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How I made this photo? See new YouTube BTS video! youtu.be/R6OOOAWmE7M
Leica M240 + Leica Elmar 50mm f2.8 + Leica M240 B&W preset + Daylight
Working with ex L'Oréal hair model, Juli :)
a small group of black-capped chickadees followed me through the winter woods today, staying just behind me & over my shoulder...one fellow broke from the pack and found a promising composition
Thanks for all your comments and faves, much appreciated.
| Gospel Movie | God's Utterance "How to Know God’s Disposition and the Result of His Work" (Part One)
www.holyspiritspeaks.org/videos/how-to-know-god-dispositi...
Introduction
God's words in this video are from the book "The Word Appears in the Flesh".
The content of this video:
The Outcome’s Weight in People’s Hearts
People’s Beliefs Cannot Substitute for the Truth
There Are Many Opinions Concerning the Standard With Which God Establishes Man’s Outcome
Recommended for You ：christian short film
Image Source: The Church of Almighty God
Terms of Use: en.godfootsteps.org/disclaimer.html
Maybe is my lovely flowergirl, every day she is able to bring a smile on my face, even when I am sad. I love her!
How long will it take before this bunker is washed to the sea ?...
The answer my friend is blowin in the wind...
Explored #15
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Please don't use without my permission.
The night market... (ii)
(Do click the image to view large)
Chun Yeung Street, North Point, Hong Kong
Poor Diego, he tries so hard to help, but cannot put a paw on the floor, while keeping the fabric straight. But his emotional support is the best.
The tag said this was "Mugwort" but on further investigation, it turns out it was actually Clematis occidentalis aka C. verticellaris. I liked the other name better...
A fellow photographer on the trip and I had a challenge to get a picture with as many zebra as possible w/o any of the ground, etc. showing. We saw thousands of them but they were never together in a tight cluster . . . but, finally, I got one!!!
"How Many Roads" är min tolkning till tema ”Många” för Fotosöndag.
En symbolisk tolkning med första textraden "How many roads must a man walk down” till den legendariska protestsången ”Blowin’in in the wind”, som sedan följs av en serie av retoriska frågor om fred, krig och frihet.
Läs mer om Dylan och tankarna runt bilden på min blogg.
"How Many Roads" is my contribution to theme "Many" for the photogroup Fotosöndag.
A symbolic picture releated to the famous protestsong "Blowin'in in the Wind" where the first texline is "How many roads must a man walk down” .
Please visit my photoblog: www.bildligttalat.se
Follow me on Twitter: www.twitter.com/jetuma
Gaviota inmadura, tal vez enferma, que parece expresar soledad y desamparo. (Octava de una serie de 10)
never remember a kindness done, and never forget a kindness received :-)
― Kentetsu Takamori
day lily, 'Carnival in Mexico', sarah p duke gardens, duke university, durham, north carolina
Come back in a few million years and you will likely find this grass and these seed pods as fossils. Flash floods wash mud and sediment down an arroyo and dump it on top of the vegetation where it stays burred. Small arroyo in San Juan County, Utah.
Will you let her to join us?...
Dont be afraid, i think she's vegetarian...
Good, lets go!
=
INI Tweaks
6 Shots
Downsample
Mods :
DCE, Geralt Human Dopler, Hair - Increase LOD, PhotoMode 2inOne, Spawn Companion, The Appearance Menu, Ultra Grass 3000, Ultra Lighting
For kneeling idle, you need this Witcher Modding Tutorial for extract game data to found animation that you want then use DCE.
Doug is just checking in to say hello and let you know that all the critters here at Cat Hill Farm are doing okay.
Poor little Anole was blowing back and forth, clinging to the top of this Mountain Mint with all its might!
It was on the hunt for lunch, but the strong breeze kinda got in the way, and it never got to show off its Master Hunting Skills which I'm sure would have been most impressive.
** Seen in The Children's Garden at Dauset Trails Nature Center.
The Emett clock in Nottingham. Or the aqua horological tintinnabulator as it was named by Rowland Emett OBE in 1973
New Year's Day is always an outdoor day for me. I use to stay up late on NYE but over the years I have begun to favor an early bedtime in order to get a head start on the fresh year - generally heading out somewhere to be in nature. This year saw me hiking Silver Falls State Park. But I have talked about my New Year habits in previous posts over previous years. The thread of today's image is actually involving Harman Phoenix 200 - the film used to make this image.
I will say, I have not completely made up my mind on this film, though my opinion of it has evolved since my first roll with it. It is definitely interesting stuff and I am glad Harman is making it. How long it remains available is still to be seen though. But even if it is phased out, it seems like that will be just to make room for a newly evolved color film.
But it does surprise me sometimes how film photographers don't quite seem to realize how malleable a material film is to work with. I see it sometimes at work. Customers will drop off film and then be amazed to discover how much work we can do to an image at the printing or scanning stage. Some think the image is more or less baked into the film and there is only one possible way that it will come out of a printer. But this also happens online too, especially with the rise of home developing and home scanning. Folks will develop a film like Phoenix then scan it (sometimes poorly) and characterize it by the results they get as if those are the only results possible. One example of this is the fact that Phoenix has a purple base. Most color films have a dusky orange film base. But Phoenix must share technology with XP2, a black and white C-41 film also known for a blue-purple film base. This purplish base makes it trickier to scan since a lot of film scanners are calibrated to see, and negate, the orange film base. And since we are dealing with negatives where everything inverts, that purple base of Phoenix inverts into a yellow-orange color cast in the positive scans. That is to say unless you work to correct/calibrate for it. My initial tests with this film only had modest color corrections and I just kind of let it be yellowish. But then I saw some optical prints we had done in our lab where our printing tech had put in a bit more effort to see if he could correct Phoenix to something a bit more neutral. The results impressed even me and at first I did not even realize the prints I was looking at had come from Harman Phoenix. So having seen this as an example of what the film could do I spent more time scanning my next couple of rolls. Specifically I used the Nikon Coolscan's ROC (restoration of color) feature to automatically correct the color cast. It did an impressive job but also had a tendency to add too much contrast. So lately I have been dialing in the color corrections manually and ending up with results like this image and without the heavy yellow tinge of my earlier images made on Phoenix.
I guess my point is multi-pronged. One - be careful about rushing to conclusions, especially when you have relatively little evidence to work with. Two - don't believe everything you read online because the folks giving you info might be failing at point One. Three - Remember that you are blind to your own blind spots. Meaning you have them, but you cannot see them. And it is easy to forget about something you cannot see. I had begun to characterize my own expectations of this film without realizing it and it took the print work of our lab to make me conscious of the bias I was forming about Phoenix. Four - keep your mind open and be curious, don't stop asking questions and don't stop looking for the answers to them, even if you want to think you already know those answers.
Anyhoo, just some Phoenix-related thoughts that may or may not be applicable in other ways.
Hasselblad 500C/M
Harman Phoenix 200
If you ever wondered how animation films are made... this 2 mins video explains the process of animating a character.
SHORT EXPLANATION
- Make or use an object
- Make an armature (=skeleton with bones)
- Parent the object to the bones
- Then give the object different poses at different frames in the timeline (an animation is just a rapid succession of frames).
Done.
LONGER EXPLANATION
1. Start from an object/character you made.
2. Then make an armature, i.e. bones, which is like a skeleton for your object. Obviously your bones will have to move in a clever way, for instance when you bend the knee, it will have to bend forward, not backward. This can be done with inverse kinematics which is an object constraint you can add to a bone, that has to affect a chain of bones.
3. Then you parent the object to the armature (skeleton) you made.
4. And finally in pose mode, you can keyframe different poses in a timeline. For instance at time zero your character is in its default pose. At frame 5 you move it down and make it bend its knees, keyframe that. Then move frame 10 and move it up and to the left, keyframe that position, and so on.
(I added a plane and some colours)
5. And then you hit the play button!