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[Thanks to YLR for sharing her informational interview report about being a graphic designer.]
My current career goal is the graphic design field. I interviewed a local graphic designer over the phone. He has his own local startup company.
While looking for graphic designers near my area on...
aerationworks.net/2016/06/graphic-designer-informational-...
i love you, i need you, i never forget you, tinsmonmathew, tinsmon mathew, mathews k mathew, karukulathel, pala, pala town, graphic designer, web designer, ishq, love, love and love only
Black foil to both sides on 540gsm GF Smith Colorplan Cool Grey. By Fuse Design, Graphic designers in Nottingham. By Fuse Design, Graphic designers in Nottingham.
Flickr: jan_Kurdistan pop -jazz-rock-videos, internet -Flickr: KURD PressCard. photos tagged with kurdistan4all.radio Watch music videos kurdish Theatre · Music · Dance One of over 1000 beautiful photos of Kurdistan . Kurdistan Voice of Kurds Landscaps-Flowers-Art-Fantasy-Nature -3DArt ...classical music - romantic kurdistan--Blues CountryDisco Dis Elektroniskt Funk Karaoke Klassis Best Website For Music. Best Website For Kurdish music by aziz s کردستان
German edition of Graphic Designers in the USA I, showing work of Danziger, Lubalin, Max and Wolf / 1971
Photo: IRENE SERRANO GRAPHIC DESIGNER AND PHOTOGRAPHY
"Cazadora de almas"
Medio: Empire Zone Magazine
@All right reserved
• No flash •
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www.ireneserranophotography.com
www.500px.com/irene_misomisico
@irenemisomisico
info: irene@ireneserranophotography.com
poster, marquee, light projection + CNC cut corian cake topper
special thanks to my typographic consultant and also to kontraptionist studios for the corian cuttin.
congrats to beth and ben!
The handlebars, stem and fork is backward. This bike would ride terribly. This deeply offends me as a cyclist!
Subscribe to my youtube channel: www.youtube.com/user/SpiersDesign?feature=mhee
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German edition of Graphic Designers in the USA I, showing work of Danziger, Lubalin, Max and Wolf / 1971
Size: 28.5" x 40.75"
Condition: Near Mint
Few designers achieve more than a half century of professional longevity—let alone continue in that time to find new solutions and challenges in their work. But the President of the Japan Graphic Designers Association, Inc. (JAGDA) Yusaku Kamekura has accomplished this and more in his lifetime.
Kamekura was born on April 6, 1915 in Japan’s Niigata Prefecture. He studied at a particularly unique design school for that time: the Bauhaus-oriented Institute of New Architecture and Industrial Arts built by Ranahichiro Kawakita.
Immediately after graduation he went to work for Nippon Kobo, publishers of Nippon magazine and the Thai publication Kaupapu. In 1960 Kamekura became the publishing house's managing director. During his early years he also designed posters for Daido Worsted Mills and Nikon, and an identity program for Nippon Kagaku, K.K. In 1956 in Japan, the Advertising Art Club Exhibition awarded him the Membership Prize for his Peacefully Use Atomic Energy poster which included the collage work of his friend the Ikebana artist Sofu Tashigahara.
Despite the post-war western influences of modernism on design in Japan, Kamekura has managed to find a synthesis between the rational, logical and functional design systems of the west and the classical grace of traditional Japanese design. Most known for his use of uncluttered, solid shapes in an elementally sparse plane, one can also find unexpected lyricism behind these solid forms.
Kamekura's utilization of a distinctly traditional sensitivity has brought a unique style to his work that reaches far beyond the admitted western influences of Cassandre, Herbert Bayer and the Bauhausian design school. A pair of 1993 posters entitled ''I'm Here" incorporate Kamekura's distinct, colorfully minimalist approach with the obvious adaptation of an Oskar Schlemmer piece appearing as the central figure. Throughout his career, Kamekura's analyses of his observations of both the occidental and oriental has subsequently strongly influenced design in Japan today.
Kamekura has never become enslaved by corporate executive policy. He will only work for a company if he is convinced that the work is something that he can conceptually and ethically agree with and work on directly with the executives.
"No matter how much money I am offered, I will not do work that I am not convinced is right. This means that I refuse to do any work for political parties or religious groups because I find that I usually cannot agree with their ideals and purposes … I simply cannot get inspiration to do work that does not seem worthwhile and of interest to me," he stated in an article in Graphic Design magazine. "My work is only valid if I am involved in creating the image for the entire company in terms of logos and poster designs and so forth, and I don't like to leave even a single poster design in an ambivalent stage of development."
This type of commitment was part of his working strategy when he became a freelance designer in 1962 and is best exemplified in one of his most famous design programs. Kamekura has always been a sports enthusiast—specifically fast sports like motorboats and skiing. He admits that he forgets everything he knows about design during ski season. His trademark poster for the 18th Olympics—consisting of the Olympic five-ring symbol, Tokyo 1964, and the red sun of the Japanese flag—was selected for its simplicity, strength and freshness from an artist roster that included Kohel Suguira, Kazumasa Nagai and Ikko Tanaka. It was Kamekura's poster series, with its dramatically-angled photographic images of swimmers and runners, that lent the publicity campaign its active punch. He also won gold and silver awards from the Tokyo Art Directors Club, Mainichi Industrial Design, and Japan Advertising Art Club.
Aside from his work on the 18th Olympic Games, a number of other projects are considered by many to be his masterworks. His poster design for the Japan EXPO '70 was recognized by the Tokyo ADC, the Warsaw International Poster Biennale and Milan International Travel Poster Exhibition. Another distinctive piece is his Hiroshima Appeals poster, illustrated by Akira Yokoyama which won First Prize at the Lahti Poster Biennale.
He received a grand prize from the Ministry of Education in 1961. He has received numerous awards including a 1980 Purple Ribbon Medal, a 1985 Third Class Order of the Sacred Treasure, a 1991 Person of Cultural Merits, Gold, Silver, Art and Special Awards from the Warsaw International Poster Biennales from 1960 through 1992, awards from the Brno International Graphic Design Biennales, and the Osaka 6th International Design Award in 1993.
Since 1989, Kamekura has been the editor, cover designer, and organizer of Creation Magazine, a series of publications limited to twenty issues which focus on international graphic design, art, and illustration work by a variety of artists.
It’s been a few years since I’ve been to Wick Farm Barn, but I was extra happy to head there for Christina and Andrew’s wedding. Now, no one will know this but Christina was one of the first people I met on my photography journey. She’s a talented graphic designer and pretty handy with a camera too.
As I see it…there’s more to rocket science than rocket science.
As a graphic designer, I help people see the Orion spacecraft from a different perspective. I use my technical, graphic and information design expertise to help tell the Orion space exploration story to the public through visual communication.
Design is the link between creativity and innovation and brings ideas to life – even deep space mission concepts and engineering drawings. What better way to use design's capacity than to educate and inspire others with NASA's most innovative new spacecraft and human space flight technologies!
My love for space began when I was 9 years old with a school project to study an astronomical object. I chose our moon and decided to build a lunar lander with my dad to share with my class. It was an incredible model we built and it inspired me to learn as much as I could about what is out beyond Earth and how we fit into the big picture. I still have that lander many years later! As a child I was always pulling astronomy books off my bookshelf or checking them out at local libraries. My fondest memories are those of frantically combing through old National Geographic magazines and pulling out pages or maps of Mars to tape up in my bedroom.
I continued to pursue my passion for design after graduating from Fredericktown High School in Ohio. I graduated with a Bachelors and Masters of Fine Art in Visual Communication Design from Kent State University, in Kent, Ohio.
Today, I truly enjoy being able to collaborate with NASA experts to translate their stories, ideas and thoughts into interesting and informative visualizations for the general public. To be a part of NASA's next generation space flight program and create meaningful experiences for those who want to learn more about Orion is the most rewarding part of my job. I am very proud to represent a career that many do not traditionally associate with NASA and have told many students that NASA depends on a variety of talents, specialties, and professions in order for its missions to be successful.
Designers are powerful and valuable visual translators and storytellers, and our vision and skill sets can carry us to places and careers that one might not traditionally think. I encourage aspiring designers to really expand your horizons and seek out design opportunities in areas that really interest you. Your work will reflect your passion and enthusiasm and you will become a stronger visual communicator because of it.
You can see some of my Orion work at alpha-port.com/project-sharingorion.html
I am a graphic designer with passion for photography.
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Design by: Toshie
Paper: 220lb Fluorescent White Lettra
Ink: Blind Impression (no ink)
Business cards we printed for graphic designer Toshie. These business cards were featured in: "Yes you're going blind business cards."
I am a graphic designer with passion for photography.
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images from the book entitled " The Collected writings of Alvin Lustig c1958
intro by Philip Johnson
Material copyright Elain Lustig Cohen
To read more on Alvin Lustig visit:
images c2008 grain edit.
SKY PRINT SCOTLAND LTD
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GLASGOW
CITY OF GLASGOW
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Santa Cruz Surf Shop window display. collage with a VHS Video playing. Worked the shop from buyer, manager, airbrushed, graphic designer to start my own business straight out of college. Still have my business decades later.
Hello everybody!
YOUTUBE FINALLY noticed our channel, and they enabled me to create a cool design that will help me promote animal rescue, adoption, and support of Hope For Paws.
I created this design last night: www.youtube.com/eldad75 but I would really love something that would look MUCH better... something made by a graphic designer.
If you know anyone who would want to donate a design and have his/her work presented on my channel, please let them know about it.
I am about to hit the 1,000,000th view, and so it can be a good exposure for their work as designers.
I will rotate my favorite designs all the time just so everybody gets credit and gets to show off with their design.
The image size needs to be 1400X1000 and our logo must be used. The link to the logo is here:
www.flickr.com/photos/eldad75/4192681429/
I also need to have a graphics that I can link to Facebook, Twitter, PayPal and Flickr.
Another small detail - the center piece where it can be clickable, must me 960X150 pixels (so what I did is created this banner first, and when it was done, I pasted it onto the 1400X1000 file.
Please feel free to give me a call if you have any questions: 310-869-3680... I want to make sure I cover all the details before you start working on it.
Please share this opportunity with your friends.
Thank you so much!!!
Have a great 2011
Eldad
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