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Version - Redux (Unreal Engine4)
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SweetFX v2.0
FOV - 120
Touch of Photoshop
~Arab Proverb
What's Cooking? I know I haven't been around much lately, but I wanted to share that it is with good reason: for the past few weeks I've been working with a large publishing house on a series of cooking encyclopedias! Woo-hoo! And even though I'm working with a group of folks (set assistants, editor, art director, etc.), it has been sooooo much work. Thankfully, I wasn't hired to do the actual cooking shots (those are done in a sweaty, 4-kitchen studio space)...I'm doing more of the culinary and beauty shots...such as the chapter head pages shown above (for demo purposes here, I added the "herbs" type myself—the final graphical elements will be included in the design phase).
Note: I promised myself that 2011 would be the year that I would share more info, techniques & tips with my Flickr friends, and in doing so, hopefully make my stream more than just about my photography. And that started with the inclusion of my EXIF and Strobist info with each shot, which I'm glad many of you have found useful. :) But with large projects like these, it seems like a great time to offer more detailed information...lighting configs, set-up shots and set sketches. To that end, below is a page from my always-handy moleskine that I use to frame out shots, lighting and compositional elements. It's crucial when conveying concepts to a design team and to ensure that print margins, bleeds and areas for typographical elements are maintained when shooting. Hope this is helpful!
Macro Mondays (2.21.11): "Spices & Seasonings"
Canon 5D Mark II
Canon 50mm f/1.4 USM
Canon EF 25 II Extension Tube
Aperture: f/4.5
Focal Length: 50mm
ISO Speed: 100
Flash: Off-camera front, low; diffused, 2/3 power
Polarizer/Filter: None
Exposure: 1/6
RAW File Processing: Lightroom 3
Slik Sprint Pro w/ Manfrotto 496RC2 Ballhead
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© Steven Brisson. Do not use without permission.
Nikon S3
Nikkor-S 50 mm f/1,4
1/1000 sec@f/11-16
Heliopan orange 22 filter
Kodak Professional Tri-X 400@ISO 6400
Developed in Diafine 3,5+3,5 min.
Pushed probably to the highest limit.
This little experiment convinced me that the upper acceptable sensitivity for 35mm Tri-x and Diafine is ISO 1250 (ISO 1600 for 120 film, from my previous experiences), unless you really need a heavy grain and high contrast.
The road twines around
the pits on the way
targetting the next level.
Tucked in deep pockets
ambition dozes, to
appear at an unexpected
moment.
(graphics, monoprint, 3 phases, 2018, 24x16 cm)
best in full screen ... created by following exactly step by step the Adobe Photoshop Tutorial
thank you Teodora for a link
dedicated to Inga ~ how she wished, I say one more time ICE COLD !!!
6500 2017 02
American Mermaid
Lawton, OK
(painted on metal siding of Yarmuk Scrap Metal Inc.)
Artist Credit: Dallas Morgandale
I was taken with the brilliant color of this maple leaf - one of many brought down by rain onto a tarp covering our tent. Backlit by reflections of light onto the tarp, it was such an intense red color that I couldn't ignore it and brought out a macro lens to try for a shallow depth of field. The colors reminded me of Air Canada's graphics on the vertical fin of their aircraft.
Happy Valentine's day !
Pour la Saint-Valentin, faites l'amour pas les magasins!
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Copyright © Théthi All rights reserved.
No part of this picture may be reproduced or transmitted in any form or by any means (on websites, blogs) without prior permission. Use without permission is illegal
Faves, comments, invites are welcome, thanks :-)
Please : NO Personal awards - NO great Glittery graphics
Vous lire est un plaisir. Merci de votre visite, vos commentaires, vos invitations et favoris.
To read your comments is a pleasure. Faves, comments, invites are welcome, great thanks :-)
752 2014 10 12 file
Antique store wall graphics
Kentucky Street,
Iola, KS
Contrast edited in Flickr Photo Editor
PLEASE, NO invitations, graphics or self promotions, THEY WILL BE DELETED. My photos are FREE to use, just give me credit and it would be nice if you let me know, thanks.
The colours and rock face made a great shot.