wikipedia.org/wiki/Helena_Blavatsky
en.wikipedia.org/wiki/The_Voice_of_the_Silence
en.wikipedia.org/wiki/Henry_Steel_Olcott
en.wikipedia.org/wiki/Annie_Besant
en.wikipedia.org/wiki/George_Arundale
en.wikipedia.org/wiki/Piet_Mondrian#The_Netherlands_.2818...
en.wikiquote.org/wiki/Piet_Mondrian#1920s_and_later:
" Art on the contrary sought this harmony in practice (of art itself). More and more in its creations it has given inwardness to that what surrounds us in nature, until, in Neo-Plasticism, nature is no longer dominant. This achievement of balance may prepare the way for the fulfilment of man and signal the end of (what we call) art."
(1921/23), Michel Seuphor, Dell Publishing Co.,1964, p. 85
en.wikipedia.org/wiki/De_Stijl
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en.wikipedia.org/wiki/Letters_from_the_Earth
en.wikipedia.org/wiki/Millennium_Development_Goals
en.wikipedia.org/wiki/Lucis_Trust
en.wikipedia.org/wiki/Alice_Bailey
The Lucis Trust's publishing company was founded in the early 1920s as the Lucifer Publishing Company. The Lucis Trust says that the name was probably chosen to honor Lucifer. The name was changed in 1925 to the Lucis Publishing Company. In Latin lucem ferre means "to bear light" and lucis means of light. The company has headquarters in New York City, London, and Geneva.
The Trust is established in Great Britain under the title "Lucis Trust Ltd.", in Switzerland as "Lucis Trust Association", and in the Netherlands as the "Lucis Trust Stichting."
In order to place a closer focus on the work of the UN, the Lucis Trust has set up a new blog, World Goodwill at the UN, which will focus on defining new Sustainable Development Goals for humanity after 2015 when the Millennium Development Goals expire.
www.lucistrust.org/en/arcane_school/talks_and_articles/th...
www.lucistrust.org/en/service_activities/world_goodwill
www.goodreads.com/quotes/428072-the-devil-can-cite-script...
William Shakespeare, The Merchant of Venice:
" The devil can cite Scripture for his purpose.
An evil soul producing holy witness
Is like a villain with a smiling cheek,
A goodly apple rotten at the heart.
O, what a goodly outside falsehood hath ! "
en.wikipedia.org/wiki/Church_of_Satan
en.wikipedia.org/wiki/The_Satanic_Bible
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en.wikipedia.org/wiki/List_of_satanic_ritual_abuse_allega...
www.youtube.com/watch?v=i5JkBs4lJak
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en.wikipedia.org/wiki/Germanic_paganism
en.wikipedia.org/wiki/Germanic_neopaganism
en.wikipedia.org/wiki/Neopaganism_in_the_United_States
en.wikipedia.org/wiki/Modern_paganism
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en.wikipedia.org/wiki/Wicca_%28disambiguation%29
en.wikipedia.org/wiki/Peoples_Temple
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en.wikipedia.org/wiki/Great_Awakening
en.wikipedia.org/wiki/Christian_right
en.wikipedia.org/wiki/Conservatism
en.wikipedia.org/wiki/Fundamentalism
app.box.com/s/hmtekvh3m5v1q4tzi2rzbwm298d95t10
en.wikipedia.org/wiki/Conservative_Christianity
en.wikipedia.org/wiki/Christian_fundamentalism
en.wikipedia.org/wiki/Most_religious_US_states
en.wikipedia.org/wiki/Bible_Belt
en.wikipedia.org/wiki/Branch_Davidians
en.wikipedia.org/wiki/Waco_siege
www.zczfilms.com/shop/films/the-michelangelo-code-lost-se...
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en.wikipedia.org/wiki/Heaven%27s_Gate_%28religious_group%29
en.wikipedia.org/wiki/Order_of_the_Solar_Temple
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www.holytrinitymission.org/books/english/fathers_florovsk...
Corpus Areopagiticum:
' However, does not a false harmony arise in this process? Have not we overlooked the existence of evil? Perhaps Dionysius has too brief an answer to this question. God cannot be the cause of evil. Good always begets good. Therefore, evil "is not any sort of objective reality." It has a completely deprivative significance. Evil exists not in and of itself, but in another; evil is something incidental for objective reality, something extra which does not enter into its essential definitions. Evil only destroys and therefore presupposes objective reality and good. Evil does not create anything and is not the authentic beginning of origins.
Therefore there can be no pure, unadulterated evil; there can be no "self-evil." Evil always presupposes good as its foundation and support. As creations of God, the demons themselves are not evil by nature; there is something positive in them — reality, movement, life. Evil cannot be an independent principle, for then it would have to be invariable. However, invariability and self-identity are properties only of good. Evil is a wasting disease and similar to darkening, but light always remains light and also shines in the dark without turning into darkness.
Nothing which exists is evil as such — neither is matter evil. Evil is disharmony, disorder, αταξια. But pure disharmony is impossible and a total absence of form and order is tantamount to non-existence. Matter is not total chaos — it is connected with order and forms. It has the power of birth and preservation. Not matter as such, but an attraction for what is lower, is the reason for evil in the soul. By itself, matter cannot hinder souls from striving for good. The beginning and end of evil things lies in good. In other words, evil does not so much exist as "be present"; it exists in and upon something else. Evil is parasitical; its cause is impotence — ασθένεια. In all evil deeds and phenomena we see primarily feebleness. Evil is a certain stepping out of the measures of nature and objective reality, a "defection from true goodness," an unjust and improper action, a certain "blending of the dissimilar." '
app.box.com/s/99yk7420eb65qt3en37ft2pn3tesnmbe
www.uexpress.com/tell-me-a-story/2014/2/2/king-solomons-d...
en.wikipedia.org/wiki/Murray_Bowen
en.wikipedia.org/wiki/Triangulation_%28psychology%29
viooz.ac/movies/1644-eraserhead-1977.html
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traveladventureeverywhere.blogspot.com/2020/08/holy-mosco...
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
.........
innisfreegarden.org/garden.html
We arrived at Innisfree as soon as it opened at 10AM one mid-August morning when the entire Northeastern US was in the middle of a record heatwave. Despite the heat and humidity, we were able to make a quick 1.5 mile circle on the path around the deep glacial lake at the heart of this 150 acre garden before we wilted and had to return to our air conditioned car. The harsh mid-day light made photography challenging, as you can see. We learned that Innisfree, said by some to be one of the world's Ten Great Gardens, opens at sunrise on three occasions each year, and we are already planning another trip to the Hudson River Valley in the future when we hope we can see and photograph this amazing place under better conditions.
"Like the pyramids of Egypt or the Great Wall of China, Innisfree helps us to define what we mean by ‘civilization’. It’s one of the few places in this world that lived up to — nay, exceeded — my expectations."
David Wheeler, Editor, Hortus (2013)
"In the late 1920s, Walter Beck and his wife, avid gardener and heiress Marion Burt Beck, began work on Innisfree, their country residence in Millbrook, New York. Walter Beck’s fascination with Asian art influenced his painting, the collecting he and his wife pursued, and their ideas on garden design. In the 1930s, Beck discovered the work of 8th-century Chinese poet, painter and garden maker Wang Wei. Studying scroll paintings of his famed garden, the Wangchuan Villa, Beck observed that Wang created carefully defined, inwardly focused gardens and garden vignettes within a larger, naturalistic landscape. Wang’s place-making technique — christened “cup gardens,” by Beck — influenced centuries of Chinese and Japanese garden design. It is also the principal design motif in the Innisfree landscape. Like his Chinese predecessor, Beck created three-dimensional pictures in the garden, incorporating both rocks from the site and horticultural advice from his wife. Unlike Wang Wei, or perhaps more familiar figures like Lawrence Johnston, who used his cup-like rooms at Hidcote in England to draw one through a sequence of events and create an overall sense of place, Beck focused more on individual compositions. Relating these to each other and to the landscape as a whole was the genius of Lester Collins."
The genius of this place lies not so much in the ideas which the designers formulated for the cup gardens, many of which are disarmingly simple, but in the way they have been maintained over the years. Essentially, everything is allowed to settle into the prevailing spirit of the place; if it does not, it is removed. It is this sensitivity, care and attention to the qualities of landscape, natural and made, that make Innisfree such a memorable success.
Tim Richardson, Great Gardens of America (2000)
Western gardens are usually designed to embrace a view of the whole. Little is hidden. The garden, like a stage set, is there in its entirety, its overall design revealed in a glance. The traditional Chinese garden is usually designed so that a view of the whole is impossible. [It] requires a stroll over serpentine, seemingly aimless arteries. The observer walks into a series of episodes, like Alice through the looking glass."
Lester Collins, Innisfree: An American Garden (1994)
Book: www.lulu.com/shop/giles-watson/pearl/paperback/product-20...
Reading: www.youtube.com/watch?v=UEpznzwazbk
The story so far: The Dreamer loses his Pearl in a grassy mound - evidently her grave. He swoons with grief, and awakens in an earthly paradise, through which there runs a beautiful stream. The land on the opposite bank seems even more beautiful. He wanders further down the stream, hoping to find a bridge or a ford. Just when he starts to become afraid of the dangers that may be in store for him, he sees a young woman sitting at the foot of a crystal cliff on the opposite bank, and instantly recognises her as his lost Pearl. He hails his Pearl and expresses his relief that she still exists, but she begins to reprove him for his lack of faith. She criticises him for only believing that her soul is immortal now that he can see her, and is shocked by his suggestion that he - a mortal man - has a hope of joining her in Paradise without first experiencing death. He tells her that for him to walk away from her now that he has found her again would be to suffer a fresh bereavement. She replies that it is divinely decreed that he cannot cross over to her. The Dreamer pleads with his Pearl to accept that his rash questions were borne out of his great grief, and asks her to describe her life in Paradise. She relents, and tells him that she is crowned Queen of Heaven, and is married to the Lamb. The Dreamer is shocked by this assertion. He says that he thought only the Virgin Mary was Queen of Heaven. Pearl replies with a description of a-semi egalitarian heaven in which all inhabitants are kings and queens, and asserts that although Mary has pre-eminence, none of those in heaven would ever question it, because she is so “courteous”. She cites the Pauline notion that the church is the body of Christ in support of her claim. The Dreamer is even less convinced than before.
Pearl: Part 9
“That Courteous One is too loose of hand,
If it is true, this thing you say.
You spent not two years in the land
Of the living: never learnt to pray
Or please God with Paternoster, or stand
For the Creed. A Queen – on the first day?
How can I trust or understand
A God who conveniently wriggles away
From justice? Can his mercy stray
So far, to elevate a babe’s estate
To countess, or lady of lesser array?
He made you Queen? Upon what date?”
“Does goodness care for dates and measures?”
The lovely, ghostly girl enquires,
“For truth’s in every thing he makes,
And justice rules all his desires.
As Matthew’s gospel at the Mass
Tells you – and any man who hears –
In a parable. Only fools could miss
Its moral. Heaven hides in words.
I reign on high. Here’s how it works:
A lord has a vineyard. As fate
Would have it, the fruit of his vines
Is ripe for harvest: the right date.
His labourers know the date and time;
The lord arises with the sun
To hire men to pluck the vine
And, in the town, engages some.
They accept his terms: ‘You’re mine
For a penny a day.’ And so they come
To the vineyard. They labour in line,
Plucking and picking with finger and thumb.
Three hours pass. Other men stand dumb
In the marketplace. ‘Why do you wait?’
He cries, ‘My grapes are ripe! Hurry! Run!
Do you know the day? Do you know the date?’
‘We know the date. That’s why we came
Here long before the dawn,’ they say.
‘We stood here watching the sun climb
And thought there was no work today.’
‘Go to my vineyard – do what you can!’
Says the lord, and pledges their pay,
Agrees it firmly, man to man:
‘Your wage is fixed now, come what may.’
They work the vineyard; he goes his way
To find more workers. Harvest won’t wait
For loafers. It is a race against waning day.
The sun hangs low. Nearly the end of the date.
So the day is dating. It is evensong,
An hour before the dark comes down.
Still the lord finds more: idle men, but strong,
And says to them, not hiding his frown,
‘Why have you loitered this whole day long?’
‘We looked for work – none could be found.’
‘Go to my vineyard, yeomen!’ A throng
Now tread his loamy ground
As dusky shadows gather round.
The sun sinks. The hour grows late.
He pays them all: men of market, town.
It is done. The end of that date.”
Late fourteenth century poem, written in a north-west midland dialect of Middle English, paraphrased by Giles Watson. At last it is revealed that Pearl died at less than two years of age, although she is resurrected as an adult woman. Pearl’s story of the labourers in the vineyard is derived from Christ’s parable in Matthew 20:1-16, but her telling of it is distinctly mediaeval in tone. In the next section, she will reveal that the lord paid all of his workers a penny, no matter how many hours they worked: a justification for the fact that she is now a Queen in heaven, despite only having suffered life on earth for two years. The concatenation on the word "date" (it is the same word in Middle English) involves some complex semantics, since at different stages of the narrative, the word can mean "date", "point of time", "hour of the day", and "limit".
The picture shows the tomb of Elizabeth Theresa Agnes Rollo, born June 23rd 1874; died September 1st 1875, Brading Church, Isle of Wight.
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Biennalist
Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.
About artist Thierry Geoffroy/Colonel:
en.wikipedia.org/wiki/Thierry_Geoffroy
en.wikipedia.org/wiki/Emergency_Room_(art)
www.emergencyrooms.org/formats.html
Biennalist :
Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.
-------------------------------------------
links about Biennalist :
Thierry Geoffroy/Colonel:
en.wikipedia.org/wiki/Thierry_Geoffroy
en.wikipedia.org/wiki/Emergency_Room_(art)
www.emergencyrooms.org/formats.html
—--Biennale from wikipedia —--
The Venice International Film Festival is part of the Venice Biennale. The famous Golden Lion is awarded to the best film screening at the competition.
Biennale (Italian: [bi.enˈnaːle]), Italian for "biennial" or "every other year", is any event that happens every two years. It is most commonly used within the art world to describe large-scale international contemporary art exhibitions. As such the term was popularised by Venice Biennale, which was first held in 1895. Since the 1990s, the terms "biennale" and "biennial" have been interchangeably used in a more generic way - to signify a large-scale international survey show of contemporary art that recurs at regular intervals but not necessarily biannual (such as triennials, Documenta, Skulptur Projekte Münster).[1] The phrase has also been used for other artistic events, such as the "Biennale de Paris", "Kochi-Muziris Biennale", Berlinale (for the Berlin International Film Festival) and Viennale (for Vienna's international film festival).
Characteristics[edit]
According to author Federica Martini, what is at stake in contemporary biennales is the diplomatic/international relations potential as well as urban regeneration plans. Besides being mainly focused on the present (the “here and now” where the cultural event takes place and their effect of "spectacularisation of the everyday"), because of their site-specificity cultural events may refer back to,[who?] produce or frame the history of the site and communities' collective memory.[2]
The Great Exhibition in The Crystal Palace in Hyde Park, London, in 1851, the first attempt to condense the representation of the world within a unitary exhibition space.
A strong and influent symbol of biennales and of large-scale international exhibitions in general is the Crystal Palace, the gigantic and futuristic London architecture that hosted the Great Exhibition in 1851. According to philosopher Peter Sloterdijk,[3][page needed] the Crystal Palace is the first attempt to condense the representation of the world in a unitary exhibition space, where the main exhibit is society itself in an a-historical, spectacular condition. The Crystal Palace main motives were the affirmation of British economic and national leadership and the creation of moments of spectacle. In this respect, 19th century World fairs provided a visual crystallization of colonial culture and were, at the same time, forerunners of contemporary theme parks.
The Venice Biennale as an archetype[edit]
The structure of the Venice Biennale in 2005 with an international exhibition and the national pavilions.
The Venice Biennale, a periodical large-scale cultural event founded in 1895, served as an archetype of the biennales. Meant to become a World Fair focused on contemporary art, the Venice Biennale used as a pretext the wedding anniversary of the Italian king and followed up to several national exhibitions organised after Italy unification in 1861. The Biennale immediately put forth issues of city marketing, cultural tourism and urban regeneration, as it was meant to reposition Venice on the international cultural map after the crisis due to the end of the Grand Tour model and the weakening of the Venetian school of painting. Furthermore, the Gardens where the Biennale takes place were an abandoned city area that needed to be re-functionalised. In cultural terms, the Biennale was meant to provide on a biennial basis a platform for discussing contemporary art practices that were not represented in fine arts museums at the time. The early Biennale model already included some key points that are still constitutive of large-scale international art exhibitions today: a mix of city marketing, internationalism, gentrification issues and destination culture, and the spectacular, large scale of the event.
Biennials after the 1990s[edit]
The situation of biennials has changed in the contemporary context: while at its origin in 1895 Venice was a unique cultural event, but since the 1990s hundreds of biennials have been organized across the globe. Given the ephemeral and irregular nature of some biennials, there is little consensus on the exact number of biennials in existence at any given time.[citation needed] Furthermore, while Venice was a unique agent in the presentation of contemporary art, since the 1960s several museums devoted to contemporary art are exhibiting the contemporary scene on a regular basis. Another point of difference concerns 19th century internationalism in the arts, that was brought into question by post-colonial debates and criticism of the contemporary art “ethnic marketing”, and also challenged the Venetian and World Fair’s national representation system. As a consequence of this, Eurocentric tendency to implode the whole word in an exhibition space, which characterises both the Crystal Palace and the Venice Biennale, is affected by the expansion of the artistic geographical map to scenes traditionally considered as marginal. The birth of the Havana Biennial in 1984 is widely considered an important counterpoint to the Venetian model for its prioritization of artists working in the Global South and curatorial rejection of the national pavilion model.
International biennales[edit]
In the term's most commonly used context of major recurrent art exhibitions:
Adelaide Biennial of Australian Art, South Australia
Asian Art Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Athens Biennale, in Athens, Greece
Bienal de Arte Paiz, in Guatemala City, Guatemala[4]
Arts in Marrakech (AiM) International Biennale (Arts in Marrakech Festival)
Bamako Encounters, a biennale of photography in Mali
Bat-Yam International Biennale of Landscape Urbanism
Beijing Biennale
Berlin Biennale (contemporary art biennale, to be distinguished from Berlinale, which is a film festival)
Bergen Assembly (triennial for contemporary art in Bergen, Norway)www.bergenassembly.no
Bi-City Biennale of Urbanism\Architecture, in Shenzhen and Hong Kong, China
Bienal de Arte de Ponce in Ponce, Puerto Rico
Biënnale van België, Biennial of Belgium, Belgium
BiennaleOnline Online biennial exhibition of contemporary art from the most promising emerging artists.
Biennial of Hawaii Artists
Biennale de la Biche, the smallest biennale in the world held at deserted island near Guadeloupe, French overseas region[5][6]
Biwako Biennale [ja], in Shiga, Japan
La Biennale de Montreal
Biennale of Luanda : Pan-African Forum for the Culture of Peace,[7] Angola
Boom Festival, international music and culture festival in Idanha-a-Nova, Portugal
Bucharest Biennale in Bucharest, Romania
Bushwick Biennial, in Bushwick, Brooklyn, New York
Canakkale Biennial, in Canakkale, Turkey
Cerveira International Art Biennial, Vila Nova de Cerveira, Portugal [8]
Changwon Sculpture Biennale in Changwon, South Korea
Dakar Biennale, also called Dak'Art, biennale in Dakar, Senegal
Documenta, contemporary art exhibition held every five years in Kassel, Germany
Estuaire (biennale), biennale in Nantes and Saint-Nazaire, France
EVA International, biennial in Limerick, Republic of Ireland
Göteborg International Biennial for Contemporary Art, in Gothenburg, Sweden[9]
Greater Taipei Contemporary Art Biennial, in Taipei, Taiwan
Gwangju Biennale, Asia's first and most prestigious contemporary art biennale
Havana biennial, in Havana, Cuba
Helsinki Biennial, in Helsinki, Finland
Herzliya Biennial For Contemporary Art, in Herzliya, Israel
Incheon Women Artists' Biennale, in Incheon, South Korea
Iowa Biennial, in Iowa, USA
Istanbul Biennial, in Istanbul, Turkey
International Roaming Biennial of Tehran, in Tehran and Istanbul
Jakarta Biennale, in Jakarta, Indonesia
Jerusalem Biennale, in Jerusalem, Israel
Jogja Biennale, in Yogyakarta, Indonesia
Karachi Biennale, in Karachi, Pakistan
Keelung Harbor Biennale, in Keelung, Taiwan
Kochi-Muziris Biennale, largest art exhibition in India, in Kochi, Kerala, India
Kortrijk Design Biennale Interieur, in Kortrijk, Belgium
Kobe Biennale, in Japan
Kuandu Biennale, in Taipei, Taiwan
Lagos Biennial, in Lagos, Nigeria[10]
Light Art Biennale Austria, in Austria
Liverpool Biennial, in Liverpool, UK
Lofoten International Art Festival [no] (LIAF), on the Lofoten archipelago, Norway[11]
Manifesta, European Biennale of contemporary art in different European cities
Mediations Biennale, in Poznań, Poland
Melbourne International Biennial 1999
Mediterranean Biennale in Sakhnin 2013
MOMENTA Biennale de l'image [fr] (formerly known as Le Mois de la Photo à Montréal), in Montreal, Canada
MOMENTUM [no], in Moss, Norway[12]
Moscow Biennale, in Moscow, Russia
Munich Biennale, new opera and music-theatre in even-numbered years
Mykonos Biennale
Nakanojo Biennale[13]
NGV Triennial, contemporary art exhibition held every three years at the National Gallery of Victoria, Melbourne, Australia
October Salon – Belgrade Biennale [sr], organised by the Cultural Center of Belgrade [sr], in Belgrade, Serbia[14]
OSTEN Biennial of Drawing Skopje, North Macedonia[15]
Biennale de Paris
Riga International Biennial of Contemporary Art (RIBOCA), in Riga, Latvia[16]
São Paulo Art Biennial, in São Paulo, Brazil
SCAPE Public Art Christchurch Biennial in Christchurch, New Zealand[17]
Prospect New Orleans
Seoul Biennale of Architecture and Urbanism
Sequences, in Reykjavík, Iceland[18]
Shanghai Biennale
Sharjah Biennale, in Sharjah, UAE
Singapore Biennale, held in various locations across the city-state island of Singapore
Screen City Biennial, in Stavanger, Norway
Biennale of Sydney
Taipei Biennale, in Taipei, Taiwan
Taiwan Arts Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Taiwan Film Biennale, in Hammer Museum, Los Angeles, U.S.A.
Thessaloniki Biennale of Contemporary Art [el], in Thessaloniki, Greece[19]
Dream city, produced by ART Rue Association in Tunisia
Vancouver Biennale
Visayas Islands Visual Arts Exhibition and Conference (VIVA ExCon) in the Philippines [20]
Venice Biennale, in Venice, Italy, which includes:
Venice Biennale of Contemporary Art
Venice Biennale of Architecture
Venice Film Festival
Vladivostok biennale of Visual Arts, in Vladivostok, Russia
Whitney Biennial, hosted by the Whitney Museum of American Art, in New York City, NY, USA
Web Biennial, produced with teams from Athens, Berlin and Istanbul.
West Africa Architecture Biennale,[21] Virtual in Lagos, Nigeria.
WRO Biennale, in Wrocław, Poland[22]
Music Biennale Zagreb
[SHIFT:ibpcpa] The International Biennale of Performance, Collaborative and Participatory Arts, Nomadic, International, Scotland, UK.
—---Venice Biennale from wikipedia —
The Venice Biennale (/ˌbiːɛˈnɑːleɪ, -li/; Italian: La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation.[2][3][4] The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name biennale; biennial).[5][6][7] The other events hosted by the Foundation—spanning theatre, music, and dance—are held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido.[8]
Organization[edit]
Art Biennale
Art Biennale
International Art Exhibition
1895
Even-numbered years (since 2022)
Venice Biennale of Architecture
International Architecture Exhibition
1980
Odd-numbered years (since 2021)
Biennale Musica
International Festival of Contemporary Music
1930
Annually (Sep/Oct)
Biennale Teatro
International Theatre Festival
1934
Annually (Jul/Aug)
Venice Film Festival
Venice International Film Festival
1932
Annually (Aug/Sep)
Venice Dance Biennale
International Festival of Contemporary Dance
1999
Annually (June; biennially 2010–16)
International Kids' Carnival
2009
Annually (during Carnevale)
History
1895–1947
On April 19, 1893, the Venetian City Council passed a resolution to set up an biennial exhibition of Italian Art ("Esposizione biennale artistica nazionale") to celebrate the silver anniversary of King Umberto I and Margherita of Savoy.[11]
A year later, the council decreed "to adopt a 'by invitation' system; to reserve a section of the Exhibition for foreign artists too; to admit works by uninvited Italian artists, as selected by a jury."[12]
The first Biennale, "I Esposizione Internazionale d'Arte della Città di Venezia (1st International Art Exhibition of the City of Venice)" (although originally scheduled for April 22, 1894) was opened on April 30, 1895, by the Italian King and Queen, Umberto I and Margherita di Savoia. The first exhibition was seen by 224,000 visitors.
The event became increasingly international in the first decades of the 20th century: from 1907 on, several countries installed national pavilions at the exhibition, with the first being from Belgium. In 1910 the first internationally well-known artists were displayed: a room dedicated to Gustav Klimt, a one-man show for Renoir, a retrospective of Courbet. A work by Picasso "Family of Saltimbanques" was removed from the Spanish salon in the central Palazzo because it was feared that its novelty might shock the public. By 1914 seven pavilions had been established: Belgium (1907), Hungary (1909), Germany (1909), Great Britain (1909), France (1912), and Russia (1914).
During World War I, the 1916 and 1918 events were cancelled.[13] In 1920 the post of mayor of Venice and president of the Biennale was split. The new secretary general, Vittorio Pica brought about the first presence of avant-garde art, notably Impressionists and Post-Impressionists.
1922 saw an exhibition of sculpture by African artists. Between the two World Wars, many important modern artists had their work exhibited there. In 1928 the Istituto Storico d'Arte Contemporanea (Historical Institute of Contemporary Art) opened, which was the first nucleus of archival collections of the Biennale. In 1930 its name was changed into Historical Archive of Contemporary Art.
In 1930, the Biennale was transformed into an Ente Autonomo (Autonomous Board) by Royal Decree with law no. 33 of 13-1-1930. Subsequently, the control of the Biennale passed from the Venice city council to the national Fascist government under Benito Mussolini. This brought on a restructuring, an associated financial boost, as well as a new president, Count Giuseppe Volpi di Misurata. Three entirely new events were established, including the Biennale Musica in 1930, also referred to as International Festival of Contemporary Music; the Venice Film Festival in 1932, which they claim as the first film festival in history,[14] also referred to as Venice International Film Festival; and the Biennale Theatro in 1934, also referred to as International Theatre Festival.
In 1933 the Biennale organized an exhibition of Italian art abroad. From 1938, Grand Prizes were awarded in the art exhibition section.
During World War II, the activities of the Biennale were interrupted: 1942 saw the last edition of the events. The Film Festival restarted in 1946, the Music and Theatre festivals were resumed in 1947, and the Art Exhibition in 1948.[15]
1948–1973[edit]
The Art Biennale was resumed in 1948 with a major exhibition of a recapitulatory nature. The Secretary General, art historian Rodolfo Pallucchini, started with the Impressionists and many protagonists of contemporary art including Chagall, Klee, Braque, Delvaux, Ensor, and Magritte, as well as a retrospective of Picasso's work. Peggy Guggenheim was invited to exhibit her collection, later to be permanently housed at Ca' Venier dei Leoni.
1949 saw the beginning of renewed attention to avant-garde movements in European—and later worldwide—movements in contemporary art. Abstract expressionism was introduced in the 1950s, and the Biennale is credited with importing Pop Art into the canon of art history by awarding the top prize to Robert Rauschenberg in 1964.[16] From 1948 to 1972, Italian architect Carlo Scarpa did a series of remarkable interventions in the Biennale's exhibition spaces.
In 1954 the island San Giorgio Maggiore provided the venue for the first Japanese Noh theatre shows in Europe. 1956 saw the selection of films following an artistic selection and no longer based upon the designation of the participating country. The 1957 Golden Lion went to Satyajit Ray's Aparajito which introduced Indian cinema to the West.
1962 included Arte Informale at the Art Exhibition with Jean Fautrier, Hans Hartung, Emilio Vedova, and Pietro Consagra. The 1964 Art Exhibition introduced continental Europe to Pop Art (The Independent Group had been founded in Britain in 1952). The American Robert Rauschenberg was the first American artist to win the Gran Premio, and the youngest to date.
The student protests of 1968 also marked a crisis for the Biennale. Student protests hindered the opening of the Biennale. A resulting period of institutional changes opened and ending with a new Statute in 1973. In 1969, following the protests, the Grand Prizes were abandoned. These resumed in 1980 for the Mostra del Cinema and in 1986 for the Art Exhibition.[17]
In 1972, for the first time, a theme was adopted by the Biennale, called "Opera o comportamento" ("Work or Behaviour").
Starting from 1973 the Music Festival was no longer held annually. During the year in which the Mostra del Cinema was not held, there was a series of "Giornate del cinema italiano" (Days of Italian Cinema) promoted by sectorial bodies in campo Santa Margherita, in Venice.[18]
1974–1998[edit]
1974 saw the start of the four-year presidency of Carlo Ripa di Meana. The International Art Exhibition was not held (until it was resumed in 1976). Theatre and cinema events were held in October 1974 and 1975 under the title Libertà per il Cile (Freedom for Chile)—a major cultural protest against the dictatorship of Augusto Pinochet.
On 15 November 1977, the so-called Dissident Biennale (in reference to the dissident movement in the USSR) opened. Because of the ensuing controversies within the Italian left wing parties, president Ripa di Meana resigned at the end of the year.[19]
In 1979 the new presidency of Giuseppe Galasso (1979-1982) began. The principle was laid down whereby each of the artistic sectors was to have a permanent director to organise its activity.
In 1980, the Architecture section of the Biennale was set up. The director, Paolo Portoghesi, opened the Corderie dell'Arsenale to the public for the first time. At the Mostra del Cinema, the awards were brought back into being (between 1969 and 1979, the editions were non-competitive). In 1980, Achille Bonito Oliva and Harald Szeemann introduced "Aperto", a section of the exhibition designed to explore emerging art. Italian art historian Giovanni Carandente directed the 1988 and 1990 editions. A three-year gap was left afterwards to make sure that the 1995 edition would coincide with the 100th anniversary of the Biennale.[13]
The 1993 edition was directed by Achille Bonito Oliva. In 1995, Jean Clair was appointed to be the Biennale's first non-Italian director of visual arts[20] while Germano Celant served as director in 1997.
For the Centenary in 1995, the Biennale promoted events in every sector of its activity: the 34th Festival del Teatro, the 46th art exhibition, the 46th Festival di Musica, the 52nd Mostra del Cinema.[21]
1999–present[edit]
In 1999 and 2001, Harald Szeemann directed two editions in a row (48th & 49th) bringing in a larger representation of artists from Asia and Eastern Europe and more young artists than usual and expanded the show into several newly restored spaces of the Arsenale.
In 1999 a new sector was created for live shows: DMT (Dance Music Theatre).
The 50th edition, 2003, directed by Francesco Bonami, had a record number of seven co-curators involved, including Hans Ulrich Obrist, Catherine David, Igor Zabel, Hou Hanru and Massimiliano Gioni.
The 51st edition of the Biennale opened in June 2005, curated, for the first time by two women, Maria de Corral and Rosa Martinez. De Corral organized "The Experience of Art" which included 41 artists, from past masters to younger figures. Rosa Martinez took over the Arsenale with "Always a Little Further." Drawing on "the myth of the romantic traveler" her exhibition involved 49 artists, ranging from the elegant to the profane.
In 2007, Robert Storr became the first director from the United States to curate the Biennale (the 52nd), with a show entitled Think with the Senses – Feel with the Mind. Art in the Present Tense.
Swedish curator Daniel Birnbaum was artistic director of the 2009 edition entitled "Fare Mondi // Making Worlds".
The 2011 edition was curated by Swiss curator Bice Curiger entitled "ILLUMInazioni – ILLUMInations".
The Biennale in 2013 was curated by the Italian Massimiliano Gioni. His title and theme, Il Palazzo Enciclopedico / The Encyclopedic Palace, was adopted from an architectural model by the self-taught Italian-American artist Marino Auriti. Auriti's work, The Encyclopedic Palace of the World was lent by the American Folk Art Museum and exhibited in the first room of the Arsenale for the duration of the biennale. For Gioni, Auriti's work, "meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite," provided an analogous figure for the "biennale model itself...based on the impossible desire to concentrate the infinite worlds of contemporary art in a single place: a task that now seems as dizzyingly absurd as Auriti's dream."[22]
Curator Okwui Enwezor was responsible for the 2015 edition.[23] He was the first African-born curator of the biennial. As a catalyst for imagining different ways of imagining multiple desires and futures Enwezor commissioned special projects and programs throughout the Biennale in the Giardini. This included a Creative Time Summit, e-flux journal's SUPERCOMMUNITY, Gulf Labor Coalition, The Invisible Borders Trans-African Project and Abounaddara.[24][25]
The 2017 Biennale, titled Viva Arte Viva, was directed by French curator Christine Macel who called it an "exhibition inspired by humanism".[26] German artist Franz Erhard Walter won the Golden Lion for best artist, while Carolee Schneemann was awarded a posthumous Golden Lion for Lifetime Achievement.[27]
The 2019 Biennale, titled May You Live In Interesting Times, was directed by American-born curator Ralph Rugoff.[28]
The 2022 edition was curated by Italian curator Cecilia Alemani entitled "The Milk of Dreams" after a book by British-born Mexican surrealist painter Leonora Carrington.[29]
The Biennale has an attendance today of over 500,000 visitors.[30][31][32]
Role in the art market[edit]
When the Venice Biennale was founded in 1895, one of its main goals was to establish a new market for contemporary art. Between 1942 and 1968 a sales office assisted artists in finding clients and selling their work,[33] a service for which it charged 10% commission. Sales remained an intrinsic part of the biennale until 1968, when a sales ban was enacted. An important practical reason why the focus on non-commodities has failed to decouple Venice from the market is that the biennale itself lacks the funds to produce, ship and install these large-scale works. Therefore, the financial involvement of dealers is widely regarded as indispensable;[16] as they regularly front the funding for production of ambitious projects.[34] Furthermore, every other year the Venice Biennale coincides with nearby Art Basel, the world's prime commercial fair for modern and contemporary art. Numerous galleries with artists on show in Venice usually bring work by the same artists to Basel.[35]
Central Pavilion and Arsenale[edit]
The formal Biennale is based at a park, the Giardini. The Giardini includes a large exhibition hall that houses a themed exhibition curated by the Biennale's director.
Initiated in 1980, the Aperto began as a fringe event for younger artists and artists of a national origin not represented by the permanent national pavilions. This is usually staged in the Arsenale and has become part of the formal biennale programme. In 1995 there was no Aperto so a number of participating countries hired venues to show exhibitions of emerging artists. From 1999, both the international exhibition and the Aperto were held as one exhibition, held both at the Central Pavilion and the Arsenale. Also in 1999, a $1 million renovation transformed the Arsenale area into a cluster of renovated shipyards, sheds and warehouses, more than doubling the Arsenale's exhibition space of previous years.[36]
A special edition of the 54th Biennale was held at Padiglione Italia of Torino Esposizioni – Sala Nervi (December 2011 – February 2012) for the 150th Anniversary of Italian Unification. The event was directed by Vittorio Sgarbi
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Reference: Photo 24/(162)
From the Girdwood Collection held by the British Library.
This image is part of the Europeana Collections 1914-1918
Date: 29 Jul 1915
See also:
- View this at the British Library's site
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SLOW DANCE IS A DEBATE FORMAT ( ART FORMAT = www.emergencyrooms.org/formats.html)
here the question at the Maldives Pavilion in Thierry Geoffroy installation was meanwhile slow dancing :
CAN EMERGENCIES BE RANKED ?
together with the BIENNALIST and EMERGENCY ROOM MOBILE
www.emergencyrooms.org/biennalist.html
Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
Countries( nations ) that will participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
In 2013 Thierry Geoffroy / Colonel is represented at the Malives pavilion at the Venice Biennale and then went further and received hospitality at the Zimbabwe pavilion with the Emergency Room Mobile
www.emergencyrooms.org/biennalist.html
Meanwhile Thierry Geoffroy is in Copenhagen the work about todays emergencies continue at the gallery Marianne Friis on the WARM UP Wall established for this occasion
---------------------------------------------------------------------- ----------------------------------------------------------------------
lists of artists participating at the Venice Biennale :
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
Encyclopedic Palace is curated by Massimiliano Gioni
---------------------------------------------------------------------- ----------------------------------------------------------------------
other pavilions at Venice Biennale
Andorra Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison
Commissioner: Henry Périer Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella
Curators: Josep M. Ubach, Paolo De Grandis
Angola Artist: Edson Chagas Commissioner: Ministry of Culture
Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos
Argentina Artist: Nicola Costantino Commissioner: Magdalena Faillace Curator: Fernando Farina
Armenia Artist: Ararat SarkissianCurator: Arman Grogoryan
AustraliaArtist: Simryn Gill Commissioner: Simon Mordant Deputy Commissioner: Penelope Seidler Curator: Catherine de Zegher
AustriaArtist: Mathias Poledna ,Curator: Jasper Sharp
AzerbaijanArtists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov
Commissioner: Heydar Aliyev FoundationCurator: Hervé Mikaeloff
Bahamas Artist: Tavares Strachan Commissioner: Nalini Bethel, Ministry of Tourism Curators: Jean Crutchfield, Robert HobbsDeputy Curator: Stamatina Gregory
BangladeshChhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School
Commissioner/Curator: Francesco Elisei. , Curator: Fabio Anselmi.
BahrainArtists: Mariam Haji, Waheeda Malullah, Camille Zakharia
Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture
Curator: Melissa Enders-Bhatiaa
BelgiumArtist: Berlinde De Bruyckere
Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture .Curator: J. M. Coetzee ,Deputy Curator: Philippe Van Cauteren
Bosnia and Herzegovina
Artist: Mladen Miljanovic .Commissioners: Sarita Vujković, Irfan Hošić
Brazil Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari
Commissioner: Luis Terepins, Fundação Bienal de São Paulo,Curator: Luis Pérez-Oramas ,Deputy Curator: André Severo
CanadaArtist: Shary Boyle
Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada ,Curator: Josée Drouin-Brisebois
Central AsiaArtists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov
Commissioner: HIVOS (Humanist Institute for Development Cooperation)
Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)
Curators: Ayatgali Tuleubek, Tiago Bom
Scientific Committee: Susanne M. Winterling
ChileArtist: Alfredo JaarCommissioner: CNCA, National Council of Culture and the Arts Curator: Madeleine Grynsztejn
ChinaArtists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao
Commissioner: China Arts and Entertainment Group (CAEG) ,Curator: Wang Chunchen
Costa Rica Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto
Commissioner: Francesco EliseiCurator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)
Croatia Artist: Kata Mijatovic ,Commissioner/Curator: Branko Franceschi.
CubaArtists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone ,Commissioner: Miria Vicini
Curators: Jorge Fernández Torres, Giacomo Zaza
CyprusArtists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioner: Louli Michaelidou
Deputy Commissioners: Angela Skordi, Marika Ioannou
Curator: Raimundas Malašauskas
Czech Republic & Slovak RepublicArtists: Petra Feriancova, Zbynek Baladran ,Commissioner: Monika Palcova, Curator: Marek Pokorny
DenmarkArtist: Jesper Just in collaboration with Project ProjectsEgypt
Artists: Mohamed Banawy, Khaled Zaki
EstoniaArtist: Dénes Farkas ,Commissioner: Maria Arusoo ,Curator: Adam Budak
FinlandArtist: Antti Laitinen , Commissioner: Raija Koli , Curators: Marko Karo, Mika Elo, Harri Laakso
FranceArtist: Anri Sala ,Curator: Christine Macel
GeorgiaArtists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze
Commissioner: Marine Mizandari, First Deputy Minister of Culture Curator: Joanna Warsza
GermanyArtists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh Commissioner/Curator: Susanne Gaensheimer
Great BritainArtist: Jeremy Deller ,Commissioner: Andrea Rose , Curator: Emma Gifford-Mead
Holy SeeArtists: Lawrence Carroll, Josef Koudelka, Studio Azzurro ,Curator: Antonio Paolucci
Hungary , Artist: Zsolt Asztalos , Curator: Gabriella Uhl
Iceland , Artist: Katrín Sigurðardóttir ,Commissioner: Dorotheé Kirch
Curators: Mary Ceruti , Ilaria Bonacossa
IndonesiaArtists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi
Deputy Commissioner: Achille Bonito Oliva , Assistant Commissioner: Mirah M. Sjarif
Curators: Carla Bianpoen, Rifky Effendy
IraqArtists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)
Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)Curator: Jonathan Watkins.
IrelandArtist: Richard MosseCommissioner, Curator: Anna O’Sullivan
Israel , Artist: Gilad Ratman , Commissioners: Arad Turgeman, Michael GovCurator: Sergio Edelstein
ItalyArtists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa ,Commissioner: Maddalena Ragni
Curator: Bartolomeo Pietromarchi
Ivory Coast Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny
Commissioner: Paolo De Grandis , Curator: Yacouba Konaté
Japan ,Artist: Koki Tanaka ,Curator: Mika Kuraya
KenyaArtists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César MeneghettiCommissioner: Paola Poponi ,Curators: Sandro Orlandi, Paola Poponi
Korea (Republic of)Artist: Kimsooja
KosovoArtist: Petrit Halilaj ,Commissioner: Erzen Shkololli ,Curator: Kathrin Rhomberg
KuwaitArtists: Sami Mohammad, Tarek Al-Ghoussein
Commissioner: Mohammed Al-Asoussi ,Curator: Ala Younis
Latin AmericaIstituto Italo-Latino Americano
Artists:Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi.
Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski ,Commissioner: Sylvia Irrazábal ,Curator: Alfons Hug
Deputy Curator: Paz Guevara
Latvia Artists: Kaspars Podnieks, Krišs Salmanis ,Commissioners: Zane Culkstena, Zane Onckule ,Curators: Anne Barlow, Courtenay Finn, Alise Tifentale
LithuaniaArtist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter SinisterCommissioners: Jonas Žokaitis, Aurime Aleksandraviciute . Curator: Raimundas Malašauskas
LuxembourgArtist: Catherine LorentCommissioner: Clément Minighetti Curator: Anna Loporcaro
MexicoArtist: Ariel Guzik ,Commissioner: Gastón Ramírez Feltrín ,Curator: Itala Schmelz
Montenegro ,Artist: Irena Lagator Pejovic .Commissioner/Curator: Nataša Nikcevic
The Netherlands ,Artist: Mark Manders
Commissioner: Mondriaan Fund ,Curator: Lorenzo Benedetti
New Zealand Artist: Bill Culbert ,Commissioner: Jenny Harper ,Deputy Commissioner: Heather Galbraith ,Curator: Justin Paton
Venue: Santa Maria della Pietà, Calle della Pietà, Castello
Finland: ,Artist: Terike Haapoja ,Commissioner: Raija Koli ,Curators: Marko Karo, Mika Elo, Harri Laakso
Norway:Artists: Edvard Munch, Lene Berg
Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese
Paraguay Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi ,Commissioner: Elisa Victoria Aquino Laterza
Deputy Commissioner: Nori Vaccari Starck , Curator: Osvaldo González Real
Poland Artist: Konrad Smolenski Commissioner: Hanna Wróblewska Curators: Agnieszka Pindera, Daniel Muzyczuk
Portugal Artist: Joana Vasconcelos Curator: Miguel Amado
RomaniaArtists: Maria Alexandra Pirici, Manuel Pelmus Commissioner: Monica Morariu Deputy Commissioner: Alexandru Damia Curator: Raluca Voinea
Artists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian MoldovanCommissioner: Monica Morariu ,Deputy Commissioner: Alexandru Damian ,Curator: Anca Mihulet
Russia Artist: Vadim Zakharov ,Commissioner: Stella Kasaeva ,Curator: Udo Kittelmann
Serbia Artists: Vladimir Peric, Miloš Tomic .Commissioner: Maja Ciric
SloveniaArtist: Jasmina CibicCommissioner: Blaž Peršin ,Curator: Tevž Logar
South Africa Commissioner: Saul Molobi ,Curator: Brenton Maart
Spain Artist: Lara Almarcegui , Commissioner/Curator: Octavio Zaya
Switzerland Artist: Valentin Carron Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki
Curator: Giovanni CarmineVenue: Pavilion at Giardini
Syrian Arab RepublicArtists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo
Commissioner: Christian Maretti Curator: Duccio Trombadori
Taiwan Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU Curator: Esther Lu
Thailand Artists: Wasinburee Supanichvoraparch, Arin Rungjang
Curators: Penwadee Nophaket Manont, Worathep Akkabootara
Turkey Artist: Ali Kazma Commissioner: Istanbul Foundation for Culture and Arts Curator: Emre Baykal
Venue: Forte Marghera, via Forte Marghera, 30
Ukraine Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna Commissioner: Victor Sydorenko
Curators: Soloviov Oleksandr, Burlaka Victoria
United Arab Emirates Artist: Mohammed Kazem
Commissioner: Dr. Lamees Hamdan Curator: Reem Fadda
Uruguay Artist: Wifredo Díaz Valdéz
Commissioner: Ricardo Pascale Curators: Carlos Capelán, Verónica Cordeiro
USA Artist: Sarah Sze Commissioners/Curators: Carey Lovelace, Holly Block
Venezuela Colectivo de Artistas Urbanos Venezolanos , Commissioner: Edgar Ernesto González Curator: Juan Calzadilla
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
'The Walk' movie reviews emerged online; Robert Zemeckis commended Joseph …
Most of the reviews were positively stated. Aside from Gordon-Levitt, Clément Sibony as his closest ally, Ben Kingsley will play as a mentor, César Domboy, Charlotte Le Bon will be his girlfriend, and J...
tsceleb.com/the-walk-movie-reviews-emerged-online-robert-...
Nâng ngực nội soi là phương pháp làm đẹp vòng 1 được rất nhiều chị em tin tưởng thực hiện trong thời gian gần đây. Không chỉ giúp bạn sở hữu đôi gò “bồng đảo” như ý, phương pháp nâng ngực nội soi còn rất an toàn với hiệu quả duy trì dài lâu.
Xem thêm bảng giá nâng ngực: nangnguctunhien.vn/tong-hop-bang-gia-dich-vu-tham-my-tai-...
Bộ ngực đẹp là một trong những niềm tự hào ngầm của các eva, giúp họ trở nên quyến rũ và tự tin hơn. Tuy nhiên, không phải ai sinh ra cũng được tạo hóa ban cho bộ ngực đầy đặn như mong muốn. Chính vì thế mà nhiều eva phải nhờ cậy đến các phương pháp nâng ngực để cải thiện vòng 1 khiêm tốn của mình. Nâng ngực nội soi là một trong số các dịch vụ được ưa chuộng nhất vì nó sở hữu nhiều ưu điểm, được lòng rất nhiều chị em.
Nâng ngực nội soi là phương pháp nâng ngực với sự hỗ trợ của camera nội soi giúp phóng to các chi tiết trong khoang ngực lên gấp nhiều lần, hỗ trợ thao tác tạo khoang và đặt túi ngực của các bác sĩ được dễ dàng và hiệu quả hơn.
Nhờ thiết bị này mà chỉ cần một đường rạch rất nhỏ từ 2 – 3 cm là bác sĩ đã có thể đặt túi một cách dễ dàng, giúp vết sẹo sau phẫu thuật nhỏ và thẩm mỹ hơn, hạn chế xâm lấn tối đa.
THAM KHẢO DỊCH VỤ : NÂNG NGỰC CHẢY XỆ
CÁC KỸ THUẬT NÂNG NGỰC NỘI SOI
Nâng ngực nội soi là phương pháp được thực hiện qua 3 đường mổ chính là đường nách, đường quầng vú và đường nếp dưới vú. Mỗi đường mổ sẽ có những ưu là nhược điểm khác nhau và thường được đánh giá qua 4 tiêu chí là:
– Vị trí sẹo
– Đường vào khoang đặt túi
– Mức độ tổn thương mô tuyến, các dây thần kinh, cảm giác quầng vú
– Khả năng gặp biến chứng: bao xơ co thắt, di lệch túi
NÂNG NGỰC NỘI SOI ĐƯỜNG NÁCH
Ưu điểm:
– Sẹo khó thấy, tránh được sẹo trên vùng vú.
– Quá trình phẫu thuật sẽ không xâm phạm đến nhu mô tuyến vú.
– Thích hợp cho những người gầy, vú nhỏ và hơi sa xệ, có nếp dưới vú không rõ hoặc quầng vú nhỏ.
Khuyết điểm:
– Đường mổ xa khoang đặt túi nên khó kiểm soát vị trí của túi, túi ngực dễ bị lệch.
– Khó cầm máu.
NÂNG NGỰC NỘI SOI ĐƯỜNG QUẦNG VÚ
Ưu điểm:
– Giúp đi thẳng vào giữa vú, từ đó mở vào 4 phía. Thuận lợi cho mọi loại túi ngực và khoang đặt túi.
– Có thể sử dụng trong các trường hợp mổ lại, chữa trị các biến chứng.
– Giấu sẹo rất tốt do đường mổ trùng với màu quầng vú.
Khuyết điểm:
– Cần cẩn thận khi màu của quầng vú nhạt, sẽ khó dấu sẹo.
NÂNG NGỰC NỘI SOI ĐƯỜNG NẾP DƯỚI VÚ
Ưu điểm:
– Khoang đặt túi được kiểm soát rõ ràng, ngay dưới mắt nhìn mà không đường vào nào sánh được.
– Đảm bảo vô trùng vì không chạm đến đầu vú, mô hay ống tuyến vú.
Khuyết điểm:
Đường mổ dễ bị lộ và dễ để lại sẹo xấu. Vì thế, sau mổ, nên theo dõi sát để sử dụng các biện pháp làm lành sẹo, mờ sẹo nếu cần.
CÁC LOẠI TÚI DÙNG TRONG NÂNG NGỰC NỘI SOI
Hiên nay, FDA Hoa Kỳ đã cho phép sử dụng túi gel nâng ngực trong các ca nâng ngực nội soi. Đây cũng là loại túi được sử dụng nhiều nhất trong các ca thẩm mỹ đặt túi ngực hiện nay. Túi ngực được phân chia thành các dạng sau:
– Hình dạng túi:
+ Túi tròn: túi có đáy hình tròn, khác nhau ở đường kính đáy túi và độ nhô.
+ Túi giọt nước: đáy túi có chiều rộng khác với chiều cao, được định bởi 3 thông số: chiều rộng, chiều cao của đáy túi và độ nhô. Ở túi giọt nước, chỗ nhô cao nhất của túi không nằm ở giữa mà lệch về phía nửa dưới của túi. Túi giọt nước giúp ngực tự nhiên hơn sau khi đặt.
– Bề mặt túi:
+ Túi trơn: vỏ ngoài trơn láng, mềm mại, dễ dàng đặt vào khoang ngực hơn.
+ Túi nhám: vỏ ngoài nhám, giúp bám chắc hơn vào cơ ngực, cố định túi tốt hơn.
Ngoài ra, hiện nay còn phát triển thêm loại túi xốp có bề mặt đặc biệt hơn túi ngực thông thường, giảm khối lượng túi đáng kể mà vẫn giúp ngực đạt kích thước như mong muốn.
Túi nano chip là công nghệ túi ngực tiên tiến có cấy ghép thêm con chip nano vào bên trong, lưu giữ các thông số về túi ngực và người thực hiện, giúp kiểm soát túi tốt hơn.
PHƯƠNG PHÁP NÂNG NGỰC NỘI SOI TẠI BỆNH VIỆN THẨM MỸ Á ÂU
Tại Á Âu, nâng ngực nội soi được các bác sĩ ưu tiên thực hiện theo 2 đường chính là đường nách và đường quầng vú vì đây là 2 đường mổ có nhiều ưu điểm hơn cả.
Yếu tố quan trọng của nâng ngực nội soi là chất liệu túi ngực được sử dụng. Bệnh viện thẩm mỹ Á Âu áp dụng độc quyền công nghệ nâng ngực nội soi bằng túi ngực siêu nhẹ B-Lite. Đây là loại túi có bề mặt được cấu tạo đặc biệt nên rất nhẹ, trọng lượng giảm đến 30% so với các loại túi cùng size thông thường, giảm lực tác động lên cơ ngực, không gây cảm giác nặng nề cho khách hàng, không làm giãn cơ ngực và chảy xệ ngực về sau.
27 June 2014
Imago Anatopism
LEA10
Second Life
lindenarts.blogspot.com/2014/05/transitt-imago-anatopism....
Mimesis Monday
(Heidi Dahlsveen)
historieforteller.wordpress.com/tag/imago-anatopism/
Alpha Auer
(Elif Ayiter)
www.flickr.com/photos/alpha_auer/sets/72157644047392579
zikiquesti.blogspot.com/2014/05/transitt-imago-anatopism....
From the notecards:
“”
About Imago Anatopism:
The project tells the tale of Volund, a nordic, elf, a symbol following Joseph Campbell's "Hero with a Thousand Faces." Volund undergoes many persona changes during his travels in which he encounters several others that shape and transform him.
Stage 1: At the start of the tale Volund, a Norsk elf who is probably born on the edge of the world between Midgaard – the home of humans, and Utgaard – the home home of giants, is still a young boy who is taken by his father to a mountian where a tribe of dwarfs are to teach him the craft of blacksmithing.
At this early stage all Volund gets are the basics: Skin, shape, eyes and a pair of shoes.
Stage 2: This is the stage in which Volund is refuses the call to the adventure. He is still a timid boy who does not hear, or misinterprets the call or may even misuse the call since he is not yet mature enough to make his own decisions and only follows the decisions of others. All this leads to the murder of his father which makes Volund realise life's dangers and the magnitude of his task.
Symbolizing this blindness, at stage 2 Volund only gets a mask as an attachment.
Stage 3: Setting out on his adventure, Volund goes back to the mountain in order to learn further secrets of forging and the creation of magic tools from the dwarf. Such supernatural aids are both good and bad and once Volund puts on his magic belt and helmet he realizes that it is the dwarfs that killed his father. This makes them his enemy and he has a narrow escape as he leaves the mountain.
Thus, at stage 3 Volund gets a magic belt and helmet as two new attachments.
Stage 4: The idea of the entering another world is often symbolized by the belly of the whale. Volund is no different in this regard, and he throws himself into the ocean to float away to the unknown.
Thus, at stage 4 Volund gets a harpoon as a new attachment.
Stage 5: It is at this stage that Volund starts discovering his strength and power. He now has the ability to forge magic objects, such as life-like statues and wonderful weapons. It is at this stage that Volund meets a valkyrie (in this instance, a symbol for the concept of "goddess"), whom he first sees as a swan who is taking off her feathers in order to bathe in lake. Volund hides her feathers and makes her his first wife. However she leaves him at the end of 7 years when she finally finds her feathers and flees away.
"She is the mother, sister, mistress, bride," Campbell writes of the goddess. But she is also the death of of everything that dies. Campbell continues: "Woman, in the picture language of mythology, represents the totality of what can be known. The hero is the one who comes to know."
At stage 5 Volund gets a big present that he gives to the goddess as an offering as a new attachment.
Stage 6: Volund gets 9 rings from the valkyrie, which is a symbol of union. However these ring are also things that he can measure his own forging up against.
Stage 7: Volund is now supposed to start his journey back home, with newly gained wisdom. However, he faces yet another obstacle through the king who tries to hinder Volund from leaving by crippling him.
Thus, unsurprisingly, at this stage Volund gets a cane. There are several versions of this with different poses.
Stage 8: Volund gets his revenge upon the king by raping his daughter.
To quote Campbell again: "And always, after the first thrills of getting under way, the adventure develops into a journey of darkness, horror, disgust and phantasmagoric fears."
And so, at this stage Volund gets a caged bird with which he can seduce the king's daughter.
Stage 9: Volund has now made the king's daughter pregnant. However, in order to ensure that his own son inherits the throne, Volund also takes the precaution of killing the king's two sons.
Thus, at this stage the new attachment that Volund gets is a sword.
Stage 10: We are now nearing the end of the story and Volund sits bird-like on a roof, and tells the king what has happend and what the future will be.
Stage 11: While Volund started his journey in the ocean his return home is through the sky. He forges himself a huge pair of wings with which he flies back home.
Stage 12: We have come to the end of the tale and Volund has finally returned home as a wiser, older man who now deserves to put on the shiled and mantle of the hero.
Campbell writes: ”The hero is the champion of things becoming, not of things become, because he is.” And later ”Having died to his personal ego, he arose again established in the Self”.
1. I am thankful for hearing about Tsilli Pines’s artwork. I really enjoy the simplicity of it.
2. I am thankful for having dreams. I am thankful for meeting people that taught me more about dreaming and that dreams can become reality. I am thankful for people that are actively working on their dreams becoming reality because it sets a good example for me and it makes me keep trying. I am thankful for allowing myself some time and space to think about and work on my dreams. Thinking about and working on my dreams and seeing other people working on their dreams makes it easier to work through the hard and stuck stuff.
3. I am really thankful for being able to grow flowers, herbs and tomatoes in my space because it helps stoke the fire for my dream of having my own land with beautiful flower and vegetable gardens and a small orchard. The flowers and plants also make this living space more palpable on days I feel frustrated.
4. I am thankful for change and consciously working to create the changes I desire. I am thankful for remembering that I have done change before and everything worked out better than expected. That remembrance is helping me to trust that things are working out perfectly and according to plan .. just not my own! ;) This helps me to keep moving forward even though my logic brain is having one heck of a temper tantrum. (took me a minute or two to clean up that language on that!)
5. I am thankful to receive an email from a former classmate that did some travelling to Pakistan and Afghanistan this passed summer because it means he has returned safely. I am thankful that although the trip may have presented some challenges, some good has come of them. I am thankful to meet him, it has been a pleasant, interesting and enlightening experience .. I always want to ask him a bazillion questions about his life experience but I don’t want to pry and perhaps he doesn’t like having to hang out in the past to answer questions.
6. I am thankful for thoughtful, caring, coming alive and finding her stride Leah! :)
7. I am thankful that my mom’s trip to the dentist was not as bad as her previous encounters with The Dentist have been! Here’s to having happy teeth! :)
8. I am thankful for adding heavy housework to my exercise regime! It is a win-win because I get the exercise of working up a sweat, developing muscles and a cleaner, more pleasant living space! I am also discarding several things I don’t particularly like or want. The combined cleaning and removal of obstacles are making moving forward much less daunting and perhaps even pleasant! :)
9. I am really thankful for working on hard stuff around f0rgiving and understanding the relationship with the father of me.
1. What I have decided is that I am thankful that he left when he did and didn’t look back because it stopped him from acting mean toward us and gave my mom lots of space to raise her children better/well.
2. Working on the hard stuff has made me more thankful for how hard my mom worked and always did her very best with what she/we had. And she says I’m stubborn!? pffft! ;P
3. Although she may not always agree with me, I think her daughters turned out ok .. some days even good .. dare I say! ;) This also helps me to understand why I just keep trying and moving forward no matter what! I read an article by Jonathan Morrow that also assisted in jogging my memory.
4. F0rgiving and moving on has helped me to identify some triggers that have/had caused me to plummet into a depression. It is like being angry had reserved a dark hole that I would sometimes trip and stumble down but the f0rgiveness fills the hole in a bit so I can still see some light if I happen to stumble.
5. Looking closer at the father behaviour is helping me to identify other detrimental patterns I haven’t cleared up yet and begin working with them.
10. I am thankful for promising myself I would do these thankful lists every Wednesday before I sleep because they help me to remember that I have so very much to be thankful for and the original reason why I began making these thankful lists so very long ago. I am thankful for doing these lists out loud instead of just to myself before I sleep, I think they might be as helpful to others as they are to me. I am thankful for others living a life of gratitude with me.
11. I am thankful for actively developing further as a professional artist. What this means to me is that I am developing a schedule by learning what times and days I work best on specific tasks and doing my work. I am learning that step by step one can travel much farther than sitting around trying to devise the best plan to get from point A to point B. Having some kind of momentum does make it easier to get there AND be able to change direction should the need arise. Whoa .. d00d! ;P
12. I am thankful for the tradition a friend and I began a couple of years ago where we meet some time between our birthdays and give “status reports” of what our previous year has looked like, where we are at now and our plan of action for the coming year. The discussions are lively, enlightening, heart warming, butt kicking and involve chocolate!! :)
13. I am thankful for f0rgiving myself for not having a better relationship with my nephew so that I can have more energy to build better relationships with both my nephew and niece in the present. Oddly enough striving to be a better person so that I can be a good role model is part of this.
14. I am thankful for recognising how much I push myself to read and learn but barely give myself a dang break! The way I push myself to learn, grow, improve you’d think I thought there was something wrong or broken with me! I am thankful that I gave myself a break for at least one day .. ironically I suspect that I learnt and accomplished more that one day than I had all previous week!? It wasn’t even an entire day because half of it was spent arguing with myself to chill the heck out! This also helped me to realise that I can definitely stand to learn a lot more about this “celebrate your successes” thing! Which again, ironically is one of the key things I stress when I do life coaching type stuff for other people! Well, at least I can laugh at myself .. now! ;P
15. I am thankful for making myself meditate this week .. I had fallen off the meditation wagon last week. Although I find I prefer to meditate for a shorter duration, it is still equally as important that I do meditate and then write afterward.
16. I am thankful for being able to meet Dianna for our semi-yearly check-in cheering session. I am thankful that it was a nice and sunny day and that there were no (other) kids there so that we could play on the swings in peace! It was nice to connect with another person where we ‘get’ each other and meet each other where we are at. I am thankful that even though there was a super cool reflection of the lake in her sunglasses I was able to still focus on listening instead of picture making. I am very thankful that she is feeling better than she was last time I saw her - she seems much happier and healthier and is moving forward with her dreams! Hooray! :) I am also thankful that she read and returned my Herman and brought me yummy cookies that were still WARM! :) I am thankful she asked some hard questions that only a good friend can ask.
17. I am thankful my mom called yesterday because she had been on my mind a lot lately. I am thankful that she was in town today to bring me goodies and a hug. :) Yep, definitely a very good day for hugs! :)
18. I am thankful for the quote of the week brought to me by Tracy, “Crazy shit. Life is weird.” Taken totally out of context but still somehow fits in a ‘well, will you look at that’ while staring at your shoes awkwardly sort of way.
19. I am really thankful that I did the bulk of the list Tuesday because this is about what I have to give at the moment.
pixels.com/featured/old-lorimier-cemetery-larry-braun.html
Old Lorimier Cemetery was established in 1808 by Louis Lorimier. The location of the cemetery is 500 North Fountain Street. There is believed to be more than 6,500 burials in the cemetery, most being unmarked. A sidewalk serves as a north - south dividing line in the cemetery. It is said that Catholics are buried on the south and Protestants are buried on the north. The east slope is believed to be the burial grounds of African-American persons. It has been recorded that as many as 1,200 soldiers from the Civil War were buried there. Old Lorimier Cemetery was established in 1808 on a five acre plot of land atop a hill that was set aside by Louis Lorimier as the first public cemetery, upon the death of his wife Charlotte. This area was just outside what was at the time the north city boundary of Cape Girardeau. The cemetery is actually 5.47 acres measuring 661 feet east west by 316 feet north south.
There are many early settlers and persons who built and shaped the community interred within the grounds of the cemetery. Persons of many nationalities are buried in the cemetery besides those born in the United States, some being born in Germany, Canada, England, Wales, France, Scotland, Ireland, Italy and the West Indies. Inscriptions on the monuments are in English, Latin, German and French. There are no Spanish inscriptions.
There are about 1250 gravestones marking burials at the cemetery. It is thought that there are more than 6500 burials in the cemetery. A grave space occupies up to 24 square feet of ground and there is over 208,000 square feet in the cemetery grounds. There appears to be no real order to the burials, meaning no rows were set or pattern to follow for burial, it is believed that all available space was used and thus the actual number of persons interred there can never be known.
The cemetery was originally sectioned by religious affiliation and race. Protestants were interred in the east area while Catholics were interred in the west area. The concrete arch with a cross atop is the marker showing the divide. It is believed blacks were interred on the eastern slope of the cemetery, though it has been found through records available that persons of color were buried on the eastern and southern edges of the cemetery grounds. This was done by comparing burial records with monuments in place on the grounds.
Any known burial records for the cemetery were destroyed in a fire at the Common Pleas Courthouse years ago. Many attempts have and are still being made to find and list the names of persons buried in the cemetery, but information is very difficult to find and location of any of these will not be possible. The information we do have was gathered by the Cape County Genealogy Society and through the Historic Preservation Department at Southeast Missouri State University.
It is believed that there were 1200 soldiers from the Civil War buried in the cemetery. Along with these are persons who died during epidemics of cholera, black plaque, small pocks, influenza and yellow fever through the years of its use. It is a common thought that during the Civil War many soldiers were buried in graves containing more than one body as this was done at night so persons who sympathized with the Confederates did not know how many Union soldiers were dying.
There are a number of graves believed to have been used as mass burial sites due to deaths during epidemics as well as accidents. One such site is marked by a stone cylinder, which is located on the southeastern edge of the cemetery.
There have been a lot of stories and folklore that are told concerning Old Lorimier Cemetery which need to be to put to rest. There has never been any trace of a tunnel found into or through the cemetery. There are no bodies in the above ground crypts, they are just monuments nor a special brick in any monument to push to open to a hidden passageway.
Over the years there have been many repeated acts of vandalism in which the monuments were overturned and damaged. Repairs were made to the markers when possible but to no avail, as they would be damaged again in an act of vandalism in the future. After time and continued vandalism many of the markers were damaged to a point that they were no longer repairable and they were carried off by persons. There are instances in which persons living in the area of the cemetery made walkways with the broken markers. When found the pieces would be brought back to the cemetery and placed in a location that was chosen by a person in charge at that time. Or they would be placed in a pile or some protected location until they would be repaired or discarded if it was not possible to find any distinguishing marks or information on them. Many methods have been used in attempts to repair the damaged markers, but to date there have not been any that has been determined to be a permanent fix.
The pagoda covering the burial location of Louis and Charlotte Lorimier was erected and dedicated on August 5, 1917 by the women of the Cemetery Association and was refurbished in 1952. The stone entryways and steps on the south were built and dedicated on May 31, 1952 by the Thomas Sanford Chapter of the Daughters of the American Colonists. The concrete wall along the west side was added and dedicated in 1953. Originally the only entryway into the cemetery was via the east up the steep hill from the river side. Later accessibility was made to the cemetery eastward via Washington Street and southward via Fountain Street from Washington school.
Some things have been done in an attempt to stop the vandalism. In 1992 a group was formed to solicit and receive donations for the purchase a fence to surround the cemetery. Almost $20,000 was raised and the fence was installed that year. This has reduced the frequency of the vandalism, but has not ended it completely. In 2007 additional lighting and a security system were installed.
Terrell Weaver
Cemetery Sexton
January, 1994
www.kingdomsalvation.org/es/god-himself-the-unique-iii.html
Dios Todopoderoso dice: “Por tanto, el curso del desarrollo de una persona queda determinado por el entorno en el que crece, y también depende de las personas, los acontecimientos y las cosas con las que entra en contacto durante ese período de tiempo. Ya que las condiciones bajo las que una persona crece son predestinadas con mucha antelación, el entorno en el que uno vive durante este proceso también está, por supuesto, predeterminado. No se decide por las elecciones y preferencias personales, sino de acuerdo con los planes del Creador, está determinado por Sus disposiciones cuidadosas, por Su soberanía sobre el destino de la persona en la vida. Así pues, las personas que cualquier individuo encuentra en el curso de su crecimiento, y las cosas con las que entra en contacto, están todas inevitablemente conectadas con la orquestación y el arreglo del Creador. Las personas no pueden prever estos tipos de interrelaciones complejas ni controlarlas, ni entenderlas. Muchas cosas y personas diferentes tienen influencia sobre el entorno en el que una persona crece, y ningún ser humano es capaz de organizar y orquestar una red tan inmensa de conexiones. Ninguna persona o cosa, excepto el Creador, puede controlar la aparición, la presencia y la desaparición de todas las diversas personas, acontecimientos y cosas, y es precisamente esa inmensa red de conexiones la que da forma al desarrollo de una persona tal como el Creador lo haya predestinado y la que forma los diversos entornos en los que crecen las personas, y crea los diversos roles necesarios para la obra de gestión del Creador, estableciendo unos fundamentos sólidos y fuertes para que las personas cumplan con éxito sus misiones.
De "La Palabra manifestada en carne (Continuación)"
Fuente de la imagen: Iglesia de Dios Todopoderoso
Términos de uso: es.godfootsteps.org/disclaimer.html"
Has the VENICE BIENNALE of Okwui Enwezor ANYTHING TO DO WITH CURENT THINGS and ULTRACONTEMPORARY ? /
“What does an elitist event like the Venice Biennale has to do with Karl Marx?”. by Biennalist 2015 in collaboration with COPENHAGEN ULTRACONTEMPORARY BIENNALE
biennalist.blogspot.dk/2015/06/biennalist-and-cub-started...
www.emergencyrooms.org/venice_biennale2015.html
www.emergencyrooms.org/formats.html
main : copenhagenbiennale.org/
www.facebook.com/CopenhagenBiennale
Launch of COPENHAGEN ULTRACONTEMPORARY BIENNALE @ Venice Biennale
in association with BIENNALIST / www.emergencyrooms.org/biennalist.html
COPENHAGEN ULTRACONTEMPORARY BIENNALE @ Venice Biennale
--------------
a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE was done at the Venice Biennale 2015 ---
check date and place here www.facebook.com/CopenhagenBiennale
COPENHAGEN ULTRACONTEMPORARY BIENNALE
main : copenhagenbiennale.org/
www.facebook.com/CopenhagenBiennale
www.emergencyrooms.org/formats.html
meanwhile during Venice Biennale contemporary art will be shown by
ABBOUD, Jumana Emil .ABDESSEMED, Adel .ABONNENC, Mathieu Kleyebe
ABOUNADDARA.ACHOUR, Boris ADKINS, Terry AFIF, Saâdane
AKERMAN, Chantal AKOMFRAH, John AKPOKIERE, Karo
AL SOLH, Mounira ALGÜN RINGBORG, Meriç ALLORA, Jennifer & CALZADILLA, Guillermo
ATAMAN, Kutlug BAJEVIC, Maja BALLESTEROS, Ernesto
BALOJI, Sammy BARBA, Rosa
BASELITZ, Georg BASUALDO, Eduardo BAUER, Petra
BESHTY, Walead BHABHA, Huma BOLTANSKI, Christian
BONVICINI, Monica BOYCE, Sonia
BOYD, Daniel BREY, Ricardo BROODTHAERS, Marcel BRUGUERA, Tania
BURGA, Teresa CALHOUN, Keith & McCORMICK, Chandra CAO, Fei
CHAMEKH, Nidhal CHERNYSHEVA, Olga CHUNG, Tiffany
COOPERATIVA CRÁTER INVERTIDO CREATIVE TIME SUMMIT
DAMIANI, Elena DELLER, Jeremy DJORDAJDZE, Thea DUMAS, Marlene
E-FLUX JOURNAL EDWARDS, Melvin EFFLATOUN, Inji EHMANN, Antje & FAROCKI, Harun
EICHHORN, Maria EVANS, Walker FAROCKI, Harun FLOYD, Emily
FRIEDL, Peter FUSCO, Coco FUSINATO, Marco
GAINES, Charles GALLAGHER, Ellen GALLARDO, Ana GARCIA, Dora
GATES, Theaster GENZKEN, Isa GLUKLYA GOMES, Sônia GROSSE, Katharina
GULF LABOR GURSKY, Andreas HAACKE, Hans
HADJITHOMAS, Joana & JOREIGE, Khalil HARRY, Newell HASSAN, Kay
HIRSCHHORN, Thomas HÖLLER, Carsten HOLT, Nancy & SMITHSON, Robert
IM, Heung Soon INVISIBLE BORDERS: Trans-African Photographers ISHIDA, Tetsuya
JI, Dachun JULIEN, Isaac K., Hiwa KAMBALU, Samson KIM, Ayoung
KLUGE, Alexander KNGWARREYE, Emily Kame LAGOMARSINO, Runo LEBER, Sonia & CHESWORTH, David
LIGON, Glenn MABUNDA, Gonçalo MADHUSUDHANAN MAHAMA, Ibrahim
MALJKOVIC, David MAN, Victor MANSARAY, Abu Bakarr MARKER, Chris
MARSHALL, Kerry James MARTEN, Helen MAURI, Fabio McQUEEN, Steve
MOHAIEMEN, Naeem MORAN, Jason MÜLLER, Ivana MUNROE, Lavar MURILLO, Oscar
MUTU, Wangechi NAM, Hwayeon NAUMAN, Bruce NDIAYE, Cheikh NICOLAI, Olaf
OFILI, Chris OGBOH, Emeka PARRENO, Philippe PASCALI, Pino PIPER, Adrian
PONIFASIO, Lemi QIU, Zhijie RAISSNIA, Raha RAQS MEDIA COLLECTIVE
(NARULA, Monica; BAGCHI, Jeebesh; SENGUPTA, Shuddhabrata) REYNAUD-DEWAR, Lili
RIDNYI, Mykola ROBERTS, Liisa ROTTENBERG, Mika SCHÖNFELDT, Joachim SELMANI, Massinissa
SENGHOR, Fatou Kand SHETTY, Prasad & GUPTE, Rupal SIBONY, Gedi
SIMMONS, Gary SIMON, Taryn SIMPSON, Lorna SMITHSON, Robert SUBOTZKY, Mikhael
SUHAIL, Mariam SZE, Sarah THE PROPELLER GROUPthe TOMORROW
TIRAVANIJA, Rirkrit TOGUO, Barthélémy XU, Bing YOUNIS, Ala
ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Xanadu
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Dream Amsterdam Foundation
Universities and Associations that have joined the project
Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna
Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena
Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale
Bice Curiger Massimiliano Gioni
A Parliament for a Biennale
Paolo Baratta, President of la Biennale di Venezia
Okwui Enwezor the ARENA Karl Marx’s Das Kapital
Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara
Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
#thierrygeoffroy#colonelartist#Biennalist#VeniceBiennale#BiennalediVenezia#okwuienwezor##BiennaleArte2015 #BiennalediVenezia #art #artecurator#KarlMarx#karlmarxvenice#daskapitalmarx#daskapital#biennalecritic#biennialcritic
Paul Walker's untimely death leaves his girlfriend devastated! - www.bolegaindia.com/gossips/Paul_Walkers_untimely_death_l...
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.
Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
Reference: Photo 24/(346)
From the Girdwood Collection held by the British Library.
This image is part of the Europeana Collections 1914-1918
Date: 6 Sep 1915
See also:
- View this at the British Library's site
Any reference to (RoH) means the Roll of Honour Website, to which I am deeply indebted.
www.roll-of-honour.com/Norfolk/Aylsham.html
The Roll of Honour site refers to the War memorial in the churchyard. Although there is also a wooden memorial plaque in the church, this appears to be identical in practically every detail, other than adding that the Korean War individual died in 1952.
1914 - 1918
Percy Willie Baker, MM………………………(RoH)
Private 41356. 10th Bn., Essex Regiment. Formerly 5995 Norfolk Regiment. Killed in action Tuesday 31 July 1917. Born and lived Aylsham. Enlisted Cromer. Awarded the Military medal (MM). Buried: LA BRIQUE MILITARY CEMETERY No.2, Ieper, West-Vlaanderen, Belgium. Ref. II. A. 2.
On Churchyard War Memorial P.Baker
On Church Memorial board P Baker
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=451001
Norlink No archive items.
1901 Census 6 year Percy W is recorded at “The Rookery”, Aylsham, the town of his birth. His parents are John, (aged 42, an ordinary Agricultural Labourer from Erpingham) and Matilda, (aged 39 and from Wood Dalling). John and Matilda have another son, James R, (aged 6), as well as a Matilda’s son from an earlier relationship, John H Frostick, (aged 18).
On the Day This was the first day of Third Ypres, more commonly known as Passchendaele. The 10th Essex were in the 53rd Brigade, whose role was to build on the success of the initial attack. 53 Bde’s task was to leapfrog 30th Div once Glencorse Wood had been taken. Although the lead elements, (8th Suffolks and 6th Berkshires, were orderd in, they found the woods still in enemy hands and were very soon forced to dig in.
forum.irishmilitaryonline.com/showthread.php?t=11535
Horace BALLS…………..…………………………….....(RoH)
Private 2245. "D Coy. 1st/5th Bn., Norfolk Regiment. Died Thursday 12 August 1915 (CD gives 28 August 1915) in Gallipoli. Age 20. Born and enlisted Norwich. Son of Edward C. Balls, of Hungate St., Aylsham, Norfolk. Commemorated: HELLES MEMORIAL, Turkey. Panel 42 to 44.
On Churchyard War Memorial H Balls
On Church Memorial board H Balls
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=698446
Norlink No archive items.
1901 Census The most likely match is a 5 year old, born Norwich, living at 74 Angel Road, Angel Gardens, Norwich. His parents are Edward, (age 28, born Norwich and an Innkeeper), and Laura, (aged 27). Horace has a brother, John, (aged 3) and a sister, Violet, (aged 0)
On the day This is the date associated with the “disappearance” of the 1st/5ths - at least in popular mythology.
user.online.be/~snelders/sand.htm
www.drdavidclarke.co.uk/vanbat.htm
Leonard Henry Barber……………………...........(RoH)
Private 241848. 12th Bn., Yorkshire Regiment. Killed in action in France & Flanders on Thursday 11 April 1918. Born Reepham. Lived Aylsham. Enlisted Cromer. Buried: PLOEGSTEERT MEMORIAL, Comines-Warneton, Hainaut, Belgium. Panel 4.
On Churchyard War Memorial L Barber
On Church Memorial board L Barber
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=874198
Norlink No archive items.
1901 Census The 8 year old Leonard H, born Hackford, is listed at The Ollands, Gromes Cottage, Hackford. His parents are Frederick J, (a 37 year old Domestic Coachman from Thurston, Suffolk), and Eliza, (aged 33 and from Hingham). Frederick and Eliza’s other children are Earnest J, (aged under 1), Frederick C, (aged 5), Hilda F, (aged 6), Mary P, (aged 2), and Sidney R, (aged 3) - all born Hackford.
On the Day Divisional Battle Honours include:-
Battle of Estaires. 9-11 Apr 1918, including the first defence of Givenchy
orbat.com/site/warpath/divs/40_div.htm
Leonard is also commemorated in the Parish of Reepham - although this has him down as dying on the 8th, and not in a major battle. There are also a number of pictures of Leonard, of family, medals and paperwork.
www.reephambenefice.org.uk/lhbarber.html
Frederick James Barrett……………………….(RoH)
(There is a picture of Frederick on the RoH site)
Private 8118.1st Bn., Norfolk Regiment. Killed in action Wednesday 5 May 1915. Age 25. Born Aylsham. Enlisted Norwich. Husband of Mrs. L. Barrett, of Unicorn Yard, Hungate St., Aylsham, Norfolk. Commemorated: YPRES (MENIN GATE) MEMORIAL, Ieper, West-Vlaanderen, Belgium. Panel 4.
On Churchyard War Memorial F Barrett
On Church Memorial board F Barrett
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=926788
Norlink No archive items.
1901 Census The 10 year old Frederick is listed in an “Institution” as a Pauper - possibly the Union Work House Aylsham. His status is son of a Domestic Servant. His 28 year old mother, Sophia, (marital status listed as Single), is also resident, along with possibly a sister of Sophia, Sarah, aged 22 who is described as “feeble-minded”. All were born in Cawston.
On the Day the 1st Norfolks were engaged in the battle of St Julian, (part of 2nd Ypres), which had seen the first use of poison gas on the Western Front. This part of 2nd Ypres was coming to an end, with troops being pulled back to more defensible lines after several holes had been punched in the Allied front. I can find no reference specifically to the 1st Norfolks on this date, but the 1st Bedfords, in the same Brigade were definitely in the front line and being subject to gas attack.
www.bedfordregiment.org.uk/1stbtn/1stbtn1915diary.html
Robert BODDY……………………………….....(RoH)
[BODY on CD & CWGC.] Private 196858th Bn., Norfolk Regiment. Died of wounds Saturday 11 August 1917. Born Aylsham. Enlisted Norwich. Commemorated: YPRES (MENIN GATE) MEMORIAL, Ieper, West-Vlaanderen, Belgium. Panel 4.
On Churchyard War Memorial R Boddy
On Church Memorial board R Boddy
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=928306
(Robert Body is listed as being part of 8th Battalion)
Norlink No archive items.
1901 Census The 8 year old Robert Body, (no Robert Boddy’s listed with a Norfolk connection), is listed at Commercial Road, Aylsham., His parents are Richard Body, ( a 39 year old House Painter from Aylsham) and Eliza, (aged 40 and from Oulton). Their other children are Annie, (aged 11), Blanch, (aged 8)and Florence, (aged 9). Eliza’s mother, Rachel Riseborough, a 79 year old Widow is also living with them.
On the DaySaturday 11th August 1917 - Day 12 Third Ypres
Westhoek
During the relief of 7th Bedfords by 8th Norfolks at 4.30am the Germans attacked and captured a pillbox. The Norfolks recaptured it at 6am.
forum.irishmilitaryonline.com/showthread.php?t=11535
Frank Thomas BOND…………………………..(RoH)
There is a picture of Frank on the RoH web-site
[F.E. Bond on Memorial] Private 3/8122. 7th Bn., Norfolk Regiment. Died of wounds Tuesday 9 November 1915. Born Aylsham. Enlisted Norwich. Buried: BETHUNE TOWN CEMETERY, Pas de Calais, France. Ref. IV. F. 87.
On Churchyard War Memorial F E Bond
On Church Memorial board F E Bond
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=62223
Norlink No archive items.
1901 Census The 13 year old Frank T. born Aylsham, is now living at 4 Rose Villas, Suffield Park, Cromer. His parents are Dennis J, ( a 46 year old Carpenter from Oxnead), and Sarah, (aged 44 and from Sheringham). Their other children are George E, (aged 22 and a Plasterers Labourer), Granville C, (aged 9), Mabel B. (aged 6), Robert D, (aged 24 and a Carpenter), Rose E, ( a 16 year old Kitchen Servant), and William J, (aged 20 and a Bricklayer). All the children were born Aylsham.
On the Day The 7th Norfolks had suffered considerable losses during their first action the previous month, on the 13th, which included over 190 Other Ranks wounded. It is a possibility that Private Bond was one of these who subsequently succumbed.
www.freewebs.com/lou90/flaxmannames.htm
1914-1918.invisionzone.com/forums/index.php?showtopic=42270
For much of the First World War, Bethune was comparatively free from bombardment and remained an important railway and hospital centre, as well as a corps and divisional headquarters. The 33rd Casualty Clearing Station was in the town until December 1917.
www.cwgc.org/search/cemetery_details.aspx?cemetery=6000&a...
Henry Harold Brawn……………………………..(RoH)
[Harry Harold Brawn on CD.] Serjeant 7570 1st Bn., Norfolk Regiment. Killed in action Monday 14 September 1914. Age 23. Born Aylsham. Enlisted Norwich. Son of Rebecca Brawn, of Oakfield Rd., Aylsham, Norfolk, and the late Serjt. Maj. Henry Brawn (1st Bn. Norfolk Regt.). Commemorated: LA FERTE-SOUS-JOUARRE MEMORIAL, Seine-et- Marne, France.
On Churchyard War Memorial H Brawn
On Church Memorial board H Brawn
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=877844
Norlink No archive items.
1901 Census There is no Henry, Harry or Harold recorded - but the 1st Battalion were overseas
In 1901, and as a Senior NCO, Serjeant Major Brawn may well have taken his wife with him.
On the dayThe division of which the Norfolks were part were involved in Battle of the Aisne. 12-15 Sep 1914, including the capture of the Aisne Heights including the Chemin des Dames.
warpath.orbat.com/divs/5_div.htm
www.firstworldwar.com/battles/aisne1.htm
Walter Cecil CHAMBERLAIN……………………………….........(RoH)
Private 2520. 1st/5th Bn., Norfolk Regiment. Died in Gallipoli on Thursday 12 August 1915 (CD gives 28 August 1915) Age 18. Enlisted Aylsham. Son of Walter Chamberlain, of Fox Lake, Aylsham, Norfolk. Commemorated: HELLES MEMORIAL, Turkey. Panel 42 to 44.
On Churchyard War Memorial W Chamberlain
On Church Memorial board W Chamberlain
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=697021
Norlink No archive items.
1901 Census The 3 year old Walter is listed at Union yard, Aylsham. His parents are Walter, (aged 36 and Ordinary Agricultural Labourer), and Martha, (aged 39 and from Holt). Their other children are Ethel, (aged 6), Hannah, (aged 1), Margaret, (under 1), Thomas, (aged 7), as well as four children from Martha’s previous marriage, Ernest Pike, (aged 9), Frederick Pike, (aged 13), George Pike, (aged 12) and James, (aged 14) - the last three all born at Shouldham, Norfolk. On the night of the Census they also have a visitor staying - the 72 year widow Hannah Doughty, originally from Edgefield and therefore possibly a relative of the George William listed further down.
On the dayThis is the date associated with the “disappearance” of the 1st/5ths - at least in popular mythology.
user.online.be/~snelders/sand.htm
www.drdavidclarke.co.uk/vanbat.htm
Noel Hannant COOKE………………………………..................(RoH)
(There is a picture of Noel on the RoH site)
Private 46643. 36th Field Amb, Royal Army Medical Corps. Formerly 13912 Suffolk Regiment. Killed in action in France & Flanders on Friday 1 October 1915. Age 22. Born Marsham. Enlisted Lowestoft. Son of Ward Hannant Cooke and Lucy Maria Cooke, of Hungate St., Aylsham, Norfolk. Buried: VERMELLES BRITISH CEMETERY, Pas de Calais, France. Ref. I. H. 34.
On Churchyard War Memorial N H Cooke
On Church Memorial board N H Cook
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=251304
Norlink No archive items.
1901 Census The 8 year old Noel, born Marsham, is listed at Fengate, Marsham. His parents are Ward, ( a 35 year old Bricklayer from Hainford), and Lucy, (37 and from Blickling). Their other children are Dora, (aged 6, Aylsham), Francis, (under 1,Marsham), Harold, (aged 5, Aylsham), Hugh, (aged 3, Erpingham), Kenneth, (age 1, Erpingham)and Lucy, (aged 9, Marsham).
On the day 5th Field Ambulance was attached to the 18th (Eastern) Division. I’ve had a quick check but I can’t see that the Division was in action, (other than the daily routine of manning trenches and coping with bombardment and sniping for some of them!)
Ernest Hugh COPEMAN……………………………….................(RoH)
(There is also a separate memorial plaque in the church)
Second Lieutenant. 6th Bn., Queen's Own (Royal West Kent Regiment) attd. 37th Bn. Machine Gun Corps (Inf). Killed in action near Loos in France on Saturday 18 March 1916. (Church memorial gives 19 March 1916). Born 18 August 1888. Son of Thomas & Mariana Copeman. B.A. Cantab. Commemorated: LOOS MEMORIAL, Pas de Calais, France. Panel 95 to 97.
On Churchyard War Memorial E H Copeman
On Church Memorial board E H Copeman
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=730348
Norlink No archive items.
1901 Census The 12 year old Ernest is now resident as a pupil at a school near Hurstpierrepoint, West Sussex. On the 1891 Census, the 2 year old Ernest was resident at Blickling Road, Buxton. His parents are Thomas, (aged 65, born Aylsham and Living on Own Means, described as being “Short-sighted from birth) and Marian A, (aged 42 and from Aldborough). Their other children appear to be Robert A, (aged 7), “Martial”(?), (aged 6) and John G, (aged 4). The Copeman’s have a live on Governess and two live in servants.
The church memorial reads:
“In memory of Ernest Hugh Copeman, BA Cantab
2nd Lt R W Kent Regt & Machine Gun Corps
Born 18th August 1888
Killed in action near Loos in France
19th March 1916
Also of
Herbert Guy Hele Copeman BA (Oxon)
2nd Lt Oxford and Bucks L.I.
Born 21st May 1891
Killed in action at Guillemont
3rd Sept.1916
The fourth and youngest sons of Thomas and Marianna Copeman
Late of Aylsham
Haec manus ob patriam”
Herbert Guy Hele COPEMAN………………………………...........(RoH)
(There is also a separate memorial plaque in the church - see above)
Second Lieutenant 6th Bn., Oxford. and Bucks Light Infantry. Killed in action at Guillemont on Sunday 3 September 1916. Age 25. Son of Thomas and Mariana A. Copeman. Born at Aylsham 21 May 1891. B.A. Oxon. Buried: GUILLEMONT ROAD CEMETERY, GUILLEMONT, Somme, France. Ref. Sp. Mem. 7.
On Churchyard War Memorial H G H Copeman
On Church Memorial board H G H Copeman
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=534245
Norlink No archive items.
1901 Census Herbert G H Copeman, aged 9, is living at Blickling Road, Buxton. His widowed mother Mariana is given as the head of household. Robert S is now aged 17 and employed as a Bank Clerk - see Ernest above for details of the household make-up at the time of the 1891 census, when Robert was listed with the middle initial A. Mariana still retains two household servants.
On the day20th Div was tasked with taking Guillemont. Zero Hour was noon. 59 Bde reinforced by 6th Bn, Oxfordshire and Buckinghamshire Light Infantry (60 Bde) and 7th Bn, Somerset Light Infantry (61 Bde) attacked the southern endof Guillemont while 47 Bde of the 16th (Irish) Div was attached to the 20th Div from Corps Reserve. 10th Bn, King’s Royal Rifle Corps and 6th Bn, Connaught Rangers advanced before the bombardment lifted thus surprising the Germans at Zero Hour. The KRRC with 10th and 11th Bns, the Rifle Brigade reached their objective, the Hardecourt Road in 20 minutes. The KRRC mopped up here while the two Rifle battalions wheeled north to Mount Street.
North of Mount Street 6th Connaughts and 7th Leinsters advanced rapidly into Guillemont bypassing the quarry.In the face of heavy artillery and MG fire, the troops consolidated near North St and South St by 1.15pm.
The advance resumed at 2.50pm on the Ginchy –Wedge Wood Road, which was reached at 3.30pm. 7th Bn, Duke of Cornwall’s Light Infantry moved into the village to assist in consolidation.
Counter attacks at 5.30 and 6.30 pm were repelled.
W CORKE……………………………….......................................(RoH)
Possibly: William Corke. Private 18394. 2nd Bn., Norfolk Regiment. Died in Mesopotamia on Monday 4 September 1916. Age 36. Born Instead, Norfolk. Enlisted Norwich. Husband of Mrs. Matthewman (formerly Corke), of True's Cottages, High St., Wickford, Essex. Buried: AMARA WAR CEMETERY, Iraq. Ref. IX. H. 32.
On Churchyard War Memorial W Corke
On Church Memorial board W Corke
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=627932
Norlink No archive items.
1901 Census No obvious match for either William or any other W born circa 1879/81
On the dayMany of the 2nd battalion had become prisoners of the Turks following the fall of the besieged city of Kut . It has been estimated that over 70% of the Norfolks who surrendered at Kut died either on the subsequent march to prison camps, or in captivity.
www.stephen-stratford.co.uk/pte_wilby.htm
www.oldbuckenham-pri.norfolk.procms.co.uk/pages/viewpage....
George William DOUGHTY………………………………............(RoH)
Private 40186. 4th Bn., Bedfordshire Regiment. Formerly 28205 Essex Regiment. Killed in action in France & Flanders on Tuesday 30 October 1917. Born Suffield. Lived Oulton. Enlisted Norwich. Commemorated: TYNE COT MEMORIAL, Zonnebeke, West-Vlaanderen, Belgium. Panel 48 to 50 and 162A.
On Churchyard War Memorial G W Doughty
On Church Memorial board G W Doughty
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1630276
Norlink No archive items.
1901 Census The 14 year-old George Wm. is recorded at Hungate Street, Aylsham, having been born at Suffield. George is employed as a Bricklayers Apprentice. His parents are Walter, (aged 41 and an Ordinary Agricultural Labourer from Foulsham) and Sarah Ann, (aged 42 and from Suffield). Their other children are Ethel M, (aged 9, born Banningham), and Rose Louisa, (aged 16 and born Suffield).
On the day Battalion War Diary
30 Oct. Battn. attacked at 5.50am 7RF on left, Artists Rifles on right, Canadian Corps on right of Artists. Canadians reached [unreadable] objectives but our attack was held up by very heavy and boggy ground surrounding the PADDEBEEK and a total advance of about 150-200 yards only was made.
CASUALTIES -
Officers Killed; Capt. L.C.T. [Leslie Charles Thomas] GATE, 2Lt A.E. TEE.
Wounded; Capt. J. SCOTT, Lt C.H. WAREING, Lt K.V.R. GOLD, 2Lt E.A. GLOSSOP, 2Lt ? BORNETT, 2Lt NEW, 2Lt RADWELL.
OR Killed 52, wounded 180, missing 23.
Battn relieved by NELSON Battn. at 7pm and marched out to IRISH FARM.
www.bedfordregiment.org.uk/4thbtn/4thbtn1917diary.html
C C DUCKER……………………………….....................................(RoH)
Possibly: Cecil Civel Ducker. Private16949. "A Coy. 7th Bn., Norfolk Regiment. Killed in action in France & Flanders on Wednesday 13 October 1915. Age 24. Born Hempnall, Norfolk. Enlisted Norwich. Son of Emily Ducker, of 34, Marlowe Rd., Newnham Croft, Cambridge, and the late William Ducker. Commemorated: LOOS MEMORIAL, Pas de Calais, France. Panel 30 and 31.
On Churchyard War Memorial C C Ducker
On Church Memorial board C C Ducker
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=2941542
Norlink No archive items.
1901 Census The 10 year old Cecil Civel is living at The Street, Ingworth and is recorded as being at School. There is no place of birth shown for him, but it is likely that it is Martham, the same as his sister
Dora Daymer, (aged 24 and a Draper). Their parents are William, (aged 49 and a Police Pensioner from Cawston), and Emily, (aged 47 and a Grocer from Ingworth).
<On the DayOn 12th October 1915 the Battalion moved from billets to a line in front of the St Elie Quarries, taking over from the Coldstream Guards. The attack was planned to go ahead the following day under a smoke cloud with the Norfolks closing on the German trenches from both ends of their position thus straightening their line, their own trenches being in a semi-circle. The left side of the Battalion was also tasked with bombing a German communications trench. A bright sunny day with an ideal wind for moving the smoke towards the enemy positions, the artillery bombardment began at 12:00 and was intensive by 13:45. 54 heavy and 86 field howitzers and 286 field guns fired on enemy trenches in the area of the Hohenzollern Redoubt, Fosse 8, the Quarries, Gun Trench and the positions south to Chalk Pit Wood. It failed to cause sufficient damage to the enemy positions. The smoke barrage went wrong and ceased by 13:40, twenty minutes before the attack was launched at 14:00 and was thus very thin. German machine gun fire from in front and from the direction of Slag Alley, opposite the Norfolks right flank, enfiladed their attack. Whilst they gained a foothold in the Quarries and consolidated the position they were unable to advance further. In the battalions first serious engagement they lost 5 Officers killed or died of wounds and 6 wounded, and 66 other ranks killed, 196 wounded and 160 missing.
1914-1918.invisionzone.com/forums/index.php?showtopic=42270
Jack DUCKER………………………………................................(RoH)
No further information available at present.
On Churchyard War Memorial Jack Ducker
On Church Memorial board Jack Ducker
CWGC No obvious match
Norlink No archive items.
Possibles
E J Ducker www.cwgc.org/search/casualty_details.aspx?casualty=205757
1901 Census The 1901 Census has a year old William J, living at Pound Road, Aylsham, the town of his birth. William father is James is 39, and an Ordinary Agricultural Labourer from Aylsham. His mother is Letitia, (aged 38 and from Aylsham). Their other children are Ann G S, (aged 9), Marriott W G, (aged 1), Mildred, (aged 17), Rena Des (aged 12), Thomas E, (aged 14 and Cowboy on Farm), and Edward J (aged 4)
(E) James DUCKER………………………………......................(RoH)
Private 40204. 9th Bn., Norfolk Regiment. Killed in action Wednesday 18 October 1916. Born Aylsham. Enlisted East Dereham. Buried: BANCOURT BRITISH CEMETERY, Pas de Calais, France. Ref. VII. B. 9.
On Churchyard War Memorial James Ducker
On Church Memorial board James Ducker
CWGC No obvious match
Norlink No archive items.
Possibles
E J Ducker www.cwgc.org/search/casualty_details.aspx?casualty=205757
1901 Census The 1901 Census has a 4 year old Edward J, living at Pound Road, Aylsham, the town of his birth. It is mere speculation that the middle initial stands for James, however that is Edward’s fathers name. James is 39, and an Ordinary Agricultural Labourer from Aylsham. His mother is Letitia, (aged 38 and from Aylsham). Their other children are Ann G S, (aged 9), Marriott W G, (aged 1), Mildred, (aged 17), Rena Des (aged 12), Thomas E, (aged 14 and Cowboy on Farm), and William J (aged 7)
On the Day Wednesday 18th October 1916.
Gueudecourt
9th Bn, Norfolk Regt (6th Div) captured the north western part of Mild Trench and held it against a German attack at nightfall.
forum.irishmilitaryonline.com/showthread.php?t=9058&p...
Thomas Edmund DUCKER……………………………….............(RoH)
Private 40205. 9th Bn., Norfolk Regiment. Killed in action in France & Flanders on Wednesday 18 October 1916. Age 29. Enlisted East Dereham. Husband of Ellen Ducker, of Fox Loke, Aylsham, Norfolk. Buried: BANCOURT BRITISH CEMETERY, Pas de Calais, France. Ref. VII. B. 10.
On Churchyard War Memorial T E Ducker
On Church Memorial board T E Ducker
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=205758
Norlink No archive items.
1901 Census The 1901 Census has a 14 year old Thomas E, living at Pound Road, Aylsham, the town of his birth and employed as a Cow Boy on Farm. Thomas’s father, James is 39, and an Ordinary Agricultural Labourer from Aylsham. His mother is Letitia, (aged 38 and from Aylsham). Their other children are Ann G S, (aged 9), Marriott W G, (aged 1), Mildred, (aged 17), Rena Des (aged 12), Edward J, (aged 4), and William J (aged 7)
On the Day Wednesday 18th October 1916.
Gueudecourt
9th Bn, Norfolk Regt (6th Div) captured the north western part of Mild Trench and held it against a German attack at nightfall.
forum.irishmilitaryonline.com/showthread.php?t=9058&p...
Henry C DYBALL………………………………..........................(RoH)
(There is a picture of Henry on the RoH site)
Private 3/10016. 1st Bn., Norfolk Regiment. Killed in action Friday 18 June 1915. Born Aylsham. Enlisted Fulham, Surrey. Commemorated: PERTH CEMETERY (CHINA WALL), Ieper, West-Vlaanderen, Belgium. Sp. Mem. A. 4.
On Churchyard War Memorial H C Dyball
On Church Memorial board H C Dyball
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=103282
Norlink No archive items.
1901 Census The 19 year old Henry, born Aylsham, appears to be a Private in an Infantry Regiment, stationed at Britannia Barracks, Norwich. This would probably be the Norfolk Regiment.
On the 1891 Census , Henry was living at Cromer Road, Aylsham with his parents John, (age 52 and an Ordinary Agricultural Labourer) and Harriet (tbc - poor quality reproduction),
On the Day No details known.
Edward DYBALL………………………………..........................(RoH)
Gunner RMA/12824. Royal Marine Artillery. Died Thursday 7 November 1918. Age 24. Son of Charles and Evelyn Dyball, of Cawston Rd., Aylsham. Buried: AYLSHAM CEMETERY, Norfolk, United Kingdom. Ref. H. 72.
On Churchyard War Memorial E Dyball
On Church Memorial board E Dyball
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=2802301
Norlink No archive items.
1901 Census The 6 year old Edward is living at Gas House Hill, Aylsham, having been born at Burgh. His parents are Charles, (age 41 and a Groom\Gardener from Burgh), Eveline, (aged 40 and from Brampton). Their other children are Eveline A, (aged 21, born Brampton), Frederick, (aged 15 and a Grocers Porter, born Burgh), and Sidney, (aged 1, born Aylsham). Living with them is also a Grand-daughter, Gladys, (aged u/1 and born North Walsham)
On the Day No details known.
William DYBALL………………………………...........................(RoH)
(There is a picture of William on the RoH site)
Leading Seaman 208734. (RFR/CH/B/10521). H.M.S. "Hawke., Royal Navy. Died Thursday 15 October 1914. Age 30. Son of Mr. and Mrs. Charles Dyball, of Cawston Rd., Aylsham; husband of Annie Rosetta Dyball, of Millgate St., Aylsham, Norfolk. Commemorated: CHATHAM NAVAL MEMORIAL, Kent, United Kingdom. Panel 1.
Special note: HMS Hawke was a cruiser launched in 1891. she was one of the oldest ships in the Royal Navy at the outbreak of World War 1. On the 15th October 1914 while sailing in the North Sea some 60 miles off the coast of Scotland, she was struck by a torpedo fired from German submarine U.9. and sunk almost immediately. 52 men managed to get into the lifeboat, but the remaining 544 of the crew perished. U.9 under the command of Otto Weddingen was responsible for sinking Royal Navy ships Cressey, Hogue and Aboukir about a month earlier.
On Churchyard War Memorial W Dyball
On Church Memorial board W Dyball
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=3048892
Norlink No archive items.
1901 Census No obvious match - but on the 1891 Census, the 6 year old William can be found at Aylsham Road, Burgh. His parents are Charles, (aged 31 and an Agricultural Labourer) and Eveline, (Aged 30) - see Edward above for more details from the 1901 Census.
On the Day
www.battleships-cruisers.co.uk/hms_hawke.htm
en.wikipedia.org/wiki/HMS_Hawke_(1891)
1914-1918.invisionzone.com/forums/lofiversion/index.php/t...
century.guardian.co.uk/1910-1919/Story/0,,126442,00.html
William George FIELD………………………………...........................(RoH)
Private 240213. 1st/5th Bn., Norfolk Regiment. Died Friday 2 November 1917. Born and enlisted Aylsham. Commemorated: JERUSALEM MEMORIAL, Israel. Panels 12 to 15.
On Churchyard War Memorial W Field
On Church Memorial board W Field
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1645154
Norlink No archive items.
1901 Census There is a 5 year old William Field living at Burgh Road, Aylsham. His parents are Uriah, (a 46 year old Monumental Mason from Kennington, London), and Mary A, (43 and from Erpingham). Their other children are Bessie, (aged 13), John, (aged 23 and a Boot Maker), and Lucie, (aged 9). All the children were born at Aylsham.
On the DayThird Battle of Gaza
The first action at Gaza took place before dawn on 2 November when the 161st and 162nd Brigades of the 54th Division attacked the Turkish trench system in the sand dunes between Gaza and the sea. On this occasion it was a night attack by well prepared troops with overwhelming artillery support and armoured (six tanks). The British infantry advanced about 2 miles on a 5,000 yard front and held their gains against repeated Turkish counter-attacks. Casualty figures were heavy for both sides but this time favoured the British.
en.wikipedia.org/wiki/Third_Battle_of_Gaza
Sydney FISHER………………………………................................(RoH)
Serjeant 26131. 39th Bn., Machine Gun Corps (Inf). Formerly 18982 Norfolk Regiment. Killed in action Monday 25 March 1918 in France & Flanders. Born Buxton. Lived Aylsham. Enlisted Norwich. Commemorated: POZIERES MEMORIAL, Somme, France. Panel 90 to 93.
On Churchyard War Memorial S Fisher
On Church Memorial board S Fisher
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1580862
Norlink No archive items.
1901 Census The 14 year old Sydney, born Buxton, is now living at Cawston Road, Aylsham and employed as an errand boy. He is living with his Uncle, William Randell, and his wife Lydia and the rest of their family. On the 1891 Census he is living at Lodge Farm, Mill Street, Buxton. His father Thomas, aged 50, appears to be some kind of Bailiff, and was originally from Scottow. His mother Matilda, is 42 and from Cawston. Their other children are William, (aged 14 and an Agricultural Labourer) and Mabel, (aged 5).
On the Day The 39th Battalion, like many other units, would have been heavily engaged resisting the German Spring Offensive.
en.wikipedia.org/wiki/Spring_Offensive
Francis Henry FROSTICK………………………………...............(RoH)
Able Seaman R/543. Hawke Bn. R.N. Div., Royal Naval Volunteer Reserve. Died Tuesday 24 April 1917. Age 26. Son of James and Emily Frostick, of Hungate St., Aylsham, Norfolk. Commemorated: ARRAS MEMORIAL, Pas de Calais, France. Bay 1
On Churchyard War Memorial F H Frostick
On Church Memorial board F H Frostick
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1557805
Norlink No archive items.
1901 Census There is a Frank Frostick,on the census, aged 11 and living at the Cottages by the Mill, Oxnead. Frank was born at Aylsham. His parents are James, (aged 46 and a Cattleman on Farm from Banningham), and Emily, (aged 45 and from Skeyton). Their other children are Elsie, (aged 3, born Oxnead), Frederick, (aged 7, born Aylsham), and William, (aged 15 and a Bricklayers Labourer, born Heigham).
On the DayWESTERN FRONT
9 April-15 May Battle of Arras, including
23-24 April Second Battle of the Scarpe (Second phase of Arras Offensive), 63rd (RN) Division captured Gavrelle
The attack on Gavrelle was commenced on 23 April and was carried out by the 189th and 190th Brigades. At 4.45 a.m. Nelson and Drake battalions went over the top under cover of an artillery barrage. The first line of German trenches was quickly taken, and an hour later the attack was ceased at the edge of the village.
The artillery barrage was relocated across the village, which was reduced to rubble. Other battalions from the brigade were moved forward. House to house fighting led to the taking of Gavrelle, at the cost of 1,500 casualties.
Virtually all the remaining reservists of the original Royal Naval Division lost their lives at Gavrelle. They were the veterans who had survived the fighting at Gallipoli and at the Ancre.
www.wereldoorlog1418.nl/RND-Royal-Naval-Division/index.html
www.naval-history.net/xDKCas1917-04Apr.htm
H J GIBBONS……………………………….............................(RoH)
No further information available at present.
On Churchyard War Memorial H J Gibbons
On Church Memorial board H J Gibbons
CWGC
Possibly H J East Surrey Regiment died 1916
www.cwgc.org/search/casualty_details.aspx?casualty=576007
Or Henry John, Royal Lancaster Regiment, died 1918
www.cwgc.org/search/casualty_details.aspx?casualty=301567
Norlink No archive items.
1901 Census There is a 14 year old Henry G, born Aylsham, and now employed as an Errand Boy at Chemist, living at 9 West Street, Cromer. His mother Alice M M, (age 36 and from Colby) has re-married, and so Henry is living with his step-father, James Norgate, a 32 year old Corn Porter from North Walsham).
William GILES………………………………............................(RoH)
Private 51361. 2nd Bn., Manchester Regiment. Killed in action Friday 19 April 1918 in France & Flanders. Age 27. Born Skeyton. Lived Aylsham. Enlisted Norwich. Son of William and Annie Giles, of Woodgate Cottages, Aylsham, Norfolk. Buried: QUESNOY FARM MILITARY CEMETERY, Pas de Calais, France. Ref. C. 7.
On Churchyard War Memorial W Giles
On Church Memorial board W Giles
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=590871
Norlink No archive items.
1901 Census There is an 8 year old “Willie” Giles, living at North Walsham Road, Skeyton, the village of his birth. Willie’s parents are William, (aged 35 and a Cattle Feeder on Farm from Scottow), and Annie, (aged 38 and from Scottow). Their other children are Alice, (aged 5, born Sketon), George, (aged 12, born Oxnead), John, (aged 9, born Swanton Abbott), Martha, (aged 13, born Swanton Abbott), and Sidney, (aged 2, born Skeyton).
On the day April 1918
Ayette attacked and carried. Batt was in the front line until the 25th 14 KIA, 87 wounded, 16 gassed, 1 missing.25th withdrawn to Barly
www.themanchesters.org/2nd batt.htm
Clare Horsley GOULDER……………………………….............(RoH)
Corporal 13146. 8th Bn., Norfolk Regiment. Died Tuesday 31 October 1916. Born Aylsham. Enlisted Norwich. Buried: AYLSHAM CEMETERY, Norfolk, United Kingdom. Ref. B. 77.
On Churchyard War Memorial C H Goulder
On Church Memorial board C H Goulder
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=2802302
Norlink No archive items.
There is a memorial to all the Goulder boys who died in the Great War in Aylsham Cemetery. Clare is listed as having been wounded on the Somme on the 1st July 1916, and subsequently dying in Hospital on the 31st October 1916. He was born on the 14th January 1892.
1901 Census The 9 year old Clare H is recorded at Pound Lane, Aylsham. His parents are John, (aged 56 and a Farmer and Manure Agent from Wramplingham), and Mary, (aged 52 and from Stretford, Lancashire). Their other children are Colin Chas, (aged 11), Frances M, (aged 12), John Lee, (aged 17), and Sybil M, (aged 19). The Goulders have two live in servants.
John Lee GOULDER………………………………................(RoH)
(There is a picture of John on the RoH website)
Serjeant 2179. 1st/5th Bn., Norfolk Regiment. Killed in action Saturday 21 August 1915. Born and enlisted Aylsham. Commemorated: HELLES MEMORIAL, Turkey. Panel 42 to 44.
On Churchyard War Memorial J L Goulder
On Church Memorial board J L Goulder
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=693690
Norlink No archive items.
There is a memorial to all the Goulder boys who died in the Great War in Aylsham Cemetery. John Lee is listed as having died in action at Suvla. He was born the 16th April 1883.
1901 Census The 17 year old John Lee is recorded at Pound Lane, Aylsham. His parents are John, (aged 56 and a Farmer and Manure Agent from Wramplingham), and Mary, (aged 52 and from Stretford, Lancashire). Their other children are Colin Chas, (aged 11), Frances M, (aged 12), Clare H, (aged 9), and Sybil M, (aged 19). The Goulders have two live in servants.
On the Day 21st August 1915
Having lost over 200 men from the battalion shortly before this on the 12th, the battalion was to lose at least another 36 on this day.
Robert Christopher GOULDER………………………………..(RoH)
Lance Corporal 13188. 8th Bn., Norfolk Regiment. Killed in action Saturday 1 July 1916. Born Aylsham. Enlisted Norwich. Commemorated: THIEPVAL MEMORIAL, Somme, France. Pier and Face 1 C and 1 D.
On Churchyard War Memorial Not noted by me
On Church Memorial board R C Goulder
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=786636
Norlink No archive items.
1901 Census A 14 year old Robert Goulder, born Aylsham, is recorded as a Boarder at a Private Grammer School in Banham, Norfolk. Ten years earlier, the same individual is now listed as Robert C. and is living at Cromer Road, Aylsham with his parents John and Mary - see family details recorded for Clare and John Lee. The only additional child listed appears to be a Humphrey W, (aged 6 in 1891, born Aylsham)
On the Day The 6th Battalion, Royal Berks went over the top alongside the 8th Norfolks on the first day of the Somme. The story of what happened to the two units can be read here,
www.6throyalberks.co.uk/1stJuly/default.html
The 8th Battalion as part of the 18th (Eastern) Division was present on the first day of the Battle of the Somme on 1 July 1916. They got beyond their initial target and had by 5.00pm reached the German trenches known as "Montauban Alley". Over one hundred men and three officers had been killed.
en.wikipedia.org/wiki/Royal_Norfolk_Regiment
Arthur Robert HALL………………………………..........................(RoH)
Sapper 230925. 130th Field Coy., Royal Engineers. Died Friday 18 October 1918. Born and lived Aylsham. Enlisted Cromer. Buried: ST. SEVER CEMETERY EXTENSION, ROUEN, Seine-Maritime, France. Ref. S. II. J 9.
On Churchyard War Memorial Not noted by me
On Church Memorial board A Hall
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=518028
Norlink No archive items.
1901 Census There is a 14 year old Arthur, born Aylsham, employed as a Stonemason, and currently residing at Millgate, Aylsham. His parents are Charles, (aged 48 and a Stone Mason from Cossey, Norfolk), and Susanna, (aged 47 and from Burgh). Their other children are Ada, (aged 25 and a Drapers Assistant), Alfred, (aged 17 and a Grocers Assistant), Bessie, (aged 18 and a Drapers Assistant), Frank, (aged 7), and Harry, (aged 11).
Arthur James HORNE………………………………......................(RoH)
[C.D. Gives surname as HOME.] Private 27389. 6th Bn., Somerset Light Infantry. Formerly G/37364 Royal Fusiliers. Killed in action in France & Flanders on Saturday 3 November 1917. Born Aylsham. Enlisted Norwich. Husband of Mrs. L. Farrow (formerly Horne), of Footpath House, Swanton Abbott, Norwich, Norfolk. Commemorated: TYNE COT MEMORIAL , Zonnebeke, West-Vlaanderen, Belgium. Panel 41 to 42 and 163A.
On Churchyard War Memorial Not noted by me
On Church Memorial board A J Horne
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=837244
Norlink No archive items.
1901 Census The 12 year old Arthur J, employed as an Errand Boy\Porter, is recorded at Woodgate Cottage, Aylsham. His parents are Johnathan, (aged 39 and a Team Man on farm from Foulsham), and Mary Ann, (age 40 and from Norwich). Their other children are Bertie S, (aged 1), Gladys F, (aged 3), and Walter S, (aged 7). Also living with them are Johnathan’s father, James, (aged 82 and from Saxthorpe, on Parish Poor Relief).
Eric HORNER………………………………..................................(RoH)
(There is a picture of Eric on the RoH website)
Lance Corporal 11376. 6th Bn., Yorkshire Regiment. Killed in action Saturday 21 August 1915. Born Aylsham. Enlisted South Shields. Commemorated: HELLES MEMORIAL, Turkey. Panel 55 to 58.
On Churchyard War Memorial Not noted by me
On Church Memorial board E Horner
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=691984
Norlink No archive items.
1901 Census The 9 year old Eric is resident at Cawston Road, Aylsham. His parents are Frederick J, (aged 37 and a Blacksmith from Calthorpe), and Eliza, (aged 37 and from Aylsham). Their other children are Cora, (aged 12), Ella, (aged 12), Hilda, (aged 4), Leonard, (aged 11), and Raymond, (aged 7).
1914-1918.invisionzone.com/forums/index.php?showtopic=124...
On the Day The Yorkshires were involved in the costly Battle of Scimitar Hill and the attack on “W” Hills on this day.
en.wikipedia.org/wiki/Battle_of_Scimitar_Hill
www.firstworldwar.com/battles/scimitarhill.htm
G HUNT……………………………….........................................(RoH)
No further information available at present.
On Churchyard War Memorial Not noted by me
On Church Memorial board G Hunt
CWGC
Possibly George Lewis aged 18 of the 1st/5th Duke of Wellingtons (West Riding) Regiment. His parents are shown as residing at Neatishead.
www.cwgc.org/search/casualty_details.aspx?casualty=794393
Norlink No archive items.
1901 Census Possibilities are:-
George, (aged 2), living at Hungate Street, Aylsham. Parents Arthur, (32, Agricultural Labourer), Alice (33, born Fritton) - other children Arthur W. (6), and Florence C (4).
George, (aged 16 - Cattle Man on Farm), living at Mucklands, Aylsham..Mother Elizabeth, (aged 39 and a Widow from Barningham Parva) - other children Bertie, (aged 12), Daisy, (aged 10), Lily, (aged 8), and Sidney, (aged 14 and a Baker).
(Charles) Frederick KNIGHTS……………………………….........(RoH)
Private 127984. 34th Coy., Machine Gun Corps (Inf). Formerly 35348 East Surrey Regiment. Killed in action Thursday 11 April 1918 in France & Flanders. Born Northrepps. Lived Aylsham. Enlisted Cromer. Son of Fredrick Charles Knights. Commemorated: PLOEGSTEERT MEMORIAL, Comines-Warneton, Hainaut, Belgium. Panel 11.
On Churchyard War Memorial Not noted by me
On Church Memorial board F Knights
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=869316
Norlink No archive items.
1901 Census There is a 2 year old Frederick Knights living at Norwich Road, Aylsham who was born at Southrepps. He is living with his Grand-Parents Frederick, (aged 50 and a Railway Porter from Diss), and Alice, (aged 40 and from Wells, Norfolk). The children of Frederick and Alice are Adeline, (aged 14), Anne, (aged 19), Bertie G, (aged 5), Edith, (aged 11), and Sidney, (aged 9).
C LEE………………………………............................................(RoH)
No further information available at present.
On Churchyard War Memorial Looks more like G Lee but carving not in common with other C’s or G’s
On Church Memorial board C Lee
CWGC
Norlink No archive items.
1901 Census There is a 9 year old Charles H Lee, born Cawston and now living at Cawston Road, Aylsham. His parents are Herbert Wm, (aged 31 and a Farm Bailiff from Cawston), and Elizabeth, (aged 31 and also from Cawston). Their other children are Sidney S., (aged 4, born Cawston), Valentine E. (aged 2, born Aylsham) and Walter W. (aged 7, born Cawston).
This points us to a possible match on the CWGC database - Charles Herbert Lee who was 26 when he died on the 14/11/1918. His wife had re-married, and was now living at Aldborough, but Charles is buried in the Churchyard of St Giles, Colby, Norfolk. Charles is on the Colby War Memorial. He had served as a Pioneer in the Royal Engineers.
www.cwgc.org/search/casualty_details.aspx?casualty=2802318
www.roll-of-honour.com/Norfolk/Colby.html
If they are all the same individual, then Charles is probably the brother of the Sydney listed below.
Sydney Samuel LEE………………………………......................(RoH)
Private 22202. 2nd Bn., Norfolk Regiment. Died Sunday 7 January 1917. Age 20. Born Aylsham. Enlisted Norwich. Son of Hubert William and Elizabeth Lee, of Beer House Farm, Cawston, Norfolk. Commemorated: KIRKEE 1914-1918 MEMORIAL, India. Face C.
On Churchyard War Memorial S Lee
On Church Memorial board S Lee
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1481525
Norlink No archive items.
1901 Census There is a 4 year old Sidney S Lee, born Cawston and now living at Cawston Road, Aylsham. His parents are Herbert Wm, (aged 31 and a Farm Bailiff from Cawston), and Elizabeth, (aged 31 and also from Cawston). Their other children are Charles H., (aged 9, born Cawston), Valentine E. (aged 2, born Aylsham) and Walter W. (aged 7, born Cawston).
(Frank) Sydney LEMAN………………………………................(RoH)
Private 40900. 11th Bn., Essex Regiment. Formerly 32927 Suffolk Regiment. Died of wounds Saturday 23 March 1918 in France & Flanders. Age 35. Born Kelling. Lived Aylsham. Enlisted Cromer. Buried: DERNANCOURT COMMUNAL CEMETERY EXTENSION, Somme, France. Ref. III. J. 46.
On Churchyard War Memorial S Leman
On Church Memorial board S Leman
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=37479
Norlink No archive items.
1901 Census No apparent match. On the 1891 Census, the 9 year old Frank, having been born at Kelling was by now living at The Street, (Possibly Kelling or Erpingham - original is a poor quality scan). His parents are John Leman, (aged 31 and an Agricultural Labourer, place of birth illegible on the Genes Re-united site - possibly Erpingham) and Jane, (aged 30 and probably from Kelling). I believe the other children are Jane, Agnes, Stuart and Arthur, but I shall roll my eyes next time I hear someone waffle on about how standards of hand-writing used to be so much better in Victorian times J
On the DayThe 11th Essex had been heavily engaged in holding back the German onslaught of their 1918 Spring Offensive which had commenced on the 21st.
www.gutenberg.org/files/20115/20115-h/20115-h.htm#page044
Private Leman may well have picked up his fatal wounds during this time.
B MARSHALL……………………………….....................................(RoH)
No further information available at present.
On Churchyard War Memorial B Marshall
On Church Memorial board B Marshall
CWGC
Possibly Bertie Walter, aged 22, of the 35th Battalion, Machine Gun Corps, who died 30/11/1917. Bertie’s parents (James & Laura) are recorded as living at Stafford Street, Norwich.
www.cwgc.org/search/casualty_details.aspx?casualty=554906
Norlink No archive items.
1901 Census No obvious match for any B Marshall and no obvious Marshall connection with Aylsham.
Frederick MOY………………………………..................................(RoH)
Private 240040. 1st/5th Bn., Norfolk Regiment. Killed in action Thursday 19 April 1917. Born Aylsham. Enlisted Millgate, Higham, Norfolk. Buried: GAZA WAR CEMETERY, Israel. Ref. XXII. G. 5.
On Churchyard War Memorial F Moy
On Church Memorial board F Moy
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=650910
Norlink No archive items.
1901 Census No obvious match on the 1901 or 1891 Censuses. There are two Moy familys, both with numerous sons, and Aylsham connections - one having subsequently moved to Old Buckenham, but there is not even a middle initial F. on any of them.
On the Day 19th April 1917 During the 2nd Battle of Gaza,
Facing the Tank Redoubt was the 161st Brigade of the 54th Division. To their right were the two Australian battalions (1st and 3rd) of the Imperial Camel Corps Brigade who had dismounted about 4,000 yards from their objective. As the infantry went in to attack at 7.30am they were joined by a single tank called "The Nutty" which attracted a lot of shell fire. The tank followed a wayward path towards the redoubt on the summit of a knoll where it was fired on point blank by four field guns until it was stopped and set alight in the middle of the position.
The infantry and the 1st Camel Battalion, having suffered heavy casualties on their approach, now made a bayonet charge against the trenches. About 30 "Camels" and 20 of the British infantry (soldiers of the 5th (territorial Battalion of the Norfolk Regiment) reached the redoubt, then occupied by around 600 Turks who immediately broke and fled towards their second line of defences to the rear.
The British and Australians held on unsupported for about two hours by which time most had been wounded. With no reinforcements at hand and a Turkish counter-attack imminent, the survivors endeavoured to escape back to their own lines.
en.wikipedia.org/wiki/Second_Battle_of_Gaza
More than a thousand one hundred of the men of the 54th posted killed wounded or missing were from the two Norfolk regiment battalions, equating to 75% of their strength. Eastern Daily Press "Sunday" section May 5, 2007
en.wikipedia.org/wiki/Second_Battle_of_Gaza
William NORTON………………………………...............................(RoH)
Private 41117. 7th Bn., The Queen's (Royal West Surrey Regt.) attd. 288th Coy., Royal Engineers. Died Saturday 17 March 1917. Age 41. Born and lived Aylsham. Enlisted Cromer. Son of Mr. and Mrs. W. Norton, of Aylsham; husband of S. E. Norton, of Pound Rd., Aylsham, Norfolk. Buried: WARLINCOURT HALTE BRITISH CEMETERY, SAULTY, Pas de Calais, France. Ref. V. E. 4.
On Churchyard War Memorial W Norton
On Church Memorial board W Norton
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=91524
Norlink No archive items.
1901 Census The 25 year old William, born Aylsham, is employed as a Domestic Gardener and is living on Hungate Street, Aylsham with his widowed mother Esther, (aged 48 and born Edgefield). Also living with them are William’s brothers Albert, (aged 15 and a Cattle Feeder on Farm), Augustus, (aged 12) and Frederick, (aged 9).
J C PAYNE……………………………….........................................(RoH)
[No record on CD.] Private T/254791. Army Service Corps. Died Thursday 20 December 1917. Age 35. Buried: AYLSHAM CEMETERY, Norfolk, United Kingdom. Ref. G. 70.
On Churchyard War Memorial J C Payne
On Church Memorial board J C Payne
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=2802303
Norlink No archive items.
1901 Census The 1901 Census has a 17 year old James C, born Aylsham and employed as a Bricklayers Labourer. He is living at Drabblegate, Aylsham with his parents William, (aged 44 and a Bricklayer), and Sophia, (aged 40). Their other children are Blanch, (aged 10), Eliza, (aged 13), Ethel S, (aged 8), Frederick H, (aged 19 and a Gardener, (not Domestic)), Harry E. (aged 7), Katie (aged 6), and William, (aged 4).
Frederick PEGG……………………………….............................(RoH)
Corporal 12967. 7th Bn., Suffolk Regiment. Killed in action Wednesday 27 March 1918. Born Aylsham. Enlisted Lowestoft. Commemorated: POZIERES MEMORIAL, Somme, France. Panel 25
On Churchyard War Memorial F Pegg
On Church Memorial board F Pegg
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1586611
Norlink No archive items.
1901 Census The 14 year old Frederick, born Aylsham, is living on Hungate Street and employed as an Errand Boy. His parents are Alfred Charles, (a 47 year old Carpenter from Heydon), and Clara, (47 and from Wood Dalling). Their other children are Benjamin A, (aged 15 and a Newspaper Boy), Caroline E, (aged 22), Francis H, (aged 13), Marshall A, (aged 20 and a Bricklayers Labourer), and Stephen S.A. (aged 11).
On the dayThe 7th Suffolks were involved in the fighting retreat that was gradually bringing the German Spring Offensive to a halt before Albert.
1914-1918.invisionzone.com/forums/index.php?showtopic=111...
W J PITCHER………………………………...............................(RoH)
Possibly: Wilfred Pitcher. Private 240948. 1st/5th Bn., Norfolk Regiment. Died in Palestine on Thursday 19 April 1917. Enlisted East Dereham. Buried: GAZA WAR CEMETERY, Israel. Ref. XXIII. D. 10.
On Churchyard War Memorial W J Pitcher
On Church Memorial board W J Pitcher
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=651074
Norlink No archive items.
There is a memorial to Wilfred’s father Elliot who died in 1934 in Aylsham cemetery. This also lists a son Wilfred John who fell in action in Egypt, 19th April 1917.Elliot’s wife, (and presumably Wilfred’s mother) is listed as Alice Mary.
1901 Census The 1 year old Wilfred, born Aldborough, is living Near the Green, Aldborough. His parents are Elliott, (aged 25 and a Domestic Gardener) and Alice, (aged 22 and from Saxthorpe). Wilfred has a brother George, (aged under 1).
On the dayMore than a thousand one hundred of the men of the 54th posted killed wounded or missing were from the two Norfolk regiment battalions, equating to 75% of their strength. Eastern Daily Press "Sunday" section May 5, 2007
en.wikipedia.org/wiki/Second_Battle_of_Gaza
19th April 1917 During the 2nd Battle of Gaza,
Facing the Tank Redoubt was the 161st Brigade of the 54th Division. To their right were the two Australian battalions (1st and 3rd) of the Imperial Camel Corps Brigade who had dismounted about 4,000 yards from their objective. As the infantry went in to attack at 7.30am they were joined by a single tank called "The Nutty" which attracted a lot of shell fire. The tank followed a wayward path towards the redoubt on the summit of a knoll where it was fired on point blank by four field guns until it was stopped and set alight in the middle of the position.
The infantry and the 1st Camel Battalion, having suffered heavy casualties on their approach, now made a bayonet charge against the trenches. About 30 "Camels" and 20 of the British infantry (soldiers of the 5th (territorial Battalion of the Norfolk Regiment) reached the redoubt, then occupied by around 600 Turks who immediately broke and fled towards their second line of defences to the rear.
The British and Australians held on unsupported for about two hours by which time most had been wounded. With no reinforcements at hand and a Turkish counter-attack imminent, the survivors endeavoured to escape back to their own lines.
To the right (west) of Tank Redoubt, the 3rd Camel Battalion, advancing in the gap between two redoubts, actually made the furthest advance of the battle, crossing the Gaza-Beersheba Road and occupying a pair of low hills (dubbed "Jack" and "Jill"). As the advances on their flanks faltered, the "Camels" were forced to retreat to avoid being isolated.
en.wikipedia.org/wiki/Second_Battle_of_Gaza
E J PRESTON………………………………................................(RoH)
Possibly: Ernest James Preston. Gunner 906467. 337th Bde., Royal Field Artillery. Died in Mesopotamia on Monday 28 October 1918. (CD gives date as 25 October 1918). Lived and enlisted Norwich. Buried: BASRA WAR CEMETERY, Iraq. Ref. I. S. 3.
On Churchyard War Memorial E J Preston
On Church Memorial board E J Preston
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=631320
Norlink No archive items.
1901 Census The 4 year old Ernest J is living at Buxton Road, Aylsham, the town of his birth. His parents are Leonard J, (34 and a Road Surveyor from Hevingham), and Louisa E, (aged 30 and from Highfield, Sussex). The Prestons also have a daughter, Florence M, aged 1. Although I only have access to the high-level search on the 1911 census, Ernest is still recorded in the District of Aylsham. I can only assume he either moved to Norwich to seek work or that the Ernest James on the RoH site is a different individual.
C RISEBOROUGH……………………………….........................(RoH)
Possibly either: Charles Riseborough. Gunner 98474. Guards Div. H.Q., Royal Field Artillery. Killed in action in France & Flanders on Sunday 3 October 1915. Born Holt. Enlisted Norwich. Buried: FOSSE 7 MILITARY CEMETERY, MAZINGARBE, Pas de Calais, France.
This Netflix sleeve from Alias Season 2, Disc 2 has -oops- <i>doesn't<i> instead of doesn't. I guess Netflix customers are geeky enough to understand.
Critical Run @ Venice Biennale / art format Run and Debate about EMERGENCIES
Critical Run is an Art Format created by Thierry Geoffroy /Colonel
debate while running . Debate and Run together, Now , before it is too late.
The Art Format Critical Run has been activated in 40 differents countries with 112 different burning debates
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam. ZKM Karlsruhe, Liverpool Biennale ; Sprengel Museum etc..or have just happened on the spot because a debate was necessary here and now.
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
artist Thierry Geoffroy creates art formats
aim to develop awareness muscle
during Venice Biennale 2019
The Exhibition will develop from the Central Pavilion (Giardini) to the Arsenale, and will include 79 artists from all over the world.
Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»
ALBANIA
Maybe the cosmos is not so extraordinary
Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.
Exhibitor: Driant Zeneli.
ALGERIA***
Time to shine bright
Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.
Venue: Fondamenta S. Giuseppe, 925
ANDORRA
The Future is Now / El futur és ara
Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.
Exhibitor: Philippe Shangti.
Venue: Istituto Santa Maria della Pietà, Castello 3701
ANTIGUA & BARBUDA
Find Yourself: Carnival and Resistance
Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.
Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919
ARGENTINA
El nombre de un país / The name of a country
Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.
Venue: Arsenale
ARMENIA (Republic of)
Revolutionary Sensorium
Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.
Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
AUSTRALIA
ASSEMBLY
Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.
Venue: Giardini
AUSTRIA
Discordo Ergo Sum
Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.
Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.
Venue: Giardini
AZERBAIJAN (Republic of )
Virtual Reality
Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.
Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
BANGLADESH (People’s Republic of)
Thirst
Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.
Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
BELARUS (Republic of)
Exit / Uscita
Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.
Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta
BELGIUM
Mondo Cane
Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.
Exhibitor: Jos de Gruyter & Harald Thys.
Venue: Giardini
BOSNIA and HERZEGOVINA
ZENICA-TRILOGY
Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.
Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.
Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A
BRAZIL
Swinguerra
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.
Venue: Giardini
BULGARIA
How We Live
Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.
Exhibitors: Rada Boukova , Lazar Lyutakov.
Venue: Palazzo Giustinian Lolin, San Marco 2893
CANADA
ISUMA
Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).
Venue: Giardini
CHILE
Altered Views
Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.
Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.
Venue: Arsenale
CHINA (People’s Republic of)
Re-睿
Commissioner: China Arts and Entertainment Group Ltd. (CAEG).
Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.
Venue: Arsenale
CROATIA
Traces of Disappearing (In Three Acts)
Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.
Exhibitor: Igor Grubić.
Venue: Calle Corner, Santa Croce 2258
CUBA
Entorno aleccionador (A Cautionary Environment)
Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.
Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo
CYPRUS (Republic of)
Christoforos Savva: Untimely, Again
Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.
Venue: Associazione Culturale Spiazzi, Castello 3865
CZECH (Republic) and SLOVAK (Republic)
Stanislav Kolíbal. Former Uncertain Indicated
Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.
Exhibitor: Stanislav Kolibal.
Venue: Giardini
DOMINICAN (Republic) *
Naturaleza y biodiversidad en la República Dominicana
Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.
Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace
EGYPT
khnum across times witness
Commissioner: Ministry of Culture. Curator: Ahmed Chiha.
Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.
Venue: Giardini
ESTONIA
Birth V
Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.
Venue: c/o Legno & Legno, Giudecca 211
FINLAND (Alvar Aalto Pavilion)
A Greater Miracle of Perception
Commissioner: Raija Koli, Director Frame Contemporary Art Finland.
Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).
Venue: Giardini
FRANCE
Deep see blue surrounding you / Vois ce bleu profond te fondre
Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.
Venue: Giardini
GEORGIA
REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation
Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.
Venue: Arsenale
GERMANY
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.
Venue: Giardini
GHANA ***
Ghana Freedom
Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.
Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.
Venue: Arsenale
GREAT BRITAIN
Cathy Wilkes
Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.
Venue: Giardini
GREECE
Mr Stigl
Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).
Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.
Venue: Giardini
GRENADA
Epic Memory
Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.
Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
GUATEMALA
Interesting State
Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
HAITI
THE SPECTACLE OF TRAGEDY
Commissioner: Ministry of Culture and Communication.
Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.
Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168
HUNGARY
Imaginary Cameras
Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.
Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.
Venue: Giardini
ICELAND
Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter
Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.
Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.
Venue: Spazio Punch, Giudecca 800
INDIA
Our time for a future caring
Commissioner: Adwaita Gadanayak National Gallery of Modern Art.
Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.
Venue: Arsenale
INDONESIA
Lost Verses
Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.
Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.
Venue: Arsenale
IRAN (Islamic Republic of)
of being and singing
Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.
Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.
Venue: Fondaco Marcello, San Marco 3415
IRAQ
Fatherland
Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.
Exhibitor: Serwan Baran.
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
IRELAND
The Shrinking Universe
Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.
Venue: Arsenale
ISRAEL
Field Hospital X
Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.
Venue: Giardini
ITALY
Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.
Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.
Venue: Padiglione Italia, Tese delle Vergini, Arsenale
IVORY COAST
The Open Shadows of Memory
Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.
Venue: Castello Gallery, Castello 1636/A
JAPAN
Cosmo-Eggs
Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.
Venue: Giardini
KIRIBATI
Pacific Time - Time Flies
Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.
Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659
KOREA (Republic of)
History Has Failed Us, but No Matter
Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.
Venue: Giardini
KOSOVO (Republic of)
Family Album
Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.
Venue: Arsenale
LATVIA
Saules Suns
Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.
Exhibitor: Daiga Grantiņa.
Venue: Arsenale
LITHUANIA
Sun & Sea (Marina)
Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c
LUXEMBOURG (Grand Duchy of)
Written by Water
Commissioner: Ministry of Culture of Luxembourg.
Curator: Kevin Muhlen. Exhibitor: Marco Godinho.
Venue: Arsenale
NORTH MACEDONIA (Republic of )
Subversion to Red
Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.
Venue: Palazzo Rota Ivancich, Castello 4421
MADAGASCAR ***
I have forgotten the night
Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
Exhibitor: Joël Andrianomearisoa.
Venue: Arsenale
MALAYSIA ***
Holding Up a Mirror
Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.
Venue: Palazzo Malipiero, San Marco 3198
MALTA
Maleth / Haven / Port - Heterotopias of Evocation
Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.
Venue: Arsenale
MEXICO
Actos de Dios / Acts of God
Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.
Venue: Arsenale
MONGOLIA
A Temporality
Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.
Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).
Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090
MONTENEGRO
Odiseja / An Odyssey
Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.
Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE (Republic of)
The Past, the Present and The in Between
Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.
Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.
Venue: Palazzo Mora, Strada Nova, 3659
NETHERLANDS (The)
The Measurement of Presence
Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini
NEW ZEALAND
Post hoc
Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.
Exhibitor: Dane Mitchell.
Venue: Palazzina Canonica, Riva Sette Martiri
NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)
Weather Report: Forecasting Future
Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
Venue: Giardini
PAKISTAN ***
Manora Field Notes
Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
Curator: Zahra Khan. Exhibitor: Naiza Khan.
Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111
PERU
“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle
Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.
Venue: Arsenale
PHILIPPINES
Island Weather
Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.
Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.
Venue: Arsenale
POLAND
Flight
Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.
Exhibitor: Roman Stańczak.
Venue: Giardini
PORTUGAL
a seam, a surface, a hinge or a knot
Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.
Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893
ROMANIA
Unfinished Conversations on the Weight of Absence
Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.
Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)
RUSSIA
Lc 15:11-32
Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.
Venue: Giardini
SAN MARINO (Republic of)
Friendship Project International
Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.
Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691
SAUDI ARABIA
After Illusion بعد توهم
Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.
Venue: Arsenale
SERBIA
Regaining Memory Loss
Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.
Venue: Giardini
SEYCHELLES (Republic of)
Drift
Commissioner: Galen Bresson. Curator: Martin Kennedy.
Exhibitors: George Camille and Daniel Dodin.
Venue: Palazzo Mora, Strada Nova, 3659
SINGAPORE
Music For Everyone: Variations on a Theme
Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).
Curator: Michelle Ho. Exhibitor: Song-Ming Ang.
Venue: Arsenale
SLOVENIA (Republic of)
Here we go again... SYSTEM 317
A situation of the resolution series
Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.
Venue: Arsenale
SOUTH AFRICA (Republic of)
The stronger we become
Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.
Venue: Arsenale
SPAIN
Perforated by Itziar Okariz and Sergio Prego
Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.
Exhibitors: Itziar Okariz, Sergio Prego.
Venue: Giardini
SWITZERLAND
Moving Backwards
Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.
Venue: Giardini
SYRIAN ARAB (Republic)
Syrian Civilization is still alive
Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.
Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio
THAILAND
The Revolving World
Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.
Venue: In Paradiso 1260, Castello
TURKEY
We, Elsewhere
Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.
Venue: Arsenale
UKRAINE
The Shadow of Dream cast upon Giardini della Biennale
Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.
Venue: Arsenale
UNITED ARAB EMIRATES
Nujoom Alghanem: Passage
Commissioner: Salama bint Hamdan Al Nahyan Foundation.
Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.
Venue: Arsenale
UNITED STATES OF AMERICA
Martin Puryear: Liberty
Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.
Venue: Giardini
URUGUAY
“La casa empática”
Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.
Exhibitor: Yamandú Canosa.
Venue: Giardini
VENEZUELA (Bolivarian Republic of)
Metaphore of three windows
Venezuela: identity in time and space
Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.
Venue: Giardini
ZIMBABWE (Republic of)
Soko Risina Musoro (The Tale without a Head)
Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.
Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)
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invited artist :
Lawrence Abu Hamdan (Jordan / Beirut)
Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),
Darren Bader (USA),Nairy Baghramian (Iran / Germany,
Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,
Christoph Büchel (Switzerland / Iceland,
Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA
Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,
Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)
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other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
وینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
venice biennale Venezia Venedig biennalen Bienal_de_Venecia Venise Venecia Bienalo Bienal Biënnale Venetië Veneza Μπιενάλε της Βενετίας ヴェネツィ ア・ビエンナーレ 威尼斯双年展 Venedik Bienali Venetsian biennaali Wenecji biennial #venicebiennale #venicebiennial biennalism
Veneziako Venecija Venècia Venetië Veneetsia Venetsia VenedigΒ ενετία Velence Feneyjar Venice Venēcija Venezja Venezia Wenecja VenezaVeneția Venetsiya Benátky Benetke Fenisוועניס Վենետիկ ভেনি স威尼斯 威尼斯 ვენეციისવે નિસवेनिसヴ ェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya Italy italia
Ralph Rugoff Ralph_Rugoff #RalphRugoff RalphRugoff 2019
pavilion giardini artcontemporain contemporary kunst modern #artcontemporain art artsenal gallery gallerie museum
artist curator commissaire country contemporary ultracontemporary art kunst perfomance sport jogging emergency room urgency panic saving artist role responsability
#art #artist #artistic #artists #arte #artwork
Thierry Geoffroy / Colonel
Critical Run @ Venice Biennale / art format Run and Debate about EMERGENCIES
Critical Run is an Art Format created by Thierry Geoffroy /Colonel
debate while running . Debate and Run together, Now , before it is too late.
The Art Format Critical Run has been activated in 40 differents countries with 112 different burning debates
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam. ZKM Karlsruhe, Liverpool Biennale ; Sprengel Museum etc..or have just happened on the spot because a debate was necessary here and now.
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
artist Thierry Geoffroy creates art formats
aim to develop awareness muscle
during Venice Biennale 2019
The Exhibition will develop from the Central Pavilion (Giardini) to the Arsenale, and will include 79 artists from all over the world.
Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»
ALBANIA
Maybe the cosmos is not so extraordinary
Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.
Exhibitor: Driant Zeneli.
ALGERIA***
Time to shine bright
Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.
Venue: Fondamenta S. Giuseppe, 925
ANDORRA
The Future is Now / El futur és ara
Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.
Exhibitor: Philippe Shangti.
Venue: Istituto Santa Maria della Pietà, Castello 3701
ANTIGUA & BARBUDA
Find Yourself: Carnival and Resistance
Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.
Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919
ARGENTINA
El nombre de un país / The name of a country
Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.
Venue: Arsenale
ARMENIA (Republic of)
Revolutionary Sensorium
Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.
Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
AUSTRALIA
ASSEMBLY
Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.
Venue: Giardini
AUSTRIA
Discordo Ergo Sum
Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.
Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.
Venue: Giardini
AZERBAIJAN (Republic of )
Virtual Reality
Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.
Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
BANGLADESH (People’s Republic of)
Thirst
Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.
Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
BELARUS (Republic of)
Exit / Uscita
Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.
Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta
BELGIUM
Mondo Cane
Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.
Exhibitor: Jos de Gruyter & Harald Thys.
Venue: Giardini
BOSNIA and HERZEGOVINA
ZENICA-TRILOGY
Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.
Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.
Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A
BRAZIL
Swinguerra
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.
Venue: Giardini
BULGARIA
How We Live
Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.
Exhibitors: Rada Boukova , Lazar Lyutakov.
Venue: Palazzo Giustinian Lolin, San Marco 2893
CANADA
ISUMA
Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).
Venue: Giardini
CHILE
Altered Views
Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.
Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.
Venue: Arsenale
CHINA (People’s Republic of)
Re-睿
Commissioner: China Arts and Entertainment Group Ltd. (CAEG).
Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.
Venue: Arsenale
CROATIA
Traces of Disappearing (In Three Acts)
Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.
Exhibitor: Igor Grubić.
Venue: Calle Corner, Santa Croce 2258
CUBA
Entorno aleccionador (A Cautionary Environment)
Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.
Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo
CYPRUS (Republic of)
Christoforos Savva: Untimely, Again
Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.
Venue: Associazione Culturale Spiazzi, Castello 3865
CZECH (Republic) and SLOVAK (Republic)
Stanislav Kolíbal. Former Uncertain Indicated
Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.
Exhibitor: Stanislav Kolibal.
Venue: Giardini
DOMINICAN (Republic) *
Naturaleza y biodiversidad en la República Dominicana
Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.
Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace
EGYPT
khnum across times witness
Commissioner: Ministry of Culture. Curator: Ahmed Chiha.
Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.
Venue: Giardini
ESTONIA
Birth V
Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.
Venue: c/o Legno & Legno, Giudecca 211
FINLAND (Alvar Aalto Pavilion)
A Greater Miracle of Perception
Commissioner: Raija Koli, Director Frame Contemporary Art Finland.
Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).
Venue: Giardini
FRANCE
Deep see blue surrounding you / Vois ce bleu profond te fondre
Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.
Venue: Giardini
GEORGIA
REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation
Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.
Venue: Arsenale
GERMANY
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.
Venue: Giardini
GHANA ***
Ghana Freedom
Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.
Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.
Venue: Arsenale
GREAT BRITAIN
Cathy Wilkes
Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.
Venue: Giardini
GREECE
Mr Stigl
Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).
Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.
Venue: Giardini
GRENADA
Epic Memory
Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.
Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
GUATEMALA
Interesting State
Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
HAITI
THE SPECTACLE OF TRAGEDY
Commissioner: Ministry of Culture and Communication.
Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.
Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168
HUNGARY
Imaginary Cameras
Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.
Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.
Venue: Giardini
ICELAND
Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter
Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.
Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.
Venue: Spazio Punch, Giudecca 800
INDIA
Our time for a future caring
Commissioner: Adwaita Gadanayak National Gallery of Modern Art.
Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.
Venue: Arsenale
INDONESIA
Lost Verses
Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.
Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.
Venue: Arsenale
IRAN (Islamic Republic of)
of being and singing
Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.
Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.
Venue: Fondaco Marcello, San Marco 3415
IRAQ
Fatherland
Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.
Exhibitor: Serwan Baran.
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
IRELAND
The Shrinking Universe
Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.
Venue: Arsenale
ISRAEL
Field Hospital X
Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.
Venue: Giardini
ITALY
Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.
Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.
Venue: Padiglione Italia, Tese delle Vergini, Arsenale
IVORY COAST
The Open Shadows of Memory
Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.
Venue: Castello Gallery, Castello 1636/A
JAPAN
Cosmo-Eggs
Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.
Venue: Giardini
KIRIBATI
Pacific Time - Time Flies
Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.
Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659
KOREA (Republic of)
History Has Failed Us, but No Matter
Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.
Venue: Giardini
KOSOVO (Republic of)
Family Album
Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.
Venue: Arsenale
LATVIA
Saules Suns
Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.
Exhibitor: Daiga Grantiņa.
Venue: Arsenale
LITHUANIA
Sun & Sea (Marina)
Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c
LUXEMBOURG (Grand Duchy of)
Written by Water
Commissioner: Ministry of Culture of Luxembourg.
Curator: Kevin Muhlen. Exhibitor: Marco Godinho.
Venue: Arsenale
NORTH MACEDONIA (Republic of )
Subversion to Red
Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.
Venue: Palazzo Rota Ivancich, Castello 4421
MADAGASCAR ***
I have forgotten the night
Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
Exhibitor: Joël Andrianomearisoa.
Venue: Arsenale
MALAYSIA ***
Holding Up a Mirror
Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.
Venue: Palazzo Malipiero, San Marco 3198
MALTA
Maleth / Haven / Port - Heterotopias of Evocation
Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.
Venue: Arsenale
MEXICO
Actos de Dios / Acts of God
Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.
Venue: Arsenale
MONGOLIA
A Temporality
Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.
Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).
Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090
MONTENEGRO
Odiseja / An Odyssey
Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.
Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE (Republic of)
The Past, the Present and The in Between
Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.
Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.
Venue: Palazzo Mora, Strada Nova, 3659
NETHERLANDS (The)
The Measurement of Presence
Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini
NEW ZEALAND
Post hoc
Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.
Exhibitor: Dane Mitchell.
Venue: Palazzina Canonica, Riva Sette Martiri
NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)
Weather Report: Forecasting Future
Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
Venue: Giardini
PAKISTAN ***
Manora Field Notes
Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
Curator: Zahra Khan. Exhibitor: Naiza Khan.
Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111
PERU
“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle
Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.
Venue: Arsenale
PHILIPPINES
Island Weather
Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.
Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.
Venue: Arsenale
POLAND
Flight
Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.
Exhibitor: Roman Stańczak.
Venue: Giardini
PORTUGAL
a seam, a surface, a hinge or a knot
Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.
Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893
ROMANIA
Unfinished Conversations on the Weight of Absence
Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.
Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)
RUSSIA
Lc 15:11-32
Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.
Venue: Giardini
SAN MARINO (Republic of)
Friendship Project International
Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.
Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691
SAUDI ARABIA
After Illusion بعد توهم
Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.
Venue: Arsenale
SERBIA
Regaining Memory Loss
Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.
Venue: Giardini
SEYCHELLES (Republic of)
Drift
Commissioner: Galen Bresson. Curator: Martin Kennedy.
Exhibitors: George Camille and Daniel Dodin.
Venue: Palazzo Mora, Strada Nova, 3659
SINGAPORE
Music For Everyone: Variations on a Theme
Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).
Curator: Michelle Ho. Exhibitor: Song-Ming Ang.
Venue: Arsenale
SLOVENIA (Republic of)
Here we go again... SYSTEM 317
A situation of the resolution series
Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.
Venue: Arsenale
SOUTH AFRICA (Republic of)
The stronger we become
Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.
Venue: Arsenale
SPAIN
Perforated by Itziar Okariz and Sergio Prego
Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.
Exhibitors: Itziar Okariz, Sergio Prego.
Venue: Giardini
SWITZERLAND
Moving Backwards
Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.
Venue: Giardini
SYRIAN ARAB (Republic)
Syrian Civilization is still alive
Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.
Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio
THAILAND
The Revolving World
Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.
Venue: In Paradiso 1260, Castello
TURKEY
We, Elsewhere
Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.
Venue: Arsenale
UKRAINE
The Shadow of Dream cast upon Giardini della Biennale
Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.
Venue: Arsenale
UNITED ARAB EMIRATES
Nujoom Alghanem: Passage
Commissioner: Salama bint Hamdan Al Nahyan Foundation.
Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.
Venue: Arsenale
UNITED STATES OF AMERICA
Martin Puryear: Liberty
Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.
Venue: Giardini
URUGUAY
“La casa empática”
Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.
Exhibitor: Yamandú Canosa.
Venue: Giardini
VENEZUELA (Bolivarian Republic of)
Metaphore of three windows
Venezuela: identity in time and space
Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.
Venue: Giardini
ZIMBABWE (Republic of)
Soko Risina Musoro (The Tale without a Head)
Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.
Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)
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invited artist :
Lawrence Abu Hamdan (Jordan / Beirut)
Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),
Darren Bader (USA),Nairy Baghramian (Iran / Germany,
Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,
Christoph Büchel (Switzerland / Iceland,
Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA
Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,
Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)
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other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
وینس Venetsiya
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Thierry Geoffroy / Colonel
While I was up in Redmond at Microsoft for the Pro Photography Summit a few weeks back (see blog post and photos here), I was able to take some time during the lunch break on the second day of the conference to visit with Microsoft's Media Center Team.
I've been a big fan of Microsoft's Media Center platform for a while (a photo of my Media Center set up was actually my first photo I ever posted to Flickr) and especially its most recent iteration with Windows Vista. I think Microsoft's Media Center Platform represents the very best home entertainment system available on the market today and sits head and shoulders above AppleTV, TiVo and other home media platforms.
Charlie Owen gave me a tour of their offices and I got to meet some new people from the team that I hadn't met before.
I couldn't take pictures of lots of stuff on white boards and the walls because development on Media Center is ongoing and much of the stuff about future features is confidential, but I got a few shots of the offices and some of the team members I met. You can see them in my Microsoft Media Center team set here.
So what were some of the surprises that I saw when visiting the Media Center Team?
First I was surprised what a relaxed environment they all work in. For some reason I'd always pictured people working for Microsoft wearing business casual polo shirts and Levi's Dockers behind desks that all looked pretty much the same. Each person on the team had their own workspace and each had it pretty much set up however they wanted. Couches, futons, very cool music space set ups that looked more like a DJ stand than corporate offices. And while I didn't see any dogs or Foosball tables, the set up reminded me a lot more of a Silicon Valley start up than the corporate behemoth that is Microsoft. Some people were actually using Macs. People walked around in t-shirts, shorts and sandals, etc. A very relaxed working environment.
Charlie Owen and Noah Spitzer-Williams showed me a pretty cool room where the team tests how things sound (see photo above). Music is obviously a big part of Media Center and we spent some time in what was pretty much a dream home theater room completely sound proofed for testing out different music file formats, bit rates, etc. It would definitely be the place to take your date on a Saturday night to impress her with the latest release of some cool DVD. I was also pleased to see the team working with large music libraries. Steve Moreland who works on music for the Media Center team had a music library of over 130,000 mp3s.
In their offices they had a design board with a bunch of interesting things pinned to it. Charlie told me that this was a board where people on the team post interestingly designed stuff for everyone to see. The designs didn't necessarily have to have anything to do with Media Center, more just a place to post interesting stuff to inspire creativity.
Anyways, thanks to the team for taking a few minutes to show me what they were up to and sharing some of their time and space with me.
I know a few people making these and they are all so lovely I wanted to try to make my own version of it. This one was for my father. He loved it.
Once in a while I see something online or in a store and think that I don't need to buy it because I could make my own. That's what I've been up to since we moved last July: making things to cozy up in our new home (update). I'll try to take a few photos to share which brings me to this post.
I meant to share more of the skirts embellishment I'm working on. The problem is that if we don't have good enough photographs we don't post them at all. It's taken a long time (for me specially) to learn how to take good photos. We try to get the best background matching the piece, the light has to be just right so we don't have to retouch the image. It's a poor excuse to leave all of you waiting for so long. I'll try to have more wip images (work in progress) which we usually post in Rob's Flickr blog as well. We want to share whatever we are tinkering with at the time. This is why we don't have a blog (instead of a Flickr blog as we call it) and why Rob has a Tumblr. The pressure of a daily post and getting back to everyone's comments would be too much. But please feel free to email us, leave your comments here, and follow us. Flickr has been good to us and many of our followers have found us here. We post images and a short explanation to document our work and share online. Here's to another year of many more posts! If you are reading this, thank you for sticking with us :)
Mushroom
upholstery remnants
by Lizette Greco
MILT CANIFF
The King of the Comic Strips
Milton Caniff
From The Early Years To Terry and the Pirates
Milton Caniff, to most comics fans, will always be regarded as the major leading light of the syndicated comic strip. He was a pioneer of a visual style of story telling that's widely imitated but seldom achieved, establishing innovations that would become a yardstick for all that followed in his footsteps. No major comics artists today remain untouched by his influences.
Milton Caniff was born on February 28, 1907 in Hillsboro, Ohio. His art career began in a significant way when, as a young boy, he discovered a trunk containing drawings by the early newspaper cartoonist, John T. McCutchen. "This was my first inspiration as an artist in wanting to draw pictures at all, " Caniff would recall. The trunk discovery was significant in another way, in the kind of coincidence that usually only happens in fiction, because years later McCutchen helped to launch the famous Terry and the Pirates!
It's likely that Caniff would have become a cartoonist without the trunk. From the very beginning he displayed a talent for art that was amply displayed in school journals and by the eighth grade he had already had a cartoon published in a local paper. By high school he was already freelancing for a newspaper art department, and by the time he reached college Caniff was providing art on the side for the Dayton Journal, the Miami Daily News, and the Columbus Dispatch, while still finding time to attend classes and participate in theatrical productions.
After graduating college Caniff found full time work at the Dispatch, spending nights working on a few abortive comic strip attempts. The new job only lasted a short time when the Depression struck, forcing the Dispatch to downsize.
Caniff's unemployment only lasted a short while; fortunately the Associated Press of New York had noticed clippings of the young artist's work and offered him a job. The timing was right; Caniff arrived in the Big Apple just in time for 1932's Presidential campaign, and his published portrait of Franklin D. Roosevelt appeared in papers all across the country, his first national exposure. While at AP the artist met a fellow worker who would equal his own success as a cartoonist, Al Capp. (Appropriately enough it was on April Fool's Day.) The two men became life-long friends and when Capp left the unfunny strip he had been assigned, Mr. Gilfeather, Caniff inherited the feature, turning it into the more palatable The Gay Thirties.
In addition to the single panel feature on life in America, Caniff was given a multi-paneled adventure strip to work on, Dickie Dare. The strip began in July 1933 and featured Dickie's daydreams of fighting along side Robin Hood and his Merry Men, hunting treasure with Long John Silver, and adventuring with Robinson Crusoe. Caniff lasted a year on the strip, which was to continue on until the late fifties, capably handled by Coulton Waugh and his wife, Mabel "Odin" Burvik.
Caniff had gotten a better offer from Colonel Patterson of the Chicago Tribune-New York News Syndicate in the fall of 1934. The new job offer came about thanks to another cartoonist who had noticed Caniff's clippings, John McCutchen, the same artist who drew the inspirational cartoons that Caniff had discovered in his mother's trunk!
Patterson had been looking for something similar to Dickie Dare, and exotic adventure strip that featured a leading adult and a youthful sidekick. Caniff filled that bill with Terry and the Pirates, which first appeared on October 22, 1934. The continuity opened with the story of Terry Lee, an American boy, his adult pal Pat Ryan, and a clever Chinese servant named Connie, "chief cook and philosopher." The three set out for an abandoned treasure mine but soon find themselves stranded and penniless in a China swarming with brigands, warlords, and hostile Japanese troops.
Caniff's early work on the strip was good enough for the times but crude in comparison to what would come later. A big boost in his evolution as an artist came from teaming up with another young comics legend, Noel Sickles, the artist on the AP Scorchy Smith strip.
The two men, who had once shared a studio in Ohio, worked in tandem, writing and drawing for each other's strips, in the process developing a novel and time saving method for indicating detail, using a impressionistic brushwork technique known as "chiaroscuro." The technique became Caniff's trademark. As Jules Fieffer once said, "Black is Milton Caniff's primary color."
Caniff's mastery of light and dark, his talent for action scenes and camera angles, and his flair for dramatic storytelling all contributed to the popularity of Terry and the Pirates. Another strength of the strip has been its reliance on realism.
Caniff realized that potential fan interest must be immediately captured in a strip's first year. "Since a person must read the balloons to get the story," Caniff once said, "I thought I could catch them with vivid color and illustrations rather than straight cartoons. This meant that there'd have to be absolute authenticity."
Caniff worked long hours to achieve his goal, consulting with experts in every field. In one sequence involving an amphibious invasion, Caniff dug into thirty-eight books in order to nail down such details as to what military hospitals looked like and whether or not Japanese bombers veered to the right or left when launched from aircraft carriers.
Caniff read every book he could find the Orient, becoming more concerned with the problems China faced from the Japanese invaders, predicting in his strip that an inevitable conflict would break out between the U.S. and Hirohito's Imperial forces.
Pat and Terry shared the strip with an intriguing cast of supporting characters. To name just a few, there was Captain Judas, Burma, Big Stoop, Chopstick Joe, Dude Hennick, Cherry Blaze, Cue Ball, and one of the greatest of femme fatales, The Dragon Lady, who often played both sides of the fence. Caniff was a master of characterization; readers really got to know and care about many of his cast.
This point was amply illustrated in a famous 1941 episode, the death of Raven Sherman. A full week of continuity passed as Raven, wounded by the treacherous Captain Judas, slowly ebbs away on a lonely trail in China until finally, "as it must to every one," she dies. And then, as Caniff says, "The roof fell in!" Caniff was flooded with flower deliveries, mock memorial services, petitions of condolence signed by disparate groups as factory workers and entire colleges, as well as a lot of irate letters. For years afterwards the cartoonist would continue to get black-edged cards on the anniversary of Raven's death. Proving that perhaps, as Caniff put it, "the impacts of both picture and words drives more deeply into human awareness than any anthropologist has yet cared to note."
Perhaps so. But Caniff also noted that Raven was killed in October 1941. "If it had happened two months later, nobody would even remember her name today." Milton Caniff, to most comics fans, will always be regarded as the major leading light of the syndicated comic strip. He was a pioneer of a visual style of story telling that's widely imitated but seldom achieved, establishing innovations that would become a yardstick for all that followed in his footsteps. No major comics artists today remain untouched by his influences.
Two months after Milton Caniff's famous death-of-Raven sequence, the Japanese bombed Pearl Harbor and the United States' role in the Second World War had begun. Caniff had depicted Japan's aggression in China (as well as Japanese-Nazi collaboration) in Terry and the Pirates years before war broke out. "There was no general realization of impending war between Japan and the United States," said Caniff, "but anyone who could read newspapers could put it together. The Sino-Japanese war just served as a beacon for future sequences. I foresaw a terrific struggle for the Allies."
Terry joined in that struggle, having finally grown to young adulthood, and got his wings, becoming a pilot in the air force in China. Pat Ryan, his buddy and mentor, was phased offstage to join the Navy, replaced by another father figure, Colonel Flip Corkin. With the change Terry Lee finally became the sole lead in the strip bearing his name, but the "Pirates," like Pat Ryan, also disappeared.
Caniff stepped up the wartime action, with Terry occasionally joining forces with his old nemesis, the Dragon Lady ("tough as a hash-heavy top sergeant"), as well as a new friend in the strip, the very hip, wise-cracking Hot-Shot Charlie.
Terry and the Pirates soared in popularity during the war years, thanks to Caniff's storytelling and his incredible attention to detail (once buying film reels from the Army Signal Corps to check on a detail about aircraft carriers). Voluntary informants, readers from around the world, aided the artist. Men and women in the armed services provided invaluable information on anything thing from logistics to military uniforms. Caniff returned the favor by designing countless logos and insignias, designing a large number of instruction manuals and posters, and winning numerous citations from the Navy, War, and Treasury Departments.
If Terry and the Pirates helped the war effort by informing and entertaining the civilians, Caniff's Male Call did wonders for the guys in uniform. The strip, which ran uncensored in service newspapers, was heavy on cheesecake and featured the voluptuous Miss Lace, a kind of volunteer Morale Officer, who did her best to cheer up the men, usually by dressing in very low-cut outfits.
The strip's popularity peaked during the war years. During that time Terry had been adapted to radio and comics, and in 1940 James W. Horne directed a movie serial version (in the 1950s there was also a Terry TV series). After the war ended Caniff ran into contractual problems with his syndicate and went over to King Features, with a hefty salary increase and the added bonus of owning whatever strip he created. On December 29, 1946, the last of Milton Caniff's Terry and the Pirates appeared. George Wundar inherited the strip, which would continue on (in some years inked by E.C. artist George Evans) for another 25 years, finally folding in 1973. In 1995 Tribune Media Services resurrected Terry, which was written by Michael Uslan and illustrated by Greg and Tim Hildebrandt, later replaced by comics veteran
Dan Spiegle.
Steve Canyon, Caniff's new strip, debuted on January 7, 1946, opening simultaneously in 125 papers throughout the country, a unique distinction for a new strip, but understandable given Caniff's reputation. Steve was a compulsive hero ("the kind of guy who doesn'tlike to see people kicked around"). As Caniff described him in a Time magazine interview, Canyon was intended to be a "sort of modern Kit Carson, the strong silent Gary Cooper plainsman type. He'llhave lots of gals, one at every port."
Canyon was to be, in Caniff's words, "a picaresque novel," like Cervantes' Don Quixote; a traveler moving from one adventure to the next, accompanied by a friend the hero can talk to (and talk to the reader). In this case, Sancho Panza turned out to be a scrappy oldster, Happy Easter. Caniff also decided to bring in another Terry figure, the teenage Reed Kimberly -- after all, if Steve ever settled down to married life, Caniff needn't abandon any boy-meets-girl plot riffs.
Canyon did meet a lot of women. Many of them, like the cold-blooded Copper Calhoun (a nasty version of Daddy Warbucks), Cheetah (a totally amoral bargirl who would steal Reed's heart and then cheerfully step on it), the hapless Summer Olson (hopelessly in love with Steve and always abused by Ms. Calhoun, her employer), and cousin Poteet Canyon (a teenage version of Happy Easter). "Ninety-five percent of the interest in any fiction is what happens to the women, not what happens to the men," Caniff believed.
Like many other comic strip adventurers, Steve Canyon went on to become a Cold Warrior with the advent of the nineteen fifties, reentering the air Force after the outbreak of the Korean war. Steve found time between adventures in various Third World hotspots to finally marry Summer Olson in 1970 and after the Vietnam war became entangled in a number of marital problems that eventually resulted in a separation.
The Vietnam war also caused a number of problems for the strip itself, as the mood of the many Americans was definitely not in tune with military adventures. And as newspapers around the country began to shrink the panel size of their strips to make room for all-important advertising, Caniff's strip, like most realistic strips, began losing its effectiveness. As the aging Caniff began experiencing health problems, he was forced to drop penciling chores, which were then handled by Dick Rockwell (nephew of illustrator Norman Rockwell) and concentrate on writing and inking it.
Although ill heath couldn't keep the artist from the drawing board, he finally succumbed to lung cancer in 1988. Steve Canyon survived him by several weeks, after 41 years of continuity. Caniff's awards, which included two Reubens for his two strips, were numerous but the last Steve Canyon, dated June 4, was a final, wonderful tribute: it was two panels, one drawn by the legendary war cartoonist Bill Mauldin, the other signed by 78 fellow artists of the field he loved. Milton Caniff will be long remembered.
--Steve Stiles
www.stevestiles.com/caniff1.htm
www.stevestiles.com/caniff2.htm
Milton Caniff
Birth nameMilton Arthur Paul Caniff
BornFebruary 28, 1907
Hillsboro, Ohio
DiedMay 3, 1988 (aged 81)
New York City
NationalityAmerican
Area(s)artist
Notable worksDickie Dare
Terry and the Pirates
Steve Canyon
Awardsfull list
Milton Arthur Paul Caniff (February 28, 1907-May 3, 1988) was an American cartoonist famous for the Terry and the Pirates and Steve Canyon comic strips.
Early life
Caniff was born in Hillsboro, Ohio. He was an Eagle Scout and a recipient of the Distinguished Eagle Scout Award from the Boy Scouts of America. Caniff had done some cartoons for local newspapers as a teenager, while studying at Stivers School for the Arts. Shortly after matriculating at the Ohio State University, from which he graduated in 1930, Caniff began a career in journalism by applying to the Columbus Dispatch. There he worked with the noted cartoonist William "Billy" Ireland until Caniff's position was eliminated.
While at Ohio State, Caniff joined the Sigma Chi Fraternity, and later provided illustrations for The Magazine of Sigma Chi and The Norman Shield (the fraternity's pledgeship/reference manual).
Cartoonist
In 1932, Caniff moved to New York City to accept an artist position in the Features Service of the Associated Press. He did general assignment art for several months, then inherited a panel cartoon called Mister Gilfeather in September 1932 when Al Capp left the feature. Caniff continued Gilfeather until the spring of 1933, when it was retired in favor of a generic comedy in a panel cartoon called The Gay Thirties, which he produced until he left AP in the fall of 1934. In July 1933, Caniff began an adventure fantasy strip, Dickie Dare, influenced by series such as Flash Gordon and Brick Bradford.[1] The eponymous central character was a youth who dreamed himself into adventures with such literary and legendary persons as Robin Hood, Robinson Crusoe and King Arthur. In the spring of 1934, Caniff changed the strip from fantasy to "reality" when Dickie no longer dreamed his adventures but experienced them as he traveled the world with a freelance writer, Dickie's adult mentor, "Dynamite Dan" Flynn.
In 1934, Caniff was hired by the New York Daily News to produce a new strip, Terry and the Pirates, the strip which made Caniff famous.[1] Like Dickie Dare, Terry began the strip as a boy who is traveling in China with an adult mentor and freelance writer, Pat Ryan. But over the years the title character aged and by World War II he was old enough to serve in the Army Air Force. During the twelve years that Caniff produced the strip, he introduced many fascinating characters, most of whom were "pirates" of one kind or another--Burma, a blonde with a mysterious possibly criminal past; Chopstick Joe, a Chinese petty criminal; Singh Singh, a warlord in the mountains of China; Judas, a smuggler; Sanjak, a lesbian; and then boon companions such as Hotshot Charlie, Terry's wing man during the War years; Connie and Big Stoop, a Chinese Jeff and Mutt (in stature) who followed Terry and Pat Ryan around the country; and April Kane, a young woman who was Terry's first love. But Caniff's most memorable creation was the Dragon Lady, a pirate queen; she was seemingly ruthless and calculating, but Caniff encouraged his readers to think she had romantic yearnings for Pat Ryan.
Lai Choi San, the Dragon Lady, Milton Caniff's most iconic character from Terry And the Pirates (©2006 by Tribune Media Services)
During the war, Caniff began a second strip, a special version of Terry and the Pirates without Terry but featuring the blonde bombshell, Burma. Caniff donated all of his work on this strip to the armed forces -- the strip was only available in military newspapers. After complaints from the Miami Herald about the military version of the strip being published by military newspapers in the Herald's circulation territory, the strip was renamed Male Call and given a new star, Miss Lace, a beautiful woman who lived near every military base on the planet and enjoyed the company of enlisted men, but not officers. Her function, Caniff often said, was to remind service men what they were fighting for, and while the situations in the strip brimmed with double entendre, Miss Lace was not, as far as she appeared in the strip, a loose woman, but she "knew the score." Far more so than civilian comic strips which portrayed military characters, Male Call was notable for its honest depiction of what the servicemen were up against: one strip showed Miss Lace dating a soldier on leave who had lost an arm; another strip had her escorting a blinded ex-serviceman. Caniff continued Male Call until seven months after V-J Day, ending it in March 1946.[2]
The year 1946 also saw the end of Caniff's association with Terry and the Pirates. While the strip was a major success, it was not owned by its creator but by its distributing syndicate, the Chicago Tribune-New York Daily News, a common practice with syndicated comics at the time. And when Caniff was offered the chance to own his own strip by Marshall Field, publisher of the Chicago Sun, the cartoonist left Terry to produce a strip for Field Enterprises. Caniff produced his last strip of Terry and the Pirates in December 1946 and introduced his new strip Steve Canyon in the Chicago Sun-Times the following month.[1] At the time, Caniff was one of only two or three syndicated cartoonists who owned their creations, and he attracted considerable publicity as a result of this circumstance.
Steve Canyon
Like his previous strip, Steve Canyon was an action strip with a pilot as its main character. Canyon was originally portrayed as a civilian pilot with his own one-airplane cargo airline, but he re-enlisted in the Air Force during the Korean War and remained in the Air Force for the remainder of the strip's run.
Milton Caniff's Steve Canyon, although not gaining the popularity of Terry and the Pirates, nevertheless enjoyed greater longevity.
While Steve Canyon never achieved the popularity that Terry and the Pirates had at its height as a World War II military adventure or the cult fame Terry generated over the years, it was a successful comic strip with a greater circulation than Terry ever had. A short-lived Steve Canyon television series was produced in 1958, marking the height of the strip's fame. The title character's dedication to the military (Steve Canyon was often termed the "unofficial spokesman" for the Air Force) produced a negative reaction among readers during the Vietnam War, and the strip dropped in circulation as a result. Caniff nonetheless continued to enjoy enormous regard in the profession and in newspapering, and he produced the strip until his death in 1988. The strip was continued for a couple months after he died, but it soon expired, too, in June 1988.
Recognition and awards
Caniff was one of the founders of the National Cartoonist Society and served two terms as its President, 1948 and 1949. He also received the Society's first Cartoonist of the Year Award in 1947, nominally for his new comic strip, Steve Canyon, but since the award covered work published in 1946, it embraced Terry and the Pirates as well. Caniff would be named Cartoonist of the Year again, receiving the accompanying trophy, the Reuben, in 1972 for 1971, again for Steve Canyon. He was also named to the Will Eisner Award Hall of Fame in 1988. He received the National Cartoonist Society Elzie Segar Award in 1971, the Award for Story Comic Strip in 1979 for Steve Canyon, the Gold Key Award (the Society's Hall of Fame) in 1981, and NCS has since named the Milton Caniff Lifetime Achievement Award in his honor.
Caniff died in New York City.
Followers
Along with Hal Foster and Alex Raymond, Caniff's style would have a tremendous influence on the artists who drew American comic books in the first half of the 20th century. Evidence of his influence can be clearly seen in the work of comic book artists such as Jack Kirby, Frank Robbins, Lee Elias, Bob Kane, Mike Sekowski, Dick Dillin,John Romita,Sr. and Johnny Craig to name just a mere handful.
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The Boston Elevated Railway (BERy) was a precursor first to the Metropolitan Transit Authority in Massachusetts, now the Massachusetts Bay Transportation Authority, operating rapid transit, streetcars and buses in the Boston, Massachusetts area. It was formerly known as the West End Street Railway.
The rapid transit lines have evolved into the Red, Blue and Orange Lines. The only streetcars that remain are the various branches of the Green Line and the Ashmont-Mattapan High Speed Line; the rest have been converted to buses.
The Boston Elevated Railway operated in the following cities and towns:
Arlington Belmont Boston and the municipalities that have been merged into it Brookline Cambridge Chelsea Everett Malden Medford Newton (only to get between Boston and Watertown) Somerville Stoneham (only the southern bit, in the Middlesex Fells) Watertown Additionally, streetcars from adjoining towns, run by other companies, operated over Boston Elevated Railway trackage.
Originally intended to build a short electric trolley line to Brookline, the West End Street Railway was organized in 1887. By the next year it had consolidated ownership of a number of horse-drawn streetcar lines, composing a fleet of 7816 horses and 1480 rail vehicles. As the system grew, a switch to underground pulled-cable propulsion (modeled after the San Francisco cable cars) was contemplated. After visiting Frank Sprague and witnessing the Richmond, Virginia system in action, WESR President Henry Whitney chose to deploy electric propulsion systems. A section of track tested the Bentley-Knight underground power line, but this was abandoned because of failures and safety concerns (especially after the electrocution of a team of horses in 1889). After competing in operational tests with the Sprague streetcar system, the Thomson-Houston company was chosen for system-wide deployment of overhead wires.
The first electric trolley line built by the West End Street Railway was between Union Square, Allston and Park Square, downtown, via Harvard Street, Beacon Street, Massachusetts Avenue and Boylston Street. Trolleys first ran in 1889. The Green Line "A" Branch later served roughly the same purpose.
The last horse car line was along Marlborough Street in the Back Bay, and was never electrified. It was closed around 1900.
In the late 1800s, the electric power industry was in its infancy; the power grid as we know it today simply did not exist. The railway company constructed its own power stations; by 1897, these included distributed generation stations in downtown Boston, Allston, Cambridge (near Harvard), Dorchester, Charlestown, East Cambridge, and East Boston. By 1904, the system had 36 megawatts of generating capacity, 421 miles (678 km) of track for over 1550 street cars (mostly closed but some open), and 16 miles (26 km) of elevated track for 174 elevated cars.
The first bus route was in 1922, between Union Square, Allston and Faneuil Street. In 1933 this was merged with the Union Square - Central bus and later became the 64 bus.
The difficulty of transporting coal over land from the Port of Boston and the short range of the direct current system prevented significant expansion inland. In 1911, a large generating station was built in South Boston which produced 25 Hertz alternating current, which could be transmitted long distances at high voltage, to substations which would drop the voltage for use by trains. The system was gradually converted until completion in 1931, when 14 substations were in place. This station would operate until 1981, when the MBTA decided to purchase energy from local utility companies instead of running its own generators.
The first trackless trolley route was the 77 (later 69) Harvard - Lechmere via Cambridge Street on April 11, 1936; trackless trolleys still run from Harvard station (on Routes 71, 72, 73, and 77A).
Operations of the company were taken over by the Metropolitan Transit Authority in 1947.
History from Wikipedia and OldCompany.com (old stock certificate research service).