HTML, photos on Flickr

tOkKustom :: BODYCOUNT Casey (( 2003 )) by ~ tOkKa

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☠ ☠

-->> **Based off CASEY JONES from Eastman & Bisley's masterpiece and swan-song to Mirage Studios, the BODYCOUNT mini-series. Photos from 2003 of this "lost" & possibly a former class-project, but one of my very first & major custom pieces. Utilizing the '03 TMNT Casey Jones as a base ( the strongest sculpt i felt for the project at the time. The attempts on the vintage figure failed ) - and murdering the weapons & accessories to match as much of the "SIMON BISLEY" chaos as possible. Casey's Hockey stick and baseball bat are wrapped in pointy spikes and duct-tape. Arnold's "American Flag" hockey mask is amoung my favourites and i also tried to fit that to the '03 styled masked packed with the figure.

Hard to recall what the base was made out of. I cannot tell if i made a custom base from scratch or added onto some other base from some other figure line. The base prolly topped off close to 14" tall and was a hodge-podge of "UGLY" elements like from the vintage TMNT line and some McFarlne scraps thrown in. There is a decapitated noggin sculpted by a former classmate topping off the base. Images from the BODYCOUNT mini-series as well as a few 4kids TMNT elements also make the base as bloody, weird n' violent as i possibly could, just like the books.

Th bio-card is the same as the 2K3 Casey bio card, but burnt, modified and bloodied to match the BODYCOUNT books, it came in a sleeve with artwork of Midnight - the Heroine of the story.

This imperfect figure was made & given to a friend & major CASEY fan as a gift. These are the only photos i have of this project.

~ t

Salkantay Trail by salkantay trekking

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SALKANTAY TREK TO MACHU PICCHU

5 DAYS - 4 NIGHTS

SALKANTAY TREK TO MACHU PICCHU

5 DAYS - 4 NIGHTS

The amazing Salkantay trek to Machupicchu is one of the famous treks in Cusco and the best alternative route to get to Machupicchu. It is takes you through different types of landscapes from the typical Andean landscape up to the snowcapped mountains and down to the tropical forests and finally gets you into the jungle, Salkantay trek named among the 25 best Treks in the World, by National Geographic Adventure Travel Magazine

If you are thinking to do a hiking trip to Machupicchu and you want to be off of the beaten path and be in touch with the nature; Salkantay trek is the best option. Hiking 75 kilometers = 46 miles and reaching the famous Apacheta (mountain offerings) pass 4621masl = 15160ft which is the highest point of the Salkantay trek: enjoying the amazing view during the hike from Mollepata town to Soraypampa base camp at knee of the Umantay mountain. Then to go up to the highest point to enjoy the view of outstanding snow-capped Salkantay mount. This was one of the most important Apus in the Inca period! Then you are going dawn to Chaullay through the beautiful scenery and then go to Santa Teresa to jump into the natural and medicinal hot spring. And finally we reach to Aguas Calientes town for overnight in the hotel and the last day of your adventure you will get up too early to be the firsts ones up in Machupicchu and enjoy the sunrise.

OVERVIEW

Highlight: Hiking alongside the magnificent Apu Salkantay and then arriving at the ruins of Machu Picchu.

Location: The Salkantay trek begins 3 hours driving to the west of Cusco, Peru. We pass the village of Mollepata and begin hiking at Marcocasa.

Duration: 5 days/ 4 nights

Starting point: cusco

Ending point: cusco

Level: Moderate to Challenging

Adventure Rating: Given the new restrictions on the Inca trail, Salkantay is the second most popular hike in the region and some of the campsites are less remote than on other trails.

Modality: Trekking, Archaeological and Cultural

Ideal for: Adventure Seekers, Couples, Friends, Nature Lovers, and Intrepid People

Altitude: 2,800 masl to 4,650 masl

Inca Trail alternative: Yes, the Salkantay trek is an excellent option.

Departure Dates: Daily departures

All private service departure dates are adapted to your request

Trekkers Wanted: If you wish to join a group tour, please see Trekkers Wanted.You can also form your own tour to be advertised on this page maximum group size 10.

ITINERARY - SALKANTAY TREK TO MACHU PICCHU 5 DAYS - 4 NIGHTS

DAY 1: Cusco - Mollepata - Marcocasa - Soraypampa.

We will pick you up from your hotel in Cusco from 5: 00 am to 5:30 am to go by bus to Mollepata. Begin a spectacular scenic drive through the Anta plains with beautiful and panoramic views of the majestic Salkantay and other mountains covered with snow, and the Valley of Apurimac River. After two and a half hours drive we stop in Mollepata to have breakfast for last minute supplies, leg-stretching or to use the bathrooms, before continuing to Marcocasa. There we will meet with our support staff. They will load the equipment on horses and mules. Around 9:30 a.m. we will star our trek toward Soraypampa (3900 meters above sea level) if we keep a regular pace we will take 4 hours approximately to reach to Soraypampa the first camp site where will have lunch after lunch in the afternoon we have an option to go up to Umantay lake (4200masl) which takes 3 hours hike back and forth from the camp to see the glacier lake of Umantay. But if we keep slow pace; we will have lunch at halfway between Soraypampa and Marco Casa maybe after 3 hours of hiking. And after that we hike two a half hours more to Soraypampa. Anyway our camp is going be at Soraypampa. Sleeping tents will be ready and we will have a warm delicious dinner in the evening.

Meals: Lunch, Dinner.

Overnight: Soraypampa in the tents.

Maximum Altitude: 3850 masl.

Minimum Altitude: 2850 masl.

Hiking distance: 14 km approx.

DAY 2: Soraypampa - Salkantay Pass - Huayramachay – Chaullay

Today early in the morning we will wake you up with the coca tea. Around 6:00 we will have a nutritious breakfast around 7:00 am we will start the hardest day of the whole Salkantay trek; we will be walking up to the highest point of the trek. After 6 kilometers uphill through the magnificent scenery of Rocky Mountains and enjoying the view of Salkantay mount. We reach the top of the trek. We will appreciate spectacular views of the mountains and the imposing snowy peaks of the Salkantay (6264 meters above sea level) which is known as the second highest mountain of the Cusco region. After 2 hours downhill around 1:00 p.m. we will have our delicious Peruvian lunch, in the area called Huayracmachay. Then we continue our hike to Chaullay approximately 3 hours of downhill we will get to our camp in Chaullay = 2900 masl Where we will have the sleeping tents ready. Around 7: 00 pm we will have dinner to recover energy from the trek.

Meals: Breakfast, Lunch, Dinner.

Overnight: Chaullay in the tents.

Maximum Altitude: 4650 masl.

Minimum Altitude: 2920 masl.

hiking distance: 20km to Chaullay.

DAY 3: Chaullay - Collpapampa - La Playa - Santa Teresa (Cola de Mono Campsite)

Around 7:30 am; we will start our trek to La Playa through the Santa Teresa valley. We will hike 6 hours approximately during the hike will see: water fall, orchids, coffee, banana, avocado plantations and we will taste the famous passion fruit or granadilla and also we will see a village call Colpapampa also call the “forest cloudy brow” where waterfalls, thermal hot springs, fruit-bearing trees, varied flora, and birds can be observed. If we are lucky, we will be able to see the famous bird called “the Cock of the Rocks”. After lunch at La playa, we will catch a local transportation to Santa Teresa. Where will have an overnight at “cola de mono” campsite. We are the only trekking company allow camping there. In the afternoon we may go to Santa Teresa´s hot spring to enjoy it. Then back at the campsite for happy hours and dinner.

Meals: Breakfast, Lunch, Dinner.

Overnight: Santa Teresa “cola de mono campsite” in the tents.

Maximum Altitude: 2920 masl.

Minimum Altitude: 1600 masl.

Hiking distance: 15km approx.

DAY 4: Santa Teresa (Cola de Mono Campsite) - Hidroeléctrica - Aguas Calientes

After of our delicious breakfast we are going to walk approximately 7 hours. Around 8:30 a.m. we start our trek to Colpani village we will have the opportunity to see coca farms, mandarin, orange and yucca. And a lovely view of the Santa Teresa Valley. We follow along the riverside of Vilcanota River until arrive to the Oroya (cable bridge) then we keep going to Hidroelectrica where will have our lunch. After lunch we going to walk along the train track but on the base of Machupicchu and Waynapicchu Mountain from the way we will see Machupicchu. After two a half hours hike we will be at Aguas Calientes town: base town of Machupicchu for overnight in the hotel and dinner at the local restaurant.

Meals: Breakfast, Lunch, Dinner.

Overnight: in Aguas Calientes at the hotel which included in the package.

Maximum Altitude: 2350 masl.

Minimum Altitude: 2000 masl.

Hiking distance: 18 km approx.

DAY 5: Aguas Calientes - Machu Picchu - Ollantaytambo – Cusco

Today early in the morning after breakfast at the hotel you will be able to choose between. Walk up to Machupicchu. Or take bus up to Machupicchu. Any way we will be the first ones into Machupicchu to enjoy the sunrise and you will have two a half hours guided tour. Then you will have the free time to explore Machupicchu by yourselves or if you desire, ascent toward the Huaynapicchu Mountain. Or climb to Machupicchu montaña. After Machupicchu you are going back to Aguas Calientes to take a train to Ollantaytambo and from there by bus back to Cusco. The bus drops you off at your hotel in Cusco.

Meals: Breakfast.

WHAT IS INCLUDED?

Pre-departure briefing at the office in Cusco

Collection from your hotel in the morning and transfer in private transportation to Marcocasa (starting point of the trek).

Personal tents: 2 people in each 4-people-capacity tent, to allow for higher comfort and a safe keeping of backpacks. Our tents are 3-season, highly maintained to ensure an excellent performance in field. Kailas, Pro Aconcagua and Rei 4 Outfitter tents are employed when double accommodation is requested.

One sleeping pad per person.

1 Blanket. Or Liner.

One pillow per person.

Dining tent with tables and chairs

Kitchen tent

English speaking professional and official tourist guide (2 guides for groups of over 10 people)

1 night accommodation in Aguas Calientes

Chef and cooking equipment

Pack animals (to carry tents, food and cooking equipment) – days 1 to 4

Pack animals to carry personal gear up to a maximum of 7kg per person (including sleeping pad and sleeping bag) – days 1 to 4

1 emergency horse every 8 persons – days 1 to 3

Accommodation for all our staff

Meals (4B, 4L, 4D + daily morning snack + daily tea service except last day). Vegetarian or special menus are available at no extra cost

One textile snack bag per person, to avoid the usage of plastic bags that contaminate our environment

Boiled filtered water every day since the first lunch. For your water bottles.

Bio-degradable personal hand soaps

Bio-degradable dishwashing detergents used by our kitchen staff

Others: hot water every morning and evening for washing purposes / boiled water to fill in your water bottle every morning and night, and at lunch time if requested with enough time ahead

First-aid kit including emergency oxygen bottle

Machupicchu entrance fee

One way bus ticket from Aguas Calientes to Machupicchu on day 4

Expedition Train from Aguas Calientes to Cusco. Upgrade to Vistadome or Hiram Bingham service, availability upon request.

Transfer from train station to the hotel in Cusco

24-h guest service: please ask for the emergency number available during your time of visit.

WHAT IS NOT INCLUDED?

First breakfast on day one.

Lunch on the last day after the guided tour at Machu Picchu

Walking Sticks

Sleeping bag: you may rent it from us. Our sleeping bags are -20ºC-comfort (0ºF), mummy form and include a sleeping liner. They are cleaned after every use and have a maximum usage of 30 trips.

OPTIONAL AND RENTALS

Extra night in Aguas Calientes $50 (or email us for alternate options). We will just need to arrange your train back to Cusco for the following day.

Please tell us before final booking process.

Personal horse and horsemen for riding or carrying extra personal belongings while on the trek.

Extra cost is $80 for the trek.

Therma-rest inflatable sleeping pad rent: US$ 5.00 per day

Entrance to the Hot Springs in Santa Teresa.

Rollei 3.5 E2 Xenotar 4 by nickdemarco

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From my blog: rangefinderchronicles.blogspot.co.uk/2017/04/rolleiflex-3...

<kbd> by Degenerate

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For my wife, whom I have known 40 years and 4 days_3393 by jaciii (off&on)

22 62

below from www.brainyquote.com/quotes/authors/a/albert_camus.html

are a few quotes from Albert Camus, French Philosopher

Date of Birth: November 7, 1913

Date of Death: January 4, 1960

A free press can, of course, be good or bad, but, most certainly without freedom, the press will never be anything but bad.

A guilty conscience needs to confess. A work of art is a confession.

A man without ethics is a wild beast loosed upon this world.

A man's work is nothing but this slow trek to rediscover, through the detours of art, those two or three great and simple images in whose presence his heart first opened.

A taste for truth at any cost is a passion which spares nothing.

Abstract Art: A product of the untalented, sold by the unprincipled to the utterly bewildered.

After all manner of professors have done their best for us, the place we are to get knowledge is in books. The true university of these days is a collection of books.

After all, every murderer when he kills runs the risk of the most dreadful of deaths, whereas those who kill him risk nothing except promotion.

Ah, mon cher, for anyone who is alone, without God and without a master, the weight of days is dreadful.

Alas, after a certain age every man is responsible for his face.

All great deeds and all great thoughts have a ridiculous beginning.

All great deeds and all great thoughts have a ridiculous beginning. Great works are often born on a street corner or in a restaurant's revolving door.

All modern revolutions have ended in a reinforcement of the power of the State.

An intellectual is someone whose mind watches itself.

As a remedy to life in society I would suggest the big city. Nowadays, it is the only desert within our means.

At 30 a man should know himself like the palm of his hand, know the exact number of his defects and qualities, know how far he can go, foretell his failures - be what he is. And, above all, accept these things.

At any street corner the feeling of absurdity can strike any man in the face.

Foto prima dopo liposuzione fianchi by LaCLINIQUE Chirurgia Estetica

Uomo, 25 anni, ha scelto di rivolgersi al Dr. Yuri Macrino, chirurgo plastico LaCLINIQUE® a Milano, Torino e Roma, per un intervento di Liposuzione ai fianchi, procedura di chirurgia estetica del corpo per la rimozione degli accumuli adiposi localizzati. Il risultato, ritenuto molto soddisfacente, ha consentito al richiedente una figura priva del più comune inestetismo per gli uomini: le maniglie dell’amore.

GFOL space-splash by Michelle Pay

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MOVIE Preview of a 1 Kilometer long Space ship of the GFOL

It is difficult to see the size of the ship, until it has been completed with a texture effect (painted). Here are its current dimensions :

Width : 500 m

Height : 200 m

length : 1000 m (he he yes One kilometer long.

This is just a preview the ship is only partially built, it will be having a Star Trek style Bridge and is also yet to be painted and have details added to the exterior.

This model is being created for my movies, The Adventures of OLeg part's 4 + as a fictional dramatisation of what might happen when the GFL arrives, of coarse this ship is not a true representation as the GFL might hold copyright on their own ships lol

Author of this ship is:

Emmanuel Baranger

From the Flightgear Project

helijah.free.fr/flightgear/hangar.htm

The sky is the limit in model creation!

Spaceship Logo Image copyrighted by: Christian Vazquez

Christian has made this wonderful emblem for the October 14th 2008 ET event.
He has also made various t- shirts that have this emblem on it.

October 14th T-Shirts by Christian Vazquez

www.cafepress.com/bhdpr

Emmanuel has modeled many Flightgear Aircraft including:

Hugues H4 Hercules

Dornier Do 335

Lockheed C 130

Messerschmidt Me262

Sikorsky UH 60 BlackHawk

Sikorsky S 58

Lockheed SR 71

Hornet (autogire)

APM20 Lionceau

Payen 100

de Havilland DH 89

Bell-Boeing V22 Osprey

Beechcraft Starship 1

Bleriot XI

Farman IV

Grob G115

Macchi Costaldi MC 72

FK9 Mark 2

Super Frelon

Blohm & Voss BV 141

Alouette II

Arsenal VG 33

Aeroprakt 24 Viking

Ryan NYP "Spirit of St Louis"

Alphajet

Vickers Vimy

X3 Stiletto

Dornier Do X

Bugatti modèle 100

Zlin 50 lx

HondaJet

DHC 3 Otter

Gee Bee

Supermarine S6b

Bernard HV 220

Stampe SV 4

Rutan Quickie 2

Couzinet 70 Arc en Ciel

Carreidas 160 Jet

de Havilland D.H 91

de Havilland DH 88

Hughes H1 Racer

Grob G109

ARADO AR 234

Hughes XF 11

Tupolev ANT 20 "Maxim Gorky"

Robin DR 400

Skyranger

Rutan Long EZ

SM 55

Santos Dumont 14 Bis

Velocity XL

TBM/TBF Avenger

kern invite 08 - varsity by AndyNoise.Com

Kern Invite - 11/01/08

Hart Park - Bakersfield, CA

www.andynoise.com/kernxcinvite08.html

Varsity Boys - 2008 Kern County Cross Country

Championships

School Athlete Time Overall Scoring Team

1. Foothill Chris Schwartz 14:59.76 1 1 1

2. McFarland Alfonso Cisneros 15:33.49 2 2 1

3. McFarland Francisco Nava 15:48.44 3 3 2

4. McFarland Marco Perez 15:48.85 4 4 3

5. Stockdale Curtis Kelly 15:50.33 5 5 1

6. Ridgeview Brian Solis 15:50.81 6 6 1

7. Wasco A. Mendoza 15:51.72 7 7 1

8. Ridgeview Alex Garcia 15:52.70 8 8 2

9. Shafter Chris Handel 15:53.96 9 9 1

10. McFarland Gerardo Alcala 15:54.28 10 10 4

11. Shafter Jesus Villalpondo 16:05.48 11 11 2

12. Highland Colin Lewis 16:06.79 12 12 1

13. Centennial Nathan Vincent 16:08.77 13 13 1

14. Ridgeview Robby Baker 16:13.01 14 14 3

15. McFarland Eduardo Bautista 16:18.69 15 15 5

16. BHS Andrew Ariey 16:21.59 16 16 1

17. Garces Connor O'Malley 16:23.32 17 17 1

18. Stockdale Blair Slaton 16:25.15 18 18 2

19. Ridgeview Jerrio Lewis 16:25.61 19 19 4

20. East Jose Ramirez 16:25.97 20 20 1

21. East Mose Valdez 16:26.30 21 21 2

22. Highland Thomas Turner 16:26.59 22 22 2

23. Golden Valley Daymon Sandles 16:26.91 23 23 1

24. Foothill Jose Lopez 16:27.22 24 24 2

25. Ridgeview Miguel Munoz 16:30.13 25 25 5

26. Wasco G. Linares 16:34.10 26 26 2

27. Shafter Josh Wittenberg 16:34.61 27 27 3

28. Highland Jake Van Zandt 16:36.62 28 28 3

29. East Charlie Zaragoza 16:39.22 29 29 3

30. BHS Andrew Edquist 16:41.12 30 30 2

31. Cesar Chavez Martin Rios 16:45.91 31 31 1

32. Highland Ivan Esquivias 16:47.91 32 32 4

33. BHS Zachary Holt 16:48.98 33 33 3

34. Stockdale Anthony Dao 16:49.30 34 34 3

35. Cesar Chavez Ruben Galaviz 16:49.67 35 35 2

36. Wasco O. Mirando 16:50.04 36 36 3

37. Shafter Alex Moreno 16:51.14 37 37 4

38. Wasco E. Sanchez 16:52.02 38 38 4

39. Wasco E. Ramirez 16:53.29 39 39 5

40. East Camilo Mosqueda 16:53.84 40 40 4

41. East Vincente Herrera 16:54.31 41 41 5

42. Foothill Erick Bautista 16:54.82 42 42 3

43. Arvin Ben Orozco 16:57.57 43 43 1

44. Shafter Hector Montoya 17:01.02 44 44 5

45. Garces Jesus Guzman 17:02.28 45 45 2

46. Garces Michael Bedard 17:02.88 46 46 3

47. Frontier Tanner Urmston 17:03.48 47 47 1

48. BHS John Purcell 17:04.08 48 48 4

49. Centennial Ty Heiter 17:04.73 49 49 2

50. Frontier Richard Peralta 17:05.73 50 50 2

51. Shafter Cristian Barrios 17:07.93 51 51 6

52. Centennial Gehrig Smith 17:08.86 52 52 3

53. BHS Christopher Anderson 17:09.32 53 53 5

54. Highland Justin Burnett 17:10.77 54 54 5

55. Wasco J. DeJulian 17:11.97 55 55 6

56. Stockdale Stephen Burke 17:16.30 56 56 4

57. Arvin Juan Calderon 17:16.89 57 57 2

58. Wasco Cesar Patino 17:19.39 58 58 7

59. Cesar Chavez Tim Yanez 17:21.10 59 59 3

60. Highland Ariel Hurtado 17:23.69 60 60 6

61. North Adam Ralls 17:24.02 61 x 1

62. Ridgeview Michael Anseno 17:24.53 62 61 6

63. Ridgeview Jaime Madrigal 17:31.18 63 62 7

64. Foothill Patrick Manrique 17:32.75 64 63 4

65. Frontier Will Beechinor 17:33.57 65 64 3

66. East Alex Estrada 17:38.64 66 65 6

67. Burroughs Jesse Wigfield 17:38.99 67 66 1

68. Centennial Eric Millan 17:39.50 68 67 4

69. Burroughs Daniel Lathrop 17:39.91 69 68 2

70. Shafter Jacob Vasquez 17:40.47 70 69 7

71. Garces David Freed 17:40.91 71 70 4

72. Centennial Jake Howry 17:42.54 72 71 5

73. Burroughs Andrew Szczpiorski 17:44.05 73 72 3

74. Frontier D. Sclafani 17:47.26 74 73 4

75. Stockdale Max Morales 17:48.38 75 74 5

76. Burroughs Eduardo Carrillo 17:51.64 76 75 4

77. Burroughs Keith Christman 17:57.59 77 76 5

78. Golden Valley Jose Salgado 17:59.82 78 77 2

79. Cesar Chavez Rudy Sandoval 18:00.34 79 78 4

80. Centennial Brad Hinsley 18:04.58 80 79 6

81. Arvin Yessuri Villsenor 18:05.30 81 80 3

82. Burroughs Nathan Cheadle 18:10.33 82 81 6

83. Foothill Javier Garcia 18:11.22 83 82 5

84. Foothill Ernest Marquez 18:11.57 84 83 6

85. BC Kevin Yarian 18:27.47 85 84 1

86. North Chris Emmett 18:29.51 86 x 2

87. Cesar Chavez Andres Rodriguez 18:30.45 87 85 5

88. Tehachapi Corey Torres 18:32.16 88 86 1

89. Frontier Michael Sclafani 18:33.62 89 87 5

90. Garces Patrick Gomez 18:37.52 90 88 5

91. Highland Humberto Ramirez 18:37.98 91 89 7

92. Golden Valley David Gamino 18:40.22 92 90 3

93. Frontier Ricky Gonzales 19:03.13 93 91 6

94. Garces Chris Real 19:06.29 94 92 6

95. Stockdale D. Sherrill 19:08.29 95 93 6

96. Garces Dillon Lyles 19:16.75 96 94 7

97. Tehachapi Christian Torres 19:19.03 97 95 2

98. BC Mark McCutcheon 19:20:78 98 96 2

99. Golden Valley Nick Cruz 19:22.49 99 97 4

100. Golden Valley Daniel Perez 19:25.13 100 98 5

101. Foothill Christian Paredes 19:32.03 101 99 7

102. Arvin Adrian Rodriguez 19:32.67 102 100 4

103. BC Thomas Beard 19:59.04 103 101 3

104. West Michael Branquino 19:59.63 104 x 1

105. BHS Nick Flores 20:04.27 105 102 6

106. Tehachapi Logan Collier 20:07.47 106 103 3

107. Kern Valley C. Woodward 20:22.63 107 x 1

108. Arvin Christian Guerrero 20:31.41 108 104 5

109. Burroughs Daniel Meade 20:41.26 109 105 7

110. Golden Valley Ryan Davis 20:41.26 110 106 6

111. BHS Robby Harris 20:42.01 111 107 7

112. East Hector Fuentes 20:42.57 112 108 7

113. Frontier Alex Blanton 20:56.97 113 109 7

114. Cesar Chavez Joel Hernandez 21:02.22 114 110 6

115. Tehachapi Trent Sherman 21:02.94 115 111 4

116. Tehachapi Shaddi Haddad 21:18.14 116 112 5

117. BC Austin Adee 21:25.45 117 113 4

118. BC Aaron Stephens 21:31.77 118 114 5

119. Kern Valley J. Pistocco 23:15.37 119 x 2

120. Tehachapi Corey Hebron 23:19.78 120 115 6

121. West Kevin Serrano 23:48.05 121 x 2

Body Spellbound by sandrine teyssier

lingeriesfine.com/en/body/75-body-spellbound.html

La Bonne Mére by SantiMB.Photos

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Marseille, Bouches-du-Rhône (France).

---

La reflexión: www.santimb.com/2012/03/la-bonne-mere.html

CASTELLANO

Notre-Dame de la Garde, más comúnmente conocida como la Bonne Mère (la buena madre en idioma francés) es una basílica menor dedicada al culto católico en la ciudad francesa de Marsella (departamento de Bocas del Ródano). Situada a 162 metros de altura al sur del Vieux-Port su silueta de estilo neo-bizantino coronada por una efigie dorada de la Virgen María es una de las estampas más características de la ciudad.

El nombre de de la Garde se viene aplicando desde tiempos antiguos a la colina donde hoy se encuentra la basílica y donde históricamente había un puesto de observación. En 1525 para proteger junto con el Castillo de If la entrada al puerto de los ejércitos del emperador Carlos V el rey Francisco I de Francia ordena la construcción de un fuerte. La actual iglesia, realizada por el arquitecto Henri-Jacques Espérandieu a partir 1853 por deseo de monseñor Eugène de Mazenod, se asienta sobre los cimientos de dicho fortín.

Se trata de una obra de estilo románico-bizantino recubierta de mármol y pórfido proveniente de Italia. Destaca, entre otras cosas, por la monumental estatua de 11m de altura de la Virgen que corona su campanario. Esta imagen de bronce, obra del escultor Eugène-Louis Lequesne, fue recubierta de pan de oro en los talleres del orfebre parisino Christofle. Se instaló definitivamente en 1870 y ha sido restaurada en varias ocasiones (1897, 1936, 1963 y 1989).

Desde 1892 puede accederse a ella en un funicular que trepa a la colina de la Garde. Antiguamente la estatua de la Virgen constituía una atracción turística visitable a través de una escalera que hoy en día se encuentra clausurada.

El emplazamiento de la basílica es un lugar de culto para los pescadores marselleses desde siglos atrás. La primera construcción religiosa documentada es una capilla levantada el 1214 por el eremita local maestro Pierre. Otras le fueron sucediendo hasta que en 5 de junio de 1864 se consagra la actual basílica. Llama la atención en su interior la presencia de exvotos de todo tipo, desde los dedicados por marineros agradecidos, a otros para pedir ayuda al equipo de fútbol local (el Olympique de Marsella) e incluso los restos colgados de un coche de bomberos que sobrevivió a un incendio forestal.

Más info: es.wikipedia.org/wiki/Notre-Dame_de_la_Garde

---------------------------

ENGLISH

Notre-Dame de la Garde is a basilica located in Marseille, France. This ornate Neo-Byzantine church is situated at the highest natural point in Marseille, a 162 m (532 ft) limestone outcrop on the south side of the Old Port. As well as being a major local landmark, it is the site of a popular annual pilgrimage every Assumption Day (August 15). Local inhabitants commonly refer to it as la bonne mère ("the good mother").

A minor basilica of the Catholic church, it is situated on a limestone peak of 149m (490 feet), on the walls and foundations of an old fort. Built by architect Henri-Jacques Espérandieu in the Neo-Byzantine style, the basilica was consecrated on 5 June 1864. It replaced a church of the same name built in 1214 and reconstructed in the 15th century. The basilica was built on the foundations of a 16th-century fort constructed by Francis I of France to resist the 1536 siege of the city by the Emperor Charles V. The basilica is made up of two parts: a lower church, or crypt, dug out of the rock and in the Romanesque style, and an upper church of Neo-Byzantine style decorated with mosaics. A square bell-tower of 41m (135 feet) is surmounted by a belfry of 12.5m (42 feet) which itself supports a monumental, 11.2m (27 feet) tall statue of the Madonna and Child made out of copper gilded with gold leaf.

The stone used for the construction of the basilica, in particular the green limestone originating in the area surrounding Florence, was discovered to be sensitive to atmospheric corrosion. An extensive restoration took place from 2001 to 2008. This included work on the mosaics, damaged by candle smoke, and also by the impact of bullets during the Liberation of France at the end of World War II.

In Marseilles, Notre-Dame de la Garde is traditionally regarded by the population as the guardian and the protectress of the city.

More info: en.wikipedia.org/wiki/Notre-Dame_de_la_Garde

Coffee ceremony by Linda De Volder

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Ethiopia. Gondar

From : www.angelfire.com/ak/sellassie/food/coffee.html

The Coffee Drinking Ceremony

Spreading freshly cut grass on the floor sets the scene for the coffee ceremony. Traditionally, for any special occasion, scented grass will be strewn directly on the floors of houses. A recent development is to scatter flowers over the grass to make it attractive.

People take their seats around the carpet of grass and the necessary utensils for the ceremony. The lady making the coffee will sit in the centre on a stool and be dressed in a white Ethiopian dress with coloured, woven, decorative borders.

The main items needed for the ceremony include: - a black clay coffee pot, locally known as jebena which is round at the bottom with a straw lid, placed on a circular band of straw. Small, often decorated china cups, known as sini are lined up together with a sugar jug on a special wooden curved tray with four short legs, like a miniature table.

There is a narrow-waisted clay brazier for burning charcoal on which the coffee is roasted and brewed and a flat round iron pan and a spoon with a long handle for roasting the coffee beans. A small clay incense-burner and some roasted grain lie in a colourful straw basket. All together there are about forty-one items for the ceremony.

The lady who is conducting the ceremony gently washes a handful of coffee beans on the heated pan. Roasted popcorn, barley or bread is passed round, amid general conversation while the coffee beans are stirred and shaken and the husks are blown away. When the coffee beans have turned black and shining and the aromatic oil is coaxed out of them, the lady brings the pan around to every body shaking the beans so that the coffee smoke rises from the pan and gives off the strong coffee-flavoured aroma. Everybody stretches out their arms to pull the aroma closer to their noses.

The lady then brings one or two pieces of burning charcoal to the incense burner and cream-coloured incense crystals are thrown on to the burning charcoal. A few seconds later the air is filled with the smoke and aroma of the incense, mingled with the coffee smell. The Jebena, will be filled with water and placed on the brazier for boiling before the ground coffee is poured into it. At this time the lady will grind the coffee with a wooden pestle and a mortar.

Ground coffee is then added to the water in the pot little by little. With a graceful movement the lady then lifts the jebena and holding it high pours into the little cups and fills them up to the brim. Now the first round of coffee known as awol, a word of Arabic origin, meaning ‘first’ is ready to be drunk. The cups are then served, starting with the elderly first. Children are not served coffee but they will be given a handful of roasted popcorn, barley or a piece of bread, which is prepared for the ceremony. Traditionally in many parts of the country, coffee would have been served slightly salted and in some parts mixed with fresh butter, but currently it is served with sugar.

After the first round the jebena is refilled with water and there is more talking and consumption of popcorn or bread. The second round is now ready. It is weaker than the first as no further coffee has been added. This new round is called tona, from the Arabic thani, meaning ‘second’. When there are many guests and not enough cups to go round, or when it becomes difficult to remember to whom each cup belongs, a bowl of water will be brought in for rinsing the cups between rounds.

The third and final brew is made by again adding water to the original coffee, and brining it to the boil. The last brew is called baraka, which means ‘blessing’ in several languages including Arabic and Geez, the Ethiopian ecclesiastical language. At the end of the third round the elderly bless the house and everybody departs.

http://www.tripadvisor.com.my/SmartDeals-g303991-Port_Dickson_Negeri_Sembilan-Hotel-Deals.html by bong soon lung good

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day 260: ( not so ) deep thoughts about ( not ) eating solids. by Eric C Snowdeal III

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while we briefly abandoned attempts to feed odin eggs ever since The Incident, we occasionally check to see if he's interested in solid food by mixing up a bit of earth's best organic rice cereal to see if he shows a renewed interest in eating solids.

and while previously, he might humor us by taking in a bit of rice and spitting it back out, lately he's taken to actively thwarting our attempts by blocking the spoon and doing his best to squirm his way out the situation ( hence the splotch of cereal on his forehead ).

so, since he seemed at least vaguely interested in solid food before the The Incident can we assume that he now associates solid food with vomiting for hours on end? or maybe infants just go through phases where sometimes they're interested and sometimes they're not? odin's cousin wheeler, who is exactly the same adjusted age as odin couldn't be more different in this regard. i suspect she'd eat a plate full of any solid food you put in front of her.

i guess like all things, there's probably a continuum of behaviors related to interest in solids and the chance that he has an eating disorder is fairly small ( i'm mostly joking ).

joking aside, this is one of those seemingly minor points that can haunt micropreemie parents, as it's not uncommon for infants born very early to develop eating "problems" which can lead to dimished weight gains.

not that we're terribly concerned about it at this point, but bonus points will be awarded for comments about your own experiences regarding your infants interest in solid food, especially if you're a parent of a micropreemie.

George Square, Cenotaph and Municipal Buildings Glasgow Statue Cars Promenade by Mémoire 2Cité

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Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive

le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye

www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …

Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -

Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.

www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty

la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes

Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945

Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt

www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...

165 by Alaska Doe

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alaskadoe.blogspot.com/2015/02/165.html

Liquid gold... by Assay Rez

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a-world-in-a-grain-of-sand-sl.blogspot.com/2014/06/liquid...

Scott Walker. WINNING!!! by Brad Bartkus

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Crazier than a shit house rat in Madison.

"Play It By Trust" ('66/'99) by Yoko Ono for "Marcel Duchamp: The Art of Chess" at Francis M. Naumann Fine Art, NYC - 16 by Miki

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"Play It By Trust" 1966/1999

by Yoko Ono

White pieces on white board

www.francisnaumann.com/EXHIBITIONS/DuchampChess/index.html

“Marcel Duchamp: The Art of Chess” is the first exhibition devoted to exploring the influence of Duchamp’s activities as a chess player on his artistic production. It debuted at the St. Louis University Museum of Art (May 6 – August 16, 2009), and the present gallery exhibition is an expanded version of that show. It will open at Francis M. Naumann Fine Art on September 10, 2009 (and run through October 31, 2009).

The exhibition features the magnificent early cubist drawing Study for Portrait of Chess Players (1911), which renders Duchamp’s two brothers—Raymond Duchamp-Villon and Jacques Villon—intently engaged in a game of chess; a large central “X” in the center of the composition represents the precise point where their minds meet, a cerebral focus common to much of Duchamp’s subsequent production. Among the highlights of the show will be an example of the readymade Trébuchet (1917/64), the coat rack that visitors to Duchamp’s studio were expected to trip over (the chess equivalent of a gambit offered in the opening of a game); the Nice chess poster (1925); regular and deluxe examples of his book on endgame strategy (1932); the Pocket Chess Set (1943); and Cupid (1943), a recently discovered original drawing for the announcement of a show at the Julien Levy Gallery (in which Duchamp seems to have embedded a hidden message). A number of photographs of Duchamp either playing chess or seated before a chessboard will also be displayed. A signed, limited edition photograph by Arnold Rosenberg of Marcel Duchamp moving chess pieces behind glass (1958) was issued to commemorate this exhibition.

Also included in the show will be works by a number of Duchamp’s contemporaries—Man Ray, Georges de Zayas, Max Ernst, Salvador Dalí, Leon Kelly, Beatrice Wood, Arman and Sarah Austin—that relate to Duchamp’s involvement with the game of chess, as well as a selection of works by contemporary artists—Charles Juhàsz Alvardo, Mike Bidlo, Donald Bradford, Russell Connor, Ingrid Evans, Mark Kostabi, Sophie Matisse, Daniel Meirom, James Meyer, Trong Gia Nguyen, Yoko Ono, Jennifer Shahade, Diana Thater, Douglas Vogel—some of whom have made works specially for inclusion in this show.

Accompanying the exhibition will be Marcel Duchamp: The Art of Chess, a book featuring essays by Francis M. Naumann and Bradley Bailey, both of which demonstrate that Duchamp’s identity as a chess player is so thoroughly interfused with his work as an artist that the two activities are aesthetically and conceptually inseparable. The book also includes the analyses of fifteen Duchamp games by Jennifer Shahade (two-time American Women’s Chess Champion). These games will be reenacted in the exhibition on a video monitor, on which visitors will be able to view the movement of the pieces, all laid out in the format of Duchamp’s Pocket Chess Set of 1943.

FRANCIS M. NAUMANN FINE ART

24 West 57th Street, Suite 305

New York, NY, 10019

Telephone: 212.582.3201

LHOOQ@FRANCISNAUMANN.COM

www.francisnaumann.com/

documenta kassel 2022 tent by Thierry Geoffroy / Colonel : Artist

Collaboration beetween Biennalist and Ultracontemporay

Art Format

www.emergencyrooms.org/formats.html

Documenta From Wikipedia,

The Fridericianum during documenta (13)

documenta is an exhibition of contemporary art which takes place every five years in Kassel, Germany. It was founded by artist, teacher and curator Arnold Bode in 1955 as part of the Bundesgartenschau (Federal Horticultural Show) which took place in Kassel at that time.[1] It was an attempt to bring Germany up to speed with modern art, both banishing and repressing the cultural darkness of Nazism.[2] This first documenta featured many artists who are generally considered to have had a significant influence on modern art (such as Picasso and Kandinsky). The more recent documentas feature art from all continents; nonetheless most of it is site-specific.

Every documenta is limited to 100 days of exhibition, which is why it is often referred to as the "museum of 100 days".[3] Documenta is not a selling exhibition. It rarely coincides with the three other major art world events: the Venice Biennale, Art Basel and Skulptur Projekte Münster, but in 2017, all four were open simultaneously.

Etymology of documenta

The name of the exhibition is an invented word. The term is supposed to demonstrate the intention of every exhibition (in particular of the first documenta in 1955) to be a documentation of modern art which was not available for the German public during the Nazi era. Rumour spread from those close to Arnold Bode that it was relevant for the coinage of the term that the Latin word documentum could be separated into docere (Latin for teach) and mens (Latin for intellect) and therefore thought it to be a good word to describe the intention and the demand of the documenta.[4]

Each edition of documenta has commissioned its own visual identity, most of which have conformed to the typographic style of solely using lowercase letters, which originated at the Bauhaus.[5]

History

Stadtverwaldung by Joseph Beuys, oaktree in front of the museum Fridericianum, documenta 7

Art professor and designer Arnold Bode from Kassel was the initiator of the first documenta. Originally planned as a secondary event to accompany the Bundesgartenschau, this attracted more than 130,000 visitors in 1955. The exhibition centred less on "contemporary art“, that is art made after 1945: instead, Bode wanted to show the public works which had been known as "Entartete Kunst" in Germany during the Nazi era: Fauvism, Expressionism, Cubism, Blauer Reiter, Futurism and Pittura Metafisica. Therefore, abstract art, in particular the abstract paintings of the 1920s and 1930s, was the focus of interest in this exhibition.

Over time, the focus shifted to contemporary art. At first, the show was limited to works from Europe, but soon covered works by artists from the Americas, Africa and Asia. 4. documenta, the first ever to turn a profit, featured a selection of Pop Art, Minimal Art, and Kinetic Art.[6] Adopting the theme of Questioning Reality – Pictorial Worlds Today, the 1972 documenta radically redefined what could be considered art by featuring minimal and conceptual art, marking a turning point in the public acceptance of those styles.[7] Also, it devoted a large section to the work of Adolf Wolfli, the great Swiss outsider, then unknown. Joseph Beuys performed repeatedly under the auspices of his utopian Organization for Direct Democracy.[8] Additionally, the 1987 documenta show signaled another important shift with the elevation of design to the realm of art – showing an openness to postmodern design.[9] Certain key political dates for wide-reaching social and cultural upheavals, such as 1945, 1968 or 1976/77, became chronological markers of documenta X (1997), along which art's political, social, cultural and aesthetic exploratory functions were traced.[10] Documenta11 was organized around themes like migration, urbanization and the post-colonial experience,[11] with documentary photography, film and video as well as works from far-flung locales holding the spotlight.[7] In 2012, documenta (13) was described as "[a]rdently feminist, global and multimedia in approach and including works by dead artists and selected bits of ancient art".[12]

Criticism

documenta typically gives its artists at least two years to conceive and produce their projects, so the works are often elaborate and intellectually complex.[13] However, the participants are often not publicised before the very opening of the exhibition. At documenta (13), the official list of artists was not released until the day the show opened.[14] Even though curators have often claimed to have gone outside the art market in their selection, participants have always included established artists. In the documenta (13), for example, art critic Jerry Saltz identified more than a third of the artists represented by the renowned Marian Goodman Gallery in the show.[14]

Directors

The first four documentas, organized by Arnold Bode, established the exhibition's international credentials. Since the fifth documenta (1972), a new artistic director has been named for each documenta exhibition by a committee of experts. Documenta 8 was put together in two years instead of the usual five. The original directors, Edy de Wilde and Harald Szeemann, were unable to get along and stepped down. They were replaced by Manfred Schneckenburger, Edward F. Fry, Wulf Herzogenrath, Armin Zweite, and Vittorio Fagone.[15] Coosje van Bruggen helped select artists for documenta 7, the 1982 edition. documenta IX's team of curators consisted of Jan Hoet, Piero Luigi Tazzi, Denys Zacharopoulos, and Bart de Baere.[16] For documenta X Catherine David was chosen as the first woman and the first non-German speaker to hold the post. It is also the first and unique time that its website Documenta x was conceived by a curator (swiss curator Simon Lamunière) as a part of the exhibition. The first non-European director was Okwui Enwezor for Documenta11.[17]

TitleDateDirectorExhibitorsExhibitsVisitors

documenta16 July – 18 September 1955Arnold Bode148670130,000

II. documenta11 July – 11 October 1959Arnold Bode, Werner Haftmann3381770134,000

documenta III27 June – 5 October 1964Arnold Bode, Werner Haftmann3611450200,000

4. documenta27 June – 6 October 196824-strong documenta council1511000220,000

documenta 530 June – 8 October 1972Harald Szeemann218820228,621

documenta 624 June – 2 October 1977Manfred Schneckenburger6222700343,410

documenta 719 June – 28 September 1982Rudi Fuchs1821000378,691

documenta 812 June – 20 September 1987Manfred Schneckenburger150600474,417

documenta IX12 June – 20 September 1992Jan Hoet1891000603,456

documenta X21 June – 28 September 1997Catherine David120700628,776

documenta118 June – 15 September 2002Okwui Enwezor118450650,924

documenta 1216 June – 23 September 2007Roger M. Buergel/Ruth Noack[19]114over 500754,301

documenta (13)9 June – 16 September 2012Carolyn Christov-Bakargiev187[20]904,992[21]

documenta 148 April – 16 July 2017 in Athens, Greece;

10 June – 17 September 2017 in KasselAdam Szymczykmore than 1601500339.000 in Athens

891.500 in Kassel

documenta fifteen18 June 2022 – 25 September 2022 in Kasselruangrupa[22]

2012's edition was organized around a central node, the trans-Atlantic melding of two distinct individuals who first encountered each other in the "money-soaked deserts of the United Arab Emirates". As an organizing principle it is simultaneously a commentary on the romantic potentials of globalization and also a critique of how digital platforms can complicate or interrogate the nature of such relationships. Curatorial agents refer to the concept as possessing a "fricative potential for productive awkwardness," wherein a twosome is formed for the purposes of future exploration.[23]

Venues

documenta is held in different venues in Kassel. Since 1955, the fixed venue has been the Fridericianum. The documenta-Halle was built in 1992 for documenta IX and now houses some of the exhibitions. Other venues used for documenta have included the Karlsaue park, Schloss Wilhelmshöhe, the Neue Galerie, the Ottoneum, and the Kulturzentrum Schlachthof. Though Okwui Enezor notably tried to subvert the euro-centric approach documenta had taken, he instigated a series of five platforms before the Documenta11 in Vienna, Berlin, New Delhi, St Lucia, and Lagos, in an attempt to take documenta into a new post-colonial, borderless space, from which experimental cultures could emerge. documenta 12 occupied five locations, including the Fridericianum, the Wilhelmshöhe castle park and the specially constructed "Aue-Pavillon", or meadow pavilion, designed by French firm Lacaton et Vassal.[24] At documenta (13) (2012), about a fifth of the works were unveiled in places like Kabul, Afghanistan, and Banff, Canada.[13]

There are also a number of works that are usually presented outside, most notably in Friedrichsplatz, in front of the Fridericianum, and the Karlsaue park. To handle the number of artworks at documenta IX, five connected temporary "trailers" in glass and corrugated metal were built in the Karlsaue.[25] For documenta (13), French architects Anne Lacaton and Jean-Philippe Vassal constructed the temporary "Aue-Pavillon" in the park.

Rahmenbau (1977) by Haus Rucker und Co.

A few of the works exhibited at various documentas remained as purchases in Kassel museums. They include 7000 Eichen by Joseph Beuys; Rahmenbau (1977) by Haus-Rucker-Co; Laserscape Kassel (1977) by Horst H. Baumann; Traumschiff Tante Olga (1977) by Anatol Herzfeld; Vertikaler Erdkilometer by Walter De Maria; Spitzhacke (1982) by Claes Oldenburg; Man walking to the sky (1992) by Jonathan Borofsky; and Fremde by Thomas Schütte (one part of the sculptures are installed on Rotes Palais at Friedrichsplatz, the other on the roof of the Concert Hall in Lübeck).

documenta archive

The extensive volume of material that is regularly generated on the occasion of this exhibition prompted Arnold Bode to create an archive in 1961. The heart of the archive’s collection comes from the files and materials of the documenta organization. A continually expanding video and image archive is also part of the collection as are the independently organized bequests of Arnold Bode and artist Harry Kramer.

Management

Visitors

In 1992, on the occasion of documenta IX, for the first time in the history of the documenta, more than half a million people traveled to Kassel.[26] The 2002 edition of documenta attracted 650,000 visitors, more than triple Kassel's population.[27] In 2007, documenta 12 drew 754,000 paying visitors, with more than one-third of the visitors coming from abroad and guests from neighboring Netherlands, France, Belgium and Austria among the most numerous.[28] In 2012, documenta (13) had 904,992 visitors.[21]

References

Adrian Searle (June 11, 2012), "Documenta 13: Mysteries in the mountain of mud", The Guardian.

Roberta Smith (June 14, 2012), Art Show as Unruly Organism The New York Times.

Arnold Bode coined this phrase for the first time in the prologue of the first volume of the catalogue: documenta III. Internationale Ausstellung; Catalogue: Volume 1: Painting and Sculpture; Volume 2: Sketches; Volume 3: Industrial Design, Print; Kassel/Köln 1964; p. XIX

Kimpel, Harald: documenta, Mythos und Wirklichkeit. Köln 1997, ISBN 3-7701-4182-2

Alice Rawsthorn (June 3, 2012), A Symbol Is Born The New York Times.

The documenta IV Exhibition in Kassel (1968) German History in Documents and Images (GHDI).

Helen Chang (June 22, 2007), "Catching the Next Wave In Art at Documenta", The Wall Street Journal.

Roberta Smith (September 7, 2007), "Documenta 5" The New York Times.

Gimeno-Martinez, Javier; Verlinden, Jasmijn (2010). "From Museum of Decorative Arts to Design Museum: The Case of the Design museum Gent". Design and Culture. 2 (3).

dX 1997 Archived 2013-06-14 at the Wayback Machine, documenta XII.

Stephan Valentin (June 12, 2007), An art show in Kassel, Germany, rivals Venice Biennale The New York Times.

Roberta Smith (June 14, 2012), Art Show as Unruly Organism The New York Times.

Kelly Crow (June 8, 2012), A Party, Every Five Years, for 750,000 Guests The Wall Street Journal.

Jerry Saltz (June 15, 2012), Jerry Saltz: "Eleven Things That Struck, Irked, or Awed Me at Documenta 13" New York Magazine.

Michael Brenson (June 15, 1987), "Documenta 8, Exhibition In West Germany", The New York Times.

Michael Kimmelman (July 5, 1992) "At Documenta, It's Survival Of the Loudest", The New York Times.

Jackie Wullschlager (May 19, 2012) Vertiginous doubt Financial Times.

Julia Halperin, Gareth Harris (July 18, 2014) How much are curators really paid? Archived July 20, 2014, at the Wayback Machine The Art Newspaper.

Holland Cotter (22 June 2007). "Asking Serious Questions in a Very Quiet Voice". The New York Times. Retrieved 2014-08-29.

Ulrike Knöfel (8 June 2012). "What the 13th Documenta Wants You to See". Der Spiegel.

"904,992 people visit documenta (13) in Kassel". documenta und Museum Fridericianum Veranstaltungs-GmbH. 16 September 2012. Archived from the original on 25 February 2014. Retrieved 8 August 2013.

Russeth, Andrew (2019-02-22). "Ruangrupa Artist Collective Picked to Curate Documenta 15". ARTnews.com. Retrieved 2020-01-05.

"In Germany, Disguising Documentary As Art". The Huffington Post. Retrieved 2015-09-28.

Stephan Valentin (June 12, 2007), An art show in Kassel, Germany, rivals Venice Biennale International Herald Tribune.

Roberta Smith (June 22, 1992), A Small Show Within an Enormous One The New York Times.

d9 1992 Archived 2014-02-22 at the Wayback Machine, documenta XII.

Adrian Searle (June 19, 2007), 100 days of ineptitude The Guardian.

Catherine Hickley (September 24, 2007), "Documenta Contemporary Art Show Draws Record 754,000 to Kassel", Bloomberg.

Carly Berwick (May 17, 2007), "Documenta 'Mystery' Artists Are Revealed; Buzz Strategy Fizzles", Bloomberg.

Rachel Donado (April 5, 2017), German Art Exhibition Documenta Expands Into Athens, The New York Times.

Catherine Hickley (November 27, 2017), Documenta manager to leave post after budget overruns The Art Newspaper.

Further reading

Hickley, Catherine (2021-06-18). "This Show Sets the Direction of Art. Its Past Mirrored a Changing World". The New York Times.

Nancy Marmer, "Documenta 8: The Social Dimension?" Art in America, vol. 75, September 1987, pp. 128–138, 197–199.

other biennales :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale

Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art

www.emergencyrooms.org

www.colonel.dk/

lumbung

Short concept by ruangrupa for documenta 15

"We want to create a globally oriented, cooperative, interdisciplinary art and culture platform that will remain effective beyond the 100 days of documenta fifteen. Our curatorial approach aims at a different kind of collaborative model of resource use—economically, but also in terms of ideas, knowledge, programs, and innovation."

ruangrupa’s central curatorial approach for documenta fifteen is based on the principles of collectivity, resource building, and equal sharing. They aim to appeal not just to an art audience but to a variety of communities, and to promote local commitment and participation. Their approach is based on an international network of local, community-based organizations from the art and other cultural contexts and can be outlined by the Indonesian term lumbung. lumbung, directly translatable as “rice barn,” is a collective pot or accumulation system used in rural areas of Indonesia, where crops produced by a community are stored as a future shared common resource and distributed according to jointly determind criteria. Using lumbung as a model, documenta fifteen is a collective resource pot, operating under the logics of the commons. It is an agglomeration of ideas, stories, (wo)manpower, time, and other shareable resources. At the center of lumbung is the imagination and the building of these collective, shared resources into new models of sustainable ideas and cultural practices. This will be fostered by residencies, assemblies, public activities, and the development of tools.

Interdisciplinarity is key in this process. It is where art meets activism, management, and networking to gather support, understand environments, and identify local resources. These elements then create actions and spaces, intertwine social relations and transactions; they slowly grow and organically find a public form. This is a strategy “to live in and with society.” It imagines the relations an art institution has with its community by being an active constituent of it. Strategies are then developed based on proximity and shared desires.

The main principles of the process are:

• Providing space to gather and explore ideas

• Collective decision making

• Non-centralization

• Playing between formalities and informalities

• Practicing assembly and meeting points

• Architectural awareness

• Being spatially active to promote conversation

• A melting pot for and from everyone’s thoughts, energies, and ideas

#documentakassel

#documenta

#documenta15

#artformat

#formatart

#rundebate

#thierrygeoffroy

#Colonel

#CriticalRun

#venicebiennale

#documentafifteen

#formatart

#documentacritic

#biennalist

#ultracontemporary art

protestart

Verbascum sinuatum by Neus del Alamo Ribes

8 12

herbarivirtual.uib.es/cat-med/especie/4494.html

herbarivirtual.uib.es/cas-med/especie/4494.html

Week 1: Willows at Willow Grove Day Camp by Willow Grove Day Camp

1

willowgrovedaycamp.com/willows.html

The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.

During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.

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400 by AndyNoise.Com

1

CIF CENTRAL SECTION CHAMPIONSHIP

Liberty High School - Wednesday, May 14, 2008

www.andynoise.com/valley08.html

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

Girls track

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

1969 STrS2 SSS Catherine, Anne Line & Elizabeth of Hungary by david.robarts

2 1

Our Lady of Lourdes & St Joseph, Leigh on Sea, Essex

Blog page

I passed OLoL&SJ (apologies for the acronym) on my way to St Clement and had to stop. This RC church had fallen off my radar and would have been missed had it not been so arresting.

Built in the 1920's to the design of the parish priest, Fr FW Gilbert, it stands as his personal testament to God. Full of good period glass, a very Catholic reredos, lectern and rood; unusually a SE tower but, to my mind, the most exceptional feature is the Lady Chapel which is a scaled replica of Lourdes.

A rich priest's homage to Gothic architecture with a distinct Catholic twist - I wish this was my parish church!

Neither Pevsner nor Mee covered it (inherent anti Catholicism at work?) so Taking Stock instead:

An idiosyncratic Gothic church of the 1920s, very much a personal work by the parish priest Fr F. W. Gilbert, but closely following the design of Charles Nicholson’s church of St Alban at Westcliff-on-Sea. The church was sympathetically extended in the 1960s. The interior is rich in fittings, some designed by Fr Gilbert.

The original church (now the parish hall) began life as a timber-framed, corrugated iron drill hall, originally built for the Essex Volunteers in 1900 under the supervision of Major Burles and purchased in 1913. The site of the present church was purchased by the Rev. F.W. Gilbert in 1924, using donations and his private money. It appears that Fr Gilbert acted as his own architect, his design borrowing heavily from that of the Anglican church of St Alban the Martyr at Westcliff-on-Sea, built in 1898-1908 from designs by Nicholson & Corlette. The Gilbert family promised £2,000 once building work commenced. The contract price was £12,234. The builders were Messrs Marshall & Smith of Grays but Fr Gilbert acted as his own clerk of works, using local labour, including unemployed men from Grays. The foundation stone was laid on 7 October 1924 and the church opened in September 1925. The presbytery was built in 1925.

The church was sympathetically extended in 1965-66 by Burles, Newton & Partners, in the same style and materials; the west wall was moved twenty feet further out to create a choir gallery, west door and porch and a baptistery with organ chamber above. Proposals to replace the old hall with a new and larger building were prepared in 2007 but have not yet been implemented.

The church is a large and handsome structure in a free Gothic style. The walls are faced with random rubble with stone dressings. Apparently much of the stone was quarried near Glasgow and was originally used as ballast in lighters intended for the Gallipoli campaign, which were later bought by a local ship owner, who donated the stone for the building of the church. The roof is covered in plain tiles. On plan the church comprises a long nave and sanctuary under a continuous roof swept down over north and south aisles, southwest porch, northwest organ chamber, southeast double transept and southeast tower. The gabled west end is Burles & Newton’s work of the 1960s and has a broad straight-headed doorway flanked by small trefoiled windows with a large six-light traceried window above. On the north side is a tall transeptal organ chamber and then the low side wall of the north aisle with three pairs of small trefoiled windows. On the south side is a small projecting porch and then the low side wall of the south aisle, a double transept with three-light traceried windows in the gabled ends and then the bold square south east tower. The tower is of three stages with a traceried two-light window on the south side of the lowest stage and pairs of small openings in the two stages above. The tower has a single large diagonal buttress at the southeast corner, crenellated flint-faced parapets and a tiled spirelet. The east end wall of the sanctuary is articulated with three round-headed blind arches. This wall fronts the garden of the large presbytery which is attached to the northeast corner of the church, and the church and presbytery together form a strong architectural composition.

The interior walls are all plastered and painted with plain flooring of timber. There is a west gallery in the 1960s extension and nave arcades of four bays of simple pointed chamfered arches on square chamfered concrete piers. Above each pier the nave is spanned by the tie beams of the roof and above them is a five-sided timbered ceiling. The aisles have lean-to roofs and are also timbered. The east bay on the south side is a small transept. There is no chancel arch in the usual sense, but the division between nave and sanctuary is marked by pilaster strips on the walls with a rood beam at half- height and a timber rib spanning the roof between them. The sanctuary has a single large open arch on each side and is richly furnished. The east wall in particular is lined to full-height with carved decoration. The floor is black and white marble. On the south side of the sanctuary is a second transept divided from the first by a double arch resting on dwarf double columns with ornamental Gothic capitals. In the east wall of this transept a chamfered pointed arch leads to the base of the tower which contains a Lourdes grotto.

The church is rich in fittings. These include the carved timber reredos filling the whole east wall, the extraordinary pulpit with figures of evangelists supported by cherubs, apparently designed by Fr Gilbert, who also designed the figures of the rood beam, the elaborate oak stalls in the sanctuary and the font at the west end of the nave given in memory of Col. Knight (d.1891) with its stone bowl on clustered columns and a surrounding floor of Cosmati work.

There is some stained glass in the church including the west window by Whitefriars and other windows by Goddard & Gibbs. The scale model of the Lourdes grotto was built by Cyril Psaila (d. 1931).

Revista de Filosofia _ Revista de Filosofía Contemporanea _ Revista Observaciones Filosóficas _ Dr. Adolfo Vasquez Rocca _ Director by Adolfo Vásquez Rocca

5

REVISTA DE FILOSOFIA: REVISTA DE FILOSOFÍA CONTEMPORANEA

REVISTA OBSERVACIONES FILOSÓFICAS

www.observacionesfilosoficas.net/

Dr. Adolfo Vasquez Rocca _ Director

www.danoex.net/adolfovasquezrocca.html

Revista de Filosofía Contemporánea

www.observacionesfilosoficas.net/indexcategorias.htm

Adolfo Vásquez Rocca PH.D.

www.danoex.net/adolfovasquezroccainvestigacion.html

Dr. Adolfo Vasquez Rocca | Universidad Complutense de Madrid

www.danoex.net/adolfovasquezrocca.html

Adolfo Vasquez Rocca, Academic staff at Universidad Andrés Bello UNAB

emui.academia.edu/AdolfoVasquezRocca

ADOLFO VÁSQUEZ ROCCA PH.D.

Pontificia Universidad Católica de Valparaíso

Universidad Andrés Bello UNAB

Escuela Matríztica

Universidad Complutense de Madrid

Eastern Mediterranean University - Academia.edu

E-mail: adolfovrocca@gmail.com

ADOLFO VÁSQUEZ ROCCA PH.D.

Web personal:

www.danoex.net/adolfovasquezrocca.html

Publicaciones Internacionales Catalogadas en DIALNET Directorio de Publicaciones Científicas Hispanoamericanas

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Pontificia Universidad Católica de Valparaíso

Universidad Andrés Bello UNAB

Universidad Complutense de Madrid

E-mail: adolfovrocca@gmail.com

PROFESOR DR. ADOLFO VÁSQUEZ ROCCA

Profesor Adjunto Escuela de Psicología y de la Facultad de Arquitectura UNAB Miembro del Consejo Editorial Internacional de la 'Fundación Ética Mundial'. Director del Consejo Consultivo Internacional de 'Konvergencias', Revista de Filosofía, Bs. Aires; Miembro del Consejo Editorial Internacional de Revista Praxis – Facultad de Filosofía y Letras, Universidad Nacional. Miembro del Conselho Editorial da Humanidades em Revista, Universidade Regional do Noroeste do Estado do Rio Grande do Sul, Brasil y de Sophia –Revista de Filosofía de la Pontificia Universidad Católica del Ecuador–. –Secretario Ejecutivo de Revista Philosophica PUCV. – Director de Revista Observaciones Filosóficas. Profesor visitante en la Maestría en Filosofía de la Benemérita Universidad Autónoma de Puebla. – Profesor visitante Florida Christian University USA y Profesor Asociado al Grupo Theoria –Proyecto europeo de Investigaciones de Postgrado– UCM. Académico Investigador de la Vicerrectoría de Investigación y Postgrado, Universidad Andrés Bello. Ha publicado entre otros el Libro: Peter Sloterdijk; Esferas, helada cósmica y políticas de climatización, Colección Novatores, Nº 28, Editorial de la Institución Alfons el Magnànim (IAM), Valencia, España, 2008. Invitado especial a la International Conference de la Trienal de Arquitectura de Lisboa | Lisbon Architecture Triennale 2011

Prof. Adjunto Escuela de Psicología y de la Facultad de Arquitectura UNAB Director del Consejo Consultivo Internacional de Revista 'Konvergencias'; Miembro del Consejo Editorial Internacional de Revista Praxis – Facultad de Filosofía y Letras, UNA. Miembro del Conselho Editorial da Humanidades em Revista, Universidade do Noroeste do Estado do Rio Grande Brasil. –Secretario Ejecutivo Revista Philosophica PUCV. – Director de Revista Observaciones Filosóficas.

VÁSQUEZ ROCCA, Adolfo, "SLOTERDIJK: SECRETOS BIZARROS DE FREUD, DISCRETAS OBSESIONES TELECOMUNICATIVAS Y PRIMERAS FORMACIONES DE PSICOLOGÍA PROFUNDA EUROPEAS" 1 , En NÓMADAS, Revista Crítica de Ciencias Sociales y Jurídicas - Universidad Complutense de Madrid, NÓMADAS. 31 - (I) 31 | Julio-Diciembre 2011, pp. 339-368.

Referencia indexación Universidad Complutense:

Revistas Científicas Complutenses +Madrid

usuarios.universia.net/verActividad.action?loginUsuario=a...

VÁSQUEZ ROCCA, Adolfo, "NIETZSCHE Y DERRIDA: DE LA VOLUNTAD DE ILUSIÓN A LA MITOLOGÍA BLANCA", En CUENTA Y RAZÓN DEL PENSAMIENTO ACTUAL Nº 145 – 2008 - Revista de la Fundación de Estudios Sociológicos de Madrid, (FUNDES) Nº 145 – 2008, pp. 45 a 64 - ISSN : 0211-1381

www.cuentayrazon.org/revista/pdf/145/Num145_006.pdf

- VÁSQUEZ ROCCA, Adolfo, "SLOTERDIJK 'NORMAS PARA EL PARQUE HUMANO'; DE LA CARTA SOBRE EL HUMANISMO A LAS ANTROPOTECNIAS Y EL DISCURSO DEL POS-THUMANISMO", En

Revista Observaciones Filosóficas - Nº 5 / 2007 | ISSN 0718-3712

www.observacionesfilosoficas.net/petersloterdijkdelasnorm...

- VÁSQUEZ ROCCA, Adolfo, PETER SLOTERDIJK; DEL PESIMISMO METODOLÓGICO AL CINISMO DIFUSO DE NUESTRAS SOCIEDADES EXHAUSTAS, En Konvergencias: Revista de Filosofía y Culturas en Diálogo, ISSN 1669-9092, Nº. 15, 2007 , págs. 84-92

VÁSQUEZ ROCCA, Adolfo, “PETER SLOTERDIJK: EXTRAÑAMIENTO DEL MUNDO; ABSTINENCIA, DROGAS Y RITUAL”, Konvergencias, Filosofía y Culturas en Diálogo - ISSN 1669-9092, Número 11 Año III Enero 2006.

“¡Ay! quién nos contara la historia completa de los narcóticos! Ella es punto menos que la historia de la 'formación', de lo que suele llamarse civilización”.

F. NIETZSCHE , Die fröhliche Wissenschaft, 86

VÁSQUEZ ROCCA, Adolfo, "PETER SLOTERDIJK: 'EXTRAÑAMIENTO DEL MUNDO'. ABSTINENCIA, DROGAS Y RITUAL" En Gazeta de Antropología, Nº 22, 2006

Texto 22-12. | UNIVERSIDAD DE GRANADA, ESPAÑA, UE. ISSN 0214-7564

y CUADERNO DE MATERIALES, Nº22 Enero 2006, UNIVERSIDAD COMPLUTENSE DE MADRID. ISSN: 1138-7734

VÁSQUEZ ROCCA, Adolfo, "PETER SLOTERDIJK; EXTRAÑAMIENTO DEL MUNDO; ABSTINENCIA, DROGAS Y RITUAL", Revista ZONA MOEBIUS, Año 4 / enero, 2006.

- VÁSQUEZ ROCCA, Adolfo, “PETER SLOTERDIJK; LA MÚSICA DE LAS ESFERAS Y LA ERA ANTROPOTÉCNICA”. Konvergencias, Filosofía y Culturas en Diálogo. ISSN 1669-9092

Número 12 Año III Mayo 2006, www.konvergencias.net/musicaps01.htm

Peter Sloterdijk ¿dónde estamos, cuando escuchamos música? Número 12 Año III Mayo 2006

Konvergencias, Filosofía y Culturas en Diálogo. www.konvergencias.net/musicaps.htm

Periodista y escritor. Profesor de Sociología en la Staatliche Hochschule für Gestaltung de Karlsruhe.

Director periodístico de ZDF, alemania. www.peter-voss.eu/

Sloterdijk y Canetti; el detonante iconográfico y operístico de la política de masas ; Konvergencias: Revista de Filosofía y Culturas en Diálogo, ISSN 1669-9092, Nº. 13, 2006, www.konvergencias.net/vasquezrocca115.htm

VÁSQUEZ ROCCA, Adolfo, "SLOTERDIJK: SECRETOS BIZARROS DE FREUD, DISCRETAS OBSESIONES TELECOMUNICATIVAS Y PRIMERAS FORMACIONES DE PSICOLOGÍA PROFUNDA EUROPEAS" 2 , En NÓMADAS, Revista Crítica de Ciencias Sociales y Jurídicas - Universidad Complutense de Madrid, NÓMADAS. 31 - (I) 31 | Julio-Diciembre 2011, pp. 339-368.

Referencia indexación Universidad Complutense:

Revistas Científicas Complutenses +Madrid

usuarios.universia.net/verActividad.action?loginUsuario=a...

VÁSQUEZ ROCCA, Adolfo, "NIETZSCHE Y DERRIDA: DE LA VOLUNTAD DE ILUSIÓN A LA MITOLOGÍA BLANCA", En CUENTA Y RAZÓN DEL PENSAMIENTO ACTUAL Nº 145 – 2008 - Revista de la Fundación de Estudios Sociológicos de Madrid, (FUNDES) Nº 145 – 2008, pp. 45 a 64 - ISSN : 0211-1381

www.cuentayrazon.org/revista/pdf/145/Num145_006.pdf

VÁSQUEZ ROCCA, Adolfo, "EDWARD HOPPER Y EL OCASO DEL SUEÑO AMERICANO", En HOMINES –Arte y Cultura– MA-739-2004, 2009, Málaga, 2005.

www.homines.com/arte_xx/hopper_ocaso_americano/index.htm

Peter Sloterdijk; temblores de aire, atmoterrorismo y crepúsculo de la inmunidad

Konvergencias: Revista de Filosofía y Culturas en Diálogo, ISSN-e 1669-9092, Nº. 16, 2007 , 196-216

dialnet.unirioja.es/servlet/articulo?codigo=2377373&o...

______________

Peter Sloterdijk; espumas, mundo poliesférico y ciencia ampliada de invernaderos

Autores: Adolfo Vásquez Rocca

Localización: Konvergencias: Revista de Filosofía y Culturas en Diálogo, ISSN-e 1669-9092, Nº. 16, 2007 , págs. 217-228

dialnet.unirioja.es/servlet/articulo?codigo=2377372&o...

KONVERGENCIAS Filosofía y Culturas en Diálogo

ISSN 1669-9092

Año V, No 16 Tercer Cuatrimestre 2007

____________

- Vásquez Rocca, Adolfo, Peter Sloterdijk; del pesimismo metodológico al cinismo difuso de nuestras sociedades exhaustas, En Konvergencias: Revista de Filosofía y Culturas en Diálogo, ISSN 1669-9092, Nº. 15, 2007 , págs. 84-92

PETER SLOTERDIJK; DEL PESIMISMO METODOLÓGICO AL CINISMO DIFUSO DE NUESTRAS SOCIEDADES EXHAUSTAS Dr. ADOLFO VÁSQUEZ ROCCA

dialnet.unirioja.es/servlet/articulo?codigo=2310343&o...

ISSN 1669-9092

- VÁSQUEZ ROCCA, Adolfo, “PETER SLOTERDIJK: EXTRAÑAMIENTO DEL MUNDO; ABSTINENCIA, DROGAS Y RITUAL”, Konvergencias, Filosofía y Culturas en Diálogo - ISSN 1669-9092, Número 11 Año III Enero 2006.

“¡Ay! quién nos contara la historia completa de los narcóticos! Ella es punto menos que la historia de la 'formación', de lo que suele llamarse civilización”.

F. NIETZSCHE , Die fröhliche Wissenschaft, 86 /

- VÁSQUEZ ROCCA, Adolfo, "PETER SLOTERDIJK: 'EXTRAÑAMIENTO DEL MUNDO'. ABSTINENCIA, DROGAS Y RITUAL" En Gazeta de Antropología, Nº 22, 2006

Texto 22-12. | UNIVERSIDAD DE GRANADA, ESPAÑA, UE. ISSN 0214-7564

y CUADERNO DE MATERIALES, Nº22 Enero 2006, UNIVERSIDAD COMPLUTENSE DE MADRID. ISSN: 1138-7734

/

- VÁSQUEZ ROCCA, Adolfo, "PETER SLOTERDIJK; EXTRAÑAMIENTO DEL MUNDO; ABSTINENCIA, DROGAS Y RITUAL", Revista ZONA MOEBIUS, Año 4 / enero, 2006.

2.-

"Conjeturas sobre el animal que topa consigo, se propone lo grande, a menudo no avanza un paso y, a veces, esta harto de todo”.

P. Sloterdijk

VÁSQUEZ ROCCA, Adolfo, “GEORG TRAKL Y JORGE TEILLIER; PARA HABLAR CON LOS MUERTOS”, En Revista Almiar, MARGEN CERO © Madrid, 2007

www.margencero.com/articulos/articulos3/trakl.htm

VÁSQUEZ ROCCA, Adolfo, "PETER SLOTERDIJK; EL HOMBRE COMO EXPERIMENTO SONORO Y METAFÍSICO ANIMAL DE LA AUSENCIA", PHILOSOPHICA, Instituto de Filosofía PONTIFICIA UNIVERSIDAD CATÓLICA DE VALPARAÍSO, Nº 31, Sem. I, 2007, ISSN 076 - 1913, pp. 89-105.

www.philosophica.ucv.cl/Phil%2031%20-%20art%2008.pdf

Railpage Albion Camera #3 Rail Movement Detection by KUBCAM Three

Total axel count....

Please view the camera:http://10.10.19.4:80/index.html

Dunkerque Cite de Jean Bart, Cote d'Opale, (Nord) by Mémoire 2Cité

1

www.twitter.com/Memoire2cite Des villes détruisent des HLM devenus trop nombreux, trop vieux, inlouables , Dans les zones touchées par la désindustrialisation et la perte de population, de nombreux logements doivent être démolis. Rue de la Chaume, à Montluçon (Allier), c’est le royaume des chats, plus nombreux que les locataires de cette résidence aux volets écaillés. Sur vingt-quatre appartements, six, tout au plus huit, sont occupés. « Inlouables, trop excentrés, trop chers », tranche Jacques Renault, membre de la Confédération générale du logement et représentant des locataires au conseil d’administration de Montluçon Habitat, le propriétaire.

L’office public HLM de l’agglomération a acheté cette résidence en 2005, pour un prix trop élevé, sans avoir de projet précis ni les fonds pour la réhabiliter, à la filiale HLM de la SNCF qui voulait s’en débarrasser. Car le temps où le groupe ferroviaire comptait plus de mille salariés dans ses ateliers de maintenance de Montluçon est révolu. Il n’en reste qu’une centaine aujourd’hui. Des HLM trop nombreux qu’il faut se décider à démolir. Montluçon Habitat n’est pas le seul à être confronté à l’obsolescence d’une partie de son patrimoine. Désindustrialisation massive www.lemonde.fr/societe/article/2019/05/31/ces-villes-enco... -

Dès 2015, les associations régionales HLM de cinq régions (Auvergne, Bourgogne, Champagne-Ardenne, Franche-Comté et Lorraine) ont sonné l’alarme en publiant leur manifeste pour une politique du logement en territoire détendu, qui affirmait : « On a trop construit de logements privés et publics, 38 500 par an jusqu’en 2011, alors que la moitié aurait suffi. »

La Fédération des offices publics HLM chiffre aujourd’hui à 30 000 le nombre de logements devant être démolis dans ces territoires d’ici à quatre ans, et 24 000 méritant une profonde restructuration. Autres offices publics confrontés à une vacance endémique : Bourges, Châlons-en-Champagne, Le Creusot (Saône-et-Loire), Forbach (Moselle), Alençon, Moulins, Vichy (Allier), Nevers…

-Urbanisme - l'Apres 1945 @ 2 millions de logements a créer en urgençe..45 pour cent du parc locatif bombardé.. « Ginny » vu par l’urbaniste Nicolas Monnot @ les grands-ensembles www.arte.tv/fr/videos/082309-000-A/ginny-vu-par-l-urbanis...

sig.ville.gouv.fr/atlas/ZUS/ La matrice des G.E. s'est développée au lendemain de la guerre, lors de la reconstruction, mais ses origines de 1930, en France (Cité de la Muette à Drancy, quartier des Gratte-ciel à Villeurbanne).Gilles Ragot, historien de l'art, maître de recherche içi www.youtube.com/watch?v=dEBfg4vXNOM …Dès la fin de la seconde guerre mondiale, Eugène Claudius-Petit, éminent ministre de la reconstruction (1948-1952) déclare qu'il faut avoir une politique de "construction et non seulement de reconstruction". Nourri des thèses du Mouvement Moderne (la Charte d'Athènes est publiée en 1943), Claudius-Petit plaide pour une politique ambitieuse de logement social qu'il ne peut dissocier d'une réforme complète de la ville traditionnelle. www.citedelarchitecture.fr/fr/video/de-la-reconstruction-... Les 30 Glorieuses . com et la carte postale.l'UNION SOCIALE POUR L HABITAT fete ses 90 ans "TOUT savoir tout voir, tout connaitre, sur le LOGEMENT SOCIAL des HLM aux HBM avec le Musée HLM" en ligne sur le WEB içi www.banquedesterritoires.fr/lunion-sociale-pour-lhabitat-... … De grandes barres d’immeubles, appelées les grands ensembles, sont le symbole de nos banlieues. Entrée Libre revient sur le phénomène de destruction de ces bâtiments qui reflètent aujourd’hui la misere www.youtube.com/watch?v=mCqHBP5SBiM twitter.com/Memoire2cite/status/1121877386491043840/photo... Avril 1993, 6 ans après l'implosion de la tour DEBUSSY des 4000, 30% seulement des travaux de rénovation ont été réalisés et le chômage frappe toujours 1/3 des hbts. C'est un échec. A Mantes la Jolie, 6 mois après la destruction des 4 tours du Val Fourré, www.youtube.com/watch?v=ta4kj05KJOM … Banlieue 89, Bacalan à Bordeaux 1986 - Un exemple de rénovation urbaine et réhabilitation de l'habitat dans un des quartiers de Bordeaux La Cité Claveau à BACALAN. A l'initiative du mouvementla video içi www.youtube.com/watch?v=IN0JtGBaA1o … L'assoçiation de ROLLAND CASTRO @ Le Plan Banlieue 89 - mode d'emploi - Archive INA - La video içi. TRANSFORMER LES PAYSAGES URBAINS AVEC UNE APPROCHE CULTURELLE www.youtube.com/watch?v=Aw-_f-bT2TQ … SNCF les EDITIONS DU CABRI PRESENTE PARIS LA BANLIEUE 1960-1980 -La video Içi.

www.youtube.com/watch?v=lDEQOsdGjsg … Içi la DATAR en 1000 clichés missionphotodatar.cget.gouv.fr/accueil - Notre Paris, 1961, Réalisation : André Fontaine, Henri Gruel Les archives filmées de la cinémathèque du ministère de 1945 à nos jours içi www.dailymotion.com/video/xgis6v?playlist=x34ije

31 TOULOUSE - le Mirail 1962 réalisation : Mario Marret construction de la ville nouvelle Toulouse le Mirail, commentée par l'architecte urbaniste Georges Candilis le film www.dailymotion.com/video/xn4t4q?playlist=x34ije Il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain.Les films du MRU - Le temps de l'urbanisme, 1962, Réalisation : Philippe Brunet www.dailymotion.com/video/xgj2zz?playlist=x34ije … … … … -Les grands ensembles en images Les ministères en charge du logement et leur production audiovisuelle (1944-1966) MASSY - Les films du MRU - La Cité des hommes, 1966, Réalisation : Fréderic Rossif, Albert Knobler www.dailymotion.com/video/xgiqzr?playlist=x34i - Les films du MRU @ les AUTOROUTES - Les liaisons moins dangereuses 1972 la construction des autoroutes en France - Le réseau autoroutier 1960 Histoire de France Transports et Communications - www.dailymotion.com/video/xxi0ae?playlist=x34ije … - A quoi servaient les films produits par le MRU ministère de la Reconstruction et de l'Urbanisme ? la réponse de Danielle Voldman historienne spécialiste de la reconstruction www.dailymotion.com/video/x148qu4?playlist=x34ije … -les films du MRU - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : la préfabrication en usine, le coffrage glissant... www.dailymotion.com/video/xyjudq?playlist=x34ije … - TOUT SUR LA CONSTRUCTION DE NOTRE DAME LA CATHEDRALE DE PARIS Içi www.notredamedeparis.fr/la-cathedrale/histoire/historique... -MRU Les films - Le Bonheur est dans le béton - 2015 Documentaire réalisé par Lorenz Findeisen produit par Les Films du Tambour de Soie içi www.dailymotion.com/video/x413amo?playlist=x34ije …

Archipostcard.blogspot.com/search?updated-max=2009-02-13T... -Créteil.un couple à la niaiserie béate exalte les multiples bonheurs de la vie dans les new G.E. www.youtube.com/watch?v=FT1_abIteFE … La Ville bidon était un téléfilm d'1 heure intitulé La Décharge.Mais la censure de ces temps de présidence Pompidou en a interdit la diffusion télévisuelle - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - Hansjörg Schneider BAUNETZWOCHE 87 über Papiermoderne www.baunetz.de/meldungen/Meldungen_BAUNETZWOCHE_87_ueber_... … - ARCHITECTURE le blog de Claude LOTHIER içi leblogdeclaudelothier.blogspot.com/2006/ - - Le balnéaire en cartes postales autour de la collection de David Liaudet, et ses excellents commentaires.. www.dailymotion.com/video/x57d3b8 -Restaurants Jacques BOREL, Autoroute A 6, 1972 Canton d'AUXERRE youtu.be/LRNhNzgkUcY munchies.vice.com/fr/article/43a4kp/jacques-borel-lhomme-... … Celui qu'on appellera le « Napoléon du prêt-à-manger » se détourne d'ailleurs peu à peu des Wimpy, s'engueule avec la maison mère et fait péricliter la franchise ...

museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive

le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije :- que dire de RICARDO BOFFIL Les meilleures balades que j’ai fait autour de Paris je les ai faites dans l’application Plans. Je ne minore pas le rôle de Google Maps, révolution cartographique sans précédent et sans égale, qui aura réalisé nos fantasmes d’Aleph borgesien — l’idée d’un point d’où le monde serait visible en totalité — parachevé Mercator et permis d’explorer des parties du globe inconnues de Cook, Bougainville et Amundsen. Je n’oublie pas non plus cet exercice de cartographie au collège, qui nous avait démontré que nous étions à 3 cartes IGN de la capitale, et que le tissu urbain était de plus en plus serré à mesure que nous avancions vers le nord. Mais Plan possédait une fonctionnalité inédite, le Flyover, technologie à l’origine destinée aux pilotes de chasse, et qui fournissait des rendus 3D spectaculaire des bâtiments survolés — ainsi que des arbres et des déclivités du sol.On quittait enfin les champs asphyxiants de la photographie aérienne pour des vues à l’oblique des villes visitées : après un siècle d’écrasement — la photographie aérienne est étroitement contemporaine du bombardement aérien — les villes reprenaient enfin de la vigueur et remontaient vers le ciel. J’avais d’ailleurs effectué moi-même une manœuvre de redressement similaire le jour où j’étais parti, à pied depuis Paris, visiter à Nanterre une exposition sur la photographie aérienne. J’étais à la quête des premières vues de Paris qu’avait prises Nadar depuis un ballon captif. À défaut de ces images, définitivement manquantes, j’avais parcouru, après la Grande Arche, les derniers kilomètres de la Voie Royale, cette prodigieuse perspective historique partie du Louvre — rare exemple de frise chronologique implémentée dans une structure urbanistique.J’avais en réalité un peu dévié de la ligne droite pour aller voir les tours Nuages d’Emile Aillaud, le Facteur Cheval du modernisme, dont je connaissais déjà les autres chefs d’œuvres d'architecture naïve, les nouilles chinoises de Grigny et le spaghetti de Pantin.C’était précisément l’usage que j’avais fait de l’application Plans : j’étais parti à la recherche de tous les groupements de tour qu’elle m’avait permis d’identifier, sur mon iPad. Je les faisais tourner avec deux doigts, comme un éclaireur qui marcherait autour d’un donjon, avant de les immortaliser, sous leur plus bel angle, par une capture d’écran.Un éclaireur autour d’un donjon : c’était exactement cela, qui m’avait fasciné. Les guerres territoriales entre Les Tarterêts de Corbeil et les Pyramides d’Evry avaient marqué mon enfance. La notion de cité, telle qu’elle avait été définie, à partir des années 80, dans le second âge des grands ensembles, l’âge du déclin, avait conservé un cachet médiéval. Ici, vivaient guetteurs et trafiquants, condottieres à la tête d’une écurie de go-fast et entretenant des chenils remplis de mâtins rares et dangereux. Ici, l’État central ne remplissait plus ses tâches régaliennes, ici la modernité laïque était entrée en crise. Mais ce que j’avais découvert, en collectionnant ces captures d’écran, c’était à quel point l’urbanisme de la banlieue parisienne était, strictement, d’obédience médiévale. On était passé, d’un seul mouvement et sans même s’en rendre compte de Château-Gaillard à la Cité 4000, du Donjon de Vincennes aux tours de Sarcelles, du château de Gisors aux choux fleurs de Créteil.J’ai même retrouvé la colonne détruite du désert de Retz dans le babylonien château d’eau de Noisiel.Des hauteurs de Rosny à celle de Chanteloup, du plateau de Clichy à la dalle d’Argenteuil, on avait bizarrement livré des pastiches inconscients de la grande architecture militaire médiévales : les environs de Paris s’étaient retrouvés à nouveau fortifiés, la vieille tour de Montlhéry n’était plus solitaire, et même les immeubles de briques rouges qui avaient succédé à l’enceinte de Thiers évoquaient des murailles.

Et ce que j’avais initialement pris pour des anomalies, des accidents malheureux du post-modernisme, les grand ensembles voûtés et cannelés de Ricardo Boffil, étaient peut-être ce qui exprimait le mieux tout cela — ou du moins qui clôturaient avec le génie le plus clair cet âge des grands ensembles.

Car c’était cela, ces Carcassonnes, ces Acropoles, ces Atlandides qui surnageaient avec le plus de conviction au milieu des captures d’écrans de ruines médiévales qui s’accumulaient sur mon bureau.

Si décriées, dès leur construction, pour leur kitch intolérable ces mégastructures me sont soudain apparues comme absolument nécessaires.

Si les Villes Nouvelles n’ont jamais existé, et persisteront dans la mémoire des hommes, elles le doivent à ces rêveries bizarres et grandioses, à ces hybridations impossibles entre les cités idéales de Ledoux et les utopies corbuséennes.

L’Aqueduc de Saint-Quentin-en-Yvelines, les Espaces d’Abraxas à Marne-la-Vallée, les Colonnes de Saint-Christophe à Cergy-Pontoise sont les plus belles ruines du Grand Paris.

www.franceculture.fr/emissions/la-conclusion/ricardo-bofill immerssion dans le monde du logement social, l'univers des logements sociaux, des H.B.M au H.L.M - Retour sur l'histoire du logement collectif d'apres guerre - En Françe, sur l’ensemble du territoire avant, 4 millions d’immeubles étaient vétustes, dont 500.000 à démolir; au total 10% des logements étaient considérés comme insalubres et 40% réputés d’une qualité médiocre, et surpeuplés. C’est pour ces raisons que, à partir de 1954, le Ministre à la Reconstruction et au Logement évalue le besoin en logements à 2.000.660, devenant ainsi une priorité nationale. Quelques années plus tard à l’appel de l’Abbé Pierre, le journaliste Gilbert Mathieu, en avril 1957 publiait dans le quotidien Le Monde une série d’articles sur la situation dramatique du logement : Logement, notre honte et dénonçant le nombre réduit de logements et leur impitoyable état. Robert Doisneau, Banlieue après-guerre, 1943-1949 /Le mandat se veut triple : reconstruire le parc immobilier détruit durant les bombardements essentiellement du printemps/été 1944, faire face à l’essor démographique et enfin résorber l’habitat insalubre notamment les bidonvilles et les cités de transit. Une ambition qui paraît, dès le début, très élevée, associée à l’industrialisation progressive de la nation entre autre celle du secteur de la construction (voir le vidéo de l’INA du 17 juillet 1957 intitulée La crise du logement, un problème national. Cela dit, l’effort pour l’État français était d’une ampleur jamais vue ailleurs. La double nécessité de construire davantage et vite, est en partie la cause de la forme architecturale excentrique qui constituera les Grands Ensembles dans les banlieues françaises. Cinq caractéristiques permettent de mieux comprendre ce terme : la rupture avec le tissu urbain ancien, un minimum de mille logements, une forme collective (tours, barres) de quatre jusqu’à vingt niveaux, la conception d’appartements aménagés et équipés et enfin une gestion destinée pour la plupart à des bailleurs de logement social.

Pour la banlieue parisienne leur localisation s’est opérée majoritairement dans la périphérie, tandis que dans les autres cas, plus de la moitié a été construite dans le centre ville, le plus souvent à la limite des anciens faubourgs.

Architecture d’Aujourd’hui n° 46, 1953 p. 58-55

C’est le triomphe de l’urbanisme fonctionnel et rationaliste cher à Le Corbusier. Entre 1958 et 1973, cent quatre-vingt-quinze Zones à Urbaniser en Priorité (ZUP) sont créées, comprenant deux millions de logements, essentiellement de type populaire en Habitations à Loyer Modéré (HLM), mais pas exclusivement, remplaçant ainsi les anciennes Habitations à Bon Marché (HBM) crées en 1894. Selon le décret du 27 mars 1954 qui en fixe les conditions d’attribution, les bénéficiaires de la législation n’ont pas changé, ce sont toujours des « personnes peu fortunées vivant principalement de leur salaire », selon la loi Strauss de 1906. En 1953, tous les HLM voient leur surface maximale se réduire, en passant de 71 à 65 mètres carrés pour un quatre pièces. L’accès au logement des familles modestes se fera donc au détriment de la qualité et quantité de l’espace habité pour des familles nombreuses. À ce propos, le sociologue Thierry Oblet a bien montré comment se sont articulées les pensées des architectes et des ingénieurs modernistes, avec leur souci planificateur d’un État interventionniste[8] grâce à l’hégémonie du béton, de la ligne droite et de la standardisation de la construction.

Les exemples de cette architecture restent nombreux : de la Cité de 4000 (pour 4000 logements) à la Courneuve en Seine-Saint-Denis (93) aux logements de 15 étages aux balcons pétales, appelés « Chou-fleur » à Créteil en Val-de Marne (94) dessinés au début des années 70 par l’architecte Gérard Grandval. De la Cité des nuages à Nanterre dans les Hauts-de-Seine (92) à la Grande borne construite entre 1967 et 1971 sur le territoire des communes de Grigny et Viry-Châtillon, dans l’Essonne (91) en passant par la Noé à Chanteloup-les-Vignes dans le département des Yvelines (78) scénario du célèbre film La Haine[9] de Kassovits.

Récemment, plusieurs expositions photographiques se sont

concentrées sur cette nouvelle figure de l’urbanisme fonctionnaliste français de l’après-guerre. Par exemple Toit&Moi, 100 ans de logement social (2012), Les Grands ensembles 1960-2010 (2012) produite par l’école supérieure d’arts & médias de Caen/Cherbourg, selon un projet du Ministère de la Culture et de la Communication. Enfin l’exposition Photographie à l’œuvre, (2011-2012) d’Henri Salesse, photographe du service de l’inventaire du Ministère de la Reconstruction et de l’Urbanisme et Voyage en périphérie (2012) de Cyrus Cornut. Il s’agissait là non seulement d’un progrès matériel, mais aussi démocratique, donnant ainsi à chaque citoyen, la possibilité d’accéder à son petit appartement doté de tous les conforts de l’époque. La recherche d’économie et de rapidité dans la conduite des chantiers portent à l’utilisation du béton comme matériel privilégié et à des plans architecturaux aussi simples que possible avec la réalisation de logements standardisés, dont les barres et les tours deviennent les figures principales : Au mitan des années cinquante, apparurent d’étranges formes urbaines. Des immeubles d’habitation de plus en plus longs et de plus en plus hauts, assemblés en blocs qui ne s’intégraient pas aux villes existantes. Ces blocs s’en différenciaient ostensiblement et parfois comme systématiquement, s’en isolaient. Ils semblaient faire ville à part. Surtout ils ne ressemblaient pas à ce qu’on avait l’habitude d’appeler ville. Et leur architecture aussi, qui était tellement déroutante. On les a nommés » grands ensembles. Cité de l’Abreuvoir, Bobigny (93), 2003 (Inventaire général du Patrimoine, Région Ile de France / Stéphane Asseline)

Bref, entre 1946 et 1975 le parc immobilier français passe de 12,7 millions à 21 millions de logements. Environ 8 millions de ceux-ci sont neufs, construits entre 1953-1975 – dont la moitié sous forme de grands ensembles – et près de 80 % des logements grâce à une aide de l’État avec des crédits publics. Le nombre de logements sociaux passe de moins de 500.000 à près de 3 millions, dont 43 % en région parisienne, où la demande est la plus forte[11]. Ce qui témoigne d’un effort énorme. Secrétariat d’État à la Reconstruction et au Logement, Supplément du logement en 1954, cité par Bachmann, C. Le Guennec, N., Violences urbaines…Op.cit, p.24. Alors que l’hiver 1954 est particulièrement rigoureux, l’abbé Pierre lance un appel en faveur des sans-logis et déshérités et organise des collectes de vêtements et de nourriture pour les plus démunis. Cela nous rappelle également que les inégalités sociales restaient particulièrement importantes à l’époque, malgré les débuts de la croissance économique, et que la crise du logement n’était pas encore complètement résolue. Danièle Voldman, La reconstruction des villes françaises de 1940 à 1954 : histoire d’une politique, Paris, L’Harmattan, 1997. Les Actualités françaises, La crise du logement, un problème national, 17 juillet, 1957, in fresques.ina.fr/…/la-crise-du-logement-un-probleme-n…, consulté le 20/02/2014. C’est l’urbaniste Marcel Rotival dans un numéro d’Architecture d’Aujourd’hui de juin 1935 (vol.1, n°6, juin 1935, p.57) qui propose pour la première fois cette terminologie pour désigner les Habitations à Bon Marché (HBM) et leur transformation en Habitations à Loyer Modéré (HLM), par la loi du 21 juillet 1951: « Nous espérons, un jour, sortir des villes comme Paris, non seulement par l’avenue des Champs Elysées, la seule réalisation de tenue sans laquelle Paris n’existerait pas, mais sortir par Belleville, par Charonne, par Bobigny, etc., et trouver harmonieusement disposés le long de larges autostrades, au milieu de grands espaces boisés, de parcs, de stades, de grandes cités claires, bien orientées, lumineusement éclairées par le soleil. » Largement reprise depuis les années 1950 dans le jargon administratif et public, elle apparaît pour la première fois dans un texte officiel qu’en 1973 avec la Circulaire Guichard, alors Ministre de l’Aménagement du territoire, de l’Equipement, du Logement et du tourisme. Celui-ci met un terme à la politique initiée après-guerre afin « d’empêcher la réalisation des formes d’urbanisation désignées généralement sous le nom de “grands ensembles”, peu conforme aux aspirations des habitants et sans justification économique sérieuse ». Paradoxalement, le terme de grands ensembles s’officialise donc au moment même où ils son mis en question. ZUP est un acronyme qui signifie Zone à Urbaniser en Priorité. Elles ont été créées par le décret N°58-1464 du 31 décembre 1958, afin de planifier et d’encadrer sur le territoire national, le développement urbain pour répondre à la carence de logements face à l’accroissement démographique et favoriser enfin la résorption de l’habitat insalubre. Oblet, Thierry, Gouverner la ville. Les voies urbaines de la démocratie moderne, Paris, PUF, 2003. En particulier par l’intermédiaire de la Société centrale de construction et de la Société centrale pour l’équipement du territoire, créées au milieu des années 1950 en tant que filiales de la Caisse des dépôts et consignations.

Kassovitz, Mathieu, La Haine, France, 1995.

Cornu, Marcel, Libérer la ville, Bruxelles, Casterman, 1977, p.60. Annie Fourcaut « Les banlieues populaires ont aussi une histoire », Projet 4/2007 (n° 299), pp. 7-15.

www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije - www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...

Official Trailer - the Pruitt-Igoe Myth: an Urban History

www.youtube.com/watch?v=g7RwwkNzF68 - la dérive des continents youtu.be/kEeo8muZYJU Et la disparition des Mammouths - RILLIEUX LA PAPE & Dynacité - Le 23 février 2017, à 11h30, les tours Lyautey étaient foudroyées. www.youtube.com/watch?v=W---rnYoiQc …

Ginger CEBTP Démolition, filiale déconstruction du Groupe Ginger, a réalisé la maîtrise d'oeuvre de l'opération et produit les études d'exécution. L'emblématique ZUP Pruitt Igoe. vaste quartier HLM (33 barres de 11 étages) de Saint-Louis (Missouri) USA. démoli en 1972 www.youtube.com/watch?v=nq_SpRBXRmE … "Life is complicated, i killed people, smuggled people, sold people, but perhaps in here.. things will be different." ~ Niko Bellic - cité Balzac, à Vitry-sur-Seine (23 juin 2010).13H & Boom, quelques secondes plus tard, la barre «GHJ», 14 étages et 168 lgts, s’effondrait comme un château de cartes sous les applaudissements et les sifflets, bientôt enveloppés dans un nuage de poussière. www.youtube.com/watch?v=d9nBMHS7mzY … - "La Chapelle" Réhabilitation thermique de 667 logements à Andrézieux-Bou... youtu.be/0tswIPdoVCE - 11 octobre 1984 www.youtube.com/watch?v=Xk-Je1eQ5po …

DESTRUCTION par explosifs de 10 tours du QUARTIER DES MINGUETTES, à LYON. les tours des Minguettes ; VG des tours explosant et s'affaissant sur le côté dans un nuage de fumée blanche ; à 13H15, nous assistons à l'explosion de 4 autres tours - St-Etienne Métropole & Montchovet - la célèbre Muraille de Chine ( 540 lgts 270m de long 15 allees) qui était à l'époque en 1964 la plus grande barre HLM jamais construit en Europe. Après des phases de rénovation, cet immeuble a été dynamité en mai 2000 www.youtube.com/watch?v=YB3z_Z6DTdc … - PRESQU'ILE DE GENNEVILLIERS...AUJOURD'HUI...DEMAIN... (LA video içi parcours.cinearchives.org/Les-films-PRESQU-ILE-DE-GENNEVI... … ) Ce film de la municipalité de Gennevilliers explique la démarche et les objectifs de l’exposition communale consacrée à la presqu’île, exposition qui se tint en déc 1972 et janvier 1973 - le mythe de Pruitt-Igoe en video içi nextcity.org/daily/entry/watch-the-trailer-for-the-pruitt... … - 1964, quand les loisirs n’avaient (deja) pas le droit de cité poke @Memoire2cite youtu.be/Oj64jFKIcAE - Devenir de la ZUP de La Paillade youtu.be/1qxAhsqsV8M v - Regard sur les barres Zum' youtu.be/Eow6sODGct8 v - MONTCHOVET EN CONSTRUCTION Saint Etienne, ses travaux - Vidéo Ina.fr www.ina.fr/video/LXF99004401 … via - La construction de la Grande Borne à Grigny en 1969 Archive INA www.youtube.com/watch?time_continue=12&v=t843Ny2p7Ww (discours excellent en seconde partie) -David Liaudet : l'image absolue, c'est la carte postale" phothistory.wordpress.com/2016/04/27/david-liaudet-limage... … l'architecture sanatoriale Histoire des sanatoriums en France (1915-1945). Une architecture en quête de rendement thérapeutique..

passy-culture.com/wp-content/uploads/2009/10/Les-15-Glori... … … & hal.archives-ouvertes.fr/tel-01935993/document … explosion des tours Gauguin Destruction par implosion des Tours Gauguin (quartier de La Bastide) de Limoges le dimanche 28 novembre 2010 à 11 heures. Limoges 28/11/2010 youtu.be/cd0ln4Nqqbs … 42 Roanne - c'etait le 11 novembre 2013 - Souvenirs des HLM quartier du Parc... Après presque 45 minutes de retard, les trois dernières tours Chanteclair sont tombées. Le tir prévu etait à 11h14 La vidéo içi www.leprogres.fr/loire/2013/11/01/roanne-les-3-dernieres-... … … www.leprogres.fr/loire/2013/11/01/roanne-une-vingtaine-de... …Besançon (25) - la Nouvelle cité d'HLM La Planoise en 1960 avec la video des premiers habitants de Planoise en juin 1968 www.youtube.com/watch?v=LVKAkJSsCGk … … … archive INA … BEGIN Japanology - les utopies de l'extreme et Kenzo Tange l'architecte japonnais - la video içi www.youtube.com/watch?v=ZlAOtYFE4GM … 71 les Prés Saint-Jean a Chalon-sur-Saône - L'Implosion des 3 tours HLM de 15 etages le 5 décembre 2009 par FERRARI DEMOLITION içi www.youtube.com/watch?v=oDsqOjQJS8E … … … & là www.youtube.com/watch?v=ARQYQLORBBE … 21 DIJON Cité des Grésilles - c'etait l'implosion de la residençe HLM Paul Bur le 19 02 2010 www.youtube.com/watch?v=fAEuaq5mivM … … & la www.youtube.com/watch?v=mTUm-mky-sw … 59 - la technique dite du basculement - Destruction de l'immeuble Rhone a Lille avec pleins de ralentit içi video-streaming.orange.fr/actu-politique/destruction-de-l... … 21 Chenôve (le GRAND DIJON) - Implosion de la barre François RUDE le 3 nov 2010 (top video !!) www.youtube.com/watch?v=ClmeXzo3r5A … …Quand l histoire çe repete et çe repetera autant de fois que nesçessaire quand on voie la quantitée de barres 60 70's...dans le collimateur de l'ANRU2.. 77 MEAUX 3 grandes tours..& puis s'en vont.. Démolition Pierre Collinet Batiment Genêt, Hortensia et Iris - Reportage Journal le 26 juin 2011 youtu.be/fpPcaC2wRIc 71 CHALON SUR SAONE C'etait les Prés Saint Jean le 05 décembre 2009 , pour une implosion hlm hors du commun !!! Caméra mise à même le sol , à une vingtaine de mètres de la première tour .... www.youtube.com/watch?v=kVlC9rYU-gs … 78 les MUREAUX le 3 octobre 2010 ,Les dernières minutes de la Tour Molière aux Mureaux (Yvelines) et sa démolition par semi-foudroyage, filmés du quartier de la Vigne Blanche. www.youtube.com/watch?v=u2FDMxrLHcw …71 MACON LES GRANDES PERRIERES C'etait un 30 juin 2013, avec l'implosion de la barre HLM des Perrières par GINGER www.youtube.com/watch?v=EzYwTcCGUGA … … une video exceptionnelle ! c'etait Le Norfolk Court un ensemble résidentiel, le Norfolk Court, construit dans les années 1970, a été démoli à Glasgow en Ecosse le 9 mai 2016 . Il rate la démolition d'un immeuble au tout dernier moment LES PASSAGERS DU BUS EN PROFITE A SA PLAçE lol www.20minutes.fr/tv/t-as-vu/237077-il-rate-la-demolition-... … 69 LYON Quand La Duchère disait adieu à sa barre 230 le jeudi 2 juillet 2015

www.youtube.com/watch?v=BSwidwLw0NA … www.youtube.com/watch?v=BdLjUAK1oUk … www.youtube.com/watch?v=-DZ5RSLpYrM …Avenir Deconstruction : Foudroyage de 3 barres HLM - VAULX-EN-VELIN (69) www.youtube.com/watch?v=-E02NUMqDno Démolition du quartier Bachelard à Vaulx-en-Velin www.youtube.com/watch?v=DSAEBIYYpXY Démolition des tours du Pré de l'Herpe (Vaulx-en-Velin)

www.youtube.com/watch?v=fG5sD1G-QgU REPORTAGE - En sept secondes, un ensemble de 407 appartements à Vaulx-en-Velin a été détruit à l'explosif dans le cadre du renouvellement urbain... www.youtube.com/watch?v=Js6w9bnUuRM www.youtube.com/watch?v=MCj5D1NhxhI - St-QUENTIN LA ZUP (scic)- NOUMEA - NOUVELLE CALEDONIE historique de la cité Saint-Quentin içi www.agence-concept.com/savoir-faire/sic/

www.youtube.com/watch?v=_Gt6STiH_pM …[VIDEOS] Trois tours de la cité des Indes de Sartrouville ont été démolies dans le cadre du plan de rénovation urbaine du quartier Mille quatre cent soixante-deux détonateurs, 312 kilos le 06/06/2010 à 11 heures. la belle video içi www.youtube.com/watch?v=fY1B07GWyDE VIGNEUX-SUR-SEINE, VOTRE HISTOIRE, VOS SOUVENIRS. içi www.youtube.com/watch?v=8o_Ke26mB48 … , Film des Tours et du quartier de la Croix Blanche, de 1966 à 1968. Les Tours en train de finir de se construire, ainsi que le centre commerciale. Destruction de la Tour 21, pour construire de nouveaux HLM...

42 LOIRE ST-ETIENNE MONTREYNAUD tout une histoire youtu.be/ietu6yPB5KQ - Mascovich & la tour de Montreynaud www.youtube.com/watch?v=p7Zmwn224XE … -Travaux dalle du Forum à Montreynaud Saint-Etienne www.youtube.com/watch?v=0WaFbrBEfU4 … & içi www.youtube.com/watch?v=aHnT_I5dEyI … - et fr3 là www.youtube.com/watch?v=hCsXNOMRWW4 … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline et sur les pentes de cette colline s’accroche une petite ville, un quartier, un peu à part. Cet endroit niché au milieu de la verdure, c’est le quartier de Montreynaud. www.youtube.com/watch?v=Sqfb27hXMDo&fbclid=IwAR2ALN4d... …Et sinon, avez-vous remarqué au dessus du P de AGIP ? On voit, dans le film, la Tour Réservoir Plein Ciel du quartier de Montreynaud, détruite 3 ans plus tard par foudroyage ! Sûr que @Memoire2cite a des photos du quartier et de la tout à l'époque ! ;-) 42 LOIRE SAINT-ETIENNE MONTREYNAUD LA ZUP Souvenirs avec Mascovich & son clip "la tour de Montreynaud" www.youtube.com/watch?v=p7Zmwn224XE …

- Que de chemin parcouru, Muraille de Chine La Palle Beaulieu jusqu'aux années 90. L habitat se transforme et s adapte aux nouveaux besoins. Autre temps, période d'essor économique et du "vivre ensemble". Merci à @Memoire2cite pour cette introspection du passé! -

Mereka yang Akan Diselamatkan Tuhan adalah yang Terpenting Di Hati-Nya by Lisa Aggie

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Lagu Rohani Kristen Terbaru 2019 - Mereka yang Akan Diselamatkan Tuhan adalah yang Terpenting Di Hati-Nya

🎦 id.easternlightning.org/videos/those-God-will-save-are-eo...

Betapa penting karya penyelamatan,

lebih penting dari apa pun 'tuk Tuhan.

Dengan perencanaan, tak hanya firman,

Dia buat semua 'tuk manusia.

O betapa penting karya penyelamatan 'tuk Tuhan dan manusia.

Tuhan sibuk, Dia berusaha.

Dia atur karya-Nya, memerintah segalanya.

Tuhan telah bayar harga yang mahal.

Tuhan ungkap sedikit sedikit dalam karya-Nya,

yang Dia punya, harga yang Dia bayar,

hikmat, kuasa, semua watak-Nya.

Agar di s'luruh semesta,

selain orang yang ingin diselamatkan-Nya,

tiada makhluk yang sangat dekat dengan Tuhan,

yang punya hubungan sangat erat dengan-Nya.

Tak peduli kesukaran, tak peduli rintangan,

betapa lemah dan membangkang manusia,

tiada yang dapat hentikan Tuhan, tiada yang sulit.

Tuhan dekat, betapa erat

bagi yang Dia pilih 'tuk dis'lamatkan.

Di semesta ini, siapa pernah punya

hubungan sangat erat dengan Tuhan?

Di hati-Nya, mereka paling penting, Dia sungguh hargai m'reka.

Mereka lukai, tak taat Tuhan.

Walau Dia bayar harga besar untuk mereka,

tak lelah Tuhan berkarya, tanpa sesal,

tahu manusia 'kan digerakkan firman-Nya,

kan sadari panggilan-Nya,

mengenal Dia Tuhan, kembali ke sisi-Nya.

Tak peduli kesukaran, tak peduli rintangan,

betapa lemah dan membangkang manusia,

tiada yang dapat hentikan Tuhan, tiada yang sulit.

Wow … wow … wow … wow …

Tuhan telah bayar harga yang mahal.

Wow … wow … wow … wow …

Mereka lukai, tak taat Tuhan.

Wow … wow … wow … wow…

Tiada yang sulit.

dari "Ikuti Anak Domba dan Nyanyikan Lagu Baru"

Rekomendasi：

konten yang lebih menarik, mohon perhatikan "Kilat dari Timur"

Censored: Ana Blandiana (b. 1942) Romanian Poet by Constant

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www[dot]blouseroumaine[dot]com/orderthebook_p1[dot]html

Under Nicolae Ceausescu Blandiana's writings were banned after a "seditious" poem she wrote about the dictator: "Motanul Arpagic" (Tom Cat Onion)...

After 1990 she was active in the "Alianta Civica" which helped bring to the fore the first democratic government in Romania (1996-2000).

Below is one of Blandiana's ""engaged" poems about the status of women under communism:

“An entire people,

Not yet born,

But condemned to birth,

In columns before birth

Foetus beside foetus,

An entire people,

Which does not see, does not hear, does not understand,

But moves forward.

Through writhing bodies of women,

Through the blood of mothers

Unconsulted.”

(Ana Blandiana, The Children’s Crusade, 1984)

www.blouseroumaine.com

en.wikipedia.org/wiki/Ana_Blandiana

www.transcript-review.org/section.cfm?id=122&lan=en

-------------

Ana Blandiana's biography is included in the "Blouse Roumaine' Anthology:

www.blouseroumaine.com/orderthebook_p1.html

The Blouse Roumaine Anthology had finally been formatted as an E-BOOK

Contents:

2,250,000 words,

over 1,000 pages,

160 critical biographies,

58 social categories/professions

600 quotations (mostly translated into English for the first time),

circa 3,000 bibliographical references (including URLs and credits)

6 Indexes (alphabetical, by profession, timeline, quotation Index, place index and name index)

The website is not yet fully updated to reflect the latest statistics or content but the book can be now downloaded online:

----------------------------------------------------------------------------------------------------------------

3.2. Gazetteer of 160 Women within 58 Categories by Call, Profession or Social Status

Academics (22), Actresses (9), Anti-Communist Fighters (14), Architects/Interior Designers (2), Art Critics (9), Artist Book Binders (1), Ballerinas (6), Charity Workers/Benefactors (20), Communist Public Figures (2), Courtesans (3), Designers (2), Diplomats (4), Essayists (11), Ethnographers (6), Exiles & First-generation Romanians born abroad (87), Explorers (1), Feminists (12), Folk Singers (1), Gymnasts, Dressage Riders (2), Historians (5), Honorary Romanian Women (15), Illustrators (3), Journalists (13), Lawyers (4), Librarians (3), Linguists (2), Literary Critics (1), Media (15), Medical Doctors/Nurses (5), Memoir Writers (16), Missionaries and Nuns (4), Mountainéers (2), Museographers (1), Musical Instruments Makers (1), Novelists (24), Opera Singers (16), Painters (14), Peasant Farmers (6), Philosophers and Philosophy Graduates (4), Pianists (6), Pilots (4), Playwrights (5), Poets (29), Political Prisoners (30), Politicians (5), Revolutionaries (2), Royals and Aristocrats (34), Scientists (8), Sculptors (4), Slave (1), Socialites/Hostesses (20), Spouses/Relations of Public Figures (51), Spies (2), Tapestry Weavers (4), Translators (25), Unknown Illustrious (6), Violinists (4), Workers (3)

Design Inspiration: Smart Chair With Bookshelf Below Its Seat by Design Inspiration Gallery

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Smart Chair With Bookshelf Below Its Seat... All daily inspiration

Shibu Onsen, Yamanouchi, Nagano Prefecture by David McKelvey

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Shibu Onsen is a historic and attractive hot spring town in Yamanouchi, which has retained a traditional atmosphere. Nestled in a small valley, Shibu Onsen is spread out on a gentle slope beside the Yokoyugawa River, with Yudanaka Onsen located below and the Jigokudani Monkey Park above.

During its long history, the area has been visited for its hot spring water by a lot of people, including priests, samurai and poets. Some of the ryokan (Japanese style inns) that line Shibu's narrow streets, date back over 400 years, adding greatly to Shibu's atmosphere. Guests of the ryokan are encouraged to take a stroll around town in the traditional onsen clothing of yukata robes and geta sandals.

One incentive to walk around the town is to make use of the public bath houses, of which there are nine. The public baths are locked and, except for one, only accessible to locals and overnight guests, who are provided with a master key by their ryokan. The bath houses are small buildings, divided into a women's side and a men's side, and the baths themselves are quite simple. The bath houses are numbered, but also have special names and cure different ailments. Source: www.japan-guide.com

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Yamanouchi is a municipality in northern Nagano Prefecture with a variety of tourist attractions. The area's Jigokudani Monkey Park draws many visitors because of its unique wild monkeys, who bathe in the park's natural hot springs. The monkeys are not the only ones enjoying the water, as the nearby towns of Shibu Onsen and Yudanaka Onsen are centered around the bathing experience.

The largest ski resort in Japan, Shiga Kogen, is also located within Yamanouchi. One single ticket gives skiers and snowboarders access to dozens of runs, some of which hosted events during the 1998 Nagano Winter Olympics. Shiga Kogen and other parts of Yamanouchi are part of the Joshinetsu Kogen National Park, which offers hiking and other outdoor activities when there is no snow on the hills. Source: www.japan-guide.com

1908 RPPC - F.L. Hacking Photo - New Westminster Salmonbellies Lacrosse Team - Worlds Champions - Winners of the Minto Cup - (all players identified) by Treasures from the Past

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LINK to another version of this photo used in a Vancouver newspaper - 28 July 1908 - www.newspapers.com/article/the-province-new-westminster-l...

LINK to another version of this photo with all players identified - (Vancouver Province newspaper - 22 July 1908) - www.newspapers.com/article/the-province-the-minto-cup-cha...

LINK to another version of this photo (11 July 1908) - New Westminster Lacrosse Champions Leave for the Trip East - www.newspapers.com/article/the-province-new-westminster-l...

LINK to - Record of Players of the New Westminster Lacrosse Team - www.newspapers.com/article/the-victoria-daily-times-recor...

Postcard photograph of the 1908 Minto Cup champions, the New Westminster Salmonbellies Lacrosse Club. C. Spring, C. Galbraith, W. Turnbull, J. Bryson, T. Gifford (Captain), A Turnbull, L. Turnbull, J. Gifford, C.A. Welsh (Business manager), C.D. Peele (team manager), A.B. Gray, T. Rennie, C.P. Latham, J. Feeney, I Wintemute, G. Rennie.

Alexander / Alex Baird "Sandy" Gray, goal-keeper, 23 years, 148 pounds; born in New Westminster and commenced playing senior lacrosse in 1901. A stalwart wall in goal for the New Westminster Salmonbellies at the start of their Minto Cup championship run, Alex ‘Sandy’ Gray was the best goalie on the Coast during the four seasons (1908, 1909, 1910 and 1911) in which he played professional lacrosse for the Salmonbellies. LINK - oldschoollacrosse.wordpress.com/2014/01/25/alex-sandy-gray/

(b. 24 June 1884 in Wellington, Nanaimo Regional District, British Columbia or New Westminster, B.C. - d. 28 June 1966 at age 82 in New Westminster, B.C.) - Outside of lacrosse, ‘Sandy’ Gray worked for 34 years as the provincial government agent at the New Westminster courthouse until his retirement in 1949. LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/e3... - LINK to his Find a Grave site - www.findagrave.com/memorial/97005883/alexander-baird-gray LINK to his newspaper obituary - www.newspapers.com/article/nanaimo-daily-news-obituary-fo...

Charley Galbraith, point, 26 years, 170 pounds; came to New Westminster in youth and has been in senior company since 1905.

Charles "Charlie / Charley" Galbraith

(b. August 28, 1881 in Belledune, Gloucester County, New Brunswick, Canada – d. November 10, 1924 at age 43 in Langley, Greater Vancouver Regional District, British Columbia, Canada) - he played for the New Westminster Salmonbellies Lacrosse team (1905-1911). LINK to his life story - oldschoollacrosse.wordpress.com/2016/04/03/charlie-galbra... LINK to his Find a Grave site - www.findagrave.com/memorial/143533925/charles-galbraith

LINK to his newspaper obituary - Charles "Charlie" Galbraith Obituary - www.newspapers.com/article/the-vancouver-sun-charles-char...

Thomas "Tommy" Gifford, cover point (captain), 28 years, 188 pounds; has been playing senior since 1898; went east on both former trips made by team in 1900 and 1902. LINK to his life story - www.clhof.org/index.php/en/about/in-the-news/news/28-old-...

Thomas Stoddart Gifford

(b. 5 June 1880 in Lockerbie, Scotland - d. 4 May 1966 at age 85 in Seattle, Washington) - HOF lacrosse player - he played for the New Westminster Salmonbellies Lacrosse team (1898-1912). LINK to his newspaper obituary - www.newspapers.com/article/the-province-obituary-for-thom...

James "Jimmy" Stoddart Gifford, first defence, 21 years, 150 pounds; playing senior since 1905. By the time the professional game came along in 1909, Gifford had already earnt the reputation for being one of the hardest and toughest players to take to the field. During the professional era his heated rivalry with ‘Newsy’ Lalonde of the Vancouver Lacrosse Club was legendary, nasty, and relentless. Even in old age Gifford continued to hold a grudge and could not bear being in the presence of Lalonde – even refusing to attend his hall-of-fame induction because Lalonde would also be there receiving the same honour, over 50 years passing since their last bloody battles had been fought. LINK - laxhall.com/2023/09/jimmy-gifford/

James "Jimmy" Stoddart Gifford

(b. 26 September 1886 in Scotland or St. Paul, Minnesota - d. 9 November 1976 at age 90 in New Westminster, B.C.) - he played with the New Westminster Salmonbellies Lacrosse Club from 1905 to 1912. LINK to his life story - oldschoollacrosse.wordpress.com/2015/09/20/jimmy-gifford/ LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/b5...

LINK to - James "Jimmy" Stoddart Gifford - Field Lacrosse Great Dies in Royal City - www.newspapers.com/article/the-vancouver-sun-james-jimmy-... - and LINK to his newspaper obituary - www.newspapers.com/article/the-province-obituary-for-jame...

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George Rennie, second defence, 26 years, 160 pounds; playing senior since 1901; went east on one former trip made by team.

Biography - In 26 years as a lacrosse player with the New Westminster Salmonbellies, New Brunswick - born George Rennie won five national championships and was selected to help represent Canada at the 1908 Summer Olympics. There he earned a gold medal with his team after it won its only match against Great Britain 14-10. He served in World War I, which interrupted his tenure with the Salmonbellies that had begun in 1901, but returned to the club after the conflict. He later served as an officer with the Royal City Adanacs lacrosse club and was inducted into the Canadian Lacrosse Hall of Fame as a charter member in 1966. LINK - www.olympedia.org/athletes/17802

George Haddow Rennie

(b. 10 March 1882 in Newcastle, New Brunswick, Canada - d. 13 December 1966 at age 84 in New Westminster, British Columbia) LINK to his newspaper obituary - www.newspapers.com/article/the-vancouver-sun-obituary-for... - LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/6b...

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Tom Rennie, third defence, 24 years, 160 pounds; commenced playing senior in 1902; went east with old lacrosse team as reserve man In 1902.

James (Pat) Feeney, centre, 22 years, 145 pounds; born in New Westminster and commenced playing senior in 1904.

W. Turnbull, third home, 22 years, 165 pounds; born in New Westminster and commenced playing senior in 1906.

Irving "Punk" Wintemute, second home, 22 years. 150 pounds; born in New Westminster and commenced playing senior in 1905.

(b. February 24, 1886 – d. March 28, 1937)

New Westminster Salmonbellies (1905-1915; 1919)

‘Punk’ Wintemute was a member of the 1908 Minto Cup team that went East to pry the silver mug from the Montréal Shamrocks. He would then go on to play eight seasons at the professional level for the New Westminster Salmonbellies. LINK to his complete life story - oldschoollacrosse.wordpress.com/2015/09/07/irving-punk-wi...

Alexander Turnbull, first home, age unknown, 160 pounds; got into the game about 44 (estimated) years ago; has been with New Westminster team since 1897.

Len Turnbull, outside home, 148 pounds, 19 years; born in New Westminster, and commenced playing senior in 1906.

Jack Bryson, inside home, 160 pounds, 21 years; born in New Westminster, and commenced playing senior in 1903.

C. P. Latham, spare man, 160 pounds, 24 years of age; commenced playing senior in 1902.

C. Spring, spare man, 166 pounds, 19 years; first played senior last year.

With the exception of Alex. Turnbull every man on the team learned the game in New Westminster.

John "Jack" Gifford - Team mascot - Jack Gifford, of Famous Lacrosse Family - Jack, who Is the youngest of the famous Gifford family of lacrosse players, has never taken the interest in the game that his elder brothers did in years past. He has played indifferently and the opportunity to get away from the moll and turmoil of coast lacrosse proved too much for him and he seized with avidity the opening offered.

John Jardine Gifford

(b. 25 November 1895 in New Westminster, B.C. – d. 5 August 1974 at age 80 in New Westminster, B.C.) LINK to his Find a Grave site - www.findagrave.com/memorial/159549161/john-jardine-gifford LINK to his newspaper obituary - www.newspapers.com/article/the-vancouver-sun-obituary-for...

LINK to his life story - oldschoollacrosse.wordpress.com/2024/02/27/jack-gifford/

LINK to - Jack Gifford in Munition Corps - www.newspapers.com/article/vancouver-daily-world-jack-gif... LINK to his WWI records - recherche-collection-search.bac-lac.gc.ca/eng/Home/Record...

C. D. "Biscuits" Peele, the team manager, who will have charge of the aggregation on the eastern tour, commenced in senior ranks and was one of the team which made the eastern tour In 1895. He also played with the 1900 and 1902 teams In the east. He was born here 34 years ago, and has been identified with the game since he was big enough to play. In fact, the Peele family were once known as "the lacrosse family," there being four Peele boys in lacrosse ranks at one time. C. D. Peele left the team in 1905.

Clarence Dale Peele

(b. 28 June 1874 in New Westminster, B.C. - d. 31 October 1933 at age 59 In New Westminster, British Columbia) - LINK to his newspaper obituary - www.newspapers.com/article/the-vancouver-sun-obituary-for...

Charles Almeron Welsh, the business manager who will 'accompany the team,' has never played lacrosse, but, during his residence in this city, has always followed and been closely associated with the sport. He was president of the club for two years.

Charles was a member of the Harbour Board, and the Royal Agricultural and Industrial Society, the Board of Trade, the City Council and the Police Commission. He was a staunch conservative who ran unsuccessfully against A. Wells Gray in 1927. Fraternally, he was a Mason, a member of King Solomon Lodge, and was a past potentate and honourary life delegate of the Shrine, Gizeh Temple. He was also a member of the local Kiwanis Club. Charles Welsh was a sportsman with membership in the Vancouver Golf and country Club. His main sporting interest was however in lacrosse, where he was on the Board of B.C. Lacrosse Association, was a trustee of the Minto Cup, and was involved with the New Westminster Salmonbellies for many years, with his highlight coming as manager in 1908 when his team won the Minto Cup.

The first Postmaster at New Westminster Sub Office No. 2 was Charles Almeron Welsh from the opening - 1 September 1912 to 9 April 1935. This Sub Office was located in his Grocery Store on 1117 Sixth Ave in New Westminster, B.C.

Charles Almeron Welsh

(b. 17 February 1866 in Midland City, Michigan, USA - d. 25 February 1938 at age 72 in New Westminster, B.C.) - LINK to his newspaper obituary - spokesman.newspapers.com/article/the-vancouver-sun/106049... LINK to his Find a Grave site - www.findagrave.com/memorial/77856566/charles-almeron-welsh

Rev. Dr. James Sutherland Henderson - President of the New Westminster Lacrosse team.

(b. 11 June 1858 in Newmarket, Ontario, Canada - d. 18 March 1940 at age 81 in Vancouver, British Columbia) - LINK to his newspaper obituary - www.newspapers.com/article/the-province-obituary-for-rev-...

In 1903, Rev. J.S. Henderson became minister of St. Andrew’s Church, in New Westminster, B.C. Ten years, rich in service rendered and full of abundant activities, were passed in the Royal City. In his youth, for two years he had been a member of the champion football team of Ontario. Now lacrosse stirred his blood. For several years he was a member of the executive of the New Westminster Lacrosse Club - familiarly known as “The Salmonbellies,” and in 1908 when this team won the World Championship he was its honored president. LINK to his complete life biography - freemasonry.bcy.ca/grand_masters/henderson_j/henderson_j....

Daniel Trowling McElroy - New Westminster Lacrosse Team Trainer

(b. 5 April 1871 in Belfast, County Antrim, Northern Ireland - d. 2 October 1941 (aged 70) in New Westminster, British Columbia, Canada) - LINK to his Find a Grave site - www.findagrave.com/memorial/143397451/daniel-trowling-mce... - LINK to his newspaper obituary - www.newspapers.com/article/the-province-obituary-for-dani...

LINK to a newspaper article - Pte. D.T. McElroy injury in France during WWI - www.newspapers.com/article/the-province-pte-dt-mcelroy-in...

Son of Daniel McElroy and Jane Geddes

Husband of Mary Ellen Nicholson - married in 1898 - LINK to their marriage certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/bb...

WW1 veteran, Private Daniel Trowling McElroy, Reg No. 790647. Enlisted with the 131st Overseas Battalion CEF in New Westminster, BC on 18 Feb 1916. Served in France with the Canadian Forestry Corps. Was discharged 8 Oct 1918 for being medically unfit for further service. LINK to his WWI records - recherche-collection-search.bac-lac.gc.ca/eng/Home/Record...

The team's average weight per man is 158 2/3 pounds.

New Westminster Salmonbellies travelled to Montreal for a challenge match. They beat the Montreal Shamrocks for its first Minto Cup (then given to the top senior team in Canada).

1908 was a pivotal year in the history of the Minto Cup when the New Westminster Salmonbellies defeated the Montréal Shamrocks 12 to 7 in their two-game, total-goals series. The first game of the series was a close 6-5 result before the Salmonbellies responded with a commanding 6-2 win in the rematch to clinch the silverware.

LINK to newspaper report - New Westminster Wins First Game of the Minto Cup Match - www.newspapers.com/article/the-province-new-westminster-w...

LINK to - New Westminster Wins Minto Cup - www.newspapers.com/article/the-province-new-westminster-w...

With the benefit of hindsight, the 1908 New Westminster-Montréal series signaled a changing of the guard and is probably the most historically significant event in the cup’s history until the juniors took over control of the mug. It saw the game’s first dynasty coming to an end with a brand-new one at the opposite end of the country ready to take its place. The victory for the Royal City was notable for two other important reasons: the New Westminster Salmonbellies were the last bonafide amateur team to challenge and win the professional trophy as well as the first club from the Pacific Coast to pry the silver mug from the hands of the Easterners. LINK to the complete article - oldschoollacrosse.wordpress.com/

- the photographer - Frederick Louis Hacking

(b. 2 July 1880 in Ontario, Canada - d. 20 February 1969 at age 88 in Monterey, California, USA)

He started as a photo printer with the Wadds Brothers, then purchased S.J. Thompson's former New Westminster studio and by 1908 was running his own Vancouver studio at 445 Granville St. in the Fairfield Block. His landscape photographs attacted notice at the 1899 New Westminster exhibition.

The Daily News-Advertiser described his Vancouver studio when it opened in the Fairfield Block (Building) in 1908. Hacking, who was the official representative from BC at the Photographers' Association of the Pacific Northwest 1910 conference in Vancouver, was also elected vice-president for BC that year.

He later immigrated to California and registered for the US World War Two draft in 1942.

VANCOUVER STUDIO (FAIRFIELD BUILDING) DESCRIPTION:

This description of F.L. Hacking's new photo studio was published by the (Vancouver) Daily News-Advertiser on 14 Aug 1908, p. 15. The article was illustrated with three photographs depicting the "Reception Room", the "Skylight Room" and "Another View of Reception Room."

"An Artistic Studio.

A member of the "News-Advertiser" staff visited the new photographic studio of Mr. F.L. Hacking in the Fairfield Building, Granville Street, where for weeks past contractors and decorators have been transforming several suites of rooms and offices into what is now recognized as the most complete and artistic studio in the Province.

On entering the reception room, one is immediately impressed by the beautiful and quaint appearance of the apartment, which is furnished in the early English style. Amongst the many special features one's attention is drawn to the beautiful panelled walls, enriched with copper nailing, the unique fire grate and the casement windows and doors, whilst four heavy clusters of drop lights, suspended from the beamed ceilings--all designed and made especially for this studio--give the room a pleasing and uncommon appearance.

The delightful color scheme, from the rich rug on the floor to the delicate harmony of walls and ceilings, tends to show to advantage the specimens of artistic portraiture displayed, and gives visitors that feeling of repose and satisfaction that assures them that their own work could not be entrusted to better hands.

Leading from the reception room through a massive archway are the dressing rooms, each fitted with long pier mirrors and furnished in the same good taste.

The skylight room, one of the most important features of Mr. Hacking's business, has been constructed to give lighting facilities which will enable photographs to be taken at all reasonable times and under all conditions. The room is large and not encumbered with a hetreogeneous [sic] mass of painfully artificial scenery and paraphernalia; instead you see instruments and accessories of the best lenses by Dallmeyer, of London, England, and Goerz, of Berlin; camera by Anthony, of New York, and the necessary backgrounds are a revelation of simplicity and rich value, all painted especially by Packard, of Boston.

Nearly every modern equipment known to photography may be found in this up-to-date studio. The developing and finishing rooms are complete in every detail, giving this studio advantages for promptly executing work, a desideratum of no small importance, and one that will be immediately appreciated.

As a capable photographer, Mr. Hacking needs but little introduction in Vancouver. He was apprenticed when a young man in a leading Eastern studio, where high ideals and careful workmanship were early acquired. Eleven years ago he came to Vancouver and after eight years connected with Wadds Brothers' studio purchased the studio in New Westminster formerly conducted by Mr. S.J. Thompson. His artistic work brought immediate success that has necessitated branching out into the broader fields of opportunity offered in Vancouver.

Not being satisfied with anything but the best location and equipment, he finally secured the present quarters in the Fairfield building, the heart of the best district, which our readers are heartily commended to visit and inspect.

Mr. Hacking aptly says that "the aim and purpose of this studio is to turn out only high grade photographs, and the best that experience, artistic training, perfect equipment and skilled workmanship can produce is offered to its patrons." LINK to the complete article - cameraworkers.davidmattison.com/getperson.php?personID=I1...

Design Inspiration: Artistic Floor Lamps by Kinzig Design - fun and timeless by Design Inspiration Gallery

Artistic Floor Lamps by Kinzig Design - fun and timeless... All daily inspiration

Photos of Rome's street artists by omino 71

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current.newsweek.com/budgettravel/2009/07/rome_street_art...

Creative expression in Rome isn't limited to museums and churches. It's out in the open, if you know what to look for and where. We sent photoblogger Jessica Stewart out to capture street art's various incarnations—stencils, graffiti, chalk drawings, even break-dancing. Check out the results in our slide show.

Stewart moved to Rome four years ago, after completing degrees in art history and Renaissance studies, and began posting at RomePhotoBlog. Her photographs are on display through July 31 at Al Vino Al Vino (via dei Serpenti 19) and will be included in a show at Hobo Art Club (via Ascoli Piceno 3), September 11-25.

I chatted with Stewart over pizza at Il Maratoneta in Rome's San Lorenzo neighborhood this spring and, more recently, traded emails to get her impressions of the evolving street art scene.

What sparked your interest in street art, and when did you start photographing it?

I'd always noticed stencils and posters around in the city, but my real interest started in February when shooting a series on San Lorenzo for my blog. It's an area where a lot of street artists work and afterward I noticed it became a strong theme for that shoot. From then I've been doing more and have gotten a chance to get to know many of the artists, which makes it all the more interesting.

Where can tourists go to spot street art while in Rome, and what should they be looking for?

All the artists I know are quite respectful of the city, so you won't be finding anything pasted up on the Colosseum—you need to go a bit off the beaten path. The neighborhoods of Trastevere, Pigneto, and San Lorenzo are all good bets for finding street art. Ostiense has some nice stuff as well, especially near the Garbatella metro station where there are many interesting painted murals, and the Jewish Ghetto has work by Sten and Lex, as well as stencils by the French artists C215.

For tiny touches, check out the backs of street signs and bus stops, where many artists will place small stickers. Just keep your eyes peeled, as once you start looking you'll find examples everywhere. Now my friends (many of whom have lived here for years or are Romans) are seeing street art everywhere for the first time. It's been under their nose the whole time, but they hadn't noticed until someone pointed it out.

How does street art in Rome compare with that of hubs like London, Berlin, or L.A.? What makes it uniquely Roman?

I think that Rome street art is still very unknown, even in the city itself, and hasn't gotten nearly as commercial as in a lot of cities. A very small number of artists are making a name for themselves internationally already, but most are still emerging, which is really exciting. And I think the city is just starting to come around, with more events being organized and the founding of the gallery MondoPop, which features a lot of street artists, right near the Spanish Steps has brought even more legitimacy to the scene. As far as what makes it very Roman, I think you'll see a lot of pieces influenced by classic art, religion, and politics.

Rome has centuries worth of masterpieces. How do you think that legacy rubs off on street artists?

The influence is more obvious with some than others. The artist Lucamaleonte studied restoration here in Rome, and his pieces always remind me of the engravings or etchings of Albrecht Durer or Rembrandt. Mr. Klevra and Omino71's Byzantine-style Madonna and Child icons are other example of pieces that are influenced by the surroundings. But at the same time, I don't want to say that this is what every artist is looking at. Many, I think, subtly pay homage to Roman history, such as the Hogre stencil that with a date written on a beer bottle gives a nod to Allied bombings here in Rome in the 1940s. More often than not, however, I think people are creating their own styles. Artists have always commented on politics, religion, etc., so I think that isn't anything new. What I do think is that all the artists respect the city and are striving to express themselves outside of the established norms.

How long has the Rome scene been around, is it changing, and what sort of community is there?

As I understand it, around 2002, a small group began working more on stencils and posters. From there, the movement has grown, and I'm always struck by the diversity and talent I see here. There's a strong community of artists that has grown up around certain events and locations. The centro sociale Strike near Stazione Tiburtina is one haven, and certainly MondoPop's exhibits have brought people together, as well as the Stick My World exhibitions (begun by artist Omino71) that have given Roman artists more chances to work together. Some, like Sten, Lex, and Lucamaleonte work in a collective studio, while others often will go out together and paste up posters or work together on pieces.

Do you have a favorite artist?

I don't really have one absolute favorite, so if you don't mind, I'll give you a list of some favorites (in no particular order!). UNO, Hogre, 999, #, Lucamaleonte, Sten and Lex, Mr. Klevra, Omino71, Alice', Sone, Urka, and [X]. All completely different, but all very interesting and talented in their own ways. Most don't have websites, but almost everyone has an account on Flickr, which you should be able to find easily.

www.budgettravel.com/bt-srv/gallery/0907_RomeStreetArt/in...

Panasonic GF2 14 mm f/2.5 Pancake lens. by soundimageplus

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soundimageplus.blogspot.com/2011/01/panasonic-gf2-14mm-f2...

Panasonic GF2 14 mm f/2.5 Pancake lens.

Please respect copyright! All images are protected under UK copyright law and the Berne international copyright convention and are visibly and/or invisibly watermarked. No images are within the public domain. images may not be reproduced, copied, used or altered in any way, by any method, without written permission

soundimageplus.blogspot.com/

The Next Stimulus by Third Way Think Tank

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www.politico.com/news/stories/0611/56941.html

A 'kitchen sink solution' on jobs

By: Chris Frates

June 15, 2011

The center-left Washington think tank Third Way is holding a forum Wednesday to discuss the merits of allowing companies to bring the $1 trillion in profits parked overseas back to the United States at a temporarily reduced tax rate.

The morning forum at Union Station will include Sen. Kay Hagan (D-N.C.); Democratic Reps. Loretta Sanchez of California and Jared Polis of Colorado; former Service Employees International Union President Andy Stern; Duke Energy chief executive Jim Rogers; and George Schink, managing director of Navigant Economics.

Third Way’s vice president of communications, Sean Gibbons, said the forum is designed to determine whether the idea — which is anathema to many liberals — is a viable option for jump-starting U.S. job growth.

“We have unemployment near 9 percent. We’ve basically pulled every single lever we can as a government. … We’ve done almost everything we can to get the economy going. It’s time to throw in the kitchen sink. This is a kitchen sink solution,” Gibbons said. One trillion dollars “is a lot of coin. It’s sitting overseas. If we could bring over a significant portion of that back into the economy, we believe that would stimulate demand, and demand stimulates jobs.”

It’s not a perfect solution, Gibbons said, but one the Republican-controlled House might be willing to entertain.

He acknowledged that analysts don’t yet know how many jobs such a policy might create. But, he said, bringing money back to the U.S. creates demand, which in turn drives hiring.

The forum is the first public event of the think tank’s new corporate tax reform project directed by former Rep. Dan Maffei (D-N.Y.), who’s now a Third Way senior fellow.

www.thirdway.org/events/50

Right now there is over a trillion dollars in global profits earned by American businesses sitting overseas. What if we lowered the bar for companies to bring that money back home?

Third Way hosted an Idea Forum that examined the economic and policy implications of a repatriation tax holiday that would allow American multinational companies to bring overseas profits back to the U.S. for investment at a reduced tax rate.

Featuring a distinguished panel of leaders from business, labor, economics and government, the forum offered a fruitful discussion of a repatriation holiday’s impact on hiring and investment, business practices, and future tax policy. Participants include Senator Kay Hagan, (D-NC), Congresswoman Loretta Sanchez (CA-47), Congressman Jared Polis (CO-2), Andy Stern, former President of the Service Employees International Union, Jim Rogers, CEO of Duke Energy and Dr. George Schink, Managing Director and Principal of Navigant Economics.

This Idea Forum is the first public event of Third Way’s new corporate tax reform project, managed by former Congressman (and now Third Way Senior Fellow) Dan Maffei, which will advance ideas to make the code fairer, simpler, and more pro-growth.

Adolfo Vasquez Rocca Entrevista _Cafe del Libro _ TVE 2 by adolfovrocca

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ADOLFO VASQUEZ ROCCA _Doctor en Filosofía _ Director de 'Revista Observaciones Filosóficas'

ADOLFO VASQUEZ ROCCA __PH. D.

Doctor en Filosofía

Universidad Complutense de Madrid UCM

www.danoex.net/adolfovasquezrocca.html

Adolfo Vásquez Rocca

Doctor en Filosofía

REVISTA OBSERVACIONES FILOSÓFICAS

Prof. Dr. Adolfo Vásquez Rocca

Director de Revista Observaciones Filosóficas.

VÁSQUEZ ROCCA, Adolfo

Doctor en Filosofía

Valparaiso - Madrid

Pontificia Universidad Católica de Valparaíso

Universidad Andrés Bello UNAB

Universidad Complutense de Madrid

Tlf. (56) 32 - 233347X | E-mail: adolfovrocca@gmail.com

Trayectoría Académica

Doctor en Filosofía por la Pontificia Universidad Católica de Valparaíso; Postgrado Universidad Complutense de Madrid, Departamento de Filosofía IV. Profesor de Postgrado del Instituto de Filosofía de la Pontificia Universidad Católica de Valparaíso; Profesor de Antropología y Estética en el Departamento de Artes y Humanidades de la Universidad Andrés Bello UNAB. Profesor de la Escuela de Periodismo y Arquitectura UNAB Santiago. – En octubre de 2006 y 2007 es invitado por la 'Fundación Hombre y Mundo' y la UNAM a dictar un Ciclo de Conferencias en México. – Miembro del Consejo Editorial Internacional de la 'Fundación Ética Mundial' de México. Director del Consejo Consultivo Internacional de 'Konvergencias', Revista de Filosofía y Culturas en Diálogo, Argentina. Miembro del Conselho Editorial da Humanidades em Revista, Universidade Regional do Noroeste do Estado do Rio Grande do Sul, Brasil y del Cuerpo Editorial de Sophia –Revista de Filosofía de la Pontificia Universidad Católica del Ecuador–. Asesor Consultivo de Enfocarte –Revista de Arte y Literatura– Asturias, España. Miembro del Consejo Editorial Internacional de 'Reflexiones Marginales' –Revista de la Facultad de Filosofía y Letras UNAM– Director de Revista Observaciones Filosóficas. Profesor visitante en la Maestría en Filosofía de la Benemérita Universidad Autónoma de Puebla. – Profesor visitante Florida Christian University USA y Profesor Asociado al Grupo Theoria –Proyecto europeo de Investigaciones de Postgrado– UCM. Académico Investigador de la Vicerrectoría de Investigación y Postgrado, Universidad Andrés Bello. Artista conceptual. Ha publicado el Libro: Peter Sloterdijk; Esferas, helada cósmica y políticas de climatización, Colección Novatores, Nº 28, Editorial de la Institución Alfons el Magnànim (IAM), Valencia, España, 2008. Invitado especial a la International Conference de la Trienal de Arquitectura de Lisboa | Lisbon Architecture Triennale 2011

PUBLICACIONES

Publicaciones Internacionales Catalogadas en DIALNET Directorio de Publicaciones Científicas Hispanoamericanas

dialnet.unirioja.es/servlet/autor?codigo=1053859

Publications Scientific

de.scientificcommons.org/adolfo_v%C3%A1squez_rocca

Biblioteket og Aarhus Universitet, Denmark | Det Humanistiske Fakultet

www.statsbiblioteket.dk/

Biblioteca Universidad Complutense de Madrid

Directorio de recursos digitales - Ministerio de Cultura, España

roai.mcu.es/es/consulta/busqueda_referencia.cmd?campo=ida...

Biblioteca Asociación Filosófica UI

www.uruguaypiensa.org.uy/categoria_144_1_1.html

LIBROS

VÁSQUEZ ROCCA, Adolfo

Libro: Peter Sloterdijk; Esferas, helada cósmica y políticas de climatización, Colección Novatores, Nº 28, Editorial de la Institución Alfons el Magnànim (IAM), Valencia, España, 2008. 221 páginas | I.S.B.N.: 978-84-7822-523-1

INVESTIGACIÓN:

Proyecto de Investigación N° DI-10-09/JM - UNAB

“Ontología de las distancias en Sloterdijk, hacia una teoría antropotécnica de las comunicaciones”.

Dirección de Investigación, Universidad Andrés Bello – Fondo Jorge Millas 2009, Facultad de Humanidades y Educación UNAB

TRAYECTORÍA ACADÉMICA

Doctor en Filosofía por la Pontificia Universidad Católica de Valparaíso; Postgrado Universidad Complutense de Madrid, Departamento de Filosofía IV, Teoría del Conocimiento y Pensamiento Contemporáneo. Áreas de Especialización Antropología y Estética.

Profesor de Postgrado del Instituto de Filosofía de la PUCV, Profesor asociado al Grupo Theoria Proyecto europeo de Investigaciones de Postgrado.

(1993) Profesor del Seminario "Lógica Contemporánea 'Wittgenstein y El Círculo de Viena' ", Instituto de Filosofía, Universidad Católica de Valparaíso

(1995-1998) Director de Investigación Teoría del Conocimiento -Theory of Knowledge Tok- The Mackay School, Bachillerato Internacional, International Baccalaureate.

(2005-2008) Profesor de Antropología, Escuela de Medicina, Universidad Andrés Bello.

(2005-2010) Profesor de Antropología Filosófica y Estética, Departamento de Artes y Humanidades de la Universidad Andrés Bello, UNAB

(2006-2007) Profesor de Estética, Escuela de Arquitectura, Universidad Andrés Bello UNAB

(2006) Profesor del Diplomado en Psicología Clínica "Psicopatología, subjetividad y cultura". Escuela de Psicología PUCV

(2006 - 2010) Profesor de Estética Escuela de Arquitectura, Universidad Andrés Bello, UNAB

(2006-2010) Profesor de Fundamentos Culturales de la Comunicación. Escuela de Periodismo, Universidad Andrés Bello, UNAB

(2006-2010) Profesor de la Escuela de Psicología, Universidad Andrés Bello, UNAB

(2006-2007) Profesor invitado Facultad de Filosofía y Letras de la Universidad Nacional Autónoma de México, UNAM

(2007) Profesor visitante de la Benemérita Universidad Autónoma de Puebla, semestre de otoño 2007, BUAP

(2005-2008) Profesor de Postgrado, Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso, PUCV

(2005-2010) Profesor Asociado Grupo THEORIA Proyecto europeo de Investigaciones de Postgrado. UCM

(2009-2010) Profesor visitante Florida Christian University USA

(2010) Director Académico Carrera de Filosofía y Teología, Universidad Cristiana de Chile UCCH

(2009-2010) Académico Investigador de la Vicerrectoría de Investigación y Postgrado, Universidad Andrés Bello.

Asignaturas y Seminarios de Postgrado impartidos:

2005 - 2º Seminario "Rorty: ironismo liberal y giro narrativo de la Filosofía".

2006 1º Seminario Sloterdijk: "Crítica de la Razón Cínica"

2006 2º Seminario "Nietzsche; Genealogía de la moral y voluntad de ficción"

2007 1º Seminario Sloterdijk - Nietzsche

2007 2º Seminario: Sloterdijk un pensador estético

2008 1º Seminario "Peter Sloterdijk - W. Benjamín; De la Filosofía a la Arquitectura"

2008 2º Seminario "Sloterdijk y Baudrillard; Ontología de las distancias y antropotécnica de las comunicaciones"

PARTICIPACIÓN EN SEMINARIOS Y CONGRESOS

2004 Seminario Homenaje Prof. Dr. Mirko Skarica, Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso. Ponencia: "Lógica paraconsistente y semántica de los mundos posibles", noviembre.

2004 Seminario "Raúl Ruiz y la vanguardia del Cine francés", organizado por la PUCV. UPLACED, ARCIS y Embajada de Francia. Conferencia: "Raúl Ruiz; Defensa retórica del arte de filmar y del cine como arte; plan secreto, sinfonía dramática y lógica narrativa", octubre.

2005 "El Dios Pensado: Estudios antropológicos acerca de lo divino" Ciclo de Conferencias en la Universidad Andrés Bello. Departamento de Artes y Humanidades - Campus República, UNAB. Conferencia: "Ludwig Wittgenstein; Mística, Filosofía y Silencio", septiembre

2006 Video-Conferencia UCM - UNED y A Parte Rei en ATEI Asociación de Televisión Educativa Iberoamericana, “El poder de la palabra; lenguaje y realidad”, Febrero, 2006, serbal.pntic.mec.es/~cmunoz11/video3.html

2006 Universidad Veracruzana en su 50' Aniversario y XI Encuentro Nacional de Pasantes de Filosofía. Conferencia Magistral: "La ficción del sujeto y las seducciones de la gramática en Nietzsche y Deleuze", octubre.

2006 Universidad Autónoma de Tlaxcala. Conferencia: "En el mismo barco: ensayo sobre la hiperpolítica, posmodernidad y globalización en Peter Sloterdijk", octubre.

2006 Universidad Autónoma de Tlaxcala. Cursillo Maestría en Filosofía: “El giro Estético de la epistemología; redescripciones de la posmodernidad”, 19 y 20 de octubre.

2006 1er Coloquio Hispanoamericano de Filosofía después de Auschwitz, en el Antiguo Colegio de Medicina, Ciudad de México; organizado por la UNAM, la Universidad Iberoamericana y La Asociación Filosófica de México. Ponencia: "Peter Sloterdijk; El Posthumanismo: sus fuentes teológicas y sus medios técnicos", octubre.

2006 Coloquio internacional: Repercusiones e interacciones políticas, filosóficas y teológicas entre oriente y occidente. UNAM, Mesa ética y Responsabilidad humana, Ponencia: "Rorty: el Giro narrativo de la Ética o la Filosofía como género literario", octubre.

2007 II Coloquio Franco-Hispano-Chileno de Etnopsicología y III Seminario Internacional sobre el Espacio "El Espacio y el Lenguaje". PUCV. Ponencia: "Metafórica de las Esferas; una aproximación al hombre como experimento sonoro", enero.

2007 Instituto de Sistemas Complejos de Valparaíso, Ciclo: "Diálogo: Ciencia, Política y Poder. ¿Es Chile una Sociedad Justa?". Conferencia: "Imaginarios, cartografía de las emociones escindidas y crisis del proyecto urbano, mayo.

2007 Congreso Internacional Nietzsche “Filosofía, Arte, religión, ciencia y política en Nietzsche: memorias de un caminante intempestivo”, organizado por la Universidad Veracruzana, México. Ponencia: "Nietzsche y Sloterdijk; depauperación del nihilismo, posthumanismo y complejidad extrahumana", octubre.

2007 Conferencia Magistral en el Colegio de Filosofía, introductoria a la Maestría en Filosofía de la Benemérita Universidad Autónoma de Puebla, “Peter Sloterdijk; Esferas, deriva biotecnológica y el cinismo difuso de nuestras sociedades Exhaustas”, octubre.

2007 Curso en el Colegio de Filosofía, introductoria a la Maestría en Filosofía de la Benemérita Universidad Autónoma de Puebla: “Sloterdijk; Esferas, Flujos y Redes; Antropología y Estética Posmoderna”, octubre.

2007 Conferencia Magistral Aula Magna, Universidad Nacional Autónoma de México UNAM, Sloterdijk; Esferas y Temblores de Aire [Estética, Ontogénesis de los Espacios Humanos y Etno-terrorismo], octubre

2007 Congreso Internacional de Fenomenología y Hermenéutica, Universidad Andrés Bello, sección Estética. Ponencia: “Sloterdijk: Esferas, fenomenología y ontogénesis de los espacios humanos”, octubre.

2000 "Reflexiones sobre Alteridad y Reconocimiento". Encuentros de la Facultad de Filosofía UCM con pensadores contemporáneos alemanes. Goethe Institut Madrid. Octubre.

2000 Ponencia en Seminario "El Reto del Espacio: Pensar con Heidegger sobre la obra de Eduardo Chillida", Facultad de Filosofía y Letras, Universidad Pontificia Comillas, Campus Cantoblanco, noviembre.

2000 Ponencia "El peso del mundo y el lento regreso del sujeto escindido en Peter Hanke", Encuentro Interdepartamental en torno a la Crisis de Fin de Siglo. Aspectos de la Identidad Europea. Facultad de Filosofía UNIVERSIDAD COMPLUTENSE DE MADRID. Diciembre.

2004 Seminario Homenaje Prof. Dr. Mirko Skarica, Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso Ponencia:

Ponencia "Lógica paraconsistente y semántica de los mundos posibles" (noviembre).

2004 octubre Seminario "Raúl Ruiz y la vanguardia del Cine francés", organizado por la PUCV. UPLACED, ARCIS y EMBAJADA DE FRANCIA. Conferencia: "Raúl Ruiz; Defensa retórica del arte de filmar y del cine como arte; plan secreto, sinfonía dramática y lógica narrativa"

2005 "El Dios Pensado: Estudios antropológicos acerca de lo divino" Ciclo de Conferencias en la Universidad Andrés Bello. Departamento de Artes y Humanidades - Campus República, UNAB Conferencia: "Ludwig Wittgenstein; Mística, Filosofía y Silencio"

2006 I COLOQUIO FRANCO-HISPANO-CHILENO DE ETNOPSICOLOGÍA Y II SEMINARIO INTERNACIONAL SOBRE EL ESPACIO "EL ESPACIO Y EL OTRO". Enero, PUCV. Coloquio y moderación Ponencia de la Dra. Adela Cortina Orts

2007 CONGRESO INTERNACIONAL DE FENOMENOLOGÍA Y HERMENÉUTICA

Comunicación “Sloterdijk: Esferas, fenomenología y ontogénesis de los espacios humanos”,

Universidad Andrés Bello UNAB (17 - 19 de octubre, 2007)

2008 II Seminario "De la Filosofía a la Literatura"

Departamento de Artes y Humanidades, Universidad Andrés Bello UNAB (7 de noviembre, 2008)

Conferencia “Sloterdijk; Pensamiento, expedición y verdad”.

2008 Segundo Coloquio Interdisciplinario: “El Pensamiento de Carla Cordua y El Desarrollo de la Filosofía En Chile”.

Seminario Permanente Hegel – Marx. Facultad de Filosofía y Humanidades, Universidad de Chile UCH (13 de noviembre, 2008)

Ponencia: “En Torno a Sloterdijk y Heidegger: La recepción Filosófica”.

2008 Bienal de Artes Visuales de Honduras 2008: Diásporas del Futuro (BAVH)

Conferencia "El objetivo de la Crítica de Arte" [17 - 19 de noviembre, 2008]

2008 Congreso Internacional - Interdisciplinario de Filosofía, Córdoba, 2008. SAF Sociedad Argentina de Filosofía.

Museo - Palacio Martín Ferreyra (24 al 29 de noviembre, 2008)

Conferencia “Sloterdijk. Ontología de las distancias, concierto de transferencias e historia de la fascinación de proximidad”

2009 III Congreso Panamericano de Bioética OPS, 17 al 20 de junio, Caracas 2009.

Orden Hospitalaria San Juan de Dios. Conferencia inaugural:

“Sloterdijk, Heidegger y Agamben; Biopolítica o notas sobre el Parque Humano y la nuda vida”.

2009 “Seminario Internacional. Giorgio Agamben: Teología Política y Biopolítica”. Organizado por el Instituto de Humanidades de la Universidad Diego Portales. Ponencia: “Sloterdijk, Agamben y Nietzsche: Biopolítica, posthumanismo y Biopoder”. Septiembre

2009 Congreso “El sujeto de la Globalización” Organizado por la SAF Sociedad Asturiana de Filosofía, España. Conferencia: “Sloterdijk y el imaginario de la Globalización; mundo sincrónico y conciertos de transferencia” Octubre 2009 www.sociedadasturianadefilosofia.org/

- 2009 II Seminario Local de Pensamiento Ambiental y Filosofía Contemporánea, Universidad Nacional de Colombia-Sede Manizales, Universidad de Caldas. Auditorio Juan Hurtado Bloque H Piso -1, Diciembre 4 y 5 de 2009.

2010 Seminario de Postgrado, "Seminario Sloterdijk: Esferas y Posthumanismo; Sobre capitalismo, neuroglobalización y mundos asesores", Cátedra Inaugural de la Maestría en Estética, Universidad Nacional de Colombia, Medellín, Facultad de Ciencias Humanas y Económicas, Departamento de Estudios Filosóficos y Culturales, 10 al 12 de Agosto 2010, www.observacionesfilosoficas.net/seminariocolombia.htm

- 2011 International-Conference TRIENAL DE ARQUITECTURA DE LISBOA | LISBON ARCHITECTURE TRIENNALE, Conference "Psicopolítica en Sloterdijk y Virilio; El vértigo de la sobremodernidad; ciudades del pánico y turismo etnográfico”, Lisboa, Portugal, 15 and 16 January 2001 www.trienaldelisboa.com/en/international-conference

CONFERENCIAS INTERNACIONALES

Octubre 2006

Ciclo de Conferencias en México invitado por la Fundación Hombre y Mundo y la UNAM, 0ctubre de 2006.

- UV Universidad Veracruzana en su 50' Aniversario y XI Encuentro Nacional de Pasantes de Filosofía.

Conferencia Magistral: "La ficción del sujeto y las seducciones de la gramática en Nietzsche y Deleuze".

serbal.pntic.mec.es/~cmunoz11/vasquez49.pdf

- 1° COLOQUIO HISPANOAMERICANO DE FILOSOFÍA DESPUÉS DE AUSCHWITZ, en el Antiguo Colegio de Medicina, Ciudad de México; organizado por la UNAM, la UNIVERSIDAD IBEROAMERICANA Y LA ASOCIACIÓN FILOSÓFICA DE MÉXICO.

Ponencia: "Peter Sloterdijk; El Posthumanismo: sus fuentes teológicas y sus medios técnicos".

- UNIVERSIDAD AUTÓNOMA DE TLAXCALA

Conferencia: "El giro Estético de la Epistemología; el estatuto óntico-semiótico de la ficción".

- COLOQUIO INTERNACIONAL: REPERCUSIONES E INTERACCIONES POLÍTICAS, FILOSÓFICAS Y TEOLÓGICAS ENTRE ORIENTE Y OCCIDENTE

Conferencia Aula Magna, UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO. UNAM:

"Rorty: el Giro narrativo de la Ética o la Filosofía como género literario"

- Ponencia "Espacio y Arquitectura de la Memoria; Hölderlin Trakl y Teillier", En Taller de Investigación "Arquitectura y Humanidades", Programa de Maestría y Doctorado en ARQUITECTURA - UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO. UNAM

2007 - 2010

- II COLOQUIO FRANCO-HISPANO-CHILENO DE ETNOPSICOLOGÍA Y III SEMINARIO INTERNACIONAL SOBRE EL ESPACIO "EL ESPACIO Y EL LENGUAJE". 9 y 12 de Enero de 2007, PUCV

Conferencia: "Metafórica de las Esferas; una aproximación al hombre como experimento sonoro".

- INSTITUTO DE SISTEMAS COMPLEJOS DE VALPARAÍSO ISCV

Conferencia: "Imaginarios, cartografía de las emociones escindidas y crisis del proyecto urbano" En el marco del Ciclo: "Diálogo: Ciencia, Política y Poder – ¿Es Chile una Sociedad Justa?"

www.psikeba.com.ar/actualizaciones/archivo_06_07/Institut...

- EXPOSICIÓN "Esferas, flujos y complejidad extrahumana" Galería SONAR -Arte y Estudios Culturales- Buenos Aires.

comunicacion.unab.cl/index.php?option=com_content&tas...

[octubre - noviembre de 2007]

Exposición de Pintura: "La condición posthumana", En Espacio Expositivo Itaca -Homines- Málaga.

www.homines.com/itaca/vazquez_condicion_posthumana/index.htm

Exposición "La condition Posthumaine” En Psychanalyse Gallery Paris.

- Ciclo de Conferencias en México

- Conferencias y Congresos en México, invitado por la UNAM y la Fundación Cultural Hombre y Mundo

- CONGRESO INTERNACIONAL NIETZSCHE “Filosofía, Arte, religión, ciencia y política en Nietzsche: memorias de un caminante intempestivo”,

Universidad Veracruzana UV, México

Ponencia: "Nietzsche y Sloterdijk; depauperación del nihilismo, post humanismo y complejidad extrahumana".

[1 al 5 de octubre 2007]

- CONFERENCIA Y CURSILLO EN LA MAESTRÍA DE FILOSOFÍA

Benemérita Universidad Autónoma de Puebla BUAP [octubre 2007]

- CONFERENCIA MAGISTRAL AULA MAGNA de la Facultad de Filosofía y Letras de la Universidad Nacional Autónoma de México UNAM:

“Sloterdijk; Esferas y Temblores de Aire [Estética, Ontogénesis de los Espacios Humanos y Atmo-terrorismo]”

[9 de octubre 2007]

Agencia Universitaria de Noticias UNAM

aunam.politicas.unam.mx/Archivo/07/octubre/071010-pol.htm

- CONGRESO INTERNACIONAL DE FENOMENOLOGÍA Y HERMENÉUTICA

Sección ESTÉTICA

Comunicación “Sloterdijk: Esferas, fenomenología y ontogénesis de los espacios humanos”,

Universidad Andrés Bello UNAB [17 - 19 de octubre, 2007]

- SEMINARIO 'La Poética del Cine en Raúl Ruiz”, FESTIVAL DE CINE DE SEVILLA 2007, en colaboración con la Universidad Hispalense, Ponencia: "La Poética del Cine; sobre las permutaciones antropológicas en el cine de Raúl Ruiz”, 2 de noviembre 2007.

- 2009 III Congreso Panamericano de Bioética OPS, 17 al 20 de junio, Caracas 2009.

Conferencia inaugural: “Sloterdijk, Heidegger y Agamben; Biopolítica o notas sobre el Parque Humano y la nuda vida”.

- 2009 “Seminario acerca de la verdad” Tercera Versión Departamento de Artes y Humanidades, Universidad Andrés Bello.

Campus Viña del Mar - 22 de junio

Ponencia: “Sloterdijk y Heidegger. Verdad y biopolítica después de la crisis del humanismo”.

- 2009 “Seminario Internacional. Giorgio Agamben: Teología Política y Biopolítica”. Organizado por el Instituto de Humanidades de la Universidad Diego Portales. Ponencia: “Sloterdijk, Agamben y Nietzsche: Biopolítica, posthumanismo y Biopoder”. Septiembre

- 2009 Congreso “El sujeto de la Globalización” Organizado por la SAF Sociedad Asturiana de Filosofía, Gigón - España. Conferencia: “Sloterdijk y el imaginario de la Globalización; mundo sincrónico y conciertos de transferencia” Octubre 2009 www.sociedadasturianadefilosofia.org/

- II Seminario Local de Pensamiento

- 2009 II Seminario Local de Pensamiento Ambiental y Filosofía Contemporánea, Universidad Nacional de Colombia-Sede Manizales, Universidad de Caldas. Auditorio Juan Hurtado Bloque H Piso -1, Diciembre 4 y 5 de 2009.

- 2010 Seminario de Postgrado, "Seminario Sloterdijk: Esferas y Posthumanismo; Sobre capitalismo, neuroglobalización y mundos asesores", Cátedra Inaugural de la Maestría en Estética, Universidad Nacional de Colombia, Medellín, Facultad de Ciencias Humanas y Económicas, Departamento de Estudios Filosóficos y Culturales, 10 al 12 de Agosto 2010, www.observacionesfilosoficas.net/seminariocolombia.htm

- 2011 International-Conference TRIENAL DE ARQUITECTURA DE LISBOA | LISBON ARCHITECTURE TRIENNALE, Conference "Psicopolítica en Sloterdijk y Virilio; El vértigo de la sobremodernidad; ciudades del pánico y turismo etnográfico”, Lisboa, Portugal, 15 and 16 January 2001 www.trienaldelisboa.com/en/international-conference

PROYECTOS DE INVESTIGACIÓN

2009 - 2010

- Proyecto de Investigación N° DI-10-09/JM - UNAB

- Proyecto de Investigación: “Ontología de las distancias en Sloterdijk, hacia una teoría antropotécnica de las comunicaciones”.

Dirección General de Investigación y Desarrollo, (VRID) – Vicerrectoría de Investigación y Doctorado UNAB

Fondo Jorge Millas 2009, Facultad de Humanidades y Educación. Universidad Andrés Bello

2011 - 2012

- Proyecto de Investigación N° DI-08-11/JM - UNAB

- Proyecto de Investigación: “Ontología del cuerpo en la Filosofía de Jean Luc Nancy, Biopolítica, Alteridad y Estética de la Enfermedad”.

Dirección General de Investigación y Desarrollo, (VRID) – Vicerrectoría de Investigación y Doctorado UNAB

Fondo Jorge Millas 2009, Facultad de Humanidades y Educación. Universidad Andrés Bello

PROYECTOS DE CREACIÓN ARTÍSTICA

2007 - 2008

Exposición la Condición Post-Humana | Buenos Aires - Málaga |

Marco conceptual y Registro de Obras

ENTREVISTAS

2010

"Filosofía como teoría erótica. Entrevista a Adolfo Vásquez Rocca". Entrevista en 'ALCANCES' Vol.I, Nº 1, año 2010 – Revista de Filosofía – de la Facultad de Filosofía y Humanidades de la Universidad de Chile. www.alcances.cl/ver-articulo.php?id=81

PARTICIPACIÓN EN DIRECTORIOS INTERNACIONALES Y CONCEJOS CIENTÍFICOS.

Director

Revista Observaciones Filosóficas

www.observacionesfilosoficas.net/

Revista de Filosofía Contemporánea, con secciones dedicadas a la Antropología, Estética, Epistemología, Ética, Psicología y Literatura. Indexada en Base de Datos de la Universidad Complutense de Madrid, Catalogada en UNIVERSIA.net Directorio de la Conferencia de Rectores de Universidades Españolas y el Consejo Superior de Investigaciones Científicas (CSIC); DIALNET Directorio de publicaciones científicas hispanoamericanas; LATINDEX Sistema de Publicaciones Científicas Seriadas de América Latina, España y Portugal. En BIBLIOTECA VIRTUAL MIGUEL DE CERVANTES; Les Signets de la BIBLIOTHÈQUE NATIONALE DE FRANCE: Philosophie, Revues y Centre d'Études en Rhétorique, Philosophie et Historie des Idées, Paris. Asociada al Postgrado en Filosofía - Pontificia Universidad Católica de Valparaíso y al Grupo THEORIA Proyecto europeo de Investigaciones de Postgrado. ISSN 0718-3712

Secretario de Redacción de Philosophica, Revista del Instituto de Filosofía de la PUCV. ISSN0716–1913

Editor Asociado de Psikeba, Revista de Psicoanálisis y Estudios Culturales, Buenos Aires, ISSN 1850-339X www.psikeba.com.ar

Miembro de la Federación Internacional de Archivos Fílmicos (FIAF) con sede en Bruselas, Bélgica.

Miembro del Consejo de Redacción de Revista Homines –Arte y Cultura– MA-739-2004, Málaga, España.

Miembro del Consejo Editorial Internacional de la Fundación Ética Mundial de México, www.eticamundial.com.mx/fundacion.html

Miembro del Conselho Editorial da Humanidades em Revista, Universidade Regional do Noroeste do Estado do Rio Grande do Sul, Brasil.

Miembro de la Sociedad Internacional de Bioética (SIBI) - 'Bioéticas'. Guía internacional de la Bioética

Miembro del Consejo Editorial Internacional de 'Cuadernos del Seminario' - Revista del Seminario del Espacio ISSN 0718-4247 Vicerrectoría de Investigación y Estudios Avanzados Pontificia Universidad Católica de Valparaíso.

Miembro del Consejo Editorial de Escáner Cultural - Revista de Arte Contemporáneo y nuevas tendencias, Santiago.

Miembro del Taller de Investigacion "Arquitectura y Humanidades" del Programa de Maestría y Doctorado en Arquitectura de la Universidad Nacional Autónoma de México, UNAM

Miembro del Consejo Consultivo Internacional y dictaminador de Revista de Humanidades:Tecnológico de Monterrey, México.

Director del Consejo Consultivo Internacional de Konvergencias, Revista de Filosofía y Culturas en Diálogo, Argentina. ISSN 1669-9092

COLUMNISTA DE REVISTAS Y PUBLICACIONES INTERNACIONALES, entre las que se cuentan:

A PARTE REI ISSN: 1137-8204 -Revista de la Sociedad de Estudios Filosóficos de Madrid-

NÓMADAS Revista Crítica de Ciencias Sociales y Jurídicas ISSN 1578-6730 - Universidad Complutense de Madrid.

MARGEN CERO, Miembro fundador de la Asociación de Revistas Culturales de España, ISSN 1695-4807

CUENTA Y RAZÓN, Revista de la Fundación de Estudios Sociológicos (FUNDES) de Madrid, Fundada por Julián Marías, ISSN: 0211-1381

HETEROGÉNESIS [SWEDISH-SPANISH] _ Revista de arte contemporáneo. TIDSKRIFT FÖR SAMTIDSKONST

MODALOGÍA Filosofía della moda - Italia

EIKASIA Revista de Filosofía, ISSN 1885-5679 - Oviedo, España

ENFOCARTE Revista Internacional de Arte y Cultura, España

DEBATS Revista de Filosofía y crítica cultural, ISSN 0212-0585, Institució Alfons el Magnànim, Valencia.

LIBROS

VÁSQUEZ ROCCA, Adolfo

Libro: Peter Sloterdijk; Esferas, helada cósmica y políticas de climatización, Colección Novatores, Nº 28, Editorial de la Institución Alfons el Magnànim (IAM), Valencia, España, 2008. 221 páginas | I.S.B.N.: 978-84-7822-523-1

Libro: Rorty: el Giro narrativo de la Ética o la Filosofía como género literario [Compilación de Conferencias en México D.F.] Editorial Hombre y Mundo (HyM), México, 2007 Publicación programada para 2009.

ENTREVISTAS

2010

"Filosofía como teoría erótica. Entrevista a Adolfo Vásquez Rocca". Entrevista en 'ALCANCES' Vol.I, Nº 1, año 2010 – Revista de Filosofía – de la Facultad de Filosofía y Humanidades de la Universidad de Chile. www.alcances.cl/ver-articulo.php?id=81

TESIS DIRIGIDAS

- Tesis: "Globalización y ontología de las distancias en Sloterdijk; hacia una teoría antropotécnica de las comunicaciones". Srta. Liliana Vásquez Rocca

Grado de Magíster en Filosofía. Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso, 2010.

- Tesis: "El espacio interfacial de la convivencia; Micro-esfereología en Peter Sloterdijk". Srta. Lucía Muñiz, 2009

Grado de Magister en Filosofía Práctica, Colegio de Filosofía, Benemérita Universidad Autónoma de Puebla, México.

- Tesis: "Antecedentes y Alcances del problema del humanismo en "Normas para el Parque Humano" de Sloterdijk". Sr. Dusan Vuskovic.

Grado de Licenciatura en Filosofía. Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso, 2008.

- Tesis: "El desarrollo de la intimidad en el tránsito de la Psico-técnica", Sr. Jonathan Belmar Guzmán.

Grado de Licenciatura en Filosofía. Instituto de Filosofía, Pontificia Universidad Católica de Valparaíso, 2007.

PUBLICACIONES indexadas

Publicaciones Internacionales Catalogadas en los siguientes Directorios y Bases de Datos:

Directorio de contenidos científicos, DIALNET, Universidad de la Rioja, España.

dialnet.unirioja.es/servlet/autor?codigo=1053859

Directorio de recursos digitales - Ministerio de Cultura, España

roai.mcu.es/es/consulta/busqueda_referencia.cmd?campo=ida...

Revistas Científicas de la UCM - Editorial Board

Biblioteket og Aarhus Universitet, Denmark | Det Humanistiske Fakultet

ISOC, CIENCIAS SOCIALES Y HUMANIDADES - CINDOC (Centro de Información y Documentación Científica), CSIC (España)

Directorio de publicaciones científicas de América Latina LATINDEX

PHILOSOPHER'S INDEX

DIALNET

ISI

SciELO

DOAJ

www.danoex.net/adolfovasquezrocca.html

ADOLFO VASQUEZ ROCCA __PH. D.

Doctor en Filosofía

Universidad Complutense de Madrid UCM

www.danoex.net/adolfovasquezrocca.html

Adolfo Vásquez Rocca

Doctor en Filosofía

VÁSQUEZ ROCCA, Adolfo

Doctor en Filosofía

Valparaiso - Madrid

ADOLFO VASQUEZ ROCCA __PH. D.

Doctor en Filosofía

Universidad Complutense de Madrid UCM

www.danoex.net/adolfovasquezrocca.html

Adolfo Vásquez Rocca

Doctor en Filosofía

REVISTA OBSERVACIONES FILOSÓFICAS

Prof. Dr. Adolfo Vásquez Rocca

Director de Revista Observaciones Filosóficas.

Mr. Adolfo Vásquez Rocca PH. D. Oxford University: International Baccalaureate IB. Theory of Knowledge _ Director

Pontificia Universidad Católica de Valparaíso

Universidad Andrés Bello UNAB

Universidad Complutense de Madrid

Tlf. (56) 32 - 233347X | E-mail: adolfovrocca@gmail.com

Universidad Complutense de Madrid

No Known Restrictions: General view, Copenhagen, Denmark (LOC) by pingnews.com

Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: www.loc.gov/rr/print/res/rights.html

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LIBRARY OF CONGRESS INFORMATION

Title: [General view, Copenhagen, Denmark]

Date Created/Published: [between ca. 1890 and ca. 1900].

Medium: 1 photomechanical print : photochrom, color.

Reproduction Number: LC-DIG-ppmsc-05746 (digital file from original)

Rights Advisory: No known restrictions on publication.

Call Number: LOT 13421, no. 001 [item]

c-P&P

Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA hdl.loc.gov/loc.pnp/pp.print

Notes:

Title from the Detroit Publishing Co., catalogue J, foreign section. Detroit, Mich. : Detroit Publishing Company, c1905.

Print no. 6394.

More information about the Photochrom Print Collection is available at hdl.loc.gov/loc.pnp/pp.pgz

Forms part of: Views of architecture and other sites in Copenhagen, Denmark in the Photochrom print collection.

Subjects:

Denmark--Copenhagen.

Format:

Photochrom prints--Color--1890-1900.

Collections:

Photochrom Prints

Part of: Views of architecture and other sites in Copenhagen, Denmark

Bookmark This Record:

www.loc.gov/pictures/item/2001697981/

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Rights assessment is your responsibility.

La blogosfera vista desde 1893 by Amio Cajander

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[PUBLICADO EN ACADEMIA CAJANDER]

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Publicado en el Defensor Diario de Newark - Newark Daily Advocate

25 de Marzo de 1893

Predicciones para dentro de 100 años (1993)

(...) Cada persona con una mínima educación y mente inquieta escribe un libro. Por lo general es un libro superficial, pero crece en volumen e indica la excitación cerebral que está intentando expresarse por si misma. Hemos llegado a un estado en el que se imprimen más libros de los que el mundo pueda leer. Esto es cierto no solo para libros que no merecen ser leídos, sino también para aquellos que lo son.

Interpreto todo esto como el resultado de una nueva emancipación intelectual, y de la diseminación del conocimiento en lugar de una concentración de la cultura.

Todo el mundo quiere decir algo. Pero lentamente se va aceptando que no todo el mundo tiene algo que decir. Por ello uno puede incluso en este momento detectar las causas que producirán reacción.

En 100 años no se imprimirán tantos libros, pero se dirán muchas más cosas. Eso me parece inevitable.

Ciertamente, esta dirección de desarrollo intelectual implica que el ser humano, si continua progresando, alcanza un estado, tanto individual como social, en el que está menos preocupado por hablar que por hacer. (...)

----------------------------------------------------------------------------------------------------------------

Este sorprendente texto es un extracto de un artículo publicado hace hoy 116 años dos meses y 16 días en un periódico de Newark (Ohio) en el que se preguntaba a varios "brillantes periodistas" (sic) sobre como sería la sociedad un siglo después.

Asombrosamente estos párrafos de A.C. Wheeler (apodado Nym Crinkle) bien pudieran pertenecer a algún artículo contemporáneo sobre la denominada blogosfera, blogocosa, bitácoras...

Todo el artículo en general es muy interesante, como son las cosas vistas con la perspectiva que da el tiempo. Aw modo de simple muestra, rescato alguna de las perlas de los otros tres autores:

George Alfred Townsend

* Europa nos está influenciando fuertemente y ello durará muhco tiempo probablemente para nuestro bien. ¿Que podremos aprender de Carolina del Norte o Indiana que sea mejor que las relaciones sexuales Europeas

* No hubiera sido una mejor interpretación del Gobierno que el nuestro hubiera comprado el telefono al principio por un millón de dólares en lugar de gravar a los clientes durante dos generaciones cincuenta dólares al año?

* El hogar debería ser libre, el poder civil, y no el eclesiático, debería celebrar todos los casamientos.

Kate Field

* Todo depende de nuestras mujeres. Si se casan por amor y no por conveniencia; si cultivan el interior de su cabeza de la misma manera que ahora se interesan por la moda.; si "encajan" en los cuerpos sanos que la madre naturaleza pretendió que las madres de la raza humana poseyeran; si enseñan a sus hijos a respetarse ellos mismos y a respetar la autoridad, los americanos de 1993 recordarán a sus ancestros de 1893 poco menos que como vulgares e ignorantes paganos"

John Swanton

*Presumo que antes del próximo siglo acabe las funciones y poderes de nuestro gobierno aumentarán grandemente; que los ferrocarriles, telégrafos y muchas otras cosas, actualmente poseídas como explotaciones privadas serán propiedad pública; que la Ley, Medicina y Teología serán más razonables que lo son ahora; que las invenciones y descubrimientos serán mayores que los que nunca tuvimos y que el bienestar de la humanidad será mayor que lo es ahora, en esta era de confusión".

Visto en: Un post del magnífico blog Paleo-Future (el futuro que nunca fue) al que llevo enganchado más de dos años y donde podéis leer el artículo original escaneado.

Fotografía: Interior de oficina en el Parque Skansen de Estocolmo... si, si, ya se que prometí un día hablar de él...

BSO: One Hundred Years From Now (De ahora en Cien Años) - The Byrds (original y toma alternativa)

Released to Public: Berlin from Above (NASA Image) by pingnews.com

2

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_________________

Germany’s largest city and capital, Berlin has appeared in historical records since the 14th century, and has been a capital city of the surrounding kingdom, empire, or nation since the beginning of the 18th century. Like many capital cities, Berlin has seen its share of strife. Shortly after World War II bombings devastated the city, Cold War superpowers divided it into East and West Berlin. Between August 1961 and November 1989, a wall running though the city reinforced the political divide. After a reduction in tensions between East and West allowed Berliners to cross the wall, it was torn eventually down.

This image, acquired by the Advanced Spaceborne Thermal Emission and Reflection Radiometer (ASTER) on NASA’s Terra satellite on October 15, 2005, shows a portion of the city where the Berlin Wall once divided it. The remains of the wall can be discerned most easily near the eastern edge of Tiergarten as a fuzzy gray line. This park was largely deforested for firewood after World War II, but today is lush and green compared to its urbanized surroundings. Just east of the park is Brandenburg Gate. Built near the end of the 18th century, this gate once served as a formal entrance to the city of Berlin, but the Berlin Wall temporarily forced its closure. Gray or brown colors, straight lines, and sharp angles provide the characteristic indications of urban settings. Pockets of trees or other vegetation make a green checkerboard among streets and buildings. Among the city’s interesting buildings is the Reichstag, the building that houses the German parliament. North of the park, the Spree River meanders through the heart of Berlin. Canals stretch northward in an arc from the river.

Sony NEX-C3 Voigtlander 28mm f/2 Ultron by soundimageplus

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Sony NEX-C3 Voigtlander 28mm f/2 Ultron

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Please respect copyright! All images are protected under UK copyright law and the Berne international copyright convention and are visibly and/or invisibly watermarked. No images are within the public domain. images may not be reproduced, copied, used or altered in any way, by any method, without written permission

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Jardín de interior: vida en el hogar by Decor-Obra

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www.decorobra.com/jardin-de-interior-vida-en-el-hogar.html

Decorar el interior de su hogar con zonas verdes, le dará a éste un aspecto deslumbrante. Las plantas siempre van a embellecer el espacio tanto interior como exterior. Las opciones para un jardín interno incluyen diferentes plantas disponibles, varios colores, tamaños, formas y flores.

Así como los árboles son fundamentales para la calidad del aire exterior, las plantas pueden ofrecer el mismo servicio para usted dentro de su casa. Al tomar el dióxido de carbono de la respiración humana, las plantas purificarán el ambiente. El embellecimiento de su espacio de vida y el cuidado de las plantas vivas lo llenará de paz y le otorgará notables beneficios a su salud.

Adornar tu hogar con plantas se puede hacer fácilmente con sólo unos pocos brotes que puede colocar en su living, su habitación y hasta en su cuarto de baño. Los costos de contenedores para jardín no tienen por qué ser exorbitantes y se puede aun así mantener el encanto con esta creativa forma de decorar. Incluso puede cultivar hortalizas o hierbas en contenedores para luego usarlos diariamente en sus recetas de cocina.

El error más común es invertir en ollas y recipientes caros para realzar la belleza de las plantas y la zona. Primero debe experimentar con accesorios mas sencillos hasta saber si sus plantas sobrevivirán o no.

Es bien sabido que la jardinería es un pasatiempo extraordinariamente relajante. Tener un jardín interior le dará el beneficio de calidez cuando ya haga demasiado frío afuera. La jardinería en el interior sólo está limitada por la cantidad de espacio que desee dedicar a ella en su casa. Otra ventaja de este recurso decorativo para interior es que usted puede decidir cuánto tiempo usted tiene o quiere dedicar al cuidado de las plantas. Si desea una planta que no le requiera tanto tiempo de regado y otros cuidados puede recurrir a variedades de cactus, o si desea el desafío de persuadir un árbol en flor, podría usted elegir una camelia.

Un jardín interior hace que su hogar sea sano, verde, hermoso y artístico.

Colocar luces interiores de jardinería en este espacio le brindará un aspecto más brillante y llamativo. De hecho, la luz interior de jardinería es una de los principales requerimientos para este tipo de espacios interiores. Así que debe seleccionar el tipo correcto de luces de jardín de acuerdo con lo que sus plantas requieran.

Si el espacio que usted posee es grande puede combinar una gran cantidad de especies así como otros importantes elementos tales como piedras, un farol, una fuente, arena, bancos, peceras y hasta alguna estatua, al más puro estilo zen.

[gallery link="file"]

LEA10 Imago anatopism by mabmacmoragh

2

27 June 2014

Imago Anatopism

LEA10

Second Life

lindenarts.blogspot.com/2014/05/transitt-imago-anatopism....

Mimesis Monday

(Heidi Dahlsveen)

historieforteller.wordpress.com/tag/imago-anatopism/

Alpha Auer

(Elif Ayiter)

www.flickr.com/photos/alpha_auer/sets/72157644047392579

zikiquesti.blogspot.com/2014/05/transitt-imago-anatopism....

vimeo.com/94270588

vimeo.com/95562877

From the notecards:

“”

About Imago Anatopism:

The project tells the tale of Volund, a nordic, elf, a symbol following Joseph Campbell's "Hero with a Thousand Faces." Volund undergoes many persona changes during his travels in which he encounters several others that shape and transform him.

Stage 1: At the start of the tale Volund, a Norsk elf who is probably born on the edge of the world between Midgaard – the home of humans, and Utgaard – the home home of giants, is still a young boy who is taken by his father to a mountian where a tribe of dwarfs are to teach him the craft of blacksmithing.

At this early stage all Volund gets are the basics: Skin, shape, eyes and a pair of shoes.

Stage 2: This is the stage in which Volund is refuses the call to the adventure. He is still a timid boy who does not hear, or misinterprets the call or may even misuse the call since he is not yet mature enough to make his own decisions and only follows the decisions of others. All this leads to the murder of his father which makes Volund realise life's dangers and the magnitude of his task.

Symbolizing this blindness, at stage 2 Volund only gets a mask as an attachment.

Stage 3: Setting out on his adventure, Volund goes back to the mountain in order to learn further secrets of forging and the creation of magic tools from the dwarf. Such supernatural aids are both good and bad and once Volund puts on his magic belt and helmet he realizes that it is the dwarfs that killed his father. This makes them his enemy and he has a narrow escape as he leaves the mountain.

Thus, at stage 3 Volund gets a magic belt and helmet as two new attachments.

Stage 4: The idea of the entering another world is often symbolized by the belly of the whale. Volund is no different in this regard, and he throws himself into the ocean to float away to the unknown.

Thus, at stage 4 Volund gets a harpoon as a new attachment.

Stage 5: It is at this stage that Volund starts discovering his strength and power. He now has the ability to forge magic objects, such as life-like statues and wonderful weapons. It is at this stage that Volund meets a valkyrie (in this instance, a symbol for the concept of "goddess"), whom he first sees as a swan who is taking off her feathers in order to bathe in lake. Volund hides her feathers and makes her his first wife. However she leaves him at the end of 7 years when she finally finds her feathers and flees away.

"She is the mother, sister, mistress, bride," Campbell writes of the goddess. But she is also the death of of everything that dies. Campbell continues: "Woman, in the picture language of mythology, represents the totality of what can be known. The hero is the one who comes to know."

At stage 5 Volund gets a big present that he gives to the goddess as an offering as a new attachment.

Stage 6: Volund gets 9 rings from the valkyrie, which is a symbol of union. However these ring are also things that he can measure his own forging up against.

Stage 7: Volund is now supposed to start his journey back home, with newly gained wisdom. However, he faces yet another obstacle through the king who tries to hinder Volund from leaving by crippling him.

Thus, unsurprisingly, at this stage Volund gets a cane. There are several versions of this with different poses.

Stage 8: Volund gets his revenge upon the king by raping his daughter.

To quote Campbell again: "And always, after the first thrills of getting under way, the adventure develops into a journey of darkness, horror, disgust and phantasmagoric fears."

And so, at this stage Volund gets a caged bird with which he can seduce the king's daughter.

Stage 9: Volund has now made the king's daughter pregnant. However, in order to ensure that his own son inherits the throne, Volund also takes the precaution of killing the king's two sons.

Thus, at this stage the new attachment that Volund gets is a sword.

Stage 10: We are now nearing the end of the story and Volund sits bird-like on a roof, and tells the king what has happend and what the future will be.

Stage 11: While Volund started his journey in the ocean his return home is through the sky. He forges himself a huge pair of wings with which he flies back home.

Stage 12: We have come to the end of the tale and Volund has finally returned home as a wiser, older man who now deserves to put on the shiled and mantle of the hero.

Campbell writes: ”The hero is the champion of things becoming, not of things become, because he is.” And later ”Having died to his personal ego, he arose again established in the Self”.

3200 by AndyNoise.Com

1

CIF CENTRAL SECTION CHAMPIONSHIP

Liberty High School - Wednesday, May 14, 2008

www.andynoise.com/valley08.html

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

Girls track

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

solution manual on analysis of linear system by david k chang by Anup Kumar

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Get it here:

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Week 3: Willows at Willow Grove Day Camp. by Willow Grove Day Camp

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willowgrovedaycamp.com/willows.html

We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.

The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove

water boats and joined in other great water activities. A terrific time was had by all!

Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html

11 Imágenes románticas con frases para un amor bonito - Imágenes de Amor by Imágenes Amor

Descargar Aquí ► www.imagenesdeamor.pro/2017/12/imagenes-romanticas-con-fr...

No hay nada más hermoso que tener un amor bonito, un amor del bueno que está contigo de manera incondicional. Y para esa persona que tanto amas hoy tenemos para ti una colección de imágenes de amor preciosas, precisas para dedicarle a la persona que te hace feliz. ¡Que las disfrutes!

Amor… Sé que siempre que lo necesite estarás para mí, que si estoy en problemas siempre estarás ahí. Cariño mío, siento que te debo tanto… tengo toda la vida para demostrarte que siempre estaré para ti, que tienes mi amor por siempre.

Amor… La gratitud que siento hacia ti es infinita como nuestro amor. Eres la persona que me motiva a luchar cada día por mis sueños y que me alienta cada vez que siento que ya no puedo más.

Amor mío… Siempre logras sorprenderme. Cuando siento que has hecho demasiado por mí siempre logras encontrar otra forma de demostrarme que me amas. Gracias, mi amor, le agradezco a Dios por haber puesto en mi vida a un hombre tan bueno como tú.

Amor… Quiero olvidarme del pasado y solo verte a ti, que eres mi presente y espero que también mi futuro. Cada día logras hacerme un poco más feliz y ese es motivo suficiente para amarte como te amo. Gracias por todos los momentos que hemos pasado juntos, espero con ansias vivir muchos más a tu lado.

Amor… Tú completas mi círculo de felicidad, contigo a mi lado no me falta nada más. Solo una persona especial faltaba en mi vida y esa persona eres tú. Gracias por todo el amor que tienes para mí, por demostrarme que la vida puede ser bella. Te amo.

Amor… Estoy completamente convencido de que nunca encontraré a alguien como tú, eres único y te agradezco por el amor maravilloso que me das.

Mi vida… Tú eres la persona que me hace sentir muy feliz y estoy muy agradecida porque en los momentos más difíciles de mi vida has estado a mi lado apoyándome en todo.

Amor… El día en que te conocí, mi vida cambió porque mi tristeza terminó porque con cada uno de tus detalles me haces sentir muy feliz.

Amor… De todo corazón te agradezco porque eres un hombre muy especial que ha llegado a mi vida en el momento exacto para enseñarme a ver el mundo de una manera distinta.

Mi vida… Estoy muy agradecida con la vida por haberte puesto en mi camino y contigo porque siempre me demuestras que tu corazón solo es mío.

Amor… Me alegra pensar que cada día que pasa, nuestro amor se hace más profundo y se fortalece con esos detalles lindos que siempre tienes conmigo.

Que cada una de las palabras de amor dichas en estas imágenes románticas sean para ti y tu pareja, o a esa persona que tienes al lado, el mejor motivo para sonreír. ¡Sigan adelante! y luchen siempre por su relación, porque al final, el amor siempre triunfa. ¡Hasta pronto!

El post 11 Imágenes románticas con frases para un amor bonito aparece primero en Imágenes de Amor.

11 Imágenes románticas con frases para un amor bonito | Mensajes de Amor, frases de amor para mi novio, imágenes bonitas de amor, imágenes con frases de amor, imágenes de amor, palabras de amor bonitas

200 by AndyNoise.Com

1

CIF CENTRAL SECTION CHAMPIONSHIP

Liberty High School - Wednesday, May 14, 2008

www.andynoise.com/valley08.html

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

Girls track

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

Week 3: Willows at Willow Grove Day Camp. by Willow Grove Day Camp

willowgrovedaycamp.com/willows.html

We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.

The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove

water boats and joined in other great water activities. A terrific time was had by all!

Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html

wolf pack 08 - varsity by ralls by AndyNoise.Com

Wolf Pack Invite 09/27/08

River Walk Park - Bakersfield, CA, Wednesday, September 27, 2008

www.andynoise.com/wolfpack08.html

Chris Schwartz (Foothill) won the varsity boys race in 16:18. McFarland took the team title. McFarland also won the boys frosh/soph and jv team races. medals were given out to the top 15 runners.

Varsity Boys Team Results

1 MCFA McFarland 25

2 PADA Palmdale 95

3 RIDG Ridgeview 118

4 SHAF Shafter 130

5 BAEA East Bakersfield 142

6 BAKE Bakersfield 174

7 WASC Wasco 176

8 STOC Stockdale 210

9 FTHL Foothill 233

10 GARC Garces Memorial 254

11 ARVI Arvin 321

12 NORT North 324

13 Fron Frontier 345

14 SOUT South 404

15 BACH Bakersfield Christian 423

16 WSTB West Bakersfield 461

TFCC Taft INC

1. 16:18 179 179 Chris Schwartz Sr M FTHL 1

2. 16:29 292 292 Cisneros Alfonso Sr M MCFA 2

3. 16:38 450 450 Robby Baker Jr M RIDG 3

4. 16:44 297 297 Marco Perez So M MCFA 4

5. 16:48 293 293 Eduardo Bautista Jr M MCFA 5

6. 16:51 294 294 Marco Camargo Jr M MCFA 6

7. 16:54 451 451 Alex Garcia Jr M RIDG 7

8. 16:56 291 291 Gerardo Alcala Sr M MCFA 8

9. 16:58 295 295 Eddie Garcia Sr M MCFA 9

10. 17:04 296 296 Francisco Nava So M MCFA 10

11. 17:05 483 483 Joshua Wittenberg Sr M SHAF 11

12. 17:10 402 402 Adrian Ramos Jr M PADA 12

13. 17:16 400 400 Victor Hernandez Sr M PADA 13

14. 17:19 72 72 Andrew Ariey Sr M BAKE 14

15. 17:20 403 403 Daniel Ramos Jr M PADA 15

Elizabeth Wittenberg (Shafter) won the girls varsity race in 20:10. The Ridgeview varsity girls won the team title. Palmdale won the jv race and McFarland won the frosh/soph team title.

Varsity Girls Team Results

1 RIDG Ridgeview 45

2 SHAF Shafter 73

3 PADA Palmdale 94

4 NORT North 95

5 STOC Stockdale 124

6 FTHL Foothill 142

7 BAKE Bakersfield 142

8 GARC Garces Memorial 189

9 Fron Frontier 243

10 SOUT South 278

BAEA East Bakersfield INC

ARVI Arvin INC

WASC Wasco INC

TFCC Taft INC

WSTB West Bakersfield INC

BACH Bakersfield Christian INC

1. 20:10 464 464 Elizabeth Wittenberg Sr F SHAF

2. 21:04 430 430 Tijerra Lynch So F RIDG

3. 21:07 369 369 Merino Jennifer Sr F PADA

4. 21:10 428 428 Jessica Huizar Jr F RIDG

5. 21:12 89 89 Lucia Garcia Jr F BAEA

6. 21:17 208 208 Monica Guzman Jr F GARC

7. 21:23 330 330 Cecilia Lopez Sr F NORT

8. 21:33 90 90 Sophia Garcia So F BAEA

9. 21:35 136 136 Natalie Fernandez So F FTHL

10. 21:46 2 2 Tonya Hernandez Jr F ARVI

11. 21:53 624 624 Alejandra Gutierrez Sr F WASC

12. 21:55 372 372 Anaiz Ortiz Sr F PADA

13. 21:56 426 426 Ashley Duran Sr F RIDG

14. 22:05 459 459 Lindsee Handel So F SHAF

15. 22:12 45 45 Gabrielle Lerma So F BAKE

JV Boys Results

1 MCFA McFarland 29

2 RIDG Ridgeview 72

3 BAEA East Bakersfield 105

4 PADA Palmdale 118

5 SOUT South 150

6 Fron Frontier 160

7 WASC Wasco 161

8 STOC Stockdale 169

9 FTHL Foothill 237

10 GARC Garces Memorial 246

11 MiMo Mira Monte 278

12 BAKE Bakersfield 341

SHAF Shafter INC

TFCC Taft INC

ARVI Arvin INC

NORT North INC

1. 11:06 284 284 Bryan Calvo Sr M MCFA

2. 11:23 290 290 Pedro Sanchez Jr M MCFA

3. 11:34 661 661 Eric Sanchez Jr M WASC

4. 11:34 100 100 felix Trevino So M BAEA

5. 11:36 277 277 Bernardo Garcia Fr M MCFA

6. 11:39 440 440 Ernesto Castillo Jr M RIDG

7. 11:45 476 476 Matt Yanez Jr M SHAF

8. 11:46 439 439 Michael Anseno Sr M RIDG

9. 11:47 98 98 Marc Sotello Jr M BAEA

10. 11:47 474 474 Elias Picazo Sr M SHAF

11. 11:49 288 288 Adam Marquez Fr M MCFA

12. 11:50 394 394 Ramirez Miguel Jr M PADA

13. 11:50 393 393 Nicholas Mayo Jr M PADA

14. 11:53 276 276 Ismael Bautista Fr M MCFA

15. 12:00 101 101 Esteban Vargas Sr M BAEA

JV Girls Results

1 PADA Palmdale 27

2 STOC Stockdale 51

3 RIDG Ridgeview 66

4 MiMo Mira Monte 100

SOUT South INC

BAKE Bakersfield INC

FTHL Foothill INC

NORT North INC

GARC Garces Memorial INC

1. 14:45 494 494 Claudia Cuevas Sr F SOUT

2. 15:05 420 420 Natalia Motta Sr F RIDG

3. 15:12 528 528 Amber Crabtree Sr F STOC

4. 15:28 351 351 Amy Diaz Sr F PADA

5. 15:33 360 360 Lizet Onofre Jr F PADA

6. 15:41 364 364 Crystal Schachter Jr F PADA

7. 15:48 531 531 Shelby Pinkham Jr F STOC

8. 15:51 41 41 Felisa Torres Sr F BAKE

9. 15:52 118 118 Lucia Garcia Jr F FTHL

10. 15:54 362 362 Karina Ortega Jr F PADA

11. 15:54 328 328 Aubree Mossburg Jr F NORT

12. 16:04 365 365 Michelle Silva Jr F PADA

13. 16:06 367 367 Zaria Zambrano Jr F PADA

14. 16:07 525 525 Justine Benavidez Sr F STOC

15. 16:19 128 128 Nancy Tenorio Sr F FTHL

Frosh/Soph Boys

1 MCFA McFarland 25

2 WASC Wasco 66

3 FTHL Foothill 95

4 STOC Stockdale 114

5 RIDG Ridgeview 121

6 PADA Palmdale 139

7 SHAF Shafter 174

8 Inde Independence 183

9 TFCC Taft 254

10 BAKE Bakersfield 287

11 RFKH RFKH 312

12 GARC Garces Memorial 313

13 ARVI Arvin 337

14 MiMo Mira Monte 383

SOUT South INC

Error 2042 #N/A INC

1. 10:53 666 666 Jorge Zuniga Fr M WASC

2. 10:55 282 282 Chavez Ryan Fr M MCFA

3. 11:12 275 275 Sergio Avelar Fr M MCFA

4. 11:25 638 638 Eddie Aguilar So M WASC

5. 11:26 280 280 Leo Perez Fr M MCFA

6. 11:26 278 278 Jose Monrreal Fr M MCFA

7. 11:36 177 177 Genaro Quintanar Fr M FTHL

8. 11:38 541 541 Alex Eckley Fr M STOC

9. 11:39 279 279 Gonzalo Mulato Fr M MCFA

10. 11:40 252 252 Dwayne Facho So M Inde

11. 11:41 434 434 Brandon Magno Fr M RIDG

12. 11:42 383 383 Corey Nieto Fr M PADA

13. 11:48 543 543 Abraham Mayorga So M STOC

14. 11:49 467 467 Pablo Mendez Fr M SHAF

15. 11:50 650 650 Asencion Mendoza Sr M WASC

Frosh/Soph Girls

1 MCFA McFarland 43

2 Inde Independence 51

3 STOC Stockdale 73

4 FTHL Foothill 101

5 TFCC Taft 121

6 RIDG Ridgeview 139

7 RFKH RFKH 173

8 WASC Wasco 180

SOUT South INC

BAEA East Bakersfield INC

NORT North INC

BAKE Bakersfield INC

GARC Garces Memorial INC

1. 14:02 267 267 Corina Garcia So F MCFA

2. 14:02.6 270 270 Kathy Torres Fr F MCFA

3. 14:09 266 266 Olivia Ayon Fr F MCFA

4. 14:09 586 586 Daisy Guitron Fr F TFCC

5. 14:16 522 522 Madison Schutzner Fr F STOC

6. 14:23 484 484 Natalie Espinoza So F SOUT

7. 14:37 248 248 Sara Sullivan Fr F Inde

8. 14:37 110 110 Erica Castro So F FTHL

9. 14:44 237 237 Natalie Ambriz So F Inde

10. 14:46 93 93 Mayra Ponce So F BAEA

11. 14:50 244 244 Acacia Ingram So F Inde

12. 14:58 523 523 Victoria Valos So F STOC

13. 15:00 268 268 Liset Perezchica Fr F MCFA

14. 15:03 249 249 Katelynn Webb Fr F Inde

15. 15:20 135 135 Mari Escuedero So F FTHL

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