View allAll Photos Tagged HOLYTRINITY
"Jesus said to the crowds, ‘The kingdom of heaven is like treasure hidden in a field... Again, the kingdom of heaven is like a merchant looking for fine pearls; when he finds one of great value he goes and sells everything he owns and buys it." – Matthew 13:44-46, which is from today's Gospel at Mass.
This fine medieval morse with precious enamel and pearls surrounds an image of the Blessed Trinity who is Heaven itself. No earthly treasure compares to the joy of friendship with God, union with Him through Charity.
This treasure is in the National Gallery of Art in Washington DC. It dates to the 15th-century and was said to have belonged to Rodrigo Borgia, Pope Alexander VI.
In loving memory of Philip the beloved husband of Ethel Towns who was accidentally killed at Seghill Colliery on September 23rd 1919 aged 44 years .' At rest '
The Porsche 918 Spyder is a mid-engined plug-in hybrid hypercar designed by Porsche. The Spyder is powered by a naturally-aspirated 4.6 litre V8 engine, developing 608 horsepower (453 kW), with two electric motors delivering an additional 279 horsepower (208 kW) for a combined output of 887 horsepower (661 kW). The 918 Spyder's 6.8 kWh lithium-ion battery pack delivers an all-electric range of 19 km (12 mi) under EPA's five-cycle tests. The car has a top speed of around 340 km/h (210 mph).
The 918 Spyder is a limited edition Hypercar, with 918 units manufactured and sold as a 2014 model year. Production began on September 18, 2013, with deliveries initially scheduled to begin in December 2013. The starting price was US$847,000. The 918 Spyder was sold out in December 2014. The country with the most orders was the United States with 297 units. Production ended in June 2015.
#PORSCHE #PORSCHE918 #918 #HYPERCAR #SUPERCAR #HOLYTRINITY
Built in 1865 in Victorian Carpenter Gothic style, the former Holy Trinity Church of England can be found on a rise along Morses Creek Road in the little alpine town of Wandiligong. Built of weatherboard it is a charming example of wooden churches built all over Australia in little country towns. Unusually, it features Elizabethan loopy bargeboard gingerbreading. It is unpretentious and looks like a picturesque country village church, nestled into its surrounds which are full of tall elm trees and surrounded by a pretty white picket fence. The church was last used as a place of worship in the mid 1960s. Originally containing rather ornate stained glass which has subsequently been replaced with plain glass windows, the former Holy Trinity Church of England has since been converted into a residence, named McKenzie. Although an extension with skylights has been put at the rear of the building, the designs are sympathetic with the original 1865 building and are not visible from Morses Creek Road.
Victorian Carpenter Gothic style emerged where timber was the mail building material or where transport and portability were considerations, and most buildings were simplified versions of Victorian Gothic buildings, although some did have very beautifully ornamental wooden gingerbreading and fretwork.
Wandiligong is a town in north-eastern Victoria in the alpine region around 330 kilometres from Melbourne. Established in the 1850s as part of the Victorian Gold Rush, Wandiligong became a hub for many gold miners, including a large Chinese community. At its peak, the town was home to over two thousand inhabitants and boasted shops, churches, a public library, halls and even an hotel. Much has changed since those heady days of the gold rush, and the picturesque town nestled in a valley and built around the Morses Creek, is now a sleepy little town full of picturesque houses which are often let to visitors to the area. The whole town is registered with the National Trust of Australia for its historic landscape and buildings of historic value.
Built in 1865 in Victorian Carpenter Gothic style, the former Holy Trinity Church of England can be found on a rise along Morses Creek Road in the little alpine town of Wandiligong. Built of weatherboard it is a charming example of wooden churches built all over Australia in little country towns. Unusually, it features Elizabethan loopy bargeboard gingerbreading. It is unpretentious and looks like a picturesque country village church, nestled into its surrounds which are full of tall elm trees and surrounded by a pretty white picket fence. The church was last used as a place of worship in the mid 1960s. Originally containing rather ornate stained glass which has subsequently been replaced with plain glass windows, the former Holy Trinity Church of England has since been converted into a residence, named McKenzie. Although an extension with skylights has been put at the rear of the building, the designs are sympathetic with the original 1865 building and are not visible from Morses Creek Road.
Victorian Carpenter Gothic style emerged where timber was the mail building material or where transport and portability were considerations, and most buildings were simplified versions of Victorian Gothic buildings, although some did have very beautifully ornamental wooden gingerbreading and fretwork.
Wandiligong is a town in north-eastern Victoria in the alpine region around 330 kilometres from Melbourne. Established in the 1850s as part of the Victorian Gold Rush, Wandiligong became a hub for many gold miners, including a large Chinese community. At its peak, the town was home to over two thousand inhabitants and boasted shops, churches, a public library, halls and even an hotel. Much has changed since those heady days of the gold rush, and the picturesque town nestled in a valley and built around the Morses Creek, is now a sleepy little town full of picturesque houses which are often let to visitors to the area. The whole town is registered with the National Trust of Australia for its historic landscape and buildings of historic value.
Here is a picture of the Poppies on Holy trinity Church in Rayleigh, Essex.
What a fantastic community effort to remember the citizens of Rayleigh killed while serving their country.
Lisa and I ducked out of the Conference early today and photographed this amazing Church downtown. I have lived here my entire life and this was the first time I have been this close to Holy Trinity in my 34 years. I am not Catholic. I am not anything really, but I was just awestruck by the beauty of this Church.
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
In loving memory of John beloved husband of Polly Phillips who departed this life November 3rd 1924 aged 74 years Also the above Polly Phillips who died March 26th 1927 aged 72 years .'R.I.P.'
Remembrance day has past but those that fell remain fallen.
Lest we forget.
"Fallen" by artist @watersmartin
The Bone Crypt in Rothwell Holy Trinity Church, Northamptonshire. built in the 13th century, the crypt was discovered in the 1700s. one of the few remaining crypts in the country. well worth a visit if you're passing!
"We acknowledge the Trinity, holy and perfect, to consist of the Father, the Son and the Holy Spirit. In this Trinity there is no intrusion of any alien element or of anything from outside, nor is the Trinity a blend of creative and created being. It is a wholly creative and energising reality, self-consistent and undivided in its active power, for the Father makes all things through the Word and in the Holy Spirit, and in this way the unity of the holy Trinity is preserved. Accordingly, in the Church, one God is preached, one God who is above all things and through all things and in all things. God is above all things as Father, for he is principle and source; he is through all things through the Word; and he is in all things in the Holy Spirit."
– St Athanasius.
Stained glass window from the church of the Immaculate Conception in Windsor, Ontario.
Holy Trinity Lutheran Church - Buffalo, NY
Photomatix
Five shots in RAW (-2,-1,0,+1,+2) converted to HDR and tone mapped in Photomatix Pro using Details Enhancer. Strength set to 90%, light smoothing set to high and micro smoothing set to 4.9.
Photoshop
► Added a layer of curves to lighten
► Curves layer for contrast.
► Added a layer of saturation/vibrance
► Noise reduction with Topaz DeNoise
► Sharpened with high pass filter at 2.4
► Topaz Adjust
"Blessed be the creator and ruler of all things, the holy and undivided Trinity, both now and for ever and for ages unending."
My sermon for Trinity Sunday can be read here.
Stained glass from the central dome of the Basilica of the National Shrine of the Immaculate Conception, Washington DC
Loddon church, dedicated to the Holy Trinity, was built in the 1480's by Sir James Hobart, who lived at Hales Hall, and was Attorney General to King Henry VII. It probably replaced an earlier Norman church and an even older one built by St. Felix, Bishop of East Anglia, in about 630. A parish church in the Perpendicular style, Holy Trinity stands prominently in a huge churchyard in the centre of Loddon, and is visible on high ground across the marshes from the River Chet.
The outside of the building is faced with fine flintwork. The interior contains a lofty hammerbeam roof, 16th. century painted rood screen, Jacobean pulpit, Victorian pews with carved poppy-head ends, several table-top tombs and an ancient poor box. A 15th. century medieval 'Seven Sacrament' font is set high on three steps. Its shaft and bowl were originally carved and painted, but was sadly defaced. In the corner of the church, to the left as you enter can be found a small spiral staircase leading to the Priests room.
The church gained Grade: I listed building status on 5th. September 1960. (English Heritage Legacy ID: 227063).
John James beloved husband of Jane Ann Davison died December 21 1932 ?? aged 76 The above Jane Ann Davison died March 18th 1938 aged 73 ?? years
"O Eternal God! O Eternal Trinity! Through the union of Thy divine nature Thou hast made so precious the Blood of Thine only-begotten Son! O eternal Trinity, Thou art as deep a mystery as the sea, in whom the more I seek, the more I find; and the more I find, the more I seek. For even immersed in the depths of Thee, my soul is never satisfied, always famished and hungering for Thee, eternal Trinity, wishing and desiring to see Thee, the True Light.
O eternal Trinity, with the light of understanding I have tasted and seen the depths of Thy mystery and the beauty of Thy creation. In seeing myself in Thee, I have seen that I will become like Thee. O eternal Father, from Thy power and Thy wisdom clearly Thou hast given to me a share of that wisdom which belongs to Thine Only-begotten Son. And truly hast the Holy Spirit, who procedeth from Thee, Father and Son, given to me the desire to love Thee."
– St Catherine of Siena.
Stained glass window from the church of St-Etienne du Mont in Paris.
"But when Christ appeared as a high priest of the good things that have come, then through the greater and more perfect tent (not made with hands, that is, not of this creation) he entered once for all into the Holy Place, taking not the blood of goats and calves but his own blood, thus securing an eternal redemption.
For if the sprinkling of defiled persons with the blood of goats and bulls and with the ashes of a heifer sanctifies for the purification of the flesh, how much more shall the blood of Christ, who through the eternal Spirit offered himself without blemish to God, purify your conscience from dead works to serve the living God.
Therefore he is the mediator of a new covenant, so that those who are called may receive the promised eternal inheritance, since a death has occurred which redeems them from the transgressions under the first covenant...
For Christ has entered, not into a sanctuary made with hands, a copy of the true one, but into heaven itself, now to appear in the presence of God on our behalf. "
– Hebrews 9:11-15, 24.
Stained glass window from St Joseph's Seminary in Dunwoodie, NY.
Built in 1865 in Victorian Carpenter Gothic style, the former Holy Trinity Church of England can be found on a rise along Morses Creek Road in the little alpine town of Wandiligong. Built of weatherboard it is a charming example of wooden churches built all over Australia in little country towns. Unusually, it features Elizabethan loopy bargeboard gingerbreading. It is unpretentious and looks like a picturesque country village church, nestled into its surrounds which are full of tall elm trees and surrounded by a pretty white picket fence. The church was last used as a place of worship in the mid 1960s. Originally containing rather ornate stained glass which has subsequently been replaced with plain glass windows, the former Holy Trinity Church of England has since been converted into a residence, named McKenzie. Although an extension with skylights has been put at the rear of the building, the designs are sympathetic with the original 1865 building and are not visible from Morses Creek Road.
Victorian Carpenter Gothic style emerged where timber was the mail building material or where transport and portability were considerations, and most buildings were simplified versions of Victorian Gothic buildings, although some did have very beautifully ornamental wooden gingerbreading and fretwork.
Wandiligong is a town in north-eastern Victoria in the alpine region around 330 kilometres from Melbourne. Established in the 1850s as part of the Victorian Gold Rush, Wandiligong became a hub for many gold miners, including a large Chinese community. At its peak, the town was home to over two thousand inhabitants and boasted shops, churches, a public library, halls and even an hotel. Much has changed since those heady days of the gold rush, and the picturesque town nestled in a valley and built around the Morses Creek, is now a sleepy little town full of picturesque houses which are often let to visitors to the area. The whole town is registered with the National Trust of Australia for its historic landscape and buildings of historic value.
Sittingbourne is a large town up from Faversham on the A2, or the old high road.
Today it is post industrial, mostly, with a one way system and out of town big box stores.
I have seen little of worth in the town when we have passed through. So, Milton Regis was expected to be more of the same.
But the ancient borough is full of fine old timber-framed houses, narrow streets, but beyond them there are endless estates full of identical houses.
Holy Trinity sits the other side of a busy junction, at the end of a short lane, now used mostly by people visiting the large playing field so their dogs don't crap in their owner's back gardens.
Or so it seemed.
Urban churches are rarely open for causal visits, so it proved this time. The young folks paiting the parish offices didn't have a key for the church, so could not help.
So I made do with snapping the outside of the church and large collection of ancient gravestones, one I learn was connected to the Gunpowder Plot.
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The massive 14th century tower grabs attention immediately, but just by the door is a most mysterious headstone which commemorates a man killed by a rocket at an early Guy Fawke`s celebration. Inside, the south aisle is almost as wide as the nave and has a rare rood loft staircase that runs in the thickness of the wall rather than up a spiral staircase. There is little stained glass but the east window, by the firm of Ward and Hughes is rather a masterpiece, with most of the subjects being real portraits – especially the figures of St George and St Uriel. An inscription nearby tells the whole story. At the junction of nave and chancel is a rare benefactions board which is carved to look like a memorial – look out for Faith Hope and Charity. The medieval vestry at the north east corner has an original shuttered window – a rare survival indeed, whilst under the huge tower is a benefactions board recording gifts to dredgermen`s widows. Now you don’t find them very often!
www.kentchurches.info/church.asp?p=Milton+Regis
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MILTON,
OR, more properly, Middleton, lies the next parish north-westward from Sittingborne, last described, and seems to have taken its name from the Saxon Midletun, a name denoting its situation in the middle part of this county.
THE PARISH of Milton is most of it situated on low flat ground, and extends from the high London road as far as the waters of the Swale northward, adjoining to which, the marshes in this parish are both fresh and salt, of a very large extent. In the southern or upper part of the parish, next to the London road, is a small hamlet, called from the soil Chalkwell, in which there are two modern-built houses of the better sort, the lower most of which has a large tan-yard belonging to it; near it there rise some springs, which fill several large ponds, the reservoirs for a corn mill below them, after which they run along the east skirts of the town, which are a continued swamp of watry bogs, into the creek below. The town, antiently called the king's town of Milton, as being part of the antient possessions of the crown, is situated about half a mile from the high London road, at the eastern boundary of the parish, the greatest part of it on the knole of a hill, extending mostly down the east side of it to the head of the creek, which flows north-westward from hence, and at two miles distance, after several meandrings, joins the waters of the Swale. It has a very indifferent character for health, owing both to the badness of the water, and the gross unwholesome air to which it is subject from its watry situation; nor is it in any degree pleasant, the narrow streets, or rather lanes in it, being badly paved, and for the most part inhabited by seafaring persons, fishermen, and oyster-dredgers.
Its commodious situation for navigation near the Swale, to which the town then stood much nearer than it does at present, caused it to be frequented by the Danes, in their piratical excursions into this county, particularly in 893, these pirates, who had been ravaging. France and the Low Countries, being distressed for subsistence, turned their thoughts towards England, for the sake of plunder: for this purpose, with one of their fleets, they sailed up to Apledore, and with the other, consisting of about eighty ships, under the command of Hastings their captain, they entered the mouth of the river Thames, and landing in this parish built themselves a fortress or castle here. Asserius writes, anno 892, Hastengus fecit sibi firmissimum oppidum apud Middeltunam. Sax. Chron. anno 893, interpreted, Arcem extruxit. Simon Dunelm, coll. 151, H. Huntingdon, lib. 5, Florence of Worcester, p. 595, and Chron. Malros, Fecit munitionem. Spelman, in his Life of Alfred, says, Dani castra validis operibus communiunt. This fortress was erected at a place called Kemsleydowne, in the marshes, about midway between the town and the mouth of the creek, the scite of which is still visible, and being overgrown with wood and bushes, has obtained the name of Castberough. (fn. 1) It is of a square form, and is surrounded by a high bank thrown up, and a broad ditch. There is a raised causeway, very plainly to be seen, leading from it towards the seashore. From this fortress they not only made their excursions and plundered the neighbouring country, but secured themselves against such power as the king might send against them.
This town of Milton being part of the royal demesnes, was a cause of its being destroyed by earl Godwin, who being at variance with Edward the Consessor, came here, with a large force, in the year 1052, and burned this town, then of good condition, to the ground; and afterwards ransacked and spoiled many other of the king's estates throughout the county. After which it does not seem to have been ever restored to its former state.
Its condition in the reign of queen Elizabeth may be seen by the survey, made by her order in the 8th year of her reign; by which it appears, that there were then in this town, houses inhabited one hundred and thirty, persons lacking habitations six, landing-places four, one called Fluddmill keye, appertaining to Sir Henry Cheney; the second, Whitlock's key, now the Town key; the third, Reynolds's, now Page's key; and the fourth, Hamond key, appertaining to Thomas Hayward, now Huggins's key; ships and vessels twenty-six, of which twenty were under ten tons; the rest were of twelve, sixteen, and twenty tons; and persons occupied in trade and fishing twenty four.
Since which the town of Milton has considerably increased, as well in the number of its houses and inhabitants, as in its wealth and trade. The number of houses at present is about two hundred and thirty, which are supposed to contain about twelve hundred inhabitants.
The trade of it chiefly consists in the traffic carrying on weekly at the four wharfs in it, where the corn and commodities of the neighbouring country are shipped for London, and goods of every sort brought back again in return; and in the fishery for oysters, a further account of which will be given hereafter. Besides which, the several mills here do not contribute a little to the benefit of this place; four of these are employed in the grinding of corn, and dressing it into flour; and the fifth, called Perrywinckle mill, was some few years ago applied to the manufacturing of pearl-barley, which used to be imported from Holland; and it was supposed to be the only mill in the kingdom where that article was brought to the same perfection as in Holland, but this manufacture for want of due encouragement has been since discontinued.
The town of Milton is governed by a a portreve, who is chosen annually on St. James's day, by the inhabitants of the parish paying church and poor's rates; whose office is, to oversee the market, and preserve good order within the town, and to execute the office of clerk of the market in all matters, within the hundreds of Milton and Marden; he likewise sets the price of all things which come to the keys, or any other creek within the hundred, being such things as head officers in other towns may set the prices on
The market, which is a very plentiful one for all sorts of butchers meat, poultry, &c. is held on a Saturday weekly, at the shambles, in the center of the town. Adjoining to them is the market-house, having a clock, and a bell, which is rung not only for the purpose of the market, but for the calling of the parshioners to church, for funerals, and for occasional parish meetings. At a small distance northward from the shambles is a king of court-house, being a very low old-timbered tenement, where the courts of the manor are kept, and other meetings held; at other times it is made use of as the school house; underneath it is the town prison.
The school is endowed with the annual sum of nine pounds, an account of which may be seen hereafter, among the charitable benefactions to this parish. The master is appointed by the minister and churchwardens. Nine or ten poor boys are taught to read and write in it.
There is a fair, which used to be held on the feast of St. Margaret, July 13, now, by the alteration of the stile, on the 24th of that month, and the two following days.
The lands in this parish, near the town, and especially on the lower or northern part of it, are very rich and sertile. Adjoining to these are the marshes, which extend to the waters of the Swale. Below the hill westward there is another streamlet, which having turned a mill near the vicarage, runs on not far distant from the church, and court-lodge, situated about half a mile northward below the present town, near which the former one destroyed by Earl Godwin is supposed to have once stood.
In the north-west part of this parish, among the marshes, there is a decoy for wild fowl, the only one, that I know of, in this part of the county. The fowl caught in it, are much esteemed for their size and flavor. Great numbers of them are weekly taken and sent up to London.
In this parish, at a small distance northward from Bobbing-place, is a farm called the Quintin farm, which shews that diversion to have been formerly used in it. (fn. 2)
THE FISHERY belonging to the manor and hundred of Milton is of very considerable account. It seems to have been granted by king John, by his charter, in his 7th year, to the abbot and convent of Faversham, by the description of the fisheries of Milton, which the men of Seasalter then held by the yearly rent of twenty shillings, payable at his manor of Milton, and by doing therefrom the customs and service which were wont to be to it.
King Edward III. in his 4th year, confirmed this grant, as did king Henry VI. and this fishery remained part of the possessions of the abbey till its dissolution, in the 30th year of Henry VIII. when it was surrendered up into the king's hands, together with all its possessions.
After which, the fee simple of this fishery remained with the manor in the hands of the crown, till the 10th year of king Charles I. when it was passed away, with it, by the words recited in the grant then made of the manor, to Sir Ed. Browne and Christ. Favell, as will be more fully mentioned below; after which, James Herbert, esq. coming into the possession of it, by the settlement of it from his father Philip, earl of Pembroke, he in the 26th year of king Charles II. obtained a fresh grant of this fishery, against which there was a quo warranto brought in the reign of queen Anne, on a petition of the fishermen of Rochester and Stroud, to shew by what authority they, the grantees, kept courts within their manor of Milton, and restrained the fishermen of those and the adjacent towns, from fishing and dredging for oysters within this hundred and manor: but on a trial had at bar, a verdict was given in his favor. Since which it has continued down, in like manner as the manor of Milton, to the right hon. Philip, viscount Wenman, and Mrs. Anne Herbert, who are at this time proprietors of this fishery, together with the manor.
The company of Fishermen, or Dredgers, of this fishery, hold it by lease from the owners of the manor, at the yearly rent of one hundred pounds and four bushels of oysters. They are governed by their particular officers, under certain rules or bye-laws, made by antient custom at the court baron of the manor. There are now about one hundred and forty freemen belonging to it.
The oysters produced from these grounds, within the limits of this fishery, are usually called Milton Natives, and are esteemed the finest and richest flavored of any in Europe. They are supposed to be the same that Juvenal particularly describes, in his fourth satire, as being reckoned a delicacy even in his time, in these words, satire iv. l. 144:
— Rutupinove edita fundo Ostrea, callebat primo deprendere morsu.
The sum usually returned for these oysters is from 3000l. to 7000l. per annum. The Dutch have been supposed by many, to have engrossed this article of luxury; but they expend but a very small part of the above sums, and sometimes none, for the space of seven years together.
IN THE WESTERN PART of this parish there are several hundred acres of coppice-wood, which are adjoining to a much larger tract of the like sort, extending southward almost as far as Binbury pound, on the west side of Stockbury-valley, for the space of near five miles. These woods, especially those in and near this parish, are noted for the great plenty of chesnut stubs interspersed promiscuously throughout them, which, from the quick and strait growth of this king of wood, makes them very valuable. These are so numerous in them, as to give name to most of these woods near Milton, which, besides their particular names to each of them, are usually called by the general name of Chesnut-woods. And in the presentment made of the customs of the manor of Milton in 1575, it is mentioned, that the occupiers of the three mills holden of the manor should gather yearly for the lord of it nine bushels of chestenottes, in Chestnott wood, or pay eighteen-pence by the year to the queen, who then had the manor in her own hands, and was possessed of three hundred acres of chesnut wood within this hundred.
¶These chesnuts are undoubtedly the indigenuous growth of Britain, planted by the hand of nature. They are interspersed throughout the whole tract, without any form or regularity, and are many of them, by their appearance, of great age; and by numbers of them, which now seem almost worn out and perishing, being made use of as the termini or boundaries, as well of private property as of parishes, it is plain they were first pitched upon, in preference to others, for that purpose, as being the largest and most antient ones of any then existing; and as these are hardly ever cut down or altered, they must have stood sacred to this use from the first introduction of private property into this kingdom, and the first division of it into parishes. Four letters were printed in 1771, after having been read before the Royal Society, two of which were written by Dr. Ducarel, and the other two by Mr. Thorpe and Mr. Hasted, to prove that chesnut-trees were the indigenous growth of this kingdom, in answer to an idea of the hon. Daines Barrington, who had a wish to establish a contrary opinion.
DR. PLOT says, that Herba Britannica, which Twyne and Johnson think to be bistort, Trisolium acetosum, or Oxys; Empetron, quæ est petrafindula Britanniæ prope peculiaris, and Crocus, were found at Milton by Scribonius Largus, when he came into Britain with the emperor Claudius. And he further says, that Crocus sativus, saffron, was heretofore sown and gathered (as now at Walden, in Essex) at Milton, and quotes for his authority, a manuscript rental of the manor of Milton, in the library of Christ-church, Canterbury.
MILTON is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sittingborne.
The church is dedicated to the Holy Trinity. It is a large handsome building, consisting of two isles and two chancels, the southernmost of which belongs to the manor of Northwood. It has a well built tower at the west end, in which are five bells. In this church, among others, were formerly the arms of Barry, Diggs, Finch, of the Five Ports, of Norwood and Norton, with their several crests, trophies, and banners; of Marten quartering Boteler; one coat, Barry, argent and azure, on a canton of the first, a bird of the second; Argent, three bends azure, within a bordure, eight mullets; Gules, a fess or, between three mullets, argent; and in one of the windows, a man kneeling, with a coat of arms, Six lions rampant, three and three, and underneath, Orate paia Guliel Savage Armigi.
Mauricius ap John, rector of St. George's, in Exeter, was buried in the choir of this church, as appears by his will, anno 1499.
In the year 1070, being the 5th year of his reign, William the Conqueror gave to the abbot and convent of St. Augustine, the church of Middelton, and the tenths of all the products accruing from that manor, and the tenths of all its appurtenances, of the land, wood, meadows, and water, excepting the tenths of honey, and rent paid in money. (fn. 12)
Pope Lucius XI. in 1144, at the petition of abbot Hugh de Trottesclive, confirmed the annual pension of ten marcs from this church to that abbey.
In 1168, the conventual church of St. Augustine was the greatest part of it burnt; on which account this church was allotted to the sacristy there, for the repair of it. (fn. 13) But they did not keep it long, for in 1178, at the king's instance, they gave it up, and lost all property both in the church, and the advowson of it. A composition was entered into between the archbishop and the abbot in 1182, concerning the privileges and exemptions of the latter; when it was agreed, that the archdeacon, or his official, should receive his accustomed dues and procurations from the churches of St. Augustine, excepting those of Minster, Northborne, and Chistelet, and from this church likewise, when the monks should again get possession of the appropriation of it.
Four years after which, the abbot demised to the prioress of St. Sexburg of Shepey, the tiches which his monastery possessed, in right of this church, in Bobbing, at the yearly rent of ten shillings, on condition that all housekeepers, which should be on the estates from which they arose, should yearly repair to this the mother church, with their oblations, on Christmas-day, the Purification, and Easter day. And in 1188, the abbot demised to the prioress there, the tenths of Westlonde, within her parish, for the rent of fourteen shillings, payable yearly to the sacrist of St. Augustine.
About the year 1198, the abbot and convent recovered this church, which was then become vacant by the death of one Franco, the person to whom they had given it up, at the instance of king Henry. But they had kept it but a small time, before the archbishop disturbed them in their possession of it. However, by the mediation of mutual friends, and at the king's request, that he would not molest them in their appropriation of it; he out of respect to the king, ratified this church to them, to be possessed by them for ever. (fn. 14)
There was a pension of forty shillings payably yearly from this church, with the chapel belonging to it, to the above monastery, which, with the other pensions from their several churches, was given up by agreement in 1242, for a compensation out of the profits of the church of Preston.
The abbot and convent, among the extensive privileges from the papal see, had obtained an exemption from all archiepiscopal authority, and about the year 1295 made an institution of several new deanries, and apportioned the several churches belonging to his monastery, to each of them, according to their vicinity; one of these was the deanry of Lenham, in which this church was included. This raised great contests with the several archbishops, and after more than five years altercation, the abbot was stripped of these exemptions, and was declared, by the pope's bull, to be subject to the archbishop's jurisdiction, in like manner as before; which entirely dissolved these new deanries, and that of Lenham among them. (fn. 15)
Notwithstanding the abbot and convent seem to have held the appropriation of this church almost from held the appropriation of this church almost from the first grant of it, and though there had been vicars instituted to it long before this time, for Robert de Wikes, who stiles himself vicar of Middelton, by his deed in 1247, granted seven deywerks of land, with the houses built on it, for the habitation of the vicar of Middelton, for the time being; and the abbot and convent had in 1286, assigned a portion for the maintenance of the vicar here; yet there does not appear to have been any regular endowment of a vicarage to it, till the reign of king Edward III. when archbishop Stratford, in 1345, anno 20 Edward III. by his instrument, decreed, that the vicar of the church of Middelton, and his successors, should have the usual mansion of the vicarage, with the garden adjoining to it, together with one acre of the glebe of the same; and that he should have, in the name of the vicarage, all manner of oblations in the church of Middelton, and in all places, situated within the bounds and limits or titheable places of it; and that they should have in the name of the vicarage, all tithes of sylva cædua, wool, lambs, calves, pigs, ducks, geese, swans, pidgeons, cheese, milk-meats, herbage, apples, pears, and other fruit, growing in gardens and orchards, pulse, flax, hemp, eggs, rushes, merchandizes, and of all mills built, or which might in future be built, within the bounds and limits or titheable places of the church, and all other small tithes whatsoever belonging to it, and all legacies left in future to it, which the rectors or vicars of it might of right or custom take; also, that the vicars, in right of the vicarage, should have of the religious, the annual pension of 4s. (fn. 16) sterling, one seam or quarter of corn, and three quarters or seams of barley, on the feast of St. Michael, at Middelton, by them to be yearly paid, on pain of the sequestration of the fruits and profits of the church, belonging to the religious, to be laid on as often and whenever they should cease in the payment of the pension or barley, or should not pay either of them in the time above-mentioned.
But that the vicars should undergo the burthen of serving by themselves, or some other fit priest, the church in divine services, in the finding of one lamp, to burn before the altar of St. Mary there, and the ministering of bread, wine, lights, and other things, which should be necessary for the celebration of divine rights in the church. The burthen likewise of the payment of tenths and other impositions, whenever they might be imposed on the English church, or incumbent on the church, for the taxation of twelve marcs, beyond the burthens allotted to the religious underneath, they should undergo at their own costs and expences.
But the burthen of the reparation and rebuilding of the chancel of the church, both within and without, and also the finding and repairing of books and vestments, and ornaments of the church, which were wont or ought of right or custom, to be found and repaired by the rectors of churches, and all other burthens, ordinary and extraordinary, incumbent on the church, the religious should undergo and acknowledge for ever, &c. (fn. 17)
The church and vicarage, after this, remained part of the possessions of the monastery, till the final dissolution of it, in the 30th year of Henry VIII. when it was, with all its revenues, surrendered up into the king's hands, who by his dotation-charter, in his 33d year, settled both the appropriation of this church, and the advowson of the vicarage, among other premises, on his new-founded dean and chapter of Christchurch, Canterbury, with whom the inheritance of the parsonage still remains, the interest in the lease of it being now in the heirs of John Cockin Sole, esq. deceased, but the advowson of the vicarage the dean and chapter retain in their own hands, and are the present patrons of it.
The vicarage of Milton is valued in the king's books at 13l. 2s. 6d. and the yearly tenths at 1l. 6s. 3d.
¶In 1578, there were here, dwelling-houses on hundred and eight, communicants three hundred and seventy-four. In 1640 this vicarage was valued at eighty pounds. Communicants five hundred and twenty-nine.
The antient annual pension of four shillings, one quarter of wheat, and three quarters of barley, stipulated to be paid by the religious as before-mentioned, still continues to be paid by the lessee of the parsonage, by the covenants of his lease.
The agreement made between the prior of the brethren of the hospital of St. John of Jersalem and the abbot and convent of St. Augustine, about king Henry the IId.'s reign, that whenever their chapel of Rodmersham should be dedicated, and the cemetery consecrated, they would diminish by it none of the mother church of Middleton's rights; has already been more fully mentioned in the account of that parish before. (fn. 18)
Sittingbourne is a large town up from Faversham on the A2, or the old high road.
Today it is post industrial, mostly, with a one way system and out of town big box stores.
I have seen little of worth in the town when we have passed through. So, Milton Regis was expected to be more of the same.
But the ancient borough is full of fine old timber-framed houses, narrow streets, but beyond them there are endless estates full of identical houses.
Holy Trinity sits the other side of a busy junction, at the end of a short lane, now used mostly by people visiting the large playing field so their dogs don't crap in their owner's back gardens.
Or so it seemed.
Urban churches are rarely open for causal visits, so it proved this time. The young folks paiting the parish offices didn't have a key for the church, so could not help.
So I made do with snapping the outside of the church and large collection of ancient gravestones, one I learn was connected to the Gunpowder Plot.
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The massive 14th century tower grabs attention immediately, but just by the door is a most mysterious headstone which commemorates a man killed by a rocket at an early Guy Fawke`s celebration. Inside, the south aisle is almost as wide as the nave and has a rare rood loft staircase that runs in the thickness of the wall rather than up a spiral staircase. There is little stained glass but the east window, by the firm of Ward and Hughes is rather a masterpiece, with most of the subjects being real portraits – especially the figures of St George and St Uriel. An inscription nearby tells the whole story. At the junction of nave and chancel is a rare benefactions board which is carved to look like a memorial – look out for Faith Hope and Charity. The medieval vestry at the north east corner has an original shuttered window – a rare survival indeed, whilst under the huge tower is a benefactions board recording gifts to dredgermen`s widows. Now you don’t find them very often!
www.kentchurches.info/church.asp?p=Milton+Regis
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MILTON,
OR, more properly, Middleton, lies the next parish north-westward from Sittingborne, last described, and seems to have taken its name from the Saxon Midletun, a name denoting its situation in the middle part of this county.
THE PARISH of Milton is most of it situated on low flat ground, and extends from the high London road as far as the waters of the Swale northward, adjoining to which, the marshes in this parish are both fresh and salt, of a very large extent. In the southern or upper part of the parish, next to the London road, is a small hamlet, called from the soil Chalkwell, in which there are two modern-built houses of the better sort, the lower most of which has a large tan-yard belonging to it; near it there rise some springs, which fill several large ponds, the reservoirs for a corn mill below them, after which they run along the east skirts of the town, which are a continued swamp of watry bogs, into the creek below. The town, antiently called the king's town of Milton, as being part of the antient possessions of the crown, is situated about half a mile from the high London road, at the eastern boundary of the parish, the greatest part of it on the knole of a hill, extending mostly down the east side of it to the head of the creek, which flows north-westward from hence, and at two miles distance, after several meandrings, joins the waters of the Swale. It has a very indifferent character for health, owing both to the badness of the water, and the gross unwholesome air to which it is subject from its watry situation; nor is it in any degree pleasant, the narrow streets, or rather lanes in it, being badly paved, and for the most part inhabited by seafaring persons, fishermen, and oyster-dredgers.
Its commodious situation for navigation near the Swale, to which the town then stood much nearer than it does at present, caused it to be frequented by the Danes, in their piratical excursions into this county, particularly in 893, these pirates, who had been ravaging. France and the Low Countries, being distressed for subsistence, turned their thoughts towards England, for the sake of plunder: for this purpose, with one of their fleets, they sailed up to Apledore, and with the other, consisting of about eighty ships, under the command of Hastings their captain, they entered the mouth of the river Thames, and landing in this parish built themselves a fortress or castle here. Asserius writes, anno 892, Hastengus fecit sibi firmissimum oppidum apud Middeltunam. Sax. Chron. anno 893, interpreted, Arcem extruxit. Simon Dunelm, coll. 151, H. Huntingdon, lib. 5, Florence of Worcester, p. 595, and Chron. Malros, Fecit munitionem. Spelman, in his Life of Alfred, says, Dani castra validis operibus communiunt. This fortress was erected at a place called Kemsleydowne, in the marshes, about midway between the town and the mouth of the creek, the scite of which is still visible, and being overgrown with wood and bushes, has obtained the name of Castberough. (fn. 1) It is of a square form, and is surrounded by a high bank thrown up, and a broad ditch. There is a raised causeway, very plainly to be seen, leading from it towards the seashore. From this fortress they not only made their excursions and plundered the neighbouring country, but secured themselves against such power as the king might send against them.
This town of Milton being part of the royal demesnes, was a cause of its being destroyed by earl Godwin, who being at variance with Edward the Consessor, came here, with a large force, in the year 1052, and burned this town, then of good condition, to the ground; and afterwards ransacked and spoiled many other of the king's estates throughout the county. After which it does not seem to have been ever restored to its former state.
Its condition in the reign of queen Elizabeth may be seen by the survey, made by her order in the 8th year of her reign; by which it appears, that there were then in this town, houses inhabited one hundred and thirty, persons lacking habitations six, landing-places four, one called Fluddmill keye, appertaining to Sir Henry Cheney; the second, Whitlock's key, now the Town key; the third, Reynolds's, now Page's key; and the fourth, Hamond key, appertaining to Thomas Hayward, now Huggins's key; ships and vessels twenty-six, of which twenty were under ten tons; the rest were of twelve, sixteen, and twenty tons; and persons occupied in trade and fishing twenty four.
Since which the town of Milton has considerably increased, as well in the number of its houses and inhabitants, as in its wealth and trade. The number of houses at present is about two hundred and thirty, which are supposed to contain about twelve hundred inhabitants.
The trade of it chiefly consists in the traffic carrying on weekly at the four wharfs in it, where the corn and commodities of the neighbouring country are shipped for London, and goods of every sort brought back again in return; and in the fishery for oysters, a further account of which will be given hereafter. Besides which, the several mills here do not contribute a little to the benefit of this place; four of these are employed in the grinding of corn, and dressing it into flour; and the fifth, called Perrywinckle mill, was some few years ago applied to the manufacturing of pearl-barley, which used to be imported from Holland; and it was supposed to be the only mill in the kingdom where that article was brought to the same perfection as in Holland, but this manufacture for want of due encouragement has been since discontinued.
The town of Milton is governed by a a portreve, who is chosen annually on St. James's day, by the inhabitants of the parish paying church and poor's rates; whose office is, to oversee the market, and preserve good order within the town, and to execute the office of clerk of the market in all matters, within the hundreds of Milton and Marden; he likewise sets the price of all things which come to the keys, or any other creek within the hundred, being such things as head officers in other towns may set the prices on
The market, which is a very plentiful one for all sorts of butchers meat, poultry, &c. is held on a Saturday weekly, at the shambles, in the center of the town. Adjoining to them is the market-house, having a clock, and a bell, which is rung not only for the purpose of the market, but for the calling of the parshioners to church, for funerals, and for occasional parish meetings. At a small distance northward from the shambles is a king of court-house, being a very low old-timbered tenement, where the courts of the manor are kept, and other meetings held; at other times it is made use of as the school house; underneath it is the town prison.
The school is endowed with the annual sum of nine pounds, an account of which may be seen hereafter, among the charitable benefactions to this parish. The master is appointed by the minister and churchwardens. Nine or ten poor boys are taught to read and write in it.
There is a fair, which used to be held on the feast of St. Margaret, July 13, now, by the alteration of the stile, on the 24th of that month, and the two following days.
The lands in this parish, near the town, and especially on the lower or northern part of it, are very rich and sertile. Adjoining to these are the marshes, which extend to the waters of the Swale. Below the hill westward there is another streamlet, which having turned a mill near the vicarage, runs on not far distant from the church, and court-lodge, situated about half a mile northward below the present town, near which the former one destroyed by Earl Godwin is supposed to have once stood.
In the north-west part of this parish, among the marshes, there is a decoy for wild fowl, the only one, that I know of, in this part of the county. The fowl caught in it, are much esteemed for their size and flavor. Great numbers of them are weekly taken and sent up to London.
In this parish, at a small distance northward from Bobbing-place, is a farm called the Quintin farm, which shews that diversion to have been formerly used in it. (fn. 2)
THE FISHERY belonging to the manor and hundred of Milton is of very considerable account. It seems to have been granted by king John, by his charter, in his 7th year, to the abbot and convent of Faversham, by the description of the fisheries of Milton, which the men of Seasalter then held by the yearly rent of twenty shillings, payable at his manor of Milton, and by doing therefrom the customs and service which were wont to be to it.
King Edward III. in his 4th year, confirmed this grant, as did king Henry VI. and this fishery remained part of the possessions of the abbey till its dissolution, in the 30th year of Henry VIII. when it was surrendered up into the king's hands, together with all its possessions.
After which, the fee simple of this fishery remained with the manor in the hands of the crown, till the 10th year of king Charles I. when it was passed away, with it, by the words recited in the grant then made of the manor, to Sir Ed. Browne and Christ. Favell, as will be more fully mentioned below; after which, James Herbert, esq. coming into the possession of it, by the settlement of it from his father Philip, earl of Pembroke, he in the 26th year of king Charles II. obtained a fresh grant of this fishery, against which there was a quo warranto brought in the reign of queen Anne, on a petition of the fishermen of Rochester and Stroud, to shew by what authority they, the grantees, kept courts within their manor of Milton, and restrained the fishermen of those and the adjacent towns, from fishing and dredging for oysters within this hundred and manor: but on a trial had at bar, a verdict was given in his favor. Since which it has continued down, in like manner as the manor of Milton, to the right hon. Philip, viscount Wenman, and Mrs. Anne Herbert, who are at this time proprietors of this fishery, together with the manor.
The company of Fishermen, or Dredgers, of this fishery, hold it by lease from the owners of the manor, at the yearly rent of one hundred pounds and four bushels of oysters. They are governed by their particular officers, under certain rules or bye-laws, made by antient custom at the court baron of the manor. There are now about one hundred and forty freemen belonging to it.
The oysters produced from these grounds, within the limits of this fishery, are usually called Milton Natives, and are esteemed the finest and richest flavored of any in Europe. They are supposed to be the same that Juvenal particularly describes, in his fourth satire, as being reckoned a delicacy even in his time, in these words, satire iv. l. 144:
— Rutupinove edita fundo Ostrea, callebat primo deprendere morsu.
The sum usually returned for these oysters is from 3000l. to 7000l. per annum. The Dutch have been supposed by many, to have engrossed this article of luxury; but they expend but a very small part of the above sums, and sometimes none, for the space of seven years together.
IN THE WESTERN PART of this parish there are several hundred acres of coppice-wood, which are adjoining to a much larger tract of the like sort, extending southward almost as far as Binbury pound, on the west side of Stockbury-valley, for the space of near five miles. These woods, especially those in and near this parish, are noted for the great plenty of chesnut stubs interspersed promiscuously throughout them, which, from the quick and strait growth of this king of wood, makes them very valuable. These are so numerous in them, as to give name to most of these woods near Milton, which, besides their particular names to each of them, are usually called by the general name of Chesnut-woods. And in the presentment made of the customs of the manor of Milton in 1575, it is mentioned, that the occupiers of the three mills holden of the manor should gather yearly for the lord of it nine bushels of chestenottes, in Chestnott wood, or pay eighteen-pence by the year to the queen, who then had the manor in her own hands, and was possessed of three hundred acres of chesnut wood within this hundred.
¶These chesnuts are undoubtedly the indigenuous growth of Britain, planted by the hand of nature. They are interspersed throughout the whole tract, without any form or regularity, and are many of them, by their appearance, of great age; and by numbers of them, which now seem almost worn out and perishing, being made use of as the termini or boundaries, as well of private property as of parishes, it is plain they were first pitched upon, in preference to others, for that purpose, as being the largest and most antient ones of any then existing; and as these are hardly ever cut down or altered, they must have stood sacred to this use from the first introduction of private property into this kingdom, and the first division of it into parishes. Four letters were printed in 1771, after having been read before the Royal Society, two of which were written by Dr. Ducarel, and the other two by Mr. Thorpe and Mr. Hasted, to prove that chesnut-trees were the indigenous growth of this kingdom, in answer to an idea of the hon. Daines Barrington, who had a wish to establish a contrary opinion.
DR. PLOT says, that Herba Britannica, which Twyne and Johnson think to be bistort, Trisolium acetosum, or Oxys; Empetron, quæ est petrafindula Britanniæ prope peculiaris, and Crocus, were found at Milton by Scribonius Largus, when he came into Britain with the emperor Claudius. And he further says, that Crocus sativus, saffron, was heretofore sown and gathered (as now at Walden, in Essex) at Milton, and quotes for his authority, a manuscript rental of the manor of Milton, in the library of Christ-church, Canterbury.
MILTON is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sittingborne.
The church is dedicated to the Holy Trinity. It is a large handsome building, consisting of two isles and two chancels, the southernmost of which belongs to the manor of Northwood. It has a well built tower at the west end, in which are five bells. In this church, among others, were formerly the arms of Barry, Diggs, Finch, of the Five Ports, of Norwood and Norton, with their several crests, trophies, and banners; of Marten quartering Boteler; one coat, Barry, argent and azure, on a canton of the first, a bird of the second; Argent, three bends azure, within a bordure, eight mullets; Gules, a fess or, between three mullets, argent; and in one of the windows, a man kneeling, with a coat of arms, Six lions rampant, three and three, and underneath, Orate paia Guliel Savage Armigi.
Mauricius ap John, rector of St. George's, in Exeter, was buried in the choir of this church, as appears by his will, anno 1499.
In the year 1070, being the 5th year of his reign, William the Conqueror gave to the abbot and convent of St. Augustine, the church of Middelton, and the tenths of all the products accruing from that manor, and the tenths of all its appurtenances, of the land, wood, meadows, and water, excepting the tenths of honey, and rent paid in money. (fn. 12)
Pope Lucius XI. in 1144, at the petition of abbot Hugh de Trottesclive, confirmed the annual pension of ten marcs from this church to that abbey.
In 1168, the conventual church of St. Augustine was the greatest part of it burnt; on which account this church was allotted to the sacristy there, for the repair of it. (fn. 13) But they did not keep it long, for in 1178, at the king's instance, they gave it up, and lost all property both in the church, and the advowson of it. A composition was entered into between the archbishop and the abbot in 1182, concerning the privileges and exemptions of the latter; when it was agreed, that the archdeacon, or his official, should receive his accustomed dues and procurations from the churches of St. Augustine, excepting those of Minster, Northborne, and Chistelet, and from this church likewise, when the monks should again get possession of the appropriation of it.
Four years after which, the abbot demised to the prioress of St. Sexburg of Shepey, the tiches which his monastery possessed, in right of this church, in Bobbing, at the yearly rent of ten shillings, on condition that all housekeepers, which should be on the estates from which they arose, should yearly repair to this the mother church, with their oblations, on Christmas-day, the Purification, and Easter day. And in 1188, the abbot demised to the prioress there, the tenths of Westlonde, within her parish, for the rent of fourteen shillings, payable yearly to the sacrist of St. Augustine.
About the year 1198, the abbot and convent recovered this church, which was then become vacant by the death of one Franco, the person to whom they had given it up, at the instance of king Henry. But they had kept it but a small time, before the archbishop disturbed them in their possession of it. However, by the mediation of mutual friends, and at the king's request, that he would not molest them in their appropriation of it; he out of respect to the king, ratified this church to them, to be possessed by them for ever. (fn. 14)
There was a pension of forty shillings payably yearly from this church, with the chapel belonging to it, to the above monastery, which, with the other pensions from their several churches, was given up by agreement in 1242, for a compensation out of the profits of the church of Preston.
The abbot and convent, among the extensive privileges from the papal see, had obtained an exemption from all archiepiscopal authority, and about the year 1295 made an institution of several new deanries, and apportioned the several churches belonging to his monastery, to each of them, according to their vicinity; one of these was the deanry of Lenham, in which this church was included. This raised great contests with the several archbishops, and after more than five years altercation, the abbot was stripped of these exemptions, and was declared, by the pope's bull, to be subject to the archbishop's jurisdiction, in like manner as before; which entirely dissolved these new deanries, and that of Lenham among them. (fn. 15)
Notwithstanding the abbot and convent seem to have held the appropriation of this church almost from held the appropriation of this church almost from the first grant of it, and though there had been vicars instituted to it long before this time, for Robert de Wikes, who stiles himself vicar of Middelton, by his deed in 1247, granted seven deywerks of land, with the houses built on it, for the habitation of the vicar of Middelton, for the time being; and the abbot and convent had in 1286, assigned a portion for the maintenance of the vicar here; yet there does not appear to have been any regular endowment of a vicarage to it, till the reign of king Edward III. when archbishop Stratford, in 1345, anno 20 Edward III. by his instrument, decreed, that the vicar of the church of Middelton, and his successors, should have the usual mansion of the vicarage, with the garden adjoining to it, together with one acre of the glebe of the same; and that he should have, in the name of the vicarage, all manner of oblations in the church of Middelton, and in all places, situated within the bounds and limits or titheable places of it; and that they should have in the name of the vicarage, all tithes of sylva cædua, wool, lambs, calves, pigs, ducks, geese, swans, pidgeons, cheese, milk-meats, herbage, apples, pears, and other fruit, growing in gardens and orchards, pulse, flax, hemp, eggs, rushes, merchandizes, and of all mills built, or which might in future be built, within the bounds and limits or titheable places of the church, and all other small tithes whatsoever belonging to it, and all legacies left in future to it, which the rectors or vicars of it might of right or custom take; also, that the vicars, in right of the vicarage, should have of the religious, the annual pension of 4s. (fn. 16) sterling, one seam or quarter of corn, and three quarters or seams of barley, on the feast of St. Michael, at Middelton, by them to be yearly paid, on pain of the sequestration of the fruits and profits of the church, belonging to the religious, to be laid on as often and whenever they should cease in the payment of the pension or barley, or should not pay either of them in the time above-mentioned.
But that the vicars should undergo the burthen of serving by themselves, or some other fit priest, the church in divine services, in the finding of one lamp, to burn before the altar of St. Mary there, and the ministering of bread, wine, lights, and other things, which should be necessary for the celebration of divine rights in the church. The burthen likewise of the payment of tenths and other impositions, whenever they might be imposed on the English church, or incumbent on the church, for the taxation of twelve marcs, beyond the burthens allotted to the religious underneath, they should undergo at their own costs and expences.
But the burthen of the reparation and rebuilding of the chancel of the church, both within and without, and also the finding and repairing of books and vestments, and ornaments of the church, which were wont or ought of right or custom, to be found and repaired by the rectors of churches, and all other burthens, ordinary and extraordinary, incumbent on the church, the religious should undergo and acknowledge for ever, &c. (fn. 17)
The church and vicarage, after this, remained part of the possessions of the monastery, till the final dissolution of it, in the 30th year of Henry VIII. when it was, with all its revenues, surrendered up into the king's hands, who by his dotation-charter, in his 33d year, settled both the appropriation of this church, and the advowson of the vicarage, among other premises, on his new-founded dean and chapter of Christchurch, Canterbury, with whom the inheritance of the parsonage still remains, the interest in the lease of it being now in the heirs of John Cockin Sole, esq. deceased, but the advowson of the vicarage the dean and chapter retain in their own hands, and are the present patrons of it.
The vicarage of Milton is valued in the king's books at 13l. 2s. 6d. and the yearly tenths at 1l. 6s. 3d.
¶In 1578, there were here, dwelling-houses on hundred and eight, communicants three hundred and seventy-four. In 1640 this vicarage was valued at eighty pounds. Communicants five hundred and twenty-nine.
The antient annual pension of four shillings, one quarter of wheat, and three quarters of barley, stipulated to be paid by the religious as before-mentioned, still continues to be paid by the lessee of the parsonage, by the covenants of his lease.
The agreement made between the prior of the brethren of the hospital of St. John of Jersalem and the abbot and convent of St. Augustine, about king Henry the IId.'s reign, that whenever their chapel of Rodmersham should be dedicated, and the cemetery consecrated, they would diminish by it none of the mother church of Middleton's rights; has already been more fully mentioned in the account of that parish before. (fn. 18)
Built in 1865 in Victorian Carpenter Gothic style, the former Holy Trinity Church of England can be found on a rise along Morses Creek Road in the little alpine town of Wandiligong. Built of weatherboard it is a charming example of wooden churches built all over Australia in little country towns. Unusually, it features Elizabethan loopy bargeboard gingerbreading. It is unpretentious and looks like a picturesque country village church, nestled into its surrounds which are full of tall elm trees and surrounded by a pretty white picket fence. The church was last used as a place of worship in the mid 1960s. Originally containing rather ornate stained glass which has subsequently been replaced with plain glass windows, the former Holy Trinity Church of England has since been converted into a residence, named McKenzie. Although an extension with skylights has been put at the rear of the building, the designs are sympathetic with the original 1865 building and are not visible from Morses Creek Road.
Victorian Carpenter Gothic style emerged where timber was the mail building material or where transport and portability were considerations, and most buildings were simplified versions of Victorian Gothic buildings, although some did have very beautifully ornamental wooden gingerbreading and fretwork.
Wandiligong is a town in north-eastern Victoria in the alpine region around 330 kilometres from Melbourne. Established in the 1850s as part of the Victorian Gold Rush, Wandiligong became a hub for many gold miners, including a large Chinese community. At its peak, the town was home to over two thousand inhabitants and boasted shops, churches, a public library, halls and even an hotel. Much has changed since those heady days of the gold rush, and the picturesque town nestled in a valley and built around the Morses Creek, is now a sleepy little town full of picturesque houses which are often let to visitors to the area. The whole town is registered with the National Trust of Australia for its historic landscape and buildings of historic value.