View allAll Photos Tagged HOLYTRINITY
Melbourne . A sausage sizzle is set up outside the local church, just two blocks from the MCG, where the AFL semi finals are being played tonight. watercolour pencil.
LaFerrari (project name, F150) is a limited production hybrid sports car built by Italian sports car maker Ferrari. The car and its name were officially unveiled at the 2013 Geneva Auto Show. It is based on findings from testing of the Ferrari FXX and on research being conducted by the Millechili Project at the University of Modena. Association with the Millechili Project led to speculation during development that the car would weigh under 1,000 kg (2,205 lb), but a dry weight of around 1,255 kg (2,767 lb) was claimed. Only 499 units have been built, and each cost more than 1 million US dollars
Holy Trinity church in the Lincolnshire village of Swallow, also an old style rural sign post. The Lincolnshire Wolds are full of these posts, some in good nick, some in need of a repaint.
"Jesus said:
‘I tell you most solemnly, anyone who does not enter the sheepfold through the gate, but gets in some other way is a thief and a brigand. The one who enters through the gate is the shepherd of the flock; the gatekeeper lets him in, the sheep hear his voice, one by one he calls his own sheep and leads them out. When he has brought out his flock, he goes ahead of them, and the sheep follow because they know his voice. They never follow a stranger but run away from him: they do not recognise the voice of strangers.’
Jesus told them this parable but they failed to understand what he meant by telling it to them.
So Jesus spoke to them again:
‘I tell you most solemnly,
I am the gate of the sheepfold.
All others who have come
are thieves and brigands;
but the sheep took no notice of them.
I am the gate.
Anyone who enters through me will be safe:
he will go freely in and out
and be sure of finding pasture.
The thief comes
only to steal and kill and destroy.
I have come
so that they may have life and have it to the full.’"
– John 10:1-10, which is today's Gospel (4th Sun of Easter)
My sermon for today can be read here.
LaFerrari (project name, F150) is a limited production hybrid sports car built by Italian sports car maker Ferrari. The car and its name were officially unveiled at the 2013 Geneva Auto Show. It is based on findings from testing of the Ferrari FXX and on research being conducted by the Millechili Project at the University of Modena. Association with the Millechili Project led to speculation during development that the car would weigh under 1,000 kg (2,205 lb), but a dry weight of around 1,255 kg (2,767 lb) was claimed. Only 499 units have been built, and each cost more than 1 million US dollars
Holy Trinity Church in downtown Bloomington, Illinois is on the National Register of Historic Places #83003585. The church was designed by Arthur F. Moratz to replace one destroyed by a fire and opened in 1934.
The main structure of this church dates from the 12th century. It is believed that the tower was added in the 14th century. The slate roof is part of restoration work undertaken in the late 1890's.
Holy Trinity Church is a Grade II* listed parish church in the Church of England in Wentworth, South Yorkshire. The church was built by William Wentworth-Fitzwilliam, 6th Earl Fitzwilliam in memory of his parents. Construction started in 1872 and the building was designed by John Loughborough Pearson. It was completed in 1876 and consecrated on 31 July 1877 by the Archbishop of York. On opening, Old Holy Trinity Church, Wentworth was closed.
Sir William Cordell's monument in Holy Trinity Church, Long Melford. www.historyofparliamentonline.org/volume/1509-1558/member...
Church at Clapham Common in south west London, once home to the 'Clapham Sect' of conservative social reformers led by William WIlberforce.
The church was built in 1774, the porch in 1812. Additions were made in 1902 and the church had to be restored after World War II bomb damage. Further alterations were made in 1991 to provide meeting rooms and other facilities within the building.
The church is famous for being associated with the Clapham Sect which was a driving force in the abolition of slavery, and the founding of both the Church Missionary Society and the British & Foreign Bible Society.
(Sadly the clock is wrong.)
For someone like me, who has set himself the task to visit and document photographically as many as possible of those wonderful Romanesque churches and monasteries, a trip to Normandy is both cause for despair and for enchanted amazement. Despair, because the Norman architect, at the time of the Romanesque which coincided with the conquest of Britain by Duke William in 1066 and the tremendous influx of power and riches that ensued, that architect is above all focused on efficiency and the projection of power and majesty. For that architect, the absolute must, the beginning and the end of church building, is the wall. Sculpture doesn’t matter. When it exists at all, it is often relegated to simple modillions under the cornice that supports the roof. The bare wall, perfectly aligned and appareled, reigns as the undisputed king of Norman Romanesque. He who likes to smile and wonder at the ingenuity and inventiveness of Mediæval sculptors, is most of the time sorely disappointed by the utter lack of adornment of those great and tall Norman churches, next to which the barest Cistercian sanctuaries look positively alive and overflowing under the comparatively unbridled abundance of rinceaux, human figures and assorted creatures.
No sculpture to speak of, then, is the norm in Normandy. But on the other hand, the masterfulness of the architects and masons turns the job of putting one stone on top of another into a veritable art: it is here, in Normandy, that was first experimented the very innovation that would bring about the end of the Romanesque: the voûte d’ogives, the rib vaulting from which the whole world of Gothic derives. It is in Normandy that it was first imagined and implemented, even as the 11th century hadn’t yet come to a close. We will see where, and how.
Dedicated to the Holy Trinity, the Abbaye aux Dames stands not very far from the Abbaye aux Hommes in the city of Caen. Founded in 1060 by Duchess Mathilda, William’s wife, it was only completed in 1130.
Slightly shorter than the Mens’ Abbey, the Ladies’ church is much more decorated. Do not be fooled by the façade, however: it did take up the exact same concept of façade harmonique, and the sculpted tympanum you see above the main portal is an ugly 19th century “opus” that never existed in the Middle Ages, and sparked controversy even in the 1860s!
You will notice that the engaged pillars on the façade are ever so slightly tapered: the two middle ones are so shaped on both side, while the two on the sides are only tapered on the inside. It is a very clever trick that fools the eye. Let me underline once again that the camera was perfectly level before the photos of the façade were taken...
The abbey church was listed as a Historic Landmark on the very first list of 1840.
(More on the history of Duke William the Conqueror, his wife Mathilda and the two abbeys of Caen can be found in the captions under the photos of the Men’s Abbey, which I uploaded just before those of the Ladies’ Abbey.)
The nuns’ choir and the apse. This is the only place (with the confessions box!) where the Benedictine nuns were in close proximity with a man. It is a fact that is often overlooked but nuns always needed ordained men every single day to celebrate Mass (in addition to hearing confessions, administer last rites, etc.), as only priests could say it, and only men could be ordained...
In men’s monasteries, not all monks were ordained nor needed to be.
In the center of the choir is the very simple tomb of Duchess (and Queen of England) Mathilda of Flanders, which I will show in more detail tomorrow.
Holy Trinity Church, Little Woolstone, Milton Keynes. Dating from the 13th Century it's no longer in use.
Sittingbourne is a large town up from Faversham on the A2, or the old high road.
Today it is post industrial, mostly, with a one way system and out of town big box stores.
I have seen little of worth in the town when we have passed through. So, Milton Regis was expected to be more of the same.
But the ancient borough is full of fine old timber-framed houses, narrow streets, but beyond them there are endless estates full of identical houses.
Holy Trinity sits the other side of a busy junction, at the end of a short lane, now used mostly by people visiting the large playing field so their dogs don't crap in their owner's back gardens.
Or so it seemed.
Urban churches are rarely open for causal visits, so it proved this time. The young folks paiting the parish offices didn't have a key for the church, so could not help.
So I made do with snapping the outside of the church and large collection of ancient gravestones, one I learn was connected to the Gunpowder Plot.
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The massive 14th century tower grabs attention immediately, but just by the door is a most mysterious headstone which commemorates a man killed by a rocket at an early Guy Fawke`s celebration. Inside, the south aisle is almost as wide as the nave and has a rare rood loft staircase that runs in the thickness of the wall rather than up a spiral staircase. There is little stained glass but the east window, by the firm of Ward and Hughes is rather a masterpiece, with most of the subjects being real portraits – especially the figures of St George and St Uriel. An inscription nearby tells the whole story. At the junction of nave and chancel is a rare benefactions board which is carved to look like a memorial – look out for Faith Hope and Charity. The medieval vestry at the north east corner has an original shuttered window – a rare survival indeed, whilst under the huge tower is a benefactions board recording gifts to dredgermen`s widows. Now you don’t find them very often!
www.kentchurches.info/church.asp?p=Milton+Regis
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MILTON,
OR, more properly, Middleton, lies the next parish north-westward from Sittingborne, last described, and seems to have taken its name from the Saxon Midletun, a name denoting its situation in the middle part of this county.
THE PARISH of Milton is most of it situated on low flat ground, and extends from the high London road as far as the waters of the Swale northward, adjoining to which, the marshes in this parish are both fresh and salt, of a very large extent. In the southern or upper part of the parish, next to the London road, is a small hamlet, called from the soil Chalkwell, in which there are two modern-built houses of the better sort, the lower most of which has a large tan-yard belonging to it; near it there rise some springs, which fill several large ponds, the reservoirs for a corn mill below them, after which they run along the east skirts of the town, which are a continued swamp of watry bogs, into the creek below. The town, antiently called the king's town of Milton, as being part of the antient possessions of the crown, is situated about half a mile from the high London road, at the eastern boundary of the parish, the greatest part of it on the knole of a hill, extending mostly down the east side of it to the head of the creek, which flows north-westward from hence, and at two miles distance, after several meandrings, joins the waters of the Swale. It has a very indifferent character for health, owing both to the badness of the water, and the gross unwholesome air to which it is subject from its watry situation; nor is it in any degree pleasant, the narrow streets, or rather lanes in it, being badly paved, and for the most part inhabited by seafaring persons, fishermen, and oyster-dredgers.
Its commodious situation for navigation near the Swale, to which the town then stood much nearer than it does at present, caused it to be frequented by the Danes, in their piratical excursions into this county, particularly in 893, these pirates, who had been ravaging. France and the Low Countries, being distressed for subsistence, turned their thoughts towards England, for the sake of plunder: for this purpose, with one of their fleets, they sailed up to Apledore, and with the other, consisting of about eighty ships, under the command of Hastings their captain, they entered the mouth of the river Thames, and landing in this parish built themselves a fortress or castle here. Asserius writes, anno 892, Hastengus fecit sibi firmissimum oppidum apud Middeltunam. Sax. Chron. anno 893, interpreted, Arcem extruxit. Simon Dunelm, coll. 151, H. Huntingdon, lib. 5, Florence of Worcester, p. 595, and Chron. Malros, Fecit munitionem. Spelman, in his Life of Alfred, says, Dani castra validis operibus communiunt. This fortress was erected at a place called Kemsleydowne, in the marshes, about midway between the town and the mouth of the creek, the scite of which is still visible, and being overgrown with wood and bushes, has obtained the name of Castberough. (fn. 1) It is of a square form, and is surrounded by a high bank thrown up, and a broad ditch. There is a raised causeway, very plainly to be seen, leading from it towards the seashore. From this fortress they not only made their excursions and plundered the neighbouring country, but secured themselves against such power as the king might send against them.
This town of Milton being part of the royal demesnes, was a cause of its being destroyed by earl Godwin, who being at variance with Edward the Consessor, came here, with a large force, in the year 1052, and burned this town, then of good condition, to the ground; and afterwards ransacked and spoiled many other of the king's estates throughout the county. After which it does not seem to have been ever restored to its former state.
Its condition in the reign of queen Elizabeth may be seen by the survey, made by her order in the 8th year of her reign; by which it appears, that there were then in this town, houses inhabited one hundred and thirty, persons lacking habitations six, landing-places four, one called Fluddmill keye, appertaining to Sir Henry Cheney; the second, Whitlock's key, now the Town key; the third, Reynolds's, now Page's key; and the fourth, Hamond key, appertaining to Thomas Hayward, now Huggins's key; ships and vessels twenty-six, of which twenty were under ten tons; the rest were of twelve, sixteen, and twenty tons; and persons occupied in trade and fishing twenty four.
Since which the town of Milton has considerably increased, as well in the number of its houses and inhabitants, as in its wealth and trade. The number of houses at present is about two hundred and thirty, which are supposed to contain about twelve hundred inhabitants.
The trade of it chiefly consists in the traffic carrying on weekly at the four wharfs in it, where the corn and commodities of the neighbouring country are shipped for London, and goods of every sort brought back again in return; and in the fishery for oysters, a further account of which will be given hereafter. Besides which, the several mills here do not contribute a little to the benefit of this place; four of these are employed in the grinding of corn, and dressing it into flour; and the fifth, called Perrywinckle mill, was some few years ago applied to the manufacturing of pearl-barley, which used to be imported from Holland; and it was supposed to be the only mill in the kingdom where that article was brought to the same perfection as in Holland, but this manufacture for want of due encouragement has been since discontinued.
The town of Milton is governed by a a portreve, who is chosen annually on St. James's day, by the inhabitants of the parish paying church and poor's rates; whose office is, to oversee the market, and preserve good order within the town, and to execute the office of clerk of the market in all matters, within the hundreds of Milton and Marden; he likewise sets the price of all things which come to the keys, or any other creek within the hundred, being such things as head officers in other towns may set the prices on
The market, which is a very plentiful one for all sorts of butchers meat, poultry, &c. is held on a Saturday weekly, at the shambles, in the center of the town. Adjoining to them is the market-house, having a clock, and a bell, which is rung not only for the purpose of the market, but for the calling of the parshioners to church, for funerals, and for occasional parish meetings. At a small distance northward from the shambles is a king of court-house, being a very low old-timbered tenement, where the courts of the manor are kept, and other meetings held; at other times it is made use of as the school house; underneath it is the town prison.
The school is endowed with the annual sum of nine pounds, an account of which may be seen hereafter, among the charitable benefactions to this parish. The master is appointed by the minister and churchwardens. Nine or ten poor boys are taught to read and write in it.
There is a fair, which used to be held on the feast of St. Margaret, July 13, now, by the alteration of the stile, on the 24th of that month, and the two following days.
The lands in this parish, near the town, and especially on the lower or northern part of it, are very rich and sertile. Adjoining to these are the marshes, which extend to the waters of the Swale. Below the hill westward there is another streamlet, which having turned a mill near the vicarage, runs on not far distant from the church, and court-lodge, situated about half a mile northward below the present town, near which the former one destroyed by Earl Godwin is supposed to have once stood.
In the north-west part of this parish, among the marshes, there is a decoy for wild fowl, the only one, that I know of, in this part of the county. The fowl caught in it, are much esteemed for their size and flavor. Great numbers of them are weekly taken and sent up to London.
In this parish, at a small distance northward from Bobbing-place, is a farm called the Quintin farm, which shews that diversion to have been formerly used in it. (fn. 2)
THE FISHERY belonging to the manor and hundred of Milton is of very considerable account. It seems to have been granted by king John, by his charter, in his 7th year, to the abbot and convent of Faversham, by the description of the fisheries of Milton, which the men of Seasalter then held by the yearly rent of twenty shillings, payable at his manor of Milton, and by doing therefrom the customs and service which were wont to be to it.
King Edward III. in his 4th year, confirmed this grant, as did king Henry VI. and this fishery remained part of the possessions of the abbey till its dissolution, in the 30th year of Henry VIII. when it was surrendered up into the king's hands, together with all its possessions.
After which, the fee simple of this fishery remained with the manor in the hands of the crown, till the 10th year of king Charles I. when it was passed away, with it, by the words recited in the grant then made of the manor, to Sir Ed. Browne and Christ. Favell, as will be more fully mentioned below; after which, James Herbert, esq. coming into the possession of it, by the settlement of it from his father Philip, earl of Pembroke, he in the 26th year of king Charles II. obtained a fresh grant of this fishery, against which there was a quo warranto brought in the reign of queen Anne, on a petition of the fishermen of Rochester and Stroud, to shew by what authority they, the grantees, kept courts within their manor of Milton, and restrained the fishermen of those and the adjacent towns, from fishing and dredging for oysters within this hundred and manor: but on a trial had at bar, a verdict was given in his favor. Since which it has continued down, in like manner as the manor of Milton, to the right hon. Philip, viscount Wenman, and Mrs. Anne Herbert, who are at this time proprietors of this fishery, together with the manor.
The company of Fishermen, or Dredgers, of this fishery, hold it by lease from the owners of the manor, at the yearly rent of one hundred pounds and four bushels of oysters. They are governed by their particular officers, under certain rules or bye-laws, made by antient custom at the court baron of the manor. There are now about one hundred and forty freemen belonging to it.
The oysters produced from these grounds, within the limits of this fishery, are usually called Milton Natives, and are esteemed the finest and richest flavored of any in Europe. They are supposed to be the same that Juvenal particularly describes, in his fourth satire, as being reckoned a delicacy even in his time, in these words, satire iv. l. 144:
— Rutupinove edita fundo Ostrea, callebat primo deprendere morsu.
The sum usually returned for these oysters is from 3000l. to 7000l. per annum. The Dutch have been supposed by many, to have engrossed this article of luxury; but they expend but a very small part of the above sums, and sometimes none, for the space of seven years together.
IN THE WESTERN PART of this parish there are several hundred acres of coppice-wood, which are adjoining to a much larger tract of the like sort, extending southward almost as far as Binbury pound, on the west side of Stockbury-valley, for the space of near five miles. These woods, especially those in and near this parish, are noted for the great plenty of chesnut stubs interspersed promiscuously throughout them, which, from the quick and strait growth of this king of wood, makes them very valuable. These are so numerous in them, as to give name to most of these woods near Milton, which, besides their particular names to each of them, are usually called by the general name of Chesnut-woods. And in the presentment made of the customs of the manor of Milton in 1575, it is mentioned, that the occupiers of the three mills holden of the manor should gather yearly for the lord of it nine bushels of chestenottes, in Chestnott wood, or pay eighteen-pence by the year to the queen, who then had the manor in her own hands, and was possessed of three hundred acres of chesnut wood within this hundred.
¶These chesnuts are undoubtedly the indigenuous growth of Britain, planted by the hand of nature. They are interspersed throughout the whole tract, without any form or regularity, and are many of them, by their appearance, of great age; and by numbers of them, which now seem almost worn out and perishing, being made use of as the termini or boundaries, as well of private property as of parishes, it is plain they were first pitched upon, in preference to others, for that purpose, as being the largest and most antient ones of any then existing; and as these are hardly ever cut down or altered, they must have stood sacred to this use from the first introduction of private property into this kingdom, and the first division of it into parishes. Four letters were printed in 1771, after having been read before the Royal Society, two of which were written by Dr. Ducarel, and the other two by Mr. Thorpe and Mr. Hasted, to prove that chesnut-trees were the indigenous growth of this kingdom, in answer to an idea of the hon. Daines Barrington, who had a wish to establish a contrary opinion.
DR. PLOT says, that Herba Britannica, which Twyne and Johnson think to be bistort, Trisolium acetosum, or Oxys; Empetron, quæ est petrafindula Britanniæ prope peculiaris, and Crocus, were found at Milton by Scribonius Largus, when he came into Britain with the emperor Claudius. And he further says, that Crocus sativus, saffron, was heretofore sown and gathered (as now at Walden, in Essex) at Milton, and quotes for his authority, a manuscript rental of the manor of Milton, in the library of Christ-church, Canterbury.
MILTON is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sittingborne.
The church is dedicated to the Holy Trinity. It is a large handsome building, consisting of two isles and two chancels, the southernmost of which belongs to the manor of Northwood. It has a well built tower at the west end, in which are five bells. In this church, among others, were formerly the arms of Barry, Diggs, Finch, of the Five Ports, of Norwood and Norton, with their several crests, trophies, and banners; of Marten quartering Boteler; one coat, Barry, argent and azure, on a canton of the first, a bird of the second; Argent, three bends azure, within a bordure, eight mullets; Gules, a fess or, between three mullets, argent; and in one of the windows, a man kneeling, with a coat of arms, Six lions rampant, three and three, and underneath, Orate paia Guliel Savage Armigi.
Mauricius ap John, rector of St. George's, in Exeter, was buried in the choir of this church, as appears by his will, anno 1499.
In the year 1070, being the 5th year of his reign, William the Conqueror gave to the abbot and convent of St. Augustine, the church of Middelton, and the tenths of all the products accruing from that manor, and the tenths of all its appurtenances, of the land, wood, meadows, and water, excepting the tenths of honey, and rent paid in money. (fn. 12)
Pope Lucius XI. in 1144, at the petition of abbot Hugh de Trottesclive, confirmed the annual pension of ten marcs from this church to that abbey.
In 1168, the conventual church of St. Augustine was the greatest part of it burnt; on which account this church was allotted to the sacristy there, for the repair of it. (fn. 13) But they did not keep it long, for in 1178, at the king's instance, they gave it up, and lost all property both in the church, and the advowson of it. A composition was entered into between the archbishop and the abbot in 1182, concerning the privileges and exemptions of the latter; when it was agreed, that the archdeacon, or his official, should receive his accustomed dues and procurations from the churches of St. Augustine, excepting those of Minster, Northborne, and Chistelet, and from this church likewise, when the monks should again get possession of the appropriation of it.
Four years after which, the abbot demised to the prioress of St. Sexburg of Shepey, the tiches which his monastery possessed, in right of this church, in Bobbing, at the yearly rent of ten shillings, on condition that all housekeepers, which should be on the estates from which they arose, should yearly repair to this the mother church, with their oblations, on Christmas-day, the Purification, and Easter day. And in 1188, the abbot demised to the prioress there, the tenths of Westlonde, within her parish, for the rent of fourteen shillings, payable yearly to the sacrist of St. Augustine.
About the year 1198, the abbot and convent recovered this church, which was then become vacant by the death of one Franco, the person to whom they had given it up, at the instance of king Henry. But they had kept it but a small time, before the archbishop disturbed them in their possession of it. However, by the mediation of mutual friends, and at the king's request, that he would not molest them in their appropriation of it; he out of respect to the king, ratified this church to them, to be possessed by them for ever. (fn. 14)
There was a pension of forty shillings payably yearly from this church, with the chapel belonging to it, to the above monastery, which, with the other pensions from their several churches, was given up by agreement in 1242, for a compensation out of the profits of the church of Preston.
The abbot and convent, among the extensive privileges from the papal see, had obtained an exemption from all archiepiscopal authority, and about the year 1295 made an institution of several new deanries, and apportioned the several churches belonging to his monastery, to each of them, according to their vicinity; one of these was the deanry of Lenham, in which this church was included. This raised great contests with the several archbishops, and after more than five years altercation, the abbot was stripped of these exemptions, and was declared, by the pope's bull, to be subject to the archbishop's jurisdiction, in like manner as before; which entirely dissolved these new deanries, and that of Lenham among them. (fn. 15)
Notwithstanding the abbot and convent seem to have held the appropriation of this church almost from held the appropriation of this church almost from the first grant of it, and though there had been vicars instituted to it long before this time, for Robert de Wikes, who stiles himself vicar of Middelton, by his deed in 1247, granted seven deywerks of land, with the houses built on it, for the habitation of the vicar of Middelton, for the time being; and the abbot and convent had in 1286, assigned a portion for the maintenance of the vicar here; yet there does not appear to have been any regular endowment of a vicarage to it, till the reign of king Edward III. when archbishop Stratford, in 1345, anno 20 Edward III. by his instrument, decreed, that the vicar of the church of Middelton, and his successors, should have the usual mansion of the vicarage, with the garden adjoining to it, together with one acre of the glebe of the same; and that he should have, in the name of the vicarage, all manner of oblations in the church of Middelton, and in all places, situated within the bounds and limits or titheable places of it; and that they should have in the name of the vicarage, all tithes of sylva cædua, wool, lambs, calves, pigs, ducks, geese, swans, pidgeons, cheese, milk-meats, herbage, apples, pears, and other fruit, growing in gardens and orchards, pulse, flax, hemp, eggs, rushes, merchandizes, and of all mills built, or which might in future be built, within the bounds and limits or titheable places of the church, and all other small tithes whatsoever belonging to it, and all legacies left in future to it, which the rectors or vicars of it might of right or custom take; also, that the vicars, in right of the vicarage, should have of the religious, the annual pension of 4s. (fn. 16) sterling, one seam or quarter of corn, and three quarters or seams of barley, on the feast of St. Michael, at Middelton, by them to be yearly paid, on pain of the sequestration of the fruits and profits of the church, belonging to the religious, to be laid on as often and whenever they should cease in the payment of the pension or barley, or should not pay either of them in the time above-mentioned.
But that the vicars should undergo the burthen of serving by themselves, or some other fit priest, the church in divine services, in the finding of one lamp, to burn before the altar of St. Mary there, and the ministering of bread, wine, lights, and other things, which should be necessary for the celebration of divine rights in the church. The burthen likewise of the payment of tenths and other impositions, whenever they might be imposed on the English church, or incumbent on the church, for the taxation of twelve marcs, beyond the burthens allotted to the religious underneath, they should undergo at their own costs and expences.
But the burthen of the reparation and rebuilding of the chancel of the church, both within and without, and also the finding and repairing of books and vestments, and ornaments of the church, which were wont or ought of right or custom, to be found and repaired by the rectors of churches, and all other burthens, ordinary and extraordinary, incumbent on the church, the religious should undergo and acknowledge for ever, &c. (fn. 17)
The church and vicarage, after this, remained part of the possessions of the monastery, till the final dissolution of it, in the 30th year of Henry VIII. when it was, with all its revenues, surrendered up into the king's hands, who by his dotation-charter, in his 33d year, settled both the appropriation of this church, and the advowson of the vicarage, among other premises, on his new-founded dean and chapter of Christchurch, Canterbury, with whom the inheritance of the parsonage still remains, the interest in the lease of it being now in the heirs of John Cockin Sole, esq. deceased, but the advowson of the vicarage the dean and chapter retain in their own hands, and are the present patrons of it.
The vicarage of Milton is valued in the king's books at 13l. 2s. 6d. and the yearly tenths at 1l. 6s. 3d.
¶In 1578, there were here, dwelling-houses on hundred and eight, communicants three hundred and seventy-four. In 1640 this vicarage was valued at eighty pounds. Communicants five hundred and twenty-nine.
The antient annual pension of four shillings, one quarter of wheat, and three quarters of barley, stipulated to be paid by the religious as before-mentioned, still continues to be paid by the lessee of the parsonage, by the covenants of his lease.
The agreement made between the prior of the brethren of the hospital of St. John of Jersalem and the abbot and convent of St. Augustine, about king Henry the IId.'s reign, that whenever their chapel of Rodmersham should be dedicated, and the cemetery consecrated, they would diminish by it none of the mother church of Middleton's rights; has already been more fully mentioned in the account of that parish before. (fn. 18)
In April the Makartplatz square in Salzburg, with the Holy Trinity church on top of it, is always a point of attraction thanks to the large magnolia trees that bloom magnificently every year!
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
By now it was raining quite hard, so I grabbed a couple of shots from the other side of the road before going in.
Hello I said to the churchwarden, we've come to photograph the church.
Oh I don't know if that's possible, you might be journalists. What do you want the pictures for?
I explained about the website and liking churches and that we had come from Dover to see this church. I gave he my Moo card, and she said it was OK. And then would not shut up, she told us all about the history of the church, the town, businesses. All nice, but I wanted to snap the church.
In the end, Jools took over and I set about snapping. And very fine it is too.
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A huge church that is accessed most days through the coffee shop next door. Saxon in its origins it was extended many times as befits a market town on the main London-Dover road. Today it consists of nave and chancel with aisles and chapels. Much remodelled in the nineteenth century (by Blomfield) and again late in the 20th it may lack atmosphere, but it certainly does not lack appeal.... or its part in national history. The body of Henry V rested here overnight on its journey back from France in 1422. Behind the painting in a medieval vestry, itself a rarity. There are lots of brasses and a large monument to John Spilman who introduced papermaking here in the seventeenth century. In the south chapel is a huge wall painting of St. George - the largest medieval painting in Kent.
www.kentchurches.info/church.asp?p=Dartford+1
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DARTFORD
LIES the next parish eastward from Crayford, on the high road from London to Dover, about fifteen miles from the former. It was called in Saxon Derentford, in Latin Derenti Vadum, signifying the forde or passage over the river Derent. (fn. 1) In Domesday it is written Tarentefort.
THIS PARISH takes within its bounds almost the whole both of Dartford-heath and the Brent. It contains about 4300 acres of land. The town has about four hundred houses and about two thousand five hundred inhabitants. The upland parts of the parish are but thin and gravelly, the crops of which are greatly increased by the culture of turnips; the vallies are a sertile and rich loam, the northern part of the parish is marsh land, which reaches to the Thames, containing about eight hundred acres, none of which is ever ploughed. The town of Dartford is situated in a valley, between two hills, which rise suddenly and sleep at each end of it. On that at the western extremity are chalk pits, which have been worked underneath to a considerable extent, and have rather a fearful and dangerous appearance to travellers; the opposite hill is a deep sandy loam. Dartford is at present a handsome and wealthy town, still increasing in size and inhabitants, the principal street of which is the great thoroughfare from London to Dover, on which there are built several good inns. From this street southward branches off the high road through Farningham to Sevenoke, in which stands Horseman's-place, now used, with the gardens, by a public gardener; northward from the high street is the Water-lane (so called from the little stream, the Cranford, which rises about a mile and a half southward of the town, at Hawley, which runs through it) and leads to the wharss at the water side, not far distant from which stands the Place-house, formerly the priory, with the buildings belonging to it, now used as a farm house and offices, adjoining to which is a piece of land, inclosed with a wall, formerly belonging to the priory, exceeding rich, which has been for many years been made use of as a public garden ground. The artichokes growing in it are noted for being the largest and best flavoured of any brought to the London markets, and are called, for distinction sake, the Dartford artichoke.
There is a good market for corn and provisions here on a Saturday, weekly; and a fair yearly, on the 2d and 3d of August. The old market house and shambles stood very inconveniently in the middle of the high street, but they were removed some years ago, and the present market place and shambles were built more commodiously elsewhere, by public subscription, to the great embellishment of the town, and the satisfaction of all travellers; at the same time the old uneasy pavement through the town was removed, and a new road of gravel made in its room, with a handsome footway of curbed stone on each side; near the east end of it stands the church, almost adjoining to the river Darent, which here crosses the high road under a handsome bridge. In king Edward III.'s reign there appears to have been no bridge here, the passage or ferry over the Darent at this place being valued among the rents of the manor; however, there was one built before the end of king Henry VI.'s reign, but it was one most narrow, steep, and dangerous for travellers, which continued so till not many years since it was altered to its present more commodious state, at the public charge of the county. A little below this bridge, the Darent becomes navigable for barges; and at the distance of about two miles, receiving the Cray into its channel, at a like distance empties itself into the Thames. On this creek there was formerly a considerable fishery, as appears by the records before mentioned; for so late as king James I.'s reign, the royal manor of Dartford received for the fishery six salmons yearly, a kind of fish now unknown here; and the manor of Dartford priory received a yearly rent of fifty pounds for a fishery likewise here at the same time; but no fishery at this time exists, nor has for many years past.
The trade and manufacture carried on by the several mills on the Darent contribute much to the flourishing state this town is in at present; for besides the powder-mills, first erected by Sir John Spilman as a paper mill, as before mentioned, situated a quarter of a mile above the town; there is a paper mill at a small distance below it, where there was one so early as 1590, erected by one Geoffry Box of Liege, for the cutting of iron bars into rods, being the first supposed to be erected for this purpose in England, and for the more easy converting of that metal to different uses; lower down, at the east end of the town, are two corn mills, and farther below bridge the ruins of the mill, employed as a cotton manufactory, which was burned down in 1796, and now lies in ruins. It was before made use of as a sawing mill, and before that as a brasel mill, for the slitting of iron bars into rods, nails, &c. being first erected for that purpose by John Browne, soon after the death of king Charles I. Near this is the public wharf, to which hoys and barges come up from the Thames. To this wharf is brought the produce of the woods in this neighbourhood, which are of considerable extent, and the manufactures, which are here shipped for the London market, as are the goods for the subsistence of the town and vicinity of it from the metropolis.
In the return of the survey, made of the several maritime places, in this county, by order of queen Elizabeth, in her 8th year, Dartford is said to contain houses inhabited, 182; persons lacking habitation, 6; keys or landing places; 4; ships and boats, 7; three of three tons, one of six, two of ten, one of fifteen; persons for carriage from Dartford to London, and so back again, 14; Sir Thomas Walsingham, steward of the town; Mr. Asteley, keeper of the queen's house; John Beer's; the wardens of Rochester-bridge.
In the reign of king Henry III. the archbishop of Cologne was sent hither, with several noblemen, by the emperor Frederick, to demand Isabella, the king's sister, in marriage, which was solemnised by proxy in this town, and she was then delivered to them, to be carried over. In 1331, king Edward III. at his return from France, held a famous tornament in this town. In the 5th year of king Richard II. a great commotion of the common people begun at this place, occasioned by Wat Tyler's having beat out the brains of one of the collectors of the poll tax, on account of his insolent behaviour to his daughter. The people, who were in general discontented, being inflamed by this circumstance, broke out into open rebellion, and he soon found himself at the head of one hundred thousand men. (fn. 2)
Thus attended, he marched directly to London, freeing, in the mean time, the prisoners detained in the public goals; among these was a priest, in the neighbourhood of Maidstone, one John Ball, vulgarly called John Straw, who, by his seditious sermons, had raised the people's sury to the utmost heighth, insomuch that, in conformity to his maxims, they resolved to destroy all the nobility and lawyers in the realm, for he had persuaded them that all men, being the sons of Adam, there ought to be no distinction; and, confequently, it was their duty to reduce the world to a perfect equality; in consequence of which he preached to the people on these rhymes:
"When Adam delse, and Eve span,
"Who was then a gentleman ?"
The king, hearing they were advanced as far as Blackheath, sent to know their demands, to which, returning a most insolent answer, they immediately marched towards London, and took possession of the borough of Southwark; and the gates of London bridge being thrown open to them by the citizens, they entered the city, where they committed every scene of barbarity that could be expected from such a body, guided solely by their sury. They then seized on the Tower, where they sound the archbishop and the lord treasurer, whom they immediately beheaded. Upon this the king, dreading the consequences of so powerful a body, repaired to Smithfield, with some few attendants, and sent a knight to Tyler, to come there and confer with him, which this rebel, with much deliberation, at last complied with. At this conference he behaved with such insolence, that William Walworth, lord mayor of London, who attended the king, without considering the consequences that would attend it, discharged such a blow at the rebel's head with his sword, that he instantly fell dead at his feet. However, contrary to expectation, the multitude were so terrified, that they threw down their arms, and sued for mercy; and were all, in the space of a few minutes, dispersed, without the effusion of any blood, except of their leader. (fn. 3)
About a mile south-westward from the town is the large plain, called DARTFORD. HEATH, containing about 500 acres of land. It lies high, and on a fine gravelly soil; on it there are a great many of those pits and holes so frequent in these parts. Some of these reach below the gravel as low as the chalk, others no farther than the sand and gravel; many of them have been stopped up of late years, to prevent the frequent accidents which happen of men and cattle falling into them. The occasion of their being first dug has been already explained, under the adjoining parish of Crayford. This heath has been much noted of late, as being the spot chosen by the corps of Toxopbilites, under the appellation of the Royal Kentish Bowmen, for whose use a house has been fitted up at the western side of the heath, not far from Baldwin's, and is now distinguished by the name of the Lodge, being the scene of their exercise and recreation; at which times, on their gala days, butts, apartments, and company, have made the most splen did and costly appearance. It is as delightful and pleasant a spot as any in these parts.
Less than half a mile eastward from the town, the high road to Rochester crossing it, lies another heath, called DARTFORD-BRENT, vulgarly the BRIMPT. This place is famous for the encampment of the army of Richard Plantagenet, duke of York, in 1452, whilst he waited to obtain a parley with king Henry VI. who then lay encamped on Blackheath. In the year 1648 General Fairfax's army rendevouzed here.
The ROMAN-ROAD shews itself very conspicuously on the south side of the high road between Dartford and the Brent, and when it comes to the latter, it shapes its course more to the south south-east, leaving the high road at a greater distance, on the lefthand, and entering among the inclosures and woods, in its way to a hamlet called Stonewood, it goes on to Wingfield-bank, and thence to Shinglewell, towards Rochester.
At a small distance southward from the Romanroad on the Brent, close to the road to Greenstedgreen, are three small barrows, which seem to have been plundered of their contents.
¶The gravel-pit at the entrance of the Brent from Dartford was, whilst the affizes were held in this town, which was frequently, at the latter end of queen Elizabeth's reign, the place for the public execution of criminals; and in 1772, in digging for gravel here, eight human skeletons were sound, lying contiguous to each other; most probably the remains of some of those unhappy convicts. This spot was likewise made use of in the reign of queen Mary, for the execution of those who suffered for religion.
Our HERBALISTS have taken notice of several scarce plants and herbs sound here:
The camæpytis, herb ivy, or ground pine, not only here, but in the adjoining parishes.
Ruta muraria five salvia vitæ, stone rue, or rue maidenbair, on the wall of the church-yard.
Aphaca, small yellow fetch, in the corn-fields about this place.
Buckthorne, in the bedges of this place.
The juniper tree grows in plenty on the downs southward of Dartford-brent.
Mentastrum, horse mint; valde ramosum flore violaceo rubro.
Orchis five tragorchis max. the greatest goat stones, between Crayford and Dartford.
Orchis hermaphroditica, the butterfly satirion; testiculus vulpinus spegodes, the humble bee orchis; orchis melittias, the bee orchis; orchis myodes, the fly satirion; are found on the downs, southward of Dartford brent.
The lizard orchis, has been found in the lane between Dartford and Darent.
Several forts of the orchis ornithophora are found in the meadows adjoining the river Darent, southward of this town.
Trisolium stellatum glabrum, smooth starry headed tresoil, in Dartford salt marshes. (fn. 4)
Charities.
THOMAS AUDITOR, alias BARNARD, gave by will, in 1536, an annuity of 3s. to buy peas, to be distributed among the poor, in the first week in Lent, payable out of four acres of land, called Docklincrost, which bequest has not been paid for many years.
WILLIAM VAUGHAN gave by deed, in 1596, a rent, to be distributed quarterly to the most poor inhabitants of Dartford, out of a house and garden, vested in trustees, and of the annual produce of 13l. 4s.
JEROME WARRAM gave by will, in 1570, for the use of the poor, a house and garden, in the occupation of Mrs. Bugden, of the annual produce of 5s.
MRS. CATHARINE BAMME gave by deed, in 1572, among other charitable bequests, 20s. to the poor of this parish, to be paid out of an messuage and lands in Gillingham, vested in Edward Taylor, of the annual produce of that sum.
JOHN BYER gave by will, in 1572, for the habitation of the poor of this parish, nine alms houses, in Lowfield, adjoining southward to Horseman's-place, and endowed them with a barn and several pieces of land, in the occupation of Mrs. Glover and Mr. Fleet; the former at 17l. the latter at 5l. annual rent, and for the habitation of four poor aged people, and 20d. to be paid quarterly to each of them; now inhabited by paupers; annual produce 1l. 6s. 8d.
JOHN BARTON gave by will, in 1613, the interest of 130l. yearly, to be bestowed on bread, and distributed to the poor by the vicar and churchwardens. N. B. With this money, in 1623, the parish purchased by deed, of Francis Goldsmith and others, thirteen acres of land in Crayford parish, and a house in Dartford, the former vested in William Flint and others, at 12l. per annum rent; the latter in William Nettlefold, at 11l. 10s. per annum; on condition that 20s. should be yearly distributed to the poor on Shrove Sunday, as his gift, out of the rents of the lands purchased of him by Barton's money. He agreed to abate 15l. out of the purchase money; annual produce 1l.
WILLIAM REYNOLDS and WILLIAM HARRISON gave by will, in 1623, the interest of 50l. and 10l. to be laid out in bread, and distributed among the poor every Sunday in the year,
N. B. With these two gifts were purchased a house and piece of land belonging to it, which house has been taken down, and four new houses have been built on the ground, with monies borrowed upon them, which money the rents have discharged. The houses are let to several tenants, at the yearly rent of 5l. each; 2s. worth of bread have been yearly distributed every Sunday, out of the rent of these houses, as was stipulated when they were purchased; the annual produce 20l. per annum.
ROBERT ROGERS gave by deed, in 1629, rent to be distributed among the poor on Easter Monday, payable out of a house and yard, vested in Mrs. Catharine Tasker; annual produce 4l.
JONATHAN BRETT gave by deed, in 1629, for the relief of the poor inhabitants of this parish, four acres of land, vested in Mr. George Hardres, of the annual produce of 9l.
THOMAS COOPER in 1629, gave an annuity, to be distributed to the poor in bread, payable out of woodland in Bexley parish, in the occupation of James Craster, of the annual produce of 1l.
ANTHONY POULTER gave by will, in 1629, an annuity of 20s. to be distributed by the minister and churchwardens on Easter day, payable out of a house in Dartford, occupied by Mrs. Pettit, of the annual produce of 1l.
JOHN TWISLETON, esq. gave by deed, in 1660, certain rent, to be applied, one-third of it to the alms houses, and the other twothirds to be given to the poor, issuing out of three acres of land, in the occupation of Edward Rawlins, of the annual produce of 5l. 6s. 3d.
JOHN ROUND, in 1682, gave an annuity, to be distributed among the poor on Christmas day, payable out of the Bell inn, in Dartford, in the occupation of John Elliot, of the annual produce of 1l.
THE REV. CHARLES CHAMBERS gave by will, in 1745, the sum of 50l. vested in the 3 per cents. the interest to be distributed by the minister on Christmas day, among twenty-four poor persons, twenty of whom to be widows, annual produce 1l. 10s.
JOHN RANDALL gave by will, in 1771, 200l. now vested in the 3 per cent. the interest to be distributed among poor housekeepers and widows, at 5s. each; annual produce 7l. 8s. 6d. and he gave 100l. since, vested in like manner, the interest to be laid out in bread, and distributed to the poor on Sundays; annual produce 3l. 14s. 3d.
A PERSON UNKNOWN gave three houses for poor parishioners, to dwell in, now inhabited by paupers.
A PIECE OF LAND, on part of which the present workhouse was erected in 1728, by voluntary subscriptions; the other part, used as a garden to it, was given by a person unknown.
This land was let in 1720, for the use of the poor at 1l. per ann.
CHRISTOPHER HEATH gave lands to the next of kin of Ellen Sherrington, on condition that they should pay yearly out of them, to the use of the poor, 1l. 6s. 8d. and to the churchwardens and their successors, to the reparation of the church, 1l. 13s. 4d.
JOHN BEALE, of Swanscombe, devised 40s. per annum, towards the maintenance of a schoolmaster in Dartford, to be paid out of a messuage, called Hamanslay's, in Halsted, formerly occupied by William Watson.
THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the deanry of Dartford, and diocese of Rochester. The church, which is dedicated to the Holy Trinity, stands near the east end of the town, and is a large handsome building, consisting of three isles' and two chancels. In 1793, the whole church was repaired and beautified by the parishioners, at the expence of twelve hundred pounds. The pavement within the altar rails, with the painting and gilding over it, was done at the charge of Charles Manning, gent. in 1702. The tower is at the west end of it, in which there is a clock and a good ring of bells; one of which, of the smaller size, used till of late to be constantly rung, as of old custom, at four o'clock every morning, and again at the time of curfew at night.
The church yard formerly surrounded it, but some few years ago that part of it, which was on the southerin side, was given to the public to make the road more commodious for passengers. There is another burying-ground belonging to this church at some little distance from it, adjoining the high London road at the top of the hill, eastward of the town, of which further mention will be made. It is situated on so high an eminence, that it overlooks even the top of the tower of the church.
Among other monuments and inscriptions in this church, are the following: In the great chancel, on the north side of the altar is a monument for Sir John Spilman, inclosed with iron railing; on it are his essigies in armour and that of his lady, kneeling at a desk, each with a book open, and over their heads, on a tablet of black marble, with an inscription in German text for both of them; he died in 1607; on the top of the monument his arms, Or, a serpent wreathed in pale azure, crested, gules, on a mount in base, vert, two slaunches, gules, each charged with three lions passant, or; beneath, on the tomb, are two coats, Spilman, as above, impaling argent, a man cloathed sable, with a long cap on, holding in his hand an olive branch proper, and standing on a mount, inverted, gules. On the south side of the chancel, an altar tomb, inclosed with rails, and inscription, for Clement Petit, esq. of Joyes, in this parish, whose paternal seat was at Dentelion, in Thanet, obt. 1717. Before the rails of the altar, on a grave stone, are the figures of a man and woman, in brass, under a canopy, with labels from their mouths; round the verge of the stone is an inscription in brass, in part torn away, for Richard Martyn, of Dartford, who died in 14 . . . . she died in 1402. Near it is another stone, which had the figure of a man, with a label from his mouth, and an inscription round the verge, all in brass, now lost; but an inscription in brass still remains, on a plate, for John Hornley, S. T. B. who died in 1477. On another adjoining, are the figures in brass of a woman and six children, that of the man is lost; beneath on a plate, is an inscription for capt. Arthur Bostocke, gent. who married Francis, second daughter of Francis Rogers, esq. he died in 1612. On a grave stone, before the step of the chancel, is the figure in brass, of a woman, and inscription, for Agnes, daughter of John Appleton, wife of Wm. Hesilt, one of the barons of the exchequer of Henry VI. afterwards of Robert, brother of Sir Tho. Molyngton, baron of Wemme; she died in 1454. On the south side of the chancel, a monument for Wm. Burgess, late citizen and salter of London, obt. 1640; arms, a sess sret between three rooks. On the same side, before the altar rails, a memorial for Nicholas Tooke, gent. of Dartford, obt. 1672, æt. 90; arms, Tooke, argent, on a chevton, sable, three plates of the field between three greyhounds heads erased, sable collared, or; but this is cut here very erroneous. On the north side, a memorial for Mr. Mark Fielder, 1753, æt. 91; on the south side, a memorial for Mr. Wm. Tasker, of this parish, ob. 1732; and for Wm. Tasker, jun. their second son, ob. 1733. In the south chancel, a mural monument for John Twisleton, esq. of Horseman's-place, son and heir of John Twisleton, esq. of Drax, in Yorkshire, who was uncle and heir of Sir Geo. Twisleton, bart. of Barley, in that county, the antient paternal seat of the family. A memorial for John Twisleton, esq. late of Horseman's-place, ob. 1721. At the east end an altar tomb, inclosed with wooden rails, and on the south of it an inscription for John Beer, of Dartford, who had Nicholas, Anne, and Dorothy; for Nicholas, who had Clement and Edward, and for Clement Beer, who had John and Clement, who both died, s. p. Edward Beer, their uncle, was their heir, and lived unmarried fifty-nine years, and died in 1627. On the north side, an inscription, shewing, that Christopher Twisleton, esq. of Barley, in Yorkshire, married Anne Beer, by whom he had George Twisleton, who had John Twisleton, and Edward Beer, dying, s. p. gave all his lands in Kent to John Twisleton above mentioned, who erected this monument in 1628. On the west side are two shields, one quarterly, 1st and 4th, quarterly, a canton ermine; 2d and 3d, on a fess, three garbs; the other the same arms, impaling a chevron. A grave stone, having a brass plate for John Beer, esq. of Dartford, and Alice and Joan, his wives, and also for Henry Beer, his son and heir, who married Anne Beer, widow of Rich. Howlett, gent. deceased, and had by her a son, Wm. Beer, deceased, which John Beer died in 1572, and Henry in 1574; above, are two coats in brass, both, a bear rampant, on a canton, five escallop shells. On a grave stone, the figures of a man and his two wives, with children and their shields of arms in brass, all of which are lost, excepting the second wife and four children, and a plate with the inscription, for Wm. Rothele, of Dartford, who died in 1464, and Beatrix and Joane, his wives, and their children. Another on the north side, on which were the figures of a man and woman, in brass, now lost, but part of the inscription remains, for Katryn Burlton, who died 1496, and Rich. Burlton, jantilman, her husband, who died 15 . . . the rest torn off. A mont for Margaret, relict of John Pitt, esq. predent of the S. Sea company at Vera Crux, ob. 1731, æt. 49, arms, Pitt impaling a chevron, ingrailed, betw. three eagles heads erased. In the middle isle, are several memorials of Manning; a grave stone in the south cross isle, having the figures in brass of a man between his two wives, and underneath those of fifteen children, with inscription in black letter, for Wm. Death, gent. principal of Staple's inn, who had two wives, Elizabeth and Anne, by the former he had ten sons and six daughters, ob. 1590, Elizabeth, 1582; above a shield of arms, being death, a grissin passant between three crescents, quartering four other coats. (fn. 46) In the north isle are memorials for the Round's, Woodin, Poulter, Dalling, and Chambers, all of this parish. There are many more memorials and tombs of respectable inhabitants of this populous town and parish, as well in the church as the two church yards, but they are by far too numerous for insertion in this place.
In the 7th year of king Edward III. Thomas de Woldham, bishop of Rochester, caused a new window to be made in the chancel of the church.
William the Conqueror confirmed the gift which Hamo his steward had made of the church of Tarentford, in the king's manor, to the church of St. Andrew of Rochester; (fn. 47) which king Henry I. confirmed, with the churches appendant to it, and the tithes of this parish in corn, pannage, cattle, money, and in all other things, in like manner as St. Austin held the church of Middleton, with the tithes of that parish, in the time of his father, (fn. 48) and also the tithes of his mills in Darenteford.
Gundulph, bishop of Rochester, who was elected to that see in the reign of the Conqueror, having recovered the manors and possessions of his church, which had been dissipated and made away with, separated his own maintenance from that of the monks, in which division he allotted this church, among others, to the support of the almonry, belonging to the convent. (fn. 49) The monks did not continue long in the possession of it, for bishop Gilbert de Glanvill, who came to the see in 1185, on pretence that his predecessor had impoverished the see by his too large donations to the priory, divested them of all right to this church, which he restored to the see of Rochester; however, he reserved and confirmed to the monks their antient pension from it. (fn. 50)
Laurence, bishop of Rochester, in 1253, reserving the tithes of sheaves, and of every kind of hay, demised this church, and all the small tithes, oblations, and obventions, and the tithes of sheaves arising in gardens and curtileges not being ploughed, to the convent of Rochester, at the rent of thirty-eight marcs per annum, on condition that they supplied the cure, and they were to deduct their pension of ten marcs, paid by the rector, out of it. (fn. 51) He afterwards obtained pope Innocent IV.'s leave to appropriate this church, during his life, to the use of his table, which he complained was so slenderly provided for; that he and his family had not at times common necessaries for food; the clear receipts for the bishop's table being but five hundred marcs, which were not more than sufficient for half the expence of it, and the receipts from his manors not exceeding sixty marcs per annum. (fn. 52) This was confirmed to the bishop and his successors by pope Alexander IV. and again by Clement IV. Bishop Laurence, on the appropriation, endowed the vicarage of this church, with the small tithes of it, excepting hay, with two acres of arable, and one of meadow; and also with the tithes of sheaves growing from land dug up with the foot, as well for the support of the vicar, as the discharge of the ordinary burthens of his vicarage, and the payment of the above pension to the monks, the profits of the vicarage being then sound by a jury to be worth forty marcs sterling per annum, communibis sannis; which endowment being lost, bishop Thomas de Woldham, in 1299, confirmed it; and as the vicar had no house belonging to his vicarage, he granted him one standing on the soil belonging to the church, as a vicarage house for himself and his successors; and further, the tithe of twenty-one acres of meadow, called King's-marsh, in Dartford, heretofore taken by the bishop and his predecessors, and he decreed, that the vicar and his successors should keep and maintain the books, vestments, and other ornaments of the church, in a proper state and order, and should sustain and acknowledge all other ordinary burthens of it.
Archbishop Robert Winchelsea further endowed this vicarage with the tithe of hay, to the value of forty shillings, in satisfaction of which the whole tithe of hay, arising from the great salt march in Dartford, (excepting to the bishop of Rochester for the time being, the yearly sum of four shillings, due from the Knights Hospitallers to the bishop, as rector of this church) was decreed to the vicar, by the desinitive sentence of Walter, archbishop of Canterbury, in the year 1315, as an augmentation of his endowment.
Thomas de Woldham, bishop of Rochester, in the above year, granted in mortmain, to Robert Levee, vicar of Dartford, and his successors, a messuage, with its appurtenances, in Overe-street, in Dartford, which the bishop had purchased of Robert de Levee, of Frindsbury. (fn. 53) At the dissolution of the priory of Rochester, in the 32d year of king Henry VIII. the above pension of ten marcs, or 6l. 13s. 4d. was, by the king, in his 33d year, granted, among other pre emises, to his new erected dean and chapter of Rochester, who continue possessed of it at this time. The parsonage and advowson of the vicarage still remain part of the possessions of the bishop of Rochester. (fn. 54)
In the antient valuation of the bishop's revenues, this church was valued at 40l. and the bishop's mill and rent here, at 100s. In the 15th year of king Edward I.'s reign, the church was valued at forty-five marcs, and the vicarage at 100s. In the 33d of king Edward III. the church was valued at the like sum. (fn. 55)
By virtue of a commission of enquiry, in 1650, it was returned, that Dartford was a vicarage, with a house and glebe, all worth, with the privy tithes, seventy pounds per annum, master Charnock then incumbent. (fn. 56) It is a discharged living in the king's books, of the clear yearly certified value of 45l. 5s. 10½d. the yearly tenths of which are 1l. 17s. 1½d. (fn. 57)
This vicarage was, in 1736, augmented by the governors of queen Anne's bounty; at which time the Rev. Mr. Charles Chambers, vicar of Dartford, contributed one hundred pounds for that purpose. (fn. 58)
Bishop Laurence de St. Martin seems to have purchased, in the reign of king Henry III. several of the rents which now constitute the greatest part, if not the whole of the MANOR OF DARTFORD RECTORY, from Robert and Richard de Ripa, John Badecock, William de Wilmington, and others. (fn. 59)
This manor extends over both sides of the Highstreet, in Dartford, from the scite of the old marketplace to the church, and southward, in Lowfield, as far as the house of correction; all which is called the Bishop's liberty. At the leet of this manor, a constable and a borsholder are annually chosen for the liberty. There are several tenants which hold of it in socage, at small quit-rents.
In the 21st year of king Edward I. on a Quo warranto, the jury found that the bishop was feild, in right of his church, of view of frank pledge, and assize of bread and ale of his tenants in Dartford and Stone; and that the bishops, his predecessors, had been possessed of the same beyond memory.
There were TWO CHANTRIES, founded for divine services, in this parish; that of St. Edmund the Martyr, and of St. Mary, otherwise called Stampit. The former stood in the upper burial ground of this parish, which was a cimetary to it, and under this building was a charnel house. This chapel was suppressed at the same time with all other such endowments, and presently sell to ruin; but the cimetary was granted to the parish, as a place of burial for the parishioners, and continues so at this time. The advowson of this chantry was granted to the prioress and convent of Dartford priory, in the 46th year of king Edward III. at their first endowment.
John Bykenore endowed this chapel with five marcs, payable out of lands and tenements in Dartford, for the support of the chaplain of it. This chapel was under the jurisdiction of the archdeacon of the diocese.
¶The latter chantry of the Blessed Virgin St. Mary was subject to the official of the diocese. (fn. 60) It was founded by Thomas de Dertford, alias Art Stampett, vicar of this parish, in 1338, for one chaplain, to celebrate divine offices daily in the parish church of Dartford, in honour of the Blessed Virgin, and for the health of his soul, &c. and he appointed Ralph de Felthorpe the first chaplain of it, and endowed it with several lands and tenements, to the amount of one hundred and twenty acres, (fn. 61) in Dartford, the chaplain paying twelve pence yearly to the vicar of Dartford and his successors; and he gave the patronage of it, and the nomination of a chaplain to it in future, to the bishop of Rochester and his successors; which was confirmed by the bishop and the prior and chapter of Rochester the same year. (fn. 62) In the year 1553, Robert Bacon, incumbent of this chantry, had a pension of six pounds per annum.
"Glory be to the Father and to the Son and to the Holy Spirit. As it was in the beginning, is now, and ever shall be, world without end. Amen."
My sermon for Trinity Sunday can be read here.
Stained glass from the museum in Ely Cathedral.
Built in 1865 in Victorian Carpenter Gothic style, the former Holy Trinity Church of England can be found on a rise along Morses Creek Road in the little alpine town of Wandiligong. Built of weatherboard it is a charming example of wooden churches built all over Australia in little country towns. Unusually, it features Elizabethan loopy bargeboard gingerbreading. It is unpretentious and looks like a picturesque country village church, nestled into its surrounds which are full of tall elm trees and surrounded by a pretty white picket fence. The church was last used as a place of worship in the mid 1960s. Originally containing rather ornate stained glass which has subsequently been replaced with plain glass windows, the former Holy Trinity Church of England has since been converted into a residence, named McKenzie. Although an extension with skylights has been put at the rear of the building, the designs are sympathetic with the original 1865 building and are not visible from Morses Creek Road.
Victorian Carpenter Gothic style emerged where timber was the mail building material or where transport and portability were considerations, and most buildings were simplified versions of Victorian Gothic buildings, although some did have very beautifully ornamental wooden gingerbreading and fretwork.
Wandiligong is a town in north-eastern Victoria in the alpine region around 330 kilometres from Melbourne. Established in the 1850s as part of the Victorian Gold Rush, Wandiligong became a hub for many gold miners, including a large Chinese community. At its peak, the town was home to over two thousand inhabitants and boasted shops, churches, a public library, halls and even an hotel. Much has changed since those heady days of the gold rush, and the picturesque town nestled in a valley and built around the Morses Creek, is now a sleepy little town full of picturesque houses which are often let to visitors to the area. The whole town is registered with the National Trust of Australia for its historic landscape and buildings of historic value.
"God has gone up with a shout, the Lord with the sound of a trumpet. Sing praises to God, sing praises! Sing praises to our King, sing praises!"
– Psalm 47:5f.
Stained glass detail from a window by Kempe in the Priory Church of the Holy Trinity in York.
The easterly of two stained glass windows with C14 figures of saints, "much restored in 1853 by King of Norwich" according to the Buildings of England. On the left, St John the Evangelist, apparently holding the poisoned chalice given him by a pagan priest of Ephesus to test him; the poison escaped from the chalice in the form of a small two-headed dragon, as recounted in the Golden Legend (1228-1298): www.louvre.fr/en/oeuvre-notices/saint-john-evangelist. On the right, St Mary Magdalene, seen wiping Christ's feet with her hair in the lower panel (which looks to me as if it is entirely C19).
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Puzzled by this bench end poppyhead .Is it a headless monk ? -- but there's a hole where perhaps a dowel supporting a carved head could have been inserted.. And what is he lifting or maybe placing in position ?
The Holy Trinity church in Marcross, south Wales. The main church structure dates from the 12th century although the porch around the front door was added in 1893..
Holy Trinity
1836-8 by Anthony Salvin. Chancel with vestry and organ chamber added 1867 by J. Ross of Darlington (extended E in 1900 with new NE vestry).
MATERIALS: Coursed sandstone. Slate roofs laid in diminishing courses.
PLAN: Nave, chancel, N and S aisles, N tower/porch, NE vestry, SE organ chamber.
EXTERIOR: The church stands on raised ground above a pavement: there are steps up to the striking tower which is a focus of the show front (N). The style is Early English. The chancel has a graded, triple lancet E window with hoodmoulds with toothed moulding and carved capitals. This is said to be the 1830s window recycled each time the E end was extended. Buttresses divide the aisles into four bays, each of which has equal height lancets, arranged in groups of four, the outer ones being blind. The aisles have coped parapets above stringcourses. The W ends of the nave and aisles are treated as a single, wide, gabled composition with a plain parapet to the gable. There is a W window comprising three equal-height lancets above which is a circular window: either side of this window arrangements there are buttresses marking off the aisle, each of which has a single lancet W window. The tower is of two stages with angle buttresses with gables and copings. In the N face is a doorway in a shallow gabled projection with stone slate copings to the gable: it has a moulded doorway with shafts with bell capitals; a two-leaf 19th-century door with decorative strap hinges. The tower has a clock face in a round stone frame on the N and large double-chamfered belfry lancets, three to each face and embellished with shafts below a plain parapet. There is a projecting SE polygonal stair turret with a pyramidal stone roof. The NE transeptal vestry has angle buttresses with deep set-offs, two-light lancet windows and an octofoil in the gable. The vestry has a stack with a stone shaft. There is a lean-to choir vestry to the E. The organ chamber has trefoil-headed lancet windows to the S with carved heads.
INTERIOR: The walls are plastered and whitened. The dominant feature is the five-bay arcading between the nave and aisles with round piers and almost semi-circular double hollow-chamfered arches. There is no clerestory and the arcades rise close to the wall-plate. There is a roll-moulded chancel arch on short shafts, the capitals being carved with acanthus leaves. The nave has a tie-beam and king-post and strut roof with one tier of purlins. The main trusses are arch-braced, the braces carried on stone shafts. The nave is thought to have had a flat ceiling originally. The chancel roof is arch-braced with cusped, pierced braces on moulded stone corbels: the roof is boarded behind the trusses with horizontal boards. Encaustic tiles are used to floor the choir. The sanctuary has a marble floor which is part of a refitting of 1917-18.
PRINCIPAL FIXTURES: The stalls have poppyhead ends and were installed in 1917-18. The panelling formerly on the E wall of the chancel and the timber, panelled reredos with blind tracery and coving have been moved to the W end. The reredos incorporates a tempera painting of 1918, signed by John Duncan. The font is made from polished Frosterley marble and has a square bowl with chamfered corners on a stem of four shafts. The timber polygonal pulpit with traceried sides dates from 1898 and has a stone stem. The nave benches were installed in 1909 and have curved shouldered ends with blind trefoils. At the W end the three-light window is filled with glass by Wailes. The E window has impressively large figures and is by Daniel Cottier (1838-91), the pioneer of modern stained glass in Scotland. Two extremely fine windows in the N aisle are by Edwin Cook and are said to be the only stained glass he designed. Wall monuments include a large inscription panel in a stone frame to John Wood (d 1843), signed by J Day of Sunderland, with a bust in a niche above the frame.
HISTORY: Holy Trinity was built as a chapel of ease to St Cuthbert's church to meet the needs of the expansion of Darlington after the arrival of the railway. It was assigned a parish in 1843. Plans for the church were in place at least by June 1834 when application for a grant was made to the Incorporated Church Building Society. The foundation stone was laid on 4 October 1836. At that time it was expected that the church would have 1,010 seats of which 600 would be free. The final cost was £3,404. The architect, Anthony Salvin (1799-1881), was a significant figure in the late Georgian and early Victorian Gothic Revival. Born in Worthing, he was a pupil of a little-known architect named John Paterson (d 1832) and worked in the office of John Nash. He set up in independent practice in 1828 and early on showed his ability to create buildings in an impressively authentic medieval style. He is also well known for a range of country house work. At Holy Trinity he demonstrates a faithfulness to medieval Gothic that was unusual for its time. Salvin's biographer, Jill Allibone, says the church `was quite the best thing Salvin had done up to this date.'
Various changes too place during the later 19th and early 20th centuries. In 1867 a chancel with a transeptal organ chamber and vestry was added by the local architect, J Ross. This was further extended c1898. The seating was renewed in 1883 and again in 1909 when the flat ceiling over the nave was removed, this work being supervised by the Durham architect C Hodgson Fowler (contractor R T Snaith and Son). The chancel was refitted in 1917-18.
REASONS FOR DESIGNATION: Holy Trinity, Darlington, church is designated at Grade II* for the following principal reasons: * It is of considerable interest, even though altered later, for its historical importance as an early example of an Early English Gothic Revival church which follows medieval precedent reasonably faithfully. * It is the best church by the nationally important architect Anthony Salvin in his career up until the time it was built. * It retains considerable amounts of fixtures from the 19th and early 20th centuries, including an impressive font and three very fine stained glass windows, one by Daniel Cottier and two by Edwin Cook. * Its building reflects Darlington's rapid growth at this time, and the desire to provide an imposing place of Anglican worship.