Games and Graphics
View allAll Photos Tagged Graphics
Before posting my next batch of photos, I would like to add several abstract digital graphics that I did in 2001-2002.
Software used are Photoshop 6, Paintshop Pro and 3D Max 3
Graphics- 30-01-2019 Singapore
Hope you like it.
Thank you so much for your visit and support ..
Image is under Copyright by Fabrizio Massetti. Pictures can not be used without explicit permission . Contact me by email if you want to buy or use my photographs
Processing my origami tessellation 'Flower-Star' into graphics.
If you interested to see more, please visit my origami
Free private and non-commercial use of images on my website www.flowingandglowing.com.
Conditions apply.
Commercial licenses for high resolution images are available
IMG_0896c 2023 07 29 file
Pictorial Graphics viewed at the Checkout Counter
Salvation Army Store - Lawton, OK
Entanglement
Not so much the tangles of
the outer world, have put
my thoughts in a clew, a
maelstroom
but the absence of power
moving energy
in the right direction.
Verwarring
Het is niet zozeer de
warboel van de buitenwereld
die mijn gedachten lieten
vastlopen in een kluwen,
een maalstroom
maar de afwezigheid van kracht
die energie in de juiste
richting beweegt.
monoprint, size 25x18 cm, DM 2021
Before posting my next batch of photos, I would like to add several abstract digital graphics that I did in 2001-2002.
Software used are Photoshop 6, Paintshop Pro and 3D Max 3
Vintage Olympus Zuiko OM 2.0 28 mm customized by OM Labor on Sony A7RII
Am Rastplatz Geismühle West der Autobahn 57 südlich von Krefeld steht mit ihren 700 Jahren eine der ältesten Turmwindmühlen in der Region Niederrhein. Sie war eine Getreidemühle, der Name "Geis" leitet sich von "Geest" ab, der lokalen Bezeichnung für einen trockenen, unfruchtbaren Sandrücken, auf dem die Mühle steht.
The 700 years old windmill "Geismühle" beside the autobahn A57 west near Krefeld, one of the oldest mills for cereals of the lower Rhine region.
Einer der ersten Tests des OM 2.0 28mm in der Variante des OM Labors von Gordon Friedrich. Hier bei Blende 5.6 sind Schärfe und Auflösung beachtlich, aber auch bei Offenblende für diese Lichtstärke sehr erfreulich. Kein Wunder dass diese Linse eine der gesuchtesten der alten OM Reihe ist.
5669c 2020 09 26 002 file
1931 Model A Street Rod Suicide Door Graphics.
Mufflers on Main Car Show
Blanchard, OK
"New Edge design"? Forget Ford - look at this 40 year old Cadillac Eldorado.
Seen at Techno Classica 2009.
A large flock of birds, takes off at the right time when I was aiming at them so I had the unique chance to catch their perfect choreo(graphics) in the evening light, with a romantic and nostalgic note and a subtle reflection. Soon the winter kicks in and we have to wait for the new season, to see them again. At least, for now, they are here, performing for all of us.
An abstract shot of my old graphics card for this week's Macro Mondays theme of 'Handle with Care'. Circuit boards are notoriously vulnerable to static and are quite fragile. I used some cat toys to make an interesting background and a Canon EF100mm f/2.8L lens strapped to 52mm of extension tubes giving a magnification of roughly x1.47. 10 natural light exposures at f/5.6 combined in Zerene Stacker.
a stop near, Van Horn, Tx- to pump up on some gas and view the beautiful sunset that is going behind the mountains in the far horizon. ended up capturing some graphics too.
Ref : Background Change
Date : August 21, 2020.
Background from Eldamar Studio
Copyright (c) 2019 Eldamar Studio (Tetiana Radkevych & Yurii Radkevych)
The road twines around
the pits on the way
targetting the next level.
Tucked in deep pockets
ambition dozes, to
appear at an unexpected
moment.
(graphics, monoprint, 3 phases, 2018, 24x16 cm)
Nikon S3
Nikkor-S 50 mm f/1,4
1/1000 sec@f/11-16
Heliopan orange 22 filter
Kodak Professional Tri-X 400@ISO 6400
Developed in Diafine 3,5+3,5 min.
Pushed probably to the highest limit.
This little experiment convinced me that the upper acceptable sensitivity for 35mm Tri-x and Diafine is ISO 1250 (ISO 1600 for 120 film, from my previous experiences), unless you really need a heavy grain and high contrast.