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Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Boys - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Foothill Chris Schwartz 14:59.76 1 1 1
2. McFarland Alfonso Cisneros 15:33.49 2 2 1
3. McFarland Francisco Nava 15:48.44 3 3 2
4. McFarland Marco Perez 15:48.85 4 4 3
5. Stockdale Curtis Kelly 15:50.33 5 5 1
6. Ridgeview Brian Solis 15:50.81 6 6 1
7. Wasco A. Mendoza 15:51.72 7 7 1
8. Ridgeview Alex Garcia 15:52.70 8 8 2
9. Shafter Chris Handel 15:53.96 9 9 1
10. McFarland Gerardo Alcala 15:54.28 10 10 4
11. Shafter Jesus Villalpondo 16:05.48 11 11 2
12. Highland Colin Lewis 16:06.79 12 12 1
13. Centennial Nathan Vincent 16:08.77 13 13 1
14. Ridgeview Robby Baker 16:13.01 14 14 3
15. McFarland Eduardo Bautista 16:18.69 15 15 5
16. BHS Andrew Ariey 16:21.59 16 16 1
17. Garces Connor O'Malley 16:23.32 17 17 1
18. Stockdale Blair Slaton 16:25.15 18 18 2
19. Ridgeview Jerrio Lewis 16:25.61 19 19 4
20. East Jose Ramirez 16:25.97 20 20 1
21. East Mose Valdez 16:26.30 21 21 2
22. Highland Thomas Turner 16:26.59 22 22 2
23. Golden Valley Daymon Sandles 16:26.91 23 23 1
24. Foothill Jose Lopez 16:27.22 24 24 2
25. Ridgeview Miguel Munoz 16:30.13 25 25 5
26. Wasco G. Linares 16:34.10 26 26 2
27. Shafter Josh Wittenberg 16:34.61 27 27 3
28. Highland Jake Van Zandt 16:36.62 28 28 3
29. East Charlie Zaragoza 16:39.22 29 29 3
30. BHS Andrew Edquist 16:41.12 30 30 2
31. Cesar Chavez Martin Rios 16:45.91 31 31 1
32. Highland Ivan Esquivias 16:47.91 32 32 4
33. BHS Zachary Holt 16:48.98 33 33 3
34. Stockdale Anthony Dao 16:49.30 34 34 3
35. Cesar Chavez Ruben Galaviz 16:49.67 35 35 2
36. Wasco O. Mirando 16:50.04 36 36 3
37. Shafter Alex Moreno 16:51.14 37 37 4
38. Wasco E. Sanchez 16:52.02 38 38 4
39. Wasco E. Ramirez 16:53.29 39 39 5
40. East Camilo Mosqueda 16:53.84 40 40 4
41. East Vincente Herrera 16:54.31 41 41 5
42. Foothill Erick Bautista 16:54.82 42 42 3
43. Arvin Ben Orozco 16:57.57 43 43 1
44. Shafter Hector Montoya 17:01.02 44 44 5
45. Garces Jesus Guzman 17:02.28 45 45 2
46. Garces Michael Bedard 17:02.88 46 46 3
47. Frontier Tanner Urmston 17:03.48 47 47 1
48. BHS John Purcell 17:04.08 48 48 4
49. Centennial Ty Heiter 17:04.73 49 49 2
50. Frontier Richard Peralta 17:05.73 50 50 2
51. Shafter Cristian Barrios 17:07.93 51 51 6
52. Centennial Gehrig Smith 17:08.86 52 52 3
53. BHS Christopher Anderson 17:09.32 53 53 5
54. Highland Justin Burnett 17:10.77 54 54 5
55. Wasco J. DeJulian 17:11.97 55 55 6
56. Stockdale Stephen Burke 17:16.30 56 56 4
57. Arvin Juan Calderon 17:16.89 57 57 2
58. Wasco Cesar Patino 17:19.39 58 58 7
59. Cesar Chavez Tim Yanez 17:21.10 59 59 3
60. Highland Ariel Hurtado 17:23.69 60 60 6
61. North Adam Ralls 17:24.02 61 x 1
62. Ridgeview Michael Anseno 17:24.53 62 61 6
63. Ridgeview Jaime Madrigal 17:31.18 63 62 7
64. Foothill Patrick Manrique 17:32.75 64 63 4
65. Frontier Will Beechinor 17:33.57 65 64 3
66. East Alex Estrada 17:38.64 66 65 6
67. Burroughs Jesse Wigfield 17:38.99 67 66 1
68. Centennial Eric Millan 17:39.50 68 67 4
69. Burroughs Daniel Lathrop 17:39.91 69 68 2
70. Shafter Jacob Vasquez 17:40.47 70 69 7
71. Garces David Freed 17:40.91 71 70 4
72. Centennial Jake Howry 17:42.54 72 71 5
73. Burroughs Andrew Szczpiorski 17:44.05 73 72 3
74. Frontier D. Sclafani 17:47.26 74 73 4
75. Stockdale Max Morales 17:48.38 75 74 5
76. Burroughs Eduardo Carrillo 17:51.64 76 75 4
77. Burroughs Keith Christman 17:57.59 77 76 5
78. Golden Valley Jose Salgado 17:59.82 78 77 2
79. Cesar Chavez Rudy Sandoval 18:00.34 79 78 4
80. Centennial Brad Hinsley 18:04.58 80 79 6
81. Arvin Yessuri Villsenor 18:05.30 81 80 3
82. Burroughs Nathan Cheadle 18:10.33 82 81 6
83. Foothill Javier Garcia 18:11.22 83 82 5
84. Foothill Ernest Marquez 18:11.57 84 83 6
85. BC Kevin Yarian 18:27.47 85 84 1
86. North Chris Emmett 18:29.51 86 x 2
87. Cesar Chavez Andres Rodriguez 18:30.45 87 85 5
88. Tehachapi Corey Torres 18:32.16 88 86 1
89. Frontier Michael Sclafani 18:33.62 89 87 5
90. Garces Patrick Gomez 18:37.52 90 88 5
91. Highland Humberto Ramirez 18:37.98 91 89 7
92. Golden Valley David Gamino 18:40.22 92 90 3
93. Frontier Ricky Gonzales 19:03.13 93 91 6
94. Garces Chris Real 19:06.29 94 92 6
95. Stockdale D. Sherrill 19:08.29 95 93 6
96. Garces Dillon Lyles 19:16.75 96 94 7
97. Tehachapi Christian Torres 19:19.03 97 95 2
98. BC Mark McCutcheon 19:20:78 98 96 2
99. Golden Valley Nick Cruz 19:22.49 99 97 4
100. Golden Valley Daniel Perez 19:25.13 100 98 5
101. Foothill Christian Paredes 19:32.03 101 99 7
102. Arvin Adrian Rodriguez 19:32.67 102 100 4
103. BC Thomas Beard 19:59.04 103 101 3
104. West Michael Branquino 19:59.63 104 x 1
105. BHS Nick Flores 20:04.27 105 102 6
106. Tehachapi Logan Collier 20:07.47 106 103 3
107. Kern Valley C. Woodward 20:22.63 107 x 1
108. Arvin Christian Guerrero 20:31.41 108 104 5
109. Burroughs Daniel Meade 20:41.26 109 105 7
110. Golden Valley Ryan Davis 20:41.26 110 106 6
111. BHS Robby Harris 20:42.01 111 107 7
112. East Hector Fuentes 20:42.57 112 108 7
113. Frontier Alex Blanton 20:56.97 113 109 7
114. Cesar Chavez Joel Hernandez 21:02.22 114 110 6
115. Tehachapi Trent Sherman 21:02.94 115 111 4
116. Tehachapi Shaddi Haddad 21:18.14 116 112 5
117. BC Austin Adee 21:25.45 117 113 4
118. BC Aaron Stephens 21:31.77 118 114 5
119. Kern Valley J. Pistocco 23:15.37 119 x 2
120. Tehachapi Corey Hebron 23:19.78 120 115 6
121. West Kevin Serrano 23:48.05 121 x 2
www.schenectadyhistory.org/families/hmgfm/teneyck-2.html
James, son of Visscher and Eliza Ann (Youngs) Ten Eyck, was born in Albany, February 16, 1840, died in Albany, July 28, 1910. He received his earliest education at the Albany Academy; he then attended Burlington College, New Jersey, from which he was graduated in 1855. Having successfully passed the required examinations, he was admitted a junior at Yale, but because of poor health he was forced to change his plans. As a consequence, he began a mercantile life, taking first a position in the office of the Central railroad. He entered the employ of Bacon & Stickney, dealers in coffee and spices, in September, 1857. He became a partner, March 1, 1865, and when Mr. Samuel Bacon died, Mr. Ten Eyck became the senior partner of this firm, which enjoyed prosperity which warranted the erection of a large building of its own in 1907, and which is of great utility.
In Masonic circles he was known the breadth of the land, and was most actively identified with the fraternity since his initiation into Masters Lodge, November 23, 1863. He was the oldest thirty-third degree Mason in Albany. He was made master in 1873, continuing until 1877, passing all the chairs. He was elected grand master of Masons in the state of New York, June 8, 1892, and on being unanimously re-elected declined. In this capacity he had a larger jurisdiction than any other Mason in the world, excepting only the Prince of Wales, and had the honor of presiding over eighty thousand Masons. He officiated at the laying of the corner-stones of the New York State Armory in Albany, of Harmanus Bleecker Hall, the Albany Masonic burial lot and of the Burns monument in Washington park. He presided at the jubilee of the Masonic fraternity when it celebrated the final payment of the debt on the Masonic Temple of New York City, April 24, 1889, and bore a large share in the work of erecting the handsome temple in Albany, one of the ornaments of the city.
For many years Mr. Ten Eyck was an active participant in the city's affairs, being at one time on the directorate of no less than thirteen boards. He was chosen president of the Home Savings Bank in January, 1896. He was a member of St. Peter's (Episcopal) church, of the Fort Orange and Albany clubs, and was the only honorary member of the Acacia club. He was a principal shareholder in the Hotel Ten Eyck, the leading hotel of the Capital City. He was a Republican all his life, taking an interest in clean politics and civic government. He served as chairman of the general county committee, and was at the head of the citizens' committee having in charge the reception in 1891 to President Harrison. In fact, he was named upon almost every public committee of importance having a civic undertaking in charge, and always did his share.
Mr. Ten Eyck was elected president of the Albany Institute and Historical and Art Society, an organization dating back to 1791, and it was under his officiation that the handsome, new building on Washington avenue was opened. It had an enormous debt encumbering it, which he was largely instrumental in having wiped out, calling meetings weekly until he had accomplished his praiseworthy object. As a collector of coins he was known all over the country as possessing one of the finest collections in America. It contains rarities of great value, and in this chosen field he was regarded as an expert. His collection of historic and old china was not only extensive, but of rare merit and wonderful beauty. It had engaged his attention for forty years, and purchases were made in all parts of the country aiming at completeness. In the fall of 1909 he presented this collection to the society of which he was the president, and installed it in cases purposely made, as a memorial to his father, the late Visscher Ten Eyck. Mr. Ten Eyck was regarded by his fellow-citizens as a man of absolute integrity and determination, and as these qualities were most frequently displayed, either in the form of some public trust or act of charity, the city gained considerable by his living in it. He married, October 18, 1864, Catherine Elizabeth, daughter of Teunis and Margaret T. (Lush) Van Vechten. She died May 23, 1865, leaving no children.
Los de Igueriben Mueren pero No se rinden
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Fondo portada del Libro: IGUERIBEN: 7 DE JUNIO - 21 DE JULIO 1921 LUIS CASADO ESCUDERO, ALMENA EDICIONES, 2007
www.libreria-almena.com/IGUERIBENDECRIPPAG.htm
Ruta Melilla - Annual - Igueriben - Sidi Dris
POSICIÓN SIDI DRIS
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IGUERIBEN
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LOMA DE LOS ÁRBOLES
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Río IGAN - Desfiladero IZUMAR - ANNUAL
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SIDI DRIS
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Igueriben
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Río Kert - Río Igan - Aguada Monte Arruit
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Abarrran - Loma de los Árboles - Sidi Dris - Explanada Annual - Bala Mauser
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Desfiladero de Izumar
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Paisajes del Rif entre Monte Arruit y Annual
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Monolito Homenaje Victoria Rifeños
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De Monte Arruit a Annual - Zoco Temsamane - Boudinar - Rif
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Fotos tomadas desde la posición de Igueriben
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Leica M9 Voigtlander 28mm f/2 Ultron
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Ο Παντοδύναμος Θεός λέει: «Στην Εποχή της Βασιλείας, ο Θεός χρησιμοποιεί τον λόγο για να αναγγείλει μια νέα εποχή, να αλλάξει τα μέσα του έργου Του και να επιτελέσει το έργο όλης της εποχής. Αυτή είναι η θεμελιώδης αρχή, σύμφωνα με την οποία ο Θεός εργάζεται στην Εποχή του Λόγου. Ενσαρκώθηκε για να μιλήσει από διαφορετικές οπτικές γωνίες, επιτρέποντας στον άνθρωπο να δει αληθινά τον Θεό, ο οποίος είναι ο Λόγος που εμφανίζεται στη σάρκα, και η σοφία και το θαύμα Του. Αυτό το έργο επιτελείται ώστε να επιτύχει πιο καλύτερα τους στόχους της κατάκτησης του ανθρώπου, της τελείωσης του ανθρώπου και τηςεξόντωσης του ανθρώπου. Αυτό είναι το πραγματικό νόημα της χρήσης του λόγου για την επιτέλεση του έργου στην Εποχή του Λόγου. Μέσω του λόγου, ο άνθρωπος καταφέρνει να γνωρίσει το έργο του Θεού, τη διάθεση του Θεού, την ουσία του ανθρώπου και σε τι οφείλει να εισέλθει ο άνθρωπος. Μέσω του λόγου, ολοκληρώνεται το σύνολο του έργου που ο Θεός επιθυμεί να επιτελέσει στην Εποχή του Λόγου. Μέσω του λόγου, ο άνθρωπος αποκαλύπτεται, αποκλείεται και δοκιμάζεται. Ο άνθρωπος έχει δει τον λόγο, έχει ακούσει τον λόγο και έχει επίγνωση της ύπαρξης του λόγου. Ως αποτέλεσμα, ο άνθρωπος πιστεύει στην ύπαρξη του Θεού. Ο άνθρωπος πιστεύει στην παντοδυναμία και τη σοφία του Θεού, καθώς και στην καρδιά του Θεού που είναι γεμάτη αγάπη για τον άνθρωπο, και στην επιθυμία Του να σώσει τον άνθρωπο. Μολονότι η λέξη ""λόγος"" είναι απλή και συνηθισμένη, ο λόγος που προέρχεται από το στόμα του ενσαρκωμένου Θεού συγκλονίζει ολόκληρο το σύμπαν. Ο λόγος Του μεταμορφώνει την καρδιά του ανθρώπου, τις αντιλήψεις και την παλαιά διάθεση του ανθρώπου, καθώς και την παλαιά εμφάνιση ολόκληρου του κόσμου. Μέσα από τις διάφορες εποχές, μόνο ο Θεός της σημερινής εποχής εργάζεται κατ’ αυτόν τον τρόπο, και μόνο Αυτός μιλά και σώζει τον άνθρωπο κατ’ αυτόν τον τρόπο. Εφεξής, ο άνθρωπος ζει υπό την καθοδήγηση του λόγου, ποιμαίνεται και εφοδιάζεται από τον λόγο. Ζει στον κόσμο του λόγου, ζει μέσα στο ανάθεμα και τις ευλογίες του λόγου του Θεού και υπάρχουν ακόμα περισσότεροι άνθρωποι που ζουν υπό την κρίση και την παίδευση του λόγου. Αυτός ο λόγος και αυτό το έργο είναι όλα χάριν της σωτηρίας του ανθρώπου, την επίτευξη του θελήματος του Θεού και την αλλαγή της αρχικής εμφάνισης του κόσμου της παλαιάς δημιουργίας. Ο Θεός δημιούργησε τον κόσμο με τον λόγο, οδηγεί τους ανθρώπους σε όλο το σύμπαν με τον λόγο, κατακτά και τους σώζει με τον λόγο. Εν τέλει, θα χρησιμοποιήσει τον λόγο για να θέσει τέλος σε ολόκληρο τον παλαιό κόσμο. Μόνο τότε θα ολοκληρωθεί πλήρως το σχέδιο διαχείρισης. Καθ’ όλη τη διάρκεια της Εποχής της Βασιλείας, ο Θεός χρησιμοποιεί τον λόγο για να επιτελέσει το έργο Του και να επιτύχει τα αποτελέσματα του έργου Του. Δεν κάνει τερατουργίες ούτε κάνει θαύματα. Απλώς επιτελεί το έργο Του μέσω του λόγου. Εξαιτίας του λόγου, ο άνθρωπος τρέφεται και εφοδιάζεται. Εξαιτίας του λόγου, ο άνθρωπος κερδίζει τη γνώση και την αληθινή εμπειρία. Ο άνθρωπος στην Εποχή του Λόγου έχει πράγματι λάβει εξαιρετικές ευλογίες. Ο άνθρωπος δεν υποφέρει από πόνους της σάρκας και απλώς απολαμβάνει την πλούσια προσφορά του λόγου του Θεού. Δεν χρειάζεται να αναζητήσει ή να ταξιδέψει, και βλέπει με άνεση την εμφάνιση του Θεού, Τον ακούει να μιλάει προσωπικά, λαμβάνει την προσφορά Του και να Τον βλέπει προσωπικά να επιτελεί το έργο Του. Ο άνθρωπος στο παρελθόν δεν ήταν σε θέση να τα απολαύσει αυτά, και δεν θα μπορούσε ποτέ να λάβει αυτές τις ευλογίες».
Ο λόγος του Θεού
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
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L'Aquila - 25 aprile 2011
Via XX Settembre 46
ora piazza VI aprile 2009
Dopo due anni è lì, com'era.
Un monumento allo scempio.
Una vergogna.
Una ferita aperta, una lacerazione, un grido.
.-.-.-.
Ecco l'articolo del 9 aprile 2009 su La Repubblica:
www.repubblica.it/2009/04/sezioni/cronaca/sisma-aquila/sc...
L'AQUILA - I nomi dei colpevoli forse sono sepolti con le vittime. Sono nascosti fra le macerie, nei fascicoli inghiottiti come i cadaveri, nelle carte che raccontano la storia di questi cinque piani che non ci sono più: la casa dello studente dell'Aquila, un palazzo che ora non ha più nemmeno un padrone.
È una delle fosse comuni dell'Abruzzo squarciato, una delle vergogne della città fatta con la sabbia.
Ricordatevi questo indirizzo: via XX Settembre 46. Ricordatevi il numero civico e anche la strada. E' quello del primo palazzo di una strage annunciata. Quattrocento sono state le scosse dal mese di gennaio alla maledetta notte di domenica e nessuno ha mai mandato un tecnico, un ispettore, un geometra a fare una perizia in quelle camerate che in pochi secondi sono cadute giù.
Quattrocento scosse e neanche un sopralluogo, una foto dei luoghi, la ricerca di una crepa, di un muro storto. "In questi tre mesi non abbiamo mai visto nessuno della Regione e nessuno della Protezione civile o dei vigili del fuoco", dice Luca D'Innocenzo, il presidente dell'Asdu, l'Azienda per il diritto agli studi universitari che fino a tre giorni fa gestiva la "casa" dell'Aquila e oggi piange Davide, Angela, Luciana, Michelon, Alessio, Chiara, Francesco e forse altri quattro degli studenti che abitavano lì.
Il palazzo è un cumulo di pietre. Era alto una ventina di metri, aveva una cinquantina di stanze e centodiciannove posti letto, una mensa, una sala per i computer e un'altra per le riunioni, gli uffici amministrativi, i locali dello sportello per il pubblico. Una parete è scivolata trascinandosi tutto il resto. Una fatalità? Una sventura che si sarebbe potuta evitare? "Da due giorni e due notti mi chiedo perché non ho fatto chiudere tutto e mandato via gli studenti, ma non potevo mai immaginare e poi, poi - lo ripeto - non c'è stato nessuno che ci aveva messo in allarme", spiega ancora Luca D'Innocenzo mentre ricorda uno per uno i suoi ragazzi morti.
La casa dello studente è uno scandalo dell'Abruzzo terremotato per quello è accaduto prima e per quello che sta accadendo dopo.
Prima, per i "controlli" che non ci sono stati. Dopo, per quel palazzo che ora nessuno riconosce come suo. "E' di proprietà della Regione", assicura il presidente della casa dello studente. "E' dell'Asdu", ribatte l'assessore regionale ai Lavori Pubblici Angelo Di Paolo. E precisa ancora l'assessore: "Mi sono appena informato con il dirigente generale del demanio, è sicuro al cento per cento: la casa dello studente non è della Regione ma di quell'ente".
Nessuno vuole le macerie con i suoi morti.
In verità, anche se non lo sa, è la Regione Abruzzo che da quindici anni è la sola proprietaria del palazzo che è diventato una tomba. La legge è la numero 91 del 6 dicembre 1994, quella che scioglie le Opere universitarie e trasferisce le competenze alla Regione. All'articolo 16 c'è scritto tutto: "alle aziende che gestiscono le case dello studente in Abruzzo è concesso l'uso gratuito dei beni immobili di proprietà della Regione". E' uno dei tanti paradossi di questo terremoto, ancora tanto da svelarsi per i danni che ha provocato. Così smisurati, così facilmente.
E' però tutta la storia del palazzo che non c'è più e di quegli altri che aveva attorno a custodire dentro di sè il mistero dei crolli totali, di quei cinque o sei edifici che si sono sfarinati in uno spazio di ottocento metri, che sono caduti come birilli. In quella via XX Settembre, in via Iacobucci, all'angolo fra via Rossi e via Sant'Andrea, giù a Villa Poggio. Una linea, la direttrice della morte. Il terremoto ha ucciso lì, nella città dell'Aquila.
Sono tutti "a norma" quei palazzi. Così rispondono in tanti: tecnici, ingegneri, funzionari del Comune."A norma", a norma di sparire in un attimo, di diventare detriti in un colpo.
Cinque o sei si sono frantumati, altri otto o nove hanno subito danni strutturali importanti. Lì, soltanto lì dove c'è anche la casa dello studente, il terremoto è stato assassino.
Zona lottizzata nei primi Anni Sessanta, destinata a edilizia residenziale, ha fatto la fortuna di molti palazzinari. Hanno costruito dappertutto su quella montagnetta. Il palazzo dove poi è finita nel 1980 la casa dello studente è stato ultimato nel 1965, usato come deposito di medicinali dagli Angelini - solo omonimi da quell'Enzo Angelini delle cliniche che un anno fa se l'è cantata sulle tangenti della Sanità e sull'ex governatore Ottaviano Del Turco - e poi sistemato per farci dormire i ragazzi. Chiuso dal 1998 per una ristrutturazione interna, nel settembre del 2001 ha riaperto. E' rimasto in piedi fino a quando è arrivata la notte fra domenica 5 e lunedì 6 aprile 2009.
"Io penso che tutta la tragedia sia probabilmente da ricercare in quella lontana lottizzazione", dice ancora il presidente della casa dello studente Luca D'Innocenzo. Parla di piloni che affondano a livelli diversi del terreno, di leggi antisismiche che al tempo dei lavori non c'erano, di segnali premonitori mai avvertiti. E ancora: "Quelli della Regione non si sono fatti sentire neanche due giorni dopo il terremoto e dopo tutti quei morti". L'unica ispezione che è agli atti - ma anche quelle relazioni sono scivolate tra le pietre - è stata eseguita dall'architetto Pietro Sebastiani, il capo dell'ufficio tecnico interno alla casa dello studente dell'Aquila.
Ammette lui, candidamente: "Ma io di queste cose non ne capisco niente, mi sono limitato a fare un giro per la struttura e mi è sembrato tutto a posto".
L'ufficio tecnico interno sovrintende in effetti alla "piccola manutenzione": il cambio di una lampadina, la riparazione dello scarico di un cesso, una parete da ridipingere. Dopo quelle quattrocento scosse non poteva essere l'architetto Pietro Sebastiani a scoprire un pericolo piccolo o grande nel palazzo. Dopo quelle quattrocento scosse, altri sarebbero dovuti entrare nella casa dello studente dell'Aquila e perlustrare una per una le cinquanta stanze.
Ma nessuno l'ha fatto. Nessuno. Poi è venuto giù tutto. E anche venti metri più avanti, anche cento metri più indietro. Ricordatevi questo indirizzo: citta dell'Aquila, via XX Settembre.
.-.-.-.-.
Il 6 gennaio 2010 è uscito questo articolo su NewNotizie cronaca:
06/01/2010 - 10:19 - L’Aquila:casa dello studente, morti perchè mancava un pilastro.
■ E' questo il risultato delle perizia dei consulenti Benedetti e Salvatori e portata a conoscenza della Procura di L'Aquila.Il 6 Aprile del 2009, durante il tragico terremoto che colpì anche la città abruzzese,crollo di netto un'ala ( la nord) della casa dello studente, causando ben 8 morti e 6 feriti.
La casa dello studente era una struttura originariamente destinata al magazzinaggio, in cui gli studenti universitari potevano dormire e vivere, in modo da non dover fare continuamente avanti indietro dalle loro abitazioni, con notevole risparmio di tempo e di soldi. Il crollo comunque fu subito sospetto: gli studenti residenti nella struttura avevano comunque già denunciato la situazione dei pilastri,che versavano in condizioni gravi, pieni zeppi di umidità, sia per la mancanza di un terrazzo impermeabilizzato, sia per la consistenza degli stessi muri, che sembra fossero costruiti con materiali scadenti ed irregolari.
Sarebbe comunque proprio la mancanza di una colonna portante ad aver principalmente causato il crollo totale dell\'ala nord della struttura, oltre a diverse altre irregolarità, come la scala d\'emergenza non fissata alla struttura stessa o il peso dei pannelli solari che gravavano ulteriormente sul tetto già in condizioni disastrose.
www.newnotizie.it/2010/01/06/laquilacasa-dello-studente-m...
Introducing...The Luxe NW 7 :: So This is Bliss Featured Photographers
When I fully launched Luxe Event Productions in early 2009 I was blessed to meet what I call today our Luxe NW 7 -they are 7 of Portland's kindest vendors/wedding photographers I have ever met and now am proud to work with on a regular basis.When a service based company like ours looks to fill their "preferred vendors list" we look for young and inspiring people who love what they do and who are open to collaborating on many levels; whether it's with other vendors or with their clients all of these selected Portland wedding photographers are genuinely kind, realistic and honest. Each have been so helpful and encouraging of our growth and have each in their own way have helped Luxe become what it is becoming, one of Portland and SW Washington's best special event production companies!
I personally sought out professionals who were open and welcoming to all who contacted them, vendors and client alike, but also who are kindly priced and who offer a unique and original perspective and approach in their craft.
With this said I am proud to introduce you to our Luxe NW 7, our preferred wedding photographer list.
This is not a paid advertisement spot. They were each hand picked by my hubby {Greg} and I and we couldn't be more happy about our selection. You will without doubt be seeing these 7 fantastic photographers working with me on location at a weddings and other special events...
You can learn more about them by HERE: luxeproductionsnw.blogspot.com/2008/01/luxe-nw-7.html
Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Boys - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Foothill Chris Schwartz 14:59.76 1 1 1
2. McFarland Alfonso Cisneros 15:33.49 2 2 1
3. McFarland Francisco Nava 15:48.44 3 3 2
4. McFarland Marco Perez 15:48.85 4 4 3
5. Stockdale Curtis Kelly 15:50.33 5 5 1
6. Ridgeview Brian Solis 15:50.81 6 6 1
7. Wasco A. Mendoza 15:51.72 7 7 1
8. Ridgeview Alex Garcia 15:52.70 8 8 2
9. Shafter Chris Handel 15:53.96 9 9 1
10. McFarland Gerardo Alcala 15:54.28 10 10 4
11. Shafter Jesus Villalpondo 16:05.48 11 11 2
12. Highland Colin Lewis 16:06.79 12 12 1
13. Centennial Nathan Vincent 16:08.77 13 13 1
14. Ridgeview Robby Baker 16:13.01 14 14 3
15. McFarland Eduardo Bautista 16:18.69 15 15 5
16. BHS Andrew Ariey 16:21.59 16 16 1
17. Garces Connor O'Malley 16:23.32 17 17 1
18. Stockdale Blair Slaton 16:25.15 18 18 2
19. Ridgeview Jerrio Lewis 16:25.61 19 19 4
20. East Jose Ramirez 16:25.97 20 20 1
21. East Mose Valdez 16:26.30 21 21 2
22. Highland Thomas Turner 16:26.59 22 22 2
23. Golden Valley Daymon Sandles 16:26.91 23 23 1
24. Foothill Jose Lopez 16:27.22 24 24 2
25. Ridgeview Miguel Munoz 16:30.13 25 25 5
26. Wasco G. Linares 16:34.10 26 26 2
27. Shafter Josh Wittenberg 16:34.61 27 27 3
28. Highland Jake Van Zandt 16:36.62 28 28 3
29. East Charlie Zaragoza 16:39.22 29 29 3
30. BHS Andrew Edquist 16:41.12 30 30 2
31. Cesar Chavez Martin Rios 16:45.91 31 31 1
32. Highland Ivan Esquivias 16:47.91 32 32 4
33. BHS Zachary Holt 16:48.98 33 33 3
34. Stockdale Anthony Dao 16:49.30 34 34 3
35. Cesar Chavez Ruben Galaviz 16:49.67 35 35 2
36. Wasco O. Mirando 16:50.04 36 36 3
37. Shafter Alex Moreno 16:51.14 37 37 4
38. Wasco E. Sanchez 16:52.02 38 38 4
39. Wasco E. Ramirez 16:53.29 39 39 5
40. East Camilo Mosqueda 16:53.84 40 40 4
41. East Vincente Herrera 16:54.31 41 41 5
42. Foothill Erick Bautista 16:54.82 42 42 3
43. Arvin Ben Orozco 16:57.57 43 43 1
44. Shafter Hector Montoya 17:01.02 44 44 5
45. Garces Jesus Guzman 17:02.28 45 45 2
46. Garces Michael Bedard 17:02.88 46 46 3
47. Frontier Tanner Urmston 17:03.48 47 47 1
48. BHS John Purcell 17:04.08 48 48 4
49. Centennial Ty Heiter 17:04.73 49 49 2
50. Frontier Richard Peralta 17:05.73 50 50 2
51. Shafter Cristian Barrios 17:07.93 51 51 6
52. Centennial Gehrig Smith 17:08.86 52 52 3
53. BHS Christopher Anderson 17:09.32 53 53 5
54. Highland Justin Burnett 17:10.77 54 54 5
55. Wasco J. DeJulian 17:11.97 55 55 6
56. Stockdale Stephen Burke 17:16.30 56 56 4
57. Arvin Juan Calderon 17:16.89 57 57 2
58. Wasco Cesar Patino 17:19.39 58 58 7
59. Cesar Chavez Tim Yanez 17:21.10 59 59 3
60. Highland Ariel Hurtado 17:23.69 60 60 6
61. North Adam Ralls 17:24.02 61 x 1
62. Ridgeview Michael Anseno 17:24.53 62 61 6
63. Ridgeview Jaime Madrigal 17:31.18 63 62 7
64. Foothill Patrick Manrique 17:32.75 64 63 4
65. Frontier Will Beechinor 17:33.57 65 64 3
66. East Alex Estrada 17:38.64 66 65 6
67. Burroughs Jesse Wigfield 17:38.99 67 66 1
68. Centennial Eric Millan 17:39.50 68 67 4
69. Burroughs Daniel Lathrop 17:39.91 69 68 2
70. Shafter Jacob Vasquez 17:40.47 70 69 7
71. Garces David Freed 17:40.91 71 70 4
72. Centennial Jake Howry 17:42.54 72 71 5
73. Burroughs Andrew Szczpiorski 17:44.05 73 72 3
74. Frontier D. Sclafani 17:47.26 74 73 4
75. Stockdale Max Morales 17:48.38 75 74 5
76. Burroughs Eduardo Carrillo 17:51.64 76 75 4
77. Burroughs Keith Christman 17:57.59 77 76 5
78. Golden Valley Jose Salgado 17:59.82 78 77 2
79. Cesar Chavez Rudy Sandoval 18:00.34 79 78 4
80. Centennial Brad Hinsley 18:04.58 80 79 6
81. Arvin Yessuri Villsenor 18:05.30 81 80 3
82. Burroughs Nathan Cheadle 18:10.33 82 81 6
83. Foothill Javier Garcia 18:11.22 83 82 5
84. Foothill Ernest Marquez 18:11.57 84 83 6
85. BC Kevin Yarian 18:27.47 85 84 1
86. North Chris Emmett 18:29.51 86 x 2
87. Cesar Chavez Andres Rodriguez 18:30.45 87 85 5
88. Tehachapi Corey Torres 18:32.16 88 86 1
89. Frontier Michael Sclafani 18:33.62 89 87 5
90. Garces Patrick Gomez 18:37.52 90 88 5
91. Highland Humberto Ramirez 18:37.98 91 89 7
92. Golden Valley David Gamino 18:40.22 92 90 3
93. Frontier Ricky Gonzales 19:03.13 93 91 6
94. Garces Chris Real 19:06.29 94 92 6
95. Stockdale D. Sherrill 19:08.29 95 93 6
96. Garces Dillon Lyles 19:16.75 96 94 7
97. Tehachapi Christian Torres 19:19.03 97 95 2
98. BC Mark McCutcheon 19:20:78 98 96 2
99. Golden Valley Nick Cruz 19:22.49 99 97 4
100. Golden Valley Daniel Perez 19:25.13 100 98 5
101. Foothill Christian Paredes 19:32.03 101 99 7
102. Arvin Adrian Rodriguez 19:32.67 102 100 4
103. BC Thomas Beard 19:59.04 103 101 3
104. West Michael Branquino 19:59.63 104 x 1
105. BHS Nick Flores 20:04.27 105 102 6
106. Tehachapi Logan Collier 20:07.47 106 103 3
107. Kern Valley C. Woodward 20:22.63 107 x 1
108. Arvin Christian Guerrero 20:31.41 108 104 5
109. Burroughs Daniel Meade 20:41.26 109 105 7
110. Golden Valley Ryan Davis 20:41.26 110 106 6
111. BHS Robby Harris 20:42.01 111 107 7
112. East Hector Fuentes 20:42.57 112 108 7
113. Frontier Alex Blanton 20:56.97 113 109 7
114. Cesar Chavez Joel Hernandez 21:02.22 114 110 6
115. Tehachapi Trent Sherman 21:02.94 115 111 4
116. Tehachapi Shaddi Haddad 21:18.14 116 112 5
117. BC Austin Adee 21:25.45 117 113 4
118. BC Aaron Stephens 21:31.77 118 114 5
119. Kern Valley J. Pistocco 23:15.37 119 x 2
120. Tehachapi Corey Hebron 23:19.78 120 115 6
121. West Kevin Serrano 23:48.05 121 x 2
Salkantay Trek to Machu Picchu
5 Days / 4 Nights
Is a trek that takes you through diverse landscapes and altitudes as we trek around the skirts of Mount Salkantay(6271m/20,568ft) and camp within clear sight of the snow capped peak. Ascending to reach the famous Apacheta Pass at 4,600m/15,088ft) and then descent into a more tropical area passing Andenes and Chaullay on the far side of the mountain. Train ride from Hydro Electric Dam and then spend the rest of the 4th evening relaxing in the town and hotsprings of Aguas Calientes. Early 5th morning you take the bus (or walk if desired) up to Machu Picchu your well deserved prize. Late afternoon train and bus back to Cusco in the evening.
This path is well-known as the Salkantay Trek. After the Inca Trail, the Salkantay Trek is the most beautiful and popular one. Indeed, the magazine National Geographic Adventure rated the Salkantay Trek as one of the best 25 treks all over the world.
Salkantay Trek Itinerary
Day 1: Cusco - Mollepata - Soraypampa
We will leave from Cusco approximately between 4:30a.m. and 5:00a.m. A local bus will take us to the town of Mollepata (2900 meters above sea level) where we will arrive approximately at 8:15 in the morning to have breakfast. During the trip we will have panoramic views of the majestic Salkantay, other mountains covered with snow, and the Valley of Apurimac River. We will meet with our support staff, and they will load the equipment on horses and mules. Around 9:00 a.m., we will begin our walk toward Sayllapata (3200 meters above sea level). About 1:00p.m., we will have a Peruvian lunch. After lunch, we will continue hiking toward the Soraypampa villages (3850 meters above sea level). Around 5:30 in the afternoon we will arrive to our camp where the tents will be ready for you as well as your dinner.
Day 2: Soraypampa - Salkantay Pass - Huayracpunku - Chaullay
Today, nature will change drastically from dry sceneries to snowy peaks and tropical areas. After a nutritious breakfast, we will start the most difficult part of the trek. We will start the hike around 7:00 in the morning. We will hike to a place called Pampas Salkantay, then go toward the left side of the snowy peaks of Umantay located next to the Apu Salkantay. At midday, we will be on the highest point ( 4600 meters above sea level). We will appreciate spectacular views of the mountains and the imposing snowy peaks of the Salkantay (6264 meters above sea level) which is known as the second highest point of the Cusco region. Around 1:00 p.m., we will have our lunch, in the area called Huayracmachay. After a trek of approximately 3 hours, we will arrive to our camp in Challway (2920 meters above sea level). Around 7:00p.m., we will recuperate from the trek and eat dinner.
Day 3: Chaullay - Collpapampa - La Playa - Santa Teresa
Around 7:00a.m., we will start our trek. We will walk for about 6 hours toward Playa Sahuayaco and during this period; we will observe a town called Collpabamba, also called the “Forest Cloudy Brow” where waterfalls, thermal hot springs, fruit-bearing trees, varied flora, and birds can be observed. If we are lucky, we will be able to observe the famous bird called the “Cock of the Rocks”. From Playa Sahuayaco, we will head to the campsite located at the hot springs of Santa Teresa (It is recommended to bring a bath suit.) Here you will eat dinner.
Day 4: Santa Teresa - Hidroelectryc - Aguas Calientes
After of our delicious breakfast we are going to walk for approximately around 8:30 a.m we begin our trek to the village Colpani, we follow this rising trail, from which we will see plantations of coffee, banana, passion fruit and a lovely view of the Santa Teresa Valley. We follow along the riverside of Vilcanota River until arrive to the Oroya (canopy brich) From here we have an option to hike to hidroelectrica or to catch a small car where will take us until Hidroelectrica (25 minutes), from this place we can observe the back of Machupicchu Sanctuary, where we have the last lunch with all staff. from here we will continuo walking until arrive to Aguas Calientes around 4:30 p.m then we will stay in a hostal the last night.
Day 5: Aguas Calientes - Machu Picchu Sanctuary - Aguas Calientes - Ollantaytambo - Cusco
Today, you will be able to choose between waking up at 4:30a.m. and walking up to Machu Picchu or taking a bus to Machu Picchu at 7:00a.m. In Machu Picchu, you will have a guided tour for about two hours and after that you will be free to explore the Citadel and take pictures, or if you desire, ascent toward the Huaynapicchu Mountain. At 2:26p.m. or 6:03p.m. (depending on availability), you will be taking a train to Ollantaytambo and from there; a bus will drive you to your hotel in Cusco.
Call us: Telephone: (+51) (84) 632307, Telefax: (+51) (84) 632307
Cell Phone:(+51) (84) 974727031 / 958191179 / 958191179 (24 hours available)
Address in Cusco: Triunfo Street 392 - Centro Artesanal Arte Inka 2nd Floor 212 - Main Square of Cusco :
Business Hours: Monday to Sunday: (From 9:00am to 13:00PM) - ( From 15:00PM - 8:00PM)
E-mail: www.salkantaytrekking.com,http://www.salkantaytrekking.com
Salkantay Trek to Machu Picchu
5 Days / 4 Nights
Is a trek that takes you through diverse landscapes and altitudes as we trek around the skirts of Mount Salkantay(6271m/20,568ft) and camp within clear sight of the snow capped peak. Ascending to reach the famous Apacheta Pass at 4,600m/15,088ft) and then descent into a more tropical area passing Andenes and Chaullay on the far side of the mountain. Train ride from Hydro Electric Dam and then spend the rest of the 4th evening relaxing in the town and hotsprings of Aguas Calientes. Early 5th morning you take the bus (or walk if desired) up to Machu Picchu your well deserved prize. Late afternoon train and bus back to Cusco in the evening.
This path is well-known as the Salkantay Trek. After the Inca Trail, the Salkantay Trek is the most beautiful and popular one. Indeed, the magazine National Geographic Adventure rated the Salkantay Trek as one of the best 25 treks all over the world.
Salkantay Trek Itinerary
Day 1: Cusco - Mollepata - Soraypampa
We will leave from Cusco approximately between 4:30a.m. and 5:00a.m. A local bus will take us to the town of Mollepata (2900 meters above sea level) where we will arrive approximately at 8:15 in the morning to have breakfast. During the trip we will have panoramic views of the majestic Salkantay, other mountains covered with snow, and the Valley of Apurimac River. We will meet with our support staff, and they will load the equipment on horses and mules. Around 9:00 a.m., we will begin our walk toward Sayllapata (3200 meters above sea level). About 1:00p.m., we will have a Peruvian lunch. After lunch, we will continue hiking toward the Soraypampa villages (3850 meters above sea level). Around 5:30 in the afternoon we will arrive to our camp where the tents will be ready for you as well as your dinner.
Day 2: Soraypampa - Salkantay Pass - Huayracpunku - Chaullay
Today, nature will change drastically from dry sceneries to snowy peaks and tropical areas. After a nutritious breakfast, we will start the most difficult part of the trek. We will start the hike around 7:00 in the morning. We will hike to a place called Pampas Salkantay, then go toward the left side of the snowy peaks of Umantay located next to the Apu Salkantay. At midday, we will be on the highest point ( 4600 meters above sea level). We will appreciate spectacular views of the mountains and the imposing snowy peaks of the Salkantay (6264 meters above sea level) which is known as the second highest point of the Cusco region. Around 1:00 p.m., we will have our lunch, in the area called Huayracmachay. After a trek of approximately 3 hours, we will arrive to our camp in Challway (2920 meters above sea level). Around 7:00p.m., we will recuperate from the trek and eat dinner.
Day 3: Chaullay - Collpapampa - La Playa - Santa Teresa
Around 7:00a.m., we will start our trek. We will walk for about 6 hours toward Playa Sahuayaco and during this period; we will observe a town called Collpabamba, also called the “Forest Cloudy Brow” where waterfalls, thermal hot springs, fruit-bearing trees, varied flora, and birds can be observed. If we are lucky, we will be able to observe the famous bird called the “Cock of the Rocks”. From Playa Sahuayaco, we will head to the campsite located at the hot springs of Santa Teresa (It is recommended to bring a bath suit.) Here you will eat dinner.
Day 4: Santa Teresa - Hidroelectryc - Aguas Calientes
After of our delicious breakfast we are going to walk for approximately around 8:30 a.m we begin our trek to the village Colpani, we follow this rising trail, from which we will see plantations of coffee, banana, passion fruit and a lovely view of the Santa Teresa Valley. We follow along the riverside of Vilcanota River until arrive to the Oroya (canopy brich) From here we have an option to hike to hidroelectrica or to catch a small car where will take us until Hidroelectrica (25 minutes), from this place we can observe the back of Machupicchu Sanctuary, where we have the last lunch with all staff. from here we will continuo walking until arrive to Aguas Calientes around 4:30 p.m then we will stay in a hostal the last night.
Day 5: Aguas Calientes - Machu Picchu Sanctuary - Aguas Calientes - Ollantaytambo - Cusco
Today, you will be able to choose between waking up at 4:30a.m. and walking up to Machu Picchu or taking a bus to Machu Picchu at 7:00a.m. In Machu Picchu, you will have a guided tour for about two hours and after that you will be free to explore the Citadel and take pictures, or if you desire, ascent toward the Huaynapicchu Mountain. At 2:26p.m. or 6:03p.m. (depending on availability), you will be taking a train to Ollantaytambo and from there; a bus will drive you to your hotel in Cusco.
Call us: Telephone: (+51) (84) 632307, Telefax: (+51) (84) 632307
Cell Phone:(+51) (84) 974727031 / 958191179 / 958191179 (24 hours available)
Address in Cusco: Triunfo Street 392 - Centro Artesanal Arte Inka 2nd Floor 212 - Main Square of Cusco :
Business Hours: Monday to Sunday: (From 9:00am to 13:00PM) - ( From 15:00PM - 8:00PM)
E-mail: www.salkantaytrekking.com,http://www.salkantaytrekking.com
La carrera de periodismo de la UCJC ofrece los conocimientos precisos para formar excelentes profesionales de la escritura.La carrera de periodismo se divide en cuatro años
Tenerife.
Icod, the Butterfly Garden.
Mariposario del Drago.
www.mariposario.com/English/index.html
The Peleides Blue Morpho (Morpho peleides) is an iridescent tropical butterfly found in Mexico, Central America, northern South America, Paraguay, and Trinidad.
The brilliant blue color in the butterfly's wings is caused by the diffraction of the light from millions of tiny scales on its wings. It uses this to frighten away predators, by flashing its wings rapidly. The wingspan of the Blue Morpho butterfly ranges from 7.5–20 cm (3.0–7.9 in). The entire Blue Morpho Butterfly lifecycle, from egg to adult is only 115 days.
The Blue Morpho Butterfly drinks the juices from rotting fruits for food. Its favourites are mango, kiwi, and lychee. Blue Morpho butterflies live in the rainforests of South America, and can be found in Mexico and Central America.
The larvae of Blue Morpho Butterflies are cannibals. The caterpillar Blue Morpho Butterfly is red-brown with patches of bright green.
The Blue Morpho Butterflies stick together in groups to deter their predators, a form of mobbing behavior.
en.wikipedia.org/wiki/Morpho_peleides
The Monarch butterfly (Danaus plexippus) is a milkweed butterfly (subfamily Danainae), in the family Nymphalidae. It is perhaps the best known of all North American butterflies. Since the 19th century, it has been found in New Zealand, and in Australia since 1871 where it is called the Wanderer.[3][4][5] In Europe it is resident in the Canary Islands, the Azores, and Madeira, and is found as an occasional migrant in Western Europe. Its wings feature an easily recognizable orange and black pattern, with a wingspan of 8.9–10.2 centimetres (3½–4 in).[6] (The Viceroy butterfly has a similar size, color, and pattern, but can be distinguished by an extra black stripe across the hind wing.) Female Monarchs have darker veins on their wings, and the males have a spot called the "androconium" in the center of each hind wing[7] from which pheromones are released. Males are also slightly larger.
The Monarch is famous for its southward migration and northward return in summer from Canada to Mexico which spans the life of three to four generations of the butterfly.
en.wikipedia.org/wiki/Danaus_plexippus
PLEASE.
No invites to mandatory commenting/sweeperactive/comment or ban group unless requested by myself.
www.lapaludsurverdon.com/routecretes_verdon.html Venez découvrir la "Route des Crêtes"
Le départ de la D23 se trouve sur la route de Castellane à 800 m du village. Cette route panoramique de 23 km vous ramène au village après avoir parcouru les crêtes du Grand Canyon. Les 14 Belvédères dévoilent les falaises mythiques du Verdon et offrent des points de vue inoubliables du Grand Canyon.
Sur ce circuit routier, en à peu près une heure, vous surplomberez le légendaire Verdon et découvrirez des points de vue incomparables comme la "Carelle","l'Escalès" ,"la Dent d'Aire" ou "Guègues"; jusqu'à 700m de vide sous les pieds...
Vous découvrirez au fil de "votre échapée" la faune locale (vautours, chamois, ...), la flore, ainsi que les grimpeurs qui parcourent les falaises du canyon.
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新北市板橋區重慶路1號5樓 (府中捷運站1號出口,仁愛眼鏡/特香齋樓上)
●桃園店：(03) 283-0776
桃園市中壢區中北路2段483號 (中壢大潤發斜對面)
●新竹店：(03) 523-1188
新竹市經國路2段100號5樓 (「中正市場」停車場對面,步行約1分鐘)
●台中店：(04) 2202-0066
台中市西區台灣大道一段728號3樓 (合作金庫樓上)
●台南店：(06) 267-0086
台南市東區崇學路20巷2號 (崇學路、崇明路交叉路口,「榮譽公有停車場」,步行約3分鐘)
●高雄店：(07) 322-2592
高雄市三民區博愛一路30號6樓 (合作金庫三民分行樓上)台灣婚紗攝影推薦
Kurokawa Onsen is one of Japan's most attractive hot spring towns, located in the middle of Kyushu about 20 kilometres north of Mount Aso. Well coordinated efforts by the town to maintain a pleasant, traditional atmosphere have kept Kurokawa free of the massive concrete hotels, neon advertisements and loud colors that are encountered in many of Japan's other resort towns.
Instead, Kurokawa's townscape is dominated by natural colors and materials, wooden buildings, earthen walls, stone stairs and a river flowing through. The town center, located in a forested valley, is compact and easily explored on foot, except for a few ryokan which are located less centrally.
The town's lanes are lined by ryokan, public bath houses, attractive shops and cafes, a small shrine and bridges that lead over the river directly to ryokan entrances. A walk through town is particularly enjoyable in yukata and geta sandals provided by one's ryokan. An information center, where maps and other information can be obtained, is also found in the town centre.
Kurokawa is not only known for its attractive town, but also for the outstanding outdoor baths (rotenburo) of its ryokan some of which are located right besides a gushing river or impress by their large sizes. The larger baths with good views tend to be located a little bit outside of the town center, while some of the more central ryokan attract with smaller but historic baths, which were already enjoyed by the feudal lords of nearby Kumamoto Castle. Source: www.japan-guide.com
Hariclea Darclée (1860-1939)
As a pupil of Jean-Baptiste Fauré, Hariclea has her opera debut in Paris in 1888, in the role of Marguerite.
But her real consecration takes place at La Scala, on 26th December 1890, where Giuseppe Verdi applauds her, for her performance of Chimène, in Massenet’s “Le Cid”. This was the time of the Belle Époque, when Darclée took the public by storm wherever she went. Darclée was a good stage performer with an arresting presence and in 1898 Puccini fell under the spell of her voice and most certainly of her beauty. She created Tosca, a role she performed frequently since its premiere.
Amongst her fans were King Carlos I of Portrugal send her love letters, Field Marshall Vizier Osman Pasha of Crimean repute and composers such as Gounod and Fauré. For Giuseppe Verdi she was "my beautiful and brave Violetta".
Find out more on:
"Blouse Roumaine - the Unsung Voices of Romanian Women"
Presented and Selected by Constantin ROMAN
Anthology E-BOOK (11BM)
DISTRIBUTION: Online with credit card
COST: $ 54.99, £34.99 (ca Euros 35.50)
LINK: www.blouseroumaine.com/orderthebook_p1.html
CONTENTS:
2,250,000 words,
over 1,000 pages,
ca 160 illustrations in text
160 critical biographies,
58 social categories/professions,
600 quotations (mostly translated into English for the first time),
circa 3,000 bibliographical references (including URLs and credits)
6 Indexes (alphabetical, by profession, timeline, quotation Index, place
index and name index)
AUTHOR: Constantin Roman is a Scholar with a Doctorate from Cambridge and a Member of the Society of Authors (London). He is an International Adviser, Guest Speaker, Professor Honoris Causa and Commander of the Order of Merit.
INDEX BY PROSFESSION: 58 CATEGORIES by Call, Profession or Social Status
Academics (22), Actresses (9), Anti-Communist Fighters (14), Architects/Interior Designers (2), Art Critics (9), Artist Book Binders (1), Ballerinas (6), Charity Workers/Benefactors (20), Communist Public Figures (2), Courtesans (3), Designers (2), Diplomats (4), Essayists (11), Ethnographers (6), Exiles & First-generation Romanians born abroad (87), Explorers (1), Feminists (12), Folk Singers (1), Gymnasts, Dressage Riders (2), Historians (5), Honorary Romanian Women (15), Illustrators (3), Journalists (13), Lawyers (4), Librarians (3), Linguists (2), Literary Critics (1), Media (15), Medical Doctors/Nurses (5), Memoir Writers (16), Missionaries and Nuns (4), Mountainéers (2), Museographers (1), Musical Instruments Makers (1), Novelists (24), Opera Singers (16), Painters (14), Peasant Farmers (6), Philosophers and Philosophy Graduates (4), Pianists (6), Pilots (4), Playwrights (5), Poets (29), Political Prisoners (30), Politicians (5), Revolutionaries (2), Royals and Aristocrats (34), Scientists (8), Sculptors (4), Slave (1), Socialites/Hostesses (20), Spouses/Relations of Public Figures (51), Spies (2), Tapestry Weavers (4), Translators (25), Unknown Illustrious (6), Violinists (4), Workers (3)
NOTE:
Most of the above 160 Romanian women, in the best tradition of versatility, are true polymaths and therefore nearly each one of them falls in more than just one category, often three or more. This explains why adding the numbers of the 57 individual categories bears no relation to the actual total of the above 160 women included in Blouse Roumaine.
-----------------------------------------------------------------------------------------------------------
LIST OF 160 CRITICAL BIOGRAPHIES (each supported by Quotations and Bibliography)
AA *Gabriela Adamesteanu *Florenta Albu *Nina Arbore *Elena Arnàutoiu *Ioana Raluca Voicu-Arnàutoiu, *Laurentia Arnàutoiu *Mariea Plop - Arnàutoiu *Ana Aslan *Lady Elizabeth Asquith Bibescu
BB *Lauren Bacall *Lady Florence Baker *Zoe Bàlàceanu *Ecaterina Bàlàcioiu-Lovinescu *Victorine de Bellio *Pss. Marta Bibescu *Adriana Bittel *Maria Prodan Bjørnson *Ana Blandiana *Yvonne Blondel *Lola Bobescu *Smaranda Bràescu *Elena Bràtianu *Élise Bràtianu *Ioana Bràtianu *Elena Bràtianu- Racottà *Letitzia Bucur
CC *Anne-Marie Callimachi *Georgeta Cancicov *Madeleine Cancicov *Pss. Alexandra Cantacuzino *Pss.Maria Cantacuzino (Madame Puvis de Chavannes) *Pss. Maruca Cantacuzino-Enesco* Pss. Catherine Caradja *Elena Caragiani-Stoenescu *Marta Caraion-Blanc, *Nina Cassian, *Otilia Cazimir *Elena Ceausescu *Maria Cebotari *Ioana Celibidache *Hélène Chrissoveloni (Mme Paul Morand)*Alice Cocea *Irina Codreanu *Lizica Codreanu *Alina Cojocaru *Nadia Comàneci *Denisa Comànescu *Lena Constante *Silvia Constantinescu *Doina Cornea *Hortense Cornu *Viorica Cortez*Otilia Cosmutzà *Sandra Cotovu *Ileana Cotrubas *Carmen-Daniela Cràsnaru *Mioara Cremene *Florica Cristoforeanu *Pss. Elena Cuza
DD *Hariclea Darclée *Cella Delavrancea *Alina Diaconú *Varinca Diaconú *Anca Diamandy *Marie Ana Dràgescu *Rodica Dràghincescu *Bucura Dumbravà *Natalia Dumitrescu
EE *Micaela Eleutheriade *Queen Elisabeth of Romania (‘Carmen Sylva’) *Alexandra Enescu *Mica Ertegün
FF *Lizi Florescu, *Maria Forescu *Nicoleta Franck *Aurora Fúlgida
GG *Angela Gheorghiu *Pss Grigore Ghica *Pss. Georges Ghika (Liane de Pougy) *Veturia Goga *Maria Golescu *Nadia Gray *Olga Greceanu *Pss. Helen of Greece *Nicole Valéry-Grossu *Carmen Groza
HH *Virginia Andreescu Haret *Clara Haskil *Lucia Hossu-Longin
II *Pss. Ileana of Romania *Ana Ipàtescu *Marie-France Ionesco *Dora d’Istria *Rodica Iulian
JJ *Doina Jela *Lucretia Jurj
KK *Mite Kremnitz
LL *Marie-Jeanne Lecca *Madeleine Lipatti *Monica Lovinescu *Elena Lupescu
MM *Maria Mailat *Ileana Màlàncioiu *Ionela Manolesco *Lilly Marcou *Silvia Marcovici *Queen Marie of Romania *Ioana A. Marin *Ioana Meitani *Gabriela Melinescu *Veronica Micle *Nelly Miricioiu *Herta Müller *Alina Mungiu-Pippidi *Agnes Kelly Murgoci
NN *Mabel Nandris *Anita Nandris-Cudla *Lucia Negoità *Mariana Nicolesco *Countess Anna de Noailles *Ana Novac
OO *Helen O’Brien *Oana Orlea
PP *Hortensia Papadat-Bengescu *Milita Pàtrascu *Ana Pauker *Marta Petreu *Cornelia Pillat *Magdalena Popa *Elvira Popescu
RR *Ruxandra Racovitzà *Elisabeta Rizea *Eugenia Roman *Stella Roman *Queen Ana de România, *Pss. Margarita de România *Maria Rosetti *Elisabeth Roudinesco
SS *Annie Samuelli *Sylvia Sidney *Henriette-Yvonne Stahl *Countess Leopold Starszensky *Elena Stefoi *Pss. Marina Stirbey *Sanda Stolojan *Cecilia Cutzescu-Storck
TT *Maria Tànase *Aretia Tàtàrescu *Monica Theodorescu *Elena Theodorini
UU *Viorica Ursuleac
VV *Elena Vàcàrescu *Leontina Vàduva *Ana Velescu *Marioara Ventura *Anca Visdei *Wanda Sachelarie Vladimirescu *Alice Steriade Voinescu
WW *Sabina Wurmbrand
ZZ *Virginia Zeani
· 366project2012.es · Facebook · Twitter
Explore del 4 de septiembre de 2012 / Explored on September 4th 2012
OUT NOW!!!! The Birds of Ireland: A Field Guide with Jim Wilson, also available as an eBook.
Shorebirds of Ireland with Jim Wilson.
Freshwater Birds of Ireland with Jim Wilson.
www.markcarmodyphotography.com
The Yellow-legged Gull (Larus michahellis), sometimes referred to as Western Yellow-legged Gull (to distinguish it from eastern populations of yellow-legged large white-headed gulls), is a large gull of Europe, the Middle East and North Africa, which has only recently achieved wide recognition as a distinct species. It was formerly treated as a subspecies of either the Caspian Gull L. cachinnans, or more broadly as a subspecies of the Herring Gull L. argentatus. It is named after the German zoologist Karl Michahelles.
It is now generally accepted that the Yellow-legged Gull is a full species, but until recently there was much disagreement. The breeding range is centred around the Mediterranean Sea. In North Africa it is common in Morocco, Algeria and Tunisia and increasing in places. Recent breeding has occurred in Libya and Egypt. In the Middle East a few breed in Israel and Syria with larger numbers in Cyprus and Turkey. In Europe there are colonies all along the Mediterranean coast, and also on the Atlantic islands and coasts north to Brittany and west to the Azores. It also breeds on the west side of the Black Sea; here it overlaps with the Caspian Gull but there is a difference in habitat, with the Yellow-legged Gull preferring sea cliffs and Caspian Gull on flatter shores. In recent decades birds have spread north into central and western Europe. One to four pairs have attempted to breed in southern England since 1995 (sometimes hybrid pairs with Lesser Black-backed Gulls), though colonisation has been very slow.
Many birds remain in the same area all year round but others migrate to spend the winter in mild areas of western Europe or head south as far as Senegal, the Gambia and the Red Sea. (wikipedia)
This is an adult Yellow-legged Gull, photographed in Cork Harbour. Ireland is seeing increasing occurrences of this species in late autumn and winter.
www.decorobra.com/ornamentos-que-definen-estilos.html
La ornamentación de un ambiente va a ayudar a definir su estilo, aunque también revelará nuestra tendencia y necesidad anímicas. Los objetos que elijamos para adornar los espacios que a diario nos albergan, tendrán, junto con los colores, los muebles, la iluminación y demás, una estrecha relación con nuestra búsqueda de bienestar, en las diversas etapas de nuestra vida.
Lámparas, candelabros, jarrones, cuadros, cojines, tapices, alfombras,...innumerables alternativas que van a aliarse en un contexto para brindarnos agradables e inspiradores momentos en la intimidad de nuestro hogar.
El estilo Zen propicia una ambientación relajada y sutil. Los elementos son funcionales y las líneas, simples. Se utilizan tonalidades neutras, blanco y negro, sobre todo, y la gama de los ocres a los beiges. Las paredes pueden dejarse limpias o a lo sumo, con algún cuadro de marco fino.
Respecto a los materiales, la tendencia es la madera natural. Los muebles deben tener la máxima simplicidad en sus líneas.
Lámparas de papel, jarrones de líneas rectas con ramas de bambú, esterillas, piedra en lugar de cerámica, adornos de inspiración budista de madera o piedra, son los elementos que ornamentarán sutilmente nuestro ambiente zen. Velas y sahumerios con aromas suaves son los mejores aliados, no se necesita gran cantidad de objetos a la hora de decorar, si elegimos este sobrio estilo.
La mejor opción para lograr una ambientación exótica son los objetos étnicos, típicos de otras culturas. Suelen ser de maderas talladas, fibras tejidas, colores en la gama de los marrones, verdes, amarillos y anaranjados, terracotas, es decir, los predominantes en ambientes selváticos. Las máscaras de madera son una de las clásicas artesanías africanas.
Para marcar este estilo se utilizan también muebles de mimbre, alfombras, jarrones, objetos totémicos, piezas de cerámica, cestas e instrumentos musicales exóticos; los diseños pueden geométricos o imitando pieles de animales, tejidos artesanales o telas murales. Los colores, cálidos y la iluminación, tenue: velas, fanales rústicos o lamparas de papel, son elementos acordes.
Los estilos africano, asiático, oriental, tailandés, hindú, marroquí, son los que definen esta tendencia.
El mobiliario puede ser contemporáneo, aunque deben combinarse armónicamente con este estilo de ornamentos.
Algo innovador y divertido para adornar? Los diseños de vinilo. De acuerdo al estilo que hallamos escogido en la decoración, elegiremos un motivo que vaya acorde al ambiente.
Existen pliegos de vinilos de todos los colores. También podemos decorar nuestros artefactos, muebles y demás.
Los almohadones son ideales para crear ambientes acogedores. Deben armonizar con el estilo del ambiente. Los podemos colocar en sofás, camas, sillas y hasta en el piso, lo cual da un toque de estilo libre, desestructurado.
La variedad de colores, formas, materiales y tamaños es tan ilimitada, ... que siempre va a haber un diseño que dé con nuestro estilo de ambientación!
[gallery link="file"]
05062009
der als die stadt zu war.
www.welt.de/politik/article701170/Der_paranoide_Wahn_der_...
www.politik.de/forum/showthread.php?t=144688#result
www.spiegel.de/spiegel/vorab/0,1518,377389,00.html
www.60xdeutschland.de/honecker-schenkt-schmidt-in-gustrow...
VON ERIKA LERNEN HEISST SIECHEN LERNEN
(oder: Das Merkel, die letzte Rache der Stasi?)
Wem das Märchen einer trauten Innigkeit zwischen der deutschen Kanzlerin und
dem "Neuen Messias Amerikas" keine Tränen der Rührung in die Augen treibt, kann
wenigsten mit boshafter Gehässigkeit (oder besser: noch funktionierendem
politischen Gedächniss) der Glanzzeiten deutsch-deutscher Freundschaftsrituale
gedenken. Wie die oberste Verwaltungschefin der Deutschland GmbH mit ihrem
Personal (vielleicht richtiger: Untertanen) umgeht, zeigt der Besuch Obama´s in Dresden.
Für über 24 Stunden war die historische Altstadt (oder das, was nach den verhehrenden
Angriffen durch englische und amerikanische Bomber im Februar 1945 davon übrig
blieb und in den nachfolgenden 65 Jahren noch entgültig dem Bagger zum Opfer fiel
oder als steingewordener Zeitgeist bis heute der Nachwelt zugemutet wurde) für alle
gesperrt, die nicht als Anwohner oder zugelassener Dienstleister mit handverlesenen
Genehmigungen im Dunstkreis des US-Präsidenten und seiner deutschen Kolonial-
verwalterin ausweisen konnten, gesperrt. Öffentliche Gebäude (z.B. die Kunsthochschule
an der Brühlschen Terasse und die innerstädtischen Museen) blieben geschlossen,
Geschäfte machten dicht und das ganze Areal diente als gigantische Kulisse für den
Drill: WIR KÖNNEN MIT EUCH MACHEN WAS WIR WOLLEN!
Nicht nur, das der ganze Autoverkehr aus der Innenstadt verbannt, die zentrumsnahen
Straßenbahn und Busverkehr weiträumig umgeleitet wurde und das nervige Dröhnen
der Überwachungshubschrauber oder die vielfarbigen Polizeieinheiten ihren martialischen
Auftritt (zu Wasser, zu Lande und zur Luft) demonstrierten - höflich, aber lauernd bestimmt,
den vorlauten oder renitenten Bürger in die Schranken wiesen, auch die Absperrung der
Elbebrücken (Albertbrücke, Marienbrücke, Flügelwegbrücke) für Fußgänger und Radfahrer,
die erst nach Stunden aufgehoben wurde, gehörte mit zum WELCOM MR. PRESIDENT-
Programm.
Erinnern wir uns (die wir durch die Gnade der verfrühten Geburt, das zweifelhafte Glück hatten
den ersten deutschen Arbeiter- und Bauernstaat zu erleben, richtiger wohl: zu überleben)
doch noch zu gut an die dunklen Tage Helmut Schmidts bei seinem Besuch des Dach-
deckers auf dem Güstrower Weihnachtsmarkt 1981. Damals bemühte sich die Stasi ja noch
ein Volk zu imitieren (während die Anwohner, weg vom Fenster, dem innigen Treiben fernge-
halten wurde). Das hat wohl die FDJ-Sekretärin so sehr beeindruckt, das sie diesmal kurzerhand
das Volk ganz ausschloß. Sicher ist sicher oder wie es Lenin zugeschrieben wird: Vertrauen
ist gut, Kontrolle ist besser und bei den Milliarden aus der Portokasse zuküftiger Generationen
für verbrecherische Finanzhaie sind ja die Kosten für solche Polizeieinsätze eher Peanuts
(wie man als Amerikaner sagen würde), oder?
Mir bleibt über so viel Sicherheitsgetue nur der beissende Spott übrig: haben die da Oben
soviel Angst vor uns hier unten oder soll uns gezeigt werden, wer der Herr im Staate ist?
Egal, als Trost bleibt mir das schlechte Wetter und der Spruch Erich Kästners:
"Wir lassen uns nicht soweit erniedrigen, den Kakao zutrinken, durch den man uns zieht."
CvS
_________________________________________
Zu Überschrift:
Erika war wohl der IM-Name von Angela Merkel als sie zufälligerweise im Kontakt zu den Havemann´s stand.
Einer der ewigen Wahrheiten aus dem Hause der SED-Propaganda war: "Von der Sowjetunion lernen heißt siegen lernen"
aus dem der freche sächsische Volksmund das SIEGEN mundartlich zum `siechen` machte, das ja bekanntlich für den
Niedergang stand... Ja, ja, auch im Osten wurde gelacht.
Corregida automáticamente con picnik. Me lo perdonaréis, ¿verdad?
www.castelldepenyafort.net/p/historia-del-castell-de-peny...
Complex arquitectònic que integra construccions de diferents èpoques, des de l'edat mitjana fins l'actualitat. Entre les edificacions medievals destaca una torre (de 5,6 m de diàmetre i parets de més d'1,5 m de gruix), amb una petita sala circular a l'interior; dues petites sales corbades perimetrals a la torre, comunicades amb portes de mig punt d'estil romànic; una sala absidial possiblement emprada com a baptisteri i que conserva pintures murals d'interès; l'atri de l'església, una sala rectangular que està decorada també amb pintures murals i inclou una volta d'aresta gòtica amb una clau que mostra les armes dels Espuny (senyors del castell a les darreries de l'edat mitjana i fins al segle XVII); i una sala amb una escala que condueix a la part residencial.
L'església és d'una sola nau, coberta amb volta d'aresta amb arcs torals, amb absis rectangular i cripta funerària accessible. La decoració és molt senzilla, amb una gran motllura a la imposta de la volta, finestres cegues i lesenes que continuen fins a terra els arcs torals. L'amplada aparent es veu incrementada per sis capelles a cada costat, que ocupen els espais lliures entre els contraforts de la volta. Al costat de l'epístola del presbiteri hi ha la sagristia. En la primera i la tercera capelles del costat de l'evangeli hi ha portes que comuniquen amb el pati interior del conjunt, i a les capelles dels peus portes que duen a sales annexes. Als peus de la nau hi ha un gran cor de fusta, amb accés des de la mateixa església i des de la torre rodona. A ambdós costats, damunt la sagristia i les capelles laterals, i a nivell del cor, hi ha dues fileres de petites habitacions. Darrera de l'absis de l'església hi ha un edifici de planta rectangular i dos pisos. La planta baixa de la resta de l'edifici té forma de L. L'ala que queda al cos principal de l'edifici, està força compartimentada. L'ala de ponent compta amb una gran nau que en origen era destinada a celler. A la porta, enconat, hi ha un cartell que es data a l'any 1693. A l'extrem del celler hi ha una altra edificació de dues plantes rectangulars, amb accés també des de l'exterior. La planta residencial ha estat en ús fins a l'actualitat. La primera planta ocupa dues ales de l'edifici, amb un total de vint-i-tres espais, sense comptar els passadissos. Tres són cuines que encara conserven els fogons de carbó, i hi ha quatre banys. Dos espais més es troben dins les edificacions medievals de la torre rodona, i comuniquen amb el cor de l'església. De cara al pati interior, hi ha una gran sala-menjador, i una altra sala habilitada com a menjador situada prop de l'angle nord-occidental del conjunt. Hi ha setze dormitoris, dos conserven l'estructura de cambra i alcova. Tots donen a l'exterior, amb finestra o balcó, i la major part estan coberts per voltes catalanes rebaixades, que els donen una presència imponent. Prop del menjador hi ha un gran terrat, que permet accedir a una sala, aïllada de la resta, que es troba en mal estat de conservació. Damunt de les ales residencials hi ha les golfes, on es pot observar la cara interna de les voltes que cobreixen els passadissos i les habitacions, així com les encavallades de fusta. Estan il·luminades per finestres arran de terra. Damunt l'angle de les dues naus hi ha un gran mirador amb tres arcades a cada costat curt i cinc als costats llargs. Bona part de les arcades estan tapiades. A ponent, hi ha un cos annex. Es tracta d'una porxada parcialment tapiada, amb grans arcs de mig punt de més de tres metres de llum, que donen al jardí. L'edifici compta amb dos grans jardins. Un ocupa l'espai central i l'altre queda al costat de ponent. Aquest últim inclou una avinguda envoltada de xiprers que mena fins a la bassa. Al costat de la bassa hi ha un gran pou de planta ovalada, creuat per una arcada d'origen molt probablement medieval. Per últim, a una certa distància a ponent del conjunt edificat hi ha la torre d'un antic molí de vent i les ruïnes d'un altre edifici.
La part més antiga d'aquest conjunt arquitectònic, és el que queda de la casa natal de Raimon Penyafort (1175 / 1185 - 1275), una petita fortificació depenent del castell d'Olèrdola. La majoria d'edificis que es conserven es van construir després de la canonització el sant. L'any 1602 començarem les obres de construcció del convent dominicà de Penyafort, amb una església de dimensions considerables i dues ales de planta rectangular, amb la planta baixa destinada a usos agrícoles i el pis a espais residencials. El 1707 es construí el portal de l'església, que tenia un gran retaule que va ser robat el 1815.
L'any 1835 el castell-convent va ser desamortitzat i passà a mans privades. A les darreries del segle XIX pertanyia a l'enginyer Puig i Llagostera, que va renovar l'edifici i l'adaptà com a mansió senyorial. L'any 1936 l'església va ser saquejada i se'n van cremar les relíquies que conservava. Aleshores va ser transformada en presó per a captius de guerra, mentre els propietaris i els masovers seguien emprant la part residencial. Després d'un període de deteriorament i successius canvis de mans, el conjunt va ser adquirit l'any 1980 per la senyora Gallemí. El conjunt va ser declarats el 8 de gener de 1988 Bé d'Interès Cultural, amb la categoria de Monument Nacional. L'any 1997 es creà l'Associació d'Amics del Castell de Penyafort, amb la finalitat de vetllar per la conservació física i els usos socials del castell. L'any 2002, l'ajuntament de Sta. Margarida i els Monjos adquireix el castell - convent
http://www.sunicamarkovic.com/news.html
http://www.cdbaby.com/cd/sunica2
...
December 7, 2009
Blue Whale ‘Song of Death’ Says Warns World Of 2012 Catastrophe
By: Sorcha Faal, and as reported to her Western Subscribers
A most interesting FSB report from the Russian Far Eastern Chukchi Peninsula circulating in the Kremlin today states that the tribal shamanic elders of the Siberian Yupik peoples have convened in their most holy of conclaves for the first time since the June, 30 1908 Tunguska explosion, which at over 1,000 times the power of the atomic bombs dropped by the US on Japan during World War II these Arctic peoples warned was a sign that our human race had placed itself upon a path of ‘total’ destruction by its placing the worship of science over that of nature for the first time in its modern history and thus failing to have learned the lessons of the ancients who suffered a similar fate when they too sought godhood.
Interesting to note about the Yupik shaman council warning of June, 1908 was that it was indeed followed by the July, 1908 Young Turk Revolution that began the demise of the Ottoman Empire, and then followed by the October, 1908 Bosnian Crisis which began when Bulgaria declared its independence and the Austria-Hungary Empire announced the annexation of Bosnia and Herzegovina, both of which events ‘lit the fuse’ for our World’s first ever Total Global Conflict called World War I that killed nearly 15 million.
Note: World War I saw the defeat of the German Empire with its signing of the disastrous Treaty of Versailles which plunged Germany into economic chaos and set the stage for World War II. Germany has also just announced it will make its final World War I reparations payment on October 3, 2010, ninety-one years after this conflict ended.
This latest Yupik shaman council warning is stating that our World is now in even more danger than in 1908 as humanity has failed to learn the lessons of over a century of war, which these Arctic peoples say is evidenced by the Blue Whale ‘Guardians of our Earth’ now singing the “Song of Death” as an ‘announcement’ to all human beings to prepare for the ending of all things.
To the Blue Whales ‘Song of Death’ the Yupik shamans are referring to, baffled Western Scientists are now also reporting that these largest animals our World has ever known have indeed begun to mysteriously change their ‘songs’, all over our Planet for the first time in recorded history, and in what John Calombokidis, a blue whale expert at the Cascadia Research Collective, notes is a “fascinating finding”.
But to what Western scientists are now noting to their puzzlingly alarm as to the changing of the Blue Whales song the World over, the Yupik shamans first noted during a 2002 meeting in Yanrakynnot, Russia when in examining the ‘strange portents’ occurring throughout the Arctic Regions of our Planet warned that only 10 years were left before the ‘Time of the Great Ending’ was upon us all again.
The importance of the Yupik shamans warning of 2012 being a ‘time of ending’ should not be taken likely either as it agrees with the ancient Mayan Calendar [photo 2nd left] which also puts a great Global portent on this 2012 year and new research now showing the linkage of these ancient Maya peoples of the Americas with the Yupik and other Arctic peoples through their shared Na-Dene language origins.
Though many Western scientists have long theorized that the peopling of the Americas was due to the Arctic peoples from Asia once crossing an ice bridged Bering Straight, Russian scientists, and the Arctic peoples themselves, have long stated the reverse is true and that after our World’s last ‘overturning’ the refugees for those humans who survived expanded outwards from the Americas to the rest of the World.
The 16th Century French seer Michel de Nostredame (Nostradamus) further eludes to this when in his book of predictions named The Prophecies (Century VI Quatrains 21) he predicts the uniting of the Arctic peoples in the ‘last days’ by his stating:
When those of the arctic pole are united together,
Great terror and fear in the East:
Newly elected, the great trembling supported,
Rhodes, Byzantium stained with Barbarian blood.
Also interesting to note is that though the governments of this World continue to deny the significance of 2012 their preparations for it continue, including the stocking of the Svalbard Global Seed Vault (also known as the Doomsday Vault) on the Arctic Norwegian island of Spitsbergen to hold samples of all of our World’s seeds, and the American President Barack Obama recently stating that all of the US Military Forces in Iraq and Afghanistan will start returning home in 2011.
Even more interesting to note about all of these events is that changing of our World’s Blue Whales ‘song’ involves a shifting in their time frequency as predicted by the renowned University of Chicago and Princeton scientist Dr. José Argüelles, who in his 2002 book Time and the Technosphere devises and promotes a notion that he calls the “Law of Time”, in part framed by his interpretations of how Maya calendrical mathematics functioned.
In this notional framework Argüelles claims to have identified a “fundamental law” involving two timing frequencies: one he calls “mechanized time” with a “12:60 frequency”, and the other “natural [time] codified by the Maya [that is] understood to be the frequency 13:20”.
To Argüelles, “the irregular 12-month [Gregorian] calendar and artificial, mechanized 60-minute hour” is a construct that artificially regulates human affairs, and is out-of-step with the natural “synchronic order”. He proposes the universal abandonment of the Gregorian calendar and its replacement with Argüelles' thirteen-moon calendar, in order to “get the human race back on course” by the adoption of “[his] calendar of perfect harmony so the human race could straighten its mind out again.”
Also needing to be mentioned is that since the Blue Whales began singing their ‘Song of Death’ warning to humanity the numbers of crop circles relating to the Mayan Calendar have, likewise, been increasing throughout the World.
In the Sorcha Faal’s book “Battle Begins For Throne of This World: The Return of the Einherjar Warriors”, she points out that one of these Arctic peoples most ancient sayings is “We don’t believe. We fear.” A saying, perhaps, those wise enough to understand should adopt so as not to be lulled into the same kind of complacency that kept billions of human beings unprotected during our World’s last great ending.
© December 7, 2009 EU and US all rights reserved
www.whatdoesitmean.com/index1306.htm
Audio, and more at www.utterli.com/u/utt/u-MTAxMTMzMzA
www.decorobra.com/algunos-consejos-para-acondicionar-un-j...
Los jardines de invierno, al estar construidos principalmente de vidrio, ofrecen muy poca aislación térmica tanto en verano como en invierno, haciendo que la climatización artificial de estos ambientes represente un desafío.
Para optimizar la efectividad de nuestro sistema de calefacción o aire acondicionado, se recomienda utilizar vidrios dobles, los cuales funcionan como aislante térmico sin alterar la visual desde el interior del ambiente.
Pero a pesar de los esfuerzos por maximizar el rendimiento de nuestros sistemas de climatización, a la hora de dimensionar su capacidad vamos a tener que ajustar los cálculos si queremos disfrutar una temperatura ambiente durante todo el año.
Sin dudas las ganancias térmicas por radiación en los espacios con grandes superficies vidriadas, constituyen el principal desafío del diseñador termomecánico a la hora de efectuar el cálculo de la potencia frigorífica a instalar, ya que de por sí, la radiación solar que incide sobre el edificio puede generar importantes ganancias de calor tanto indirectas como directas. Cuando éstas se dan a través de superficies opacas (muros y cubiertas, por ejemplo) se denominan indirectas, y cuando ocurren a través de superficies transparentes, como el vidrio, se llaman directas.
En el método del balance térmico se recomienda calcular las ganancias indirectas por medio del parámetro temperatura sol-aire (ganancias por conducción). El factor de ganancia solar del vidrio (fgs), se relaciona con el tipo de superficie transparente y representa la radiación directa que puede atravesarla. Se trata de una fracción entre 0 y 1, donde 0 representaría una superficie totalmente opaca y 1 indicaría una superficie totalmente transparente. Generalmente un vidrio claro de 3mm tiene un fgs de 0.88, mientras que uno de 6mm tiene un fgs de 0.84. Algunos cristales de color pueden reducir su fgs a 0.40, en tanto algunos cristales reflejantes pueden llegar a reducirlo hasta 0.20. Sin embargo es importante tomar en cuenta que los cristales de color y los reflejantes también reducen las ganancias de calor cuando estas serían deseables (en invierno) y que pueden llegar a obstruir de manera significativa las vistas al exterior.
Angie top
Forever 21 vest
Jonathan Saunders for Target pants
DKNY boots
More context here: www.districtofchic.com/2009/03/inklings-of-spring.html
the Pithora paintings :http://www.indianexpress.com/res/web/pIe/ie/daily/19981124/32851064.html
`Babo Pithoro' is a ritual painting style of the Rathwas that springs from their faith in the village witch doctor's powers to heal all grievances. ``The witch doctor, or lakahara, is held in highest esteem by the Rathwas who seek his consultation for any ill that befalls a family. It is he who visualizes the Babo Pithoro and directs the family to organise the ritual to bade away the evil by invoking the gods,'' said Ghosalkar.
The five-day ceremony is extensive and expensive, sometimes costing the family as much as Rs 30,000. While the preparation starts 15 days in advance with the family going door-to-door with invitations, the first 24 hours are devoted to the painting, inside the host's house followed by the ind, a ceremony invoking the gods by carving sculptures of 11 teak wood pillars. Alongside, is song, dance, food, locally brewed wines, tadi and mahura and merry-making.
A small group of painters chitaras are assigned the job of completing the painting within 24 hours under the supervision of the lakhara who decides on the figures to be painted, their position and the colours to be used. An offering of a slain chicken and wine is first made to the deity (Gamdev) at the makund, the holiest site in the village. The work starts from the wall on the left side of the house with the figure of the evil bhootdev followed by sequential paintings of ancestors, warriors, horses, the sun and moon and traditional Pithora figurines. No shade of black is used in the paintings, as it is considered inauspicious by the tribals.
``The paintings depict the socio-economic conditions of the Rathwa life and emphasise their strong belief in religion. While the styles vary with every Bhil group, they hold a deep social relevance,
While revelry fills the air for the five-day period, Ghosalkar said this was also a time when murders were frequent in the community. ``The Rathwas are hot-headed people, with the Rathwa populated tribal areas recording 800 murders in a year, most following petty quarrels over crops or land,''
en.wikipedia.org/wiki/Pithora_(painting)
Pithora is a ritualistic painting done on the walls by the Rathwa and Bhilala tribes who live in central Madhya Pradesh. Pithora paintings are executed on three inner walls of their houses. These paintings have significance in their lives and executing the Pithora paintings in their homes brings peace, prosperity and happiness. There is never an attempt to imitate nature: a horse or a bull, which might be a vision of a god, impresses him with only one central quality.
Pithora paintings are more of a ritual than an art form. These rituals are performed either to thank God or for a wish or a boon to be granted. The Bhadwa or the head priest of the tribe is summoned and the problems are narrated. These problems can vary from dying cattle, to unwell children in the family. The concerned person is given a solution and is asked, by the Bhadwa, to perform the ritual and the painting. The presence of Pithora Baba is considered as a solution to all the problems. A Pithora is always located at the threshold, or the Osari, outside the first front wall or inside on the walls of the first room as one enters a house. The painting usually floods the entire wall with figures. Three walls are prepared for the painting, the front wall and the two on either side of it. The front or central wall is very large, twice the size of each of the sidewalls. These walls are treated with two layers of cow dung paste and one layer of white chalk powder. Unmarried girls bring in these materials. This procedure is called Lipna. The main wall of the verandah that divides it from the kitchen is considered sacred to the Pithoro. The wall paintings related to the legends of creation and Pithoro, are done on this wall. The two sidewalls of the veranda are also painted with figures of minor deities, ghosts and ancestors.
From blazing-splendor.blogspot.com/2006/05/early-photo-of-dzon...
Regarding the great Khyentses, emanating multiple simultaneous treasure lives. "Tulku Urgyen Rinpoche said about this master:
When Old Khyentse passed away, the fifteenth Karmapa saw in a vision that instead of just a single reincarnation, twenty-five emanations would appear, each embodying one of the twenty-five aspects of fruition: five each for enlightened body, speech, mind, qualities, and activity. Among these, five principal incarnations were recognized and enthroned. That’s why we see so many reincarnations these days with the name Khyentse.
It is said that the activity of these amazing Khyentse incarnations is unceasing, like the moon rising when the sun sets: when one passes away, another appears in his place. When he died, several tulkus appeared to take over his Dharma activities. Seen from our side, while one of them dissolves back into the buddhafield, another emanation appears, sometimes even more brilliant than the previous one. After the great Khyentse died, Dzongsar Khyentse appeared, who was equally amazing. Then when Dzongsar Khyentse set, Dilgo Khyentse rose."
en.wikipedia.org/wiki/Dzongsar_Jamyang_Khyentse_Rinpoche
"The second incarnation was the renowned lama Dzongsar Khyentse Chokyi Lodro (1893-1959), who figured prominently in the export of Tantric Buddhism to the West as the root-teacher of a generation of influential and forward-thinking lamas.
A biographical portrait of Dzongsar Khyentse Rinpoche exists in documentary feature film form. The film came out in 2003, and is called Words of My Perfect Teacher. It is a portrait of the Vajrayana Buddhist student-teacher relationship."
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CLICK HERE FOR DETAILS OF MY OUTFIT! elisaloves.blogspot.com/2011/09/graphic-in-nature-plus-si...
The link above will take you directly to my blog page that gives details on where I bought my clothes and the inspiration behind it.
There are more outfit of the days by clicking on this link here: elisaloves.blogspot.com/
This video is published on my youtube channel: www.youtube.com/user/mselisalamourandco?feature=mhee
Thanks for watching! If you want to know more about me please check out any of the links below!
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Happy Fashions,
Elisa L'Amour
New Pollution Designs
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Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Boys - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Foothill Chris Schwartz 14:59.76 1 1 1
2. McFarland Alfonso Cisneros 15:33.49 2 2 1
3. McFarland Francisco Nava 15:48.44 3 3 2
4. McFarland Marco Perez 15:48.85 4 4 3
5. Stockdale Curtis Kelly 15:50.33 5 5 1
6. Ridgeview Brian Solis 15:50.81 6 6 1
7. Wasco A. Mendoza 15:51.72 7 7 1
8. Ridgeview Alex Garcia 15:52.70 8 8 2
9. Shafter Chris Handel 15:53.96 9 9 1
10. McFarland Gerardo Alcala 15:54.28 10 10 4
11. Shafter Jesus Villalpondo 16:05.48 11 11 2
12. Highland Colin Lewis 16:06.79 12 12 1
13. Centennial Nathan Vincent 16:08.77 13 13 1
14. Ridgeview Robby Baker 16:13.01 14 14 3
15. McFarland Eduardo Bautista 16:18.69 15 15 5
16. BHS Andrew Ariey 16:21.59 16 16 1
17. Garces Connor O'Malley 16:23.32 17 17 1
18. Stockdale Blair Slaton 16:25.15 18 18 2
19. Ridgeview Jerrio Lewis 16:25.61 19 19 4
20. East Jose Ramirez 16:25.97 20 20 1
21. East Mose Valdez 16:26.30 21 21 2
22. Highland Thomas Turner 16:26.59 22 22 2
23. Golden Valley Daymon Sandles 16:26.91 23 23 1
24. Foothill Jose Lopez 16:27.22 24 24 2
25. Ridgeview Miguel Munoz 16:30.13 25 25 5
26. Wasco G. Linares 16:34.10 26 26 2
27. Shafter Josh Wittenberg 16:34.61 27 27 3
28. Highland Jake Van Zandt 16:36.62 28 28 3
29. East Charlie Zaragoza 16:39.22 29 29 3
30. BHS Andrew Edquist 16:41.12 30 30 2
31. Cesar Chavez Martin Rios 16:45.91 31 31 1
32. Highland Ivan Esquivias 16:47.91 32 32 4
33. BHS Zachary Holt 16:48.98 33 33 3
34. Stockdale Anthony Dao 16:49.30 34 34 3
35. Cesar Chavez Ruben Galaviz 16:49.67 35 35 2
36. Wasco O. Mirando 16:50.04 36 36 3
37. Shafter Alex Moreno 16:51.14 37 37 4
38. Wasco E. Sanchez 16:52.02 38 38 4
39. Wasco E. Ramirez 16:53.29 39 39 5
40. East Camilo Mosqueda 16:53.84 40 40 4
41. East Vincente Herrera 16:54.31 41 41 5
42. Foothill Erick Bautista 16:54.82 42 42 3
43. Arvin Ben Orozco 16:57.57 43 43 1
44. Shafter Hector Montoya 17:01.02 44 44 5
45. Garces Jesus Guzman 17:02.28 45 45 2
46. Garces Michael Bedard 17:02.88 46 46 3
47. Frontier Tanner Urmston 17:03.48 47 47 1
48. BHS John Purcell 17:04.08 48 48 4
49. Centennial Ty Heiter 17:04.73 49 49 2
50. Frontier Richard Peralta 17:05.73 50 50 2
51. Shafter Cristian Barrios 17:07.93 51 51 6
52. Centennial Gehrig Smith 17:08.86 52 52 3
53. BHS Christopher Anderson 17:09.32 53 53 5
54. Highland Justin Burnett 17:10.77 54 54 5
55. Wasco J. DeJulian 17:11.97 55 55 6
56. Stockdale Stephen Burke 17:16.30 56 56 4
57. Arvin Juan Calderon 17:16.89 57 57 2
58. Wasco Cesar Patino 17:19.39 58 58 7
59. Cesar Chavez Tim Yanez 17:21.10 59 59 3
60. Highland Ariel Hurtado 17:23.69 60 60 6
61. North Adam Ralls 17:24.02 61 x 1
62. Ridgeview Michael Anseno 17:24.53 62 61 6
63. Ridgeview Jaime Madrigal 17:31.18 63 62 7
64. Foothill Patrick Manrique 17:32.75 64 63 4
65. Frontier Will Beechinor 17:33.57 65 64 3
66. East Alex Estrada 17:38.64 66 65 6
67. Burroughs Jesse Wigfield 17:38.99 67 66 1
68. Centennial Eric Millan 17:39.50 68 67 4
69. Burroughs Daniel Lathrop 17:39.91 69 68 2
70. Shafter Jacob Vasquez 17:40.47 70 69 7
71. Garces David Freed 17:40.91 71 70 4
72. Centennial Jake Howry 17:42.54 72 71 5
73. Burroughs Andrew Szczpiorski 17:44.05 73 72 3
74. Frontier D. Sclafani 17:47.26 74 73 4
75. Stockdale Max Morales 17:48.38 75 74 5
76. Burroughs Eduardo Carrillo 17:51.64 76 75 4
77. Burroughs Keith Christman 17:57.59 77 76 5
78. Golden Valley Jose Salgado 17:59.82 78 77 2
79. Cesar Chavez Rudy Sandoval 18:00.34 79 78 4
80. Centennial Brad Hinsley 18:04.58 80 79 6
81. Arvin Yessuri Villsenor 18:05.30 81 80 3
82. Burroughs Nathan Cheadle 18:10.33 82 81 6
83. Foothill Javier Garcia 18:11.22 83 82 5
84. Foothill Ernest Marquez 18:11.57 84 83 6
85. BC Kevin Yarian 18:27.47 85 84 1
86. North Chris Emmett 18:29.51 86 x 2
87. Cesar Chavez Andres Rodriguez 18:30.45 87 85 5
88. Tehachapi Corey Torres 18:32.16 88 86 1
89. Frontier Michael Sclafani 18:33.62 89 87 5
90. Garces Patrick Gomez 18:37.52 90 88 5
91. Highland Humberto Ramirez 18:37.98 91 89 7
92. Golden Valley David Gamino 18:40.22 92 90 3
93. Frontier Ricky Gonzales 19:03.13 93 91 6
94. Garces Chris Real 19:06.29 94 92 6
95. Stockdale D. Sherrill 19:08.29 95 93 6
96. Garces Dillon Lyles 19:16.75 96 94 7
97. Tehachapi Christian Torres 19:19.03 97 95 2
98. BC Mark McCutcheon 19:20:78 98 96 2
99. Golden Valley Nick Cruz 19:22.49 99 97 4
100. Golden Valley Daniel Perez 19:25.13 100 98 5
101. Foothill Christian Paredes 19:32.03 101 99 7
102. Arvin Adrian Rodriguez 19:32.67 102 100 4
103. BC Thomas Beard 19:59.04 103 101 3
104. West Michael Branquino 19:59.63 104 x 1
105. BHS Nick Flores 20:04.27 105 102 6
106. Tehachapi Logan Collier 20:07.47 106 103 3
107. Kern Valley C. Woodward 20:22.63 107 x 1
108. Arvin Christian Guerrero 20:31.41 108 104 5
109. Burroughs Daniel Meade 20:41.26 109 105 7
110. Golden Valley Ryan Davis 20:41.26 110 106 6
111. BHS Robby Harris 20:42.01 111 107 7
112. East Hector Fuentes 20:42.57 112 108 7
113. Frontier Alex Blanton 20:56.97 113 109 7
114. Cesar Chavez Joel Hernandez 21:02.22 114 110 6
115. Tehachapi Trent Sherman 21:02.94 115 111 4
116. Tehachapi Shaddi Haddad 21:18.14 116 112 5
117. BC Austin Adee 21:25.45 117 113 4
118. BC Aaron Stephens 21:31.77 118 114 5
119. Kern Valley J. Pistocco 23:15.37 119 x 2
120. Tehachapi Corey Hebron 23:19.78 120 115 6
121. West Kevin Serrano 23:48.05 121 x 2
clickeventonline.com/event/politica/131024-ConceptoyAplic...
¿Qué es la democracia? ¿Cómo la identificamos? ¿Qué grado de participación deseamos en su aplicación? Son algunas de las preguntas que deseamos someter al análisis de un panel que examina sus perspectivas desde la óptica de quienes viven en Cuba y la de los cubanos que viven en el exterior, con el propósito de despertar un intercambio de ideas e identificar vías de solución en el proyecto de promover una transformación democrática en Cuba.
INVITADA: Ing. Ofelia Acevedo, esposa de Oswaldo Payá, Miembro del Consejo Coordinador y co-fundadora del Movimiento Cristiano Liberación.
BIENVENIDA: Marta Menor, Presidenta, Cultivamos Una Rosa Blanca
PRESENTADOR DEL TEMA: Gerardo Martínez-Solanas, Director, Democracia Participativa net. Economista y Politólogo con maestría en ambas disciplinas (CUNY). Autor de Gobierno del Pueblo: Opción para un Nuevo Siglo.*
MODERADOR: Dr. José Azel Investigador Asociado, ICCAS, Universidad de Miami. Licenciatura y maestría en administración de negocios, doctorado en estudios Internacionales de la Universidad de Miami. Autor del libro Mañana in Cuba.*
PANELISTAS:
Julio M. Shiling: Director del foro político y la publicación digital Patria de Martí, politólogo y articulista. Maestría en ciencias políticas de la Universidad Internacional de la Florida (FIU) autor del libro Dictaduras y sus Paradigmas ¿Por quė algunas dictaduras se caen y otras no?"
Gustavo Pardo: Ex Presidente de la Academia Cubana de Altos Estudios Masónicos (2005-2011), autor del libro Martí Mason, Nuevos Elementos y de los ensayos Gabinete de Reflexiones o la Llave Dorada del Simbolismo Masónico
Pedro Pablo Álvarez: Expulsado de la Universidad cursando 5to año de Construcción de Maquinarias; Secretario general del Consejo Unitario de Trabajadores Cubanos, encarcelado en 2003 sentenciado a 25 años, desterrado a España en 2008 con el grupo de los 75. Uno de los principales gestores de los Comité Ciudadanos por el Proyecto Varela.
Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
Women's Black Ave MBT Sneaker from www.onlineairjordanmall.com just 133.99 USD for free shipping.MBT Wave Shoes looks simple yet stylish elements. This style of product will not only change how you use your muscles, but will improve the use of your joints and spine. Specially cheap MBT Shoes designed sole, combined with correct training, to achieve a more active and healthy posture and walk.
At MBT it is our philosophy to keep the body in motion. We believe motion is key to helping find and maintain the right balance in life. At MBT, we can help achieve this through our unique shoe design that combines a perfect balance of function with style. MBT (Masai Barefoot Technology) was born in 1996 when we discovered that natural instability can have positive effects on the human body. We made this discovery by observing the wonderfully agile Masai people walking barefoot on natural, uneven ground. Seeing these people in action made us realize that the human body is simply not designed to walk or stand on the hard, flat surfaces of modern society. So we set out to develop a new kind of footwear, one that would mimic walking on soft, uneven ground. The results have been dramatic and revolutionary. MBTs are now sold in more than 55 countries. MBT's patented Masai Sensor and Balancing Area creates instability that your body instinctively attempts to correct. This corrective action can help add more movement into everyday life, lead to increased muscle activation and help improve posture and balance.
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Panorama Shot (3 photos autostitched) of the entrance in the eastern wall of a nemeton (sacred place of the Celts) in the forest South of Munich, Deisenhofen/Kreuzpullach. Have a look on this winter photo of the same site and of the western wall.
See below at the comments' section the English translation done by mikescottnz. Thanks a lot, Mike!!
===
Als Kelten- oder Viereckschanze bezeichnet man die vor allem in Süddeutschland anzutreffenden Reste von quadratischen, manchmal auch rechteckigen Gevierten mit Wall und umlaufendem Graben. Alleine in Bayern und Baden-Württemberg sind mehr als 300 dieser Anlagen bekannt. Daneben gibt es, wenn auch (bisher) deutlich seltener erkannt, Viereckschanzen in der Schweiz, in Österreich, in Böhmen sowie in Nordfrankreich.
Zwischen Deisenhofen und Wolfratshausen findet man die größte Anzahl an Keltenschanzen in Deutschland. Allein rund um Deisenhofen sind sechs Schanzen erhalten, darunter die 2 größten in Süddeutschland. Diese, die südlichst gelegene Schanze von Deisenhofen und für mich eine der Schönsten im Umkreis, befindet sich nordöstlich von Kreuzpullach.
Beschreibung von einer Hinweistafel des Landratsamts München:
Im Gegensatz zu den Keltenschanzen im freien Gelände, wie z.B. im Lanzenhaarer Feld (östlich von Deisenhofen), wurde diese im Hachinger Holz gelegene Schanze aus dem letzten Jahrhundert vor Christi Geburt später vom Wald überwachsen.
Die viereckigen Wälle mit vorgelagerten Gräben (hier 75 auf 90 m Seitenlänge) umgrenzen eine Kultstätte des Volkes der Kelten. Im Innern des Rechtecks, das durch ein Tor im Ostwall betreten werden konnte, vollzog man in kleinen hölzernen Tempeln und tiefreichenden Schächten religiöse Handlungen.
In der Nähe befinden sich noch eine Hügelgräbergruppe aus der späten Bronzezeit (um 1300 v.Chr.).
Die Schanze besitzt auf allen vier Seiten gut erhaltene Wälle und Gräben. Die Wälle mit einer durchschnittlichen Höhe von etwa vier Metern und einer Breite von vier bis fünf Metern zeigen die schanzentypischen Erhöhungen (etwa einen halben Meter) in den Eckbereichen. Die Gräben besitzen eine Tiefe von rund zwei Metern bei einer Breite von drei bis vier Metern. Das Bodenniveau der Schanzen-Innenfläche liegt etwa einen halben Meter erhöht über dem Bodenniveau der äußeren Umgebung.
Weitere Informationen:
Kelten in Bayern: Karte der Keltenschanzen südlich München
Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transports
Lieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR
www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
el.godfootsteps.org/videos/meaning-of-prayer-hymn.html
Εκκλησιαστικοί ύμνοι | Η σημασία της προσευχής
I
Η
προσευχή είν' απ' τους τρόπους που ο άνθρωπος
συνεργάζεται με τον Θεό,
το Πνεύμα να επικαλεστεί κι απ' τον Θεό να αγγιχτεί.
Όσο προσεύχεστε, τόσο θ' αγγίζεστε,
διαφωτισμένοι και αποφασιστικοί.
Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.
Όσο προσεύχεστε, τόσο θ' αγγίζεστε,
διαφωτισμένοι και αποφασιστικοί.
Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.
II
Όσοι δεν προσεύχονται, νεκροί είναι χωρίς πνεύμα.
Απ' τον Θεό δεν αγγίζονται,
το έργο Του δεν ακολουθούν.
Χωρίς προσευχή χάνουν την πνευματική ζωή,
απ' τον Θεό απομακρύνoνται, δε θα τους εγκρίνει.
Χωρίς προσευχή χάνουν την πνευματική ζωή,
απ' τον Θεό απομακρύνoνται, δε θα τους εγκρίνει.
III
Όσο προσεύχεστε, τόσο θ' αγγίζεστε,
διαφωτισμένοι και αποφασιστικοί.
Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.
Όσο προσεύχεστε, τόσο θ' αγγίζεστε,
διαφωτισμένοι και αποφασιστικοί.
Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.
Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.
Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
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Lagu Rohani Kristen Terbaru 2019 - Nyanyikan Pujian bagi Tuhan Mahakuasa
Tuhan Mahakuasa, Tuhan yang indah,
kami nyanyikan pujian bagi-Mu s'lamanya!
Tuhan Mahakuasa, Tuhan yang indah,
kami nyanyikan pujian bagi-Mu s'lamanya!
I
Kau Tuhan yang b'nar yang t'lah muncul dalam daging,
Jurus'lamat yang t'lah datang!
Engkaulah Tuhan yang benar, yang s'lalu bekerja
'tuk kes'lamatan kemanusiaan!
Kau pimpin manusia ke masa s'karang.
'Tuk s'penuhnya menyucikan,
Kau berinkarnasi dalam daging dua kali!
Tuhan Mahakuasa, Tuhan yang indah,
kami nyanyikan pujian bagi-Mu s'lamanya!
Tuhan Mahakuasa, Tuhan yang indah,
kami nyanyikan pujian bagi-Mu s'lamanya!
II
Kau t'lah mend'rita dan dianiaya.
Kau dipermalukan, ditolak oleh zaman yang kejam.
Harga yang Kau bayar dengan darah, k'ringat, air mata,
s'penuhnya tunjukkan kasih-Mu 'tuk manusia.
Kehendak, kekudusan-Mu diungkapkan.
Watak-Mu yang benar,
t'lah diungkapkan pada kami!
Tuhan Mahakuasa, Tuhan yang indah,
kami nyanyikan pujian bagi-Mu s'lamanya!
Tuhan Mahakuasa, Tuhan yang indah,
kami nyanyikan pujian bagi-Mu s'lamanya!
Kau sungguh indah, layak dapat pujian kekal.
Kami nikmati kasih-Mu, kami ingin membalasnya.
Tuhan Mahakuasa, kami mengasihi-Mu!
Dengan lagu, tarian kami puji watak-Mu yang b'nar!
Biarkan kami tunjukkan kasih bagi-Mu!
III
Kau ungkap kebenaran, sirami dengan firman-Mu,
agar kami hidup di hadirat-Mu.
Kau curahkan keb'naran hidup ke dunia,
agar Kau bisa s'lamatkan kami!
S'telah lakukan firman-Mu,
kami bertumbuh, pahami keb'naran.
Firman-Mu hakimi, murnikan,
jadikan kami manusia baru.
Tuhan Mahakuasa, Tuhan yang indah,
kami nyanyikan pujian bagi-Mu s'lamanya!
Tuhan Mahakuasa, Tuhan yang indah,
kami nyanyikan pujian bagi-Mu s'lamanya!
IV
Kau pulihkan hidup normal kemanusiaan,
bawa kami ke tempat tujuan yang indah.
Kau t'lah kalahkan Iblis dan s'penuhnya
s'lamatkan kami, dapat kemuliaan!
Puji hikmat-Mu, kami akan s'lalu tinggikan Engkau.
Puji kemahakuasaan-Mu, kami bersaksi tentang-Mu!
Kami nyanyikan pujian bagi-Mu!
Tuhan Mahakuasa, Tuhan yang indah,
kami nyanyikan pujian bagi-Mu s'lamanya!
Tuhan Mahakuasa, Tuhan yang indah,
kami nyanyikan pujian bagi-Mu s'lamanya!
Dengarkan lebih banyak lirik lagu rohani terbaru 2019.
the Pithora paintings :http://www.indianexpress.com/res/web/pIe/ie/daily/19981124/32851064.html
`Babo Pithoro' is a ritual painting style of the Rathwas that springs from their faith in the village witch doctor's powers to heal all grievances. ``The witch doctor, or lakahara, is held in highest esteem by the Rathwas who seek his consultation for any ill that befalls a family. It is he who visualizes the Babo Pithoro and directs the family to organise the ritual to bade away the evil by invoking the gods,'' said Ghosalkar.
The five-day ceremony is extensive and expensive, sometimes costing the family as much as Rs 30,000. While the preparation starts 15 days in advance with the family going door-to-door with invitations, the first 24 hours are devoted to the painting, inside the host's house followed by the ind, a ceremony invoking the gods by carving sculptures of 11 teak wood pillars. Alongside, is song, dance, food, locally brewed wines, tadi and mahura and merry-making.
A small group of painters chitaras are assigned the job of completing the painting within 24 hours under the supervision of the lakhara who decides on the figures to be painted, their position and the colours to be used. An offering of a slain chicken and wine is first made to the deity (Gamdev) at the makund, the holiest site in the village. The work starts from the wall on the left side of the house with the figure of the evil bhootdev followed by sequential paintings of ancestors, warriors, horses, the sun and moon and traditional Pithora figurines. No shade of black is used in the paintings, as it is considered inauspicious by the tribals.
``The paintings depict the socio-economic conditions of the Rathwa life and emphasise their strong belief in religion. While the styles vary with every Bhil group, they hold a deep social relevance,
While revelry fills the air for the five-day period, Ghosalkar said this was also a time when murders were frequent in the community. ``The Rathwas are hot-headed people, with the Rathwa populated tribal areas recording 800 murders in a year, most following petty quarrels over crops or land,''
en.wikipedia.org/wiki/Pithora_(painting)
Pithora is a ritualistic painting done on the walls by the Rathwa and Bhilala tribes who live in central Madhya Pradesh. Pithora paintings are executed on three inner walls of their houses. These paintings have significance in their lives and executing the Pithora paintings in their homes brings peace, prosperity and happiness. There is never an attempt to imitate nature: a horse or a bull, which might be a vision of a god, impresses him with only one central quality.
Pithora paintings are more of a ritual than an art form. These rituals are performed either to thank God or for a wish or a boon to be granted. The Bhadwa or the head priest of the tribe is summoned and the problems are narrated. These problems can vary from dying cattle, to unwell children in the family. The concerned person is given a solution and is asked, by the Bhadwa, to perform the ritual and the painting. The presence of Pithora Baba is considered as a solution to all the problems. A Pithora is always located at the threshold, or the Osari, outside the first front wall or inside on the walls of the first room as one enters a house. The painting usually floods the entire wall with figures. Three walls are prepared for the painting, the front wall and the two on either side of it. The front or central wall is very large, twice the size of each of the sidewalls. These walls are treated with two layers of cow dung paste and one layer of white chalk powder. Unmarried girls bring in these materials. This procedure is called Lipna. The main wall of the verandah that divides it from the kitchen is considered sacred to the Pithoro. The wall paintings related to the legends of creation and Pithoro, are done on this wall. The two sidewalls of the veranda are also painted with figures of minor deities, ghosts and ancestors.