Graphic Designer's Photographs
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Shot at the Detroit Zoo
Instagram: www.instagram.com/fooltography_/
Discord: discord.gg/ssV242XVYy ~ Come join our new and growing Discord community for photographers, videographers, and graphic designers!
HELLO 👋, MY NAME IS BART ROS. And I am an architecture, interior and city photographer working in the Deventer and Overijssel region.
Check out my website at:
And I am an architecture, interior and city photographer working in the Deventer and Overijssel region. You can find me almost daily on the IJssel or in the historic streets of our Hanseatic cities in the Netherlands. Busy bringing you unique images. We can use these images together for marketing purposes and online media. In addition, I make books and calendars of my photography, I teach and I have fun photo walks several times a year.
As a photographer I am based in Deventer; a beautiful historic city, surrounded by nature. The result of my love for photography and the city of Deventer is the 'Deventer calendar' with 12 unique photos and city views of Deventer and the surrounding area. And a book about Deventer with even more unique images called "Extraordinary Deventer 2: Deventer and Surroundings".
I am originally a multimedia engineer and graphic designer, but since a few years I have also focused on photography. From a young age I have always been drawing, painting and taking apart radios, TVs and old cameras. I combine these technical and form-technical interests in my professional life by developing websites, graphic design and photography. As a photographer I can capture the world as I see it.
This series is the second published part from the set "Landscapes from a farm park south Milan" and they are enclosed in my first personal expo i had in 9th of september 2010 to 19 with my friend Mirko Bozzato, graphic designer and photographer. The farm park of south Milan is a reality which Mirko and I appreciate it's the biggest green area of Milan: a beautiful reality that needs to be protected by building speculation.
Copyright © Gianmario Masala Artworks
there's a gap in between
there's a gap where we meet
where i end and you begin
and i'm sorry for us
the dinosaurs roam the earth
the sky turns green
where i end and you begin
i am up in the clouds
i am up in the clouds
and i can't and i can't come down
i can watch but not take part
where i end and where you start
where you, you left me alone
you left me alone.
X' will mark the place
like parting the waves
like a house falling in the sea.
i will eat you all alive
i will eat you all alive
i will eat you all alive
i will eat you all alive
there'll be no more lies
there'll be no more lies
there'll be no more lies
there'll be no more lies
All the textures used for this work are from: JoesSistah... , Lenabem , pareeerica , skeletalmess , les brumes , Sooper Tramp , Eddy 07 , una cierta mirada , Boccacino , Keyimagen-Javi , Sick Little Monkey , xd360 , s3ptic-stock , adamned art, rubyblossom, Visualogist , Brenda Starr , Ava Verino , encounter - Laura , cleanzor's photostream , Dirk Wustenhagen's photostream .Thanks very much for their awesome creations.
Thanks you all for your kind visits, comments, favorites and invitations, much appreciated !
[Landscapes from farm park south Milan Series] 01/06
Being a Graphic Designer, I have a habit of all too frequently visiting gourmet foodie shops as I adore collecting funky food and product packaging. At the moment I am loving the UK based - The Fine Cheese Co.'s - cracker boxes and fruit pastes.
Mural 'Berlin Buddys' by Artmos_4 at Mühlenstraße 73, Berlin
The graffiti artist and graphic designer Marcus Dörr has been active with spray cans since 1992, initially under his sprayer name BFREE, later additionally under the name of his founded graphics agency Artmos4. A play on words for “Atmosphere” and “Art” and the German word for the number 4. So pronounced “Artmos-phere” ("Artmos-vier"). And that’s exactly what the team creates with Marcus as the executive artist. True to the motto: We create atmosphere.
source: vagabundler.com/sprayer/artmos4/
I had no clue how to shoot a web. ha ha... Bad exposure... :D
Photoshop helped a lot though.
Explored: Best position #11, April 19th 2011.
Thank you guys for all the comments and favs, it's time to catch your photostreams.
File: 2012003-0059
Dean Forest Railway, Norchard Station, near Lydney, Gloucestershire, England, United Kingdom, on Wednesday 11th October 2012.
If you want to know about the heritage railway and its history, feel free to skip to Chapter Two: About the subject of Dean Forest Railway.
Chapter One: What is this photo about, and why I took the photo.
I am a photographer, but I am also a graphic designer. At that time I took the photograph, I was a very busy full-time single parent and full-time carer for my kids, so my career was put on hold. However whenever I have time to spare, I try to keep up my photography and graphic design skills by doing some projects when I can.
This was one of the graphic design projects I was doing. The project was to design a (non-existence) fictional CD album art, and I would prefer to take my own photographs, then import them into my graphic design work. The subject of the album art was about a fictional female singer-songwriter, whom had lived in an old industrial town, and wanted to leave so she could pursue her dreams of stardom.
For the album art design, I needed photos of old buildings, coal mines, and anything I can think of that would give the feel of a ran-down industrial places. Try to give the impression that the factories closed down, and that the coal mines have ran out of coal, all in black and white. The title of the album is called The Old Dying Town.
I was aware of some disused warehouses in Gloucester, and an old coal mine in Wales, those would made good background for the album art. I somehow noticed this heritage railway station not far from Lydney, in Gloucestershire, and stopped there, to see if there’s anything I can take photos of, for the design.
While looking around, and taking photos of the steam and diesel passenger trains, I noticed at the north end of the station, there was some kind of an out-of-the-way storage space for old rolling stock, like old carriages and boxcars. I think they kept the broken or damaged old railway vehicles there, maybe awaiting restoration, or to be broken up and used as spare parts.
So I took some shots, moved around for different viewpoints, try to get anything worthy of a background. I figured it would give the illustration of a railway scrapyard, and gives a gloomy feel that the fictional town lost its railway links. Hoping the photo would give the illustration of the town becoming a ghost town.
The photo was shot in 2012, and when I visited there in 2021, they were doing some improvements to this area, including building a platform.
Point of note: Those photographs were done with the camera set to Black and White, I did not take the photos in colour, and they were not converted into B&W by means of photo-editing software.
Chapter Two: About the subject of Dean Forest Railway.
The Dean Forest Railway is a 4 to 5 miles long heritage railway, still running vintage steam, and classic diesel trains, as a tourist attraction in the Forest of Dean, in Gloucestershire.
It started in 1799 as an idea for a horse-drawn tramway, linking the Forest of Dean to the rivers Severn and Wye, for the transportation of coal and iron materials.
Between 1800 to around the 1870s, it went through so many processes. Like building lines and branching out, changing company names, financial problems, rival companies, converting from horse-drawn tramway into steam powered railway, merging companies, change of railway gauge sizes, and so many other factors.
It became known as the Severn and Wye Railway during those years.
From around the 1870s onwards, in order to cope with financial difficulties, and to help with funding, they started fee-paying passenger services in addition to the goods carrying services. But ongoing financial problems, lack of traffic, and many other factors, continued up until around the 1940s.
After the Second World War (1939-1945), the railways in this area started to go downhill, mainly due ot declining coal industry in the area, lack of passengers, improvements in transportation elsewhere, and the nationalised of British railways.
Many stations and lines started closing down, or completely shut down, during the 1950s and 1960s.
Starting from the early 1970s onwards, a railway preservation society was formed to try to buy and save as much of the old railway, and run it as a heritage railway for tourism, and was then named as Dean Forest Railway.
At the current moment, the Dean Forest Railway is approximately between 4 to 5 miles long between Lydney and Parkend, with Norchard station as its home base, but they are hoping to extend the line to 7 miles in near future.
They run a range of mostly steam trains to 1960s diesel trains, with various carriages, and at least 5 stations.
For more in-depth details, simply Google “Dean Forest Railway” for a full history or for visiting.
NOTICE:
You are free and welcome to comment on my photo, about the photograph itself, or the subject in the photograph, or share your relevant experience.
Do NOT use the comment boxes as advertising spaces or billboards for the groups, those will be deleted.
Graphic designer Saul bass's classic kids book - Henri's walk to paris. c 1962 published by Young Scott books.
image c2007
Visit grain edit for more kids books and design goodies.
Graphic designer Saul bass's classic kids book - Henri's walk to paris. c 1962 published by Young Scott books.
image c2007
Visit grain edit for more kids books and design goodies.
bang bang!
Dema has offered such a hard job to finally get to this position although her feet weren't
as good as i expected but she was amazing ;* thanks lil sis
Copyright © Daisy. All rights reserved.DO NOT USE MY WORKS WITHOUT MY PERMISSION MY WORKS ARE MINE
You may follow me at:
500px | Flickr | Facebook Page | Facebook Profile
Company:
The bar-headed goose is one of the world's highest-flying birds, having been heard flying across Mount Makalu – the fifth highest mountain on earth at 8,481 m (27,825 ft) – and apparently seen over Mount Everest – 8,848 m (29,029 ft) – although this is a second-hand report with no verification. This demanding migration has long puzzled physiologists and naturalists: "there must be a good explanation for why the birds fly to the extreme altitudes... particularly since there are passes through the Himalaya at lower altitudes, and which are used by other migrating bird species." In fact, bar-headed geese have never been directly tracked (using GPS or satellite logging technology) flying higher than 6,540 metres (21,460 ft), and it is now believed that they do take the high passes through the mountains.
-wikipedia-
(A PDF of this image is available here.)
Dear Rep. Boehner,
Recently, you released a chart purportedly describing the organization of the House Democrats' health plan. I think Democrats, Republicans, and independents agree that the problem is very complicated, no matter how you visualize it.
By releasing your chart, instead of meaningfully educating the public, you willfully obfuscated an already complicated proposal. There is no simple proposal to solve this problem. You instead chose to shout "12! 16! 37! 9! 24!" while we were trying to count something.
So, to try and do my duty both to the country and to information design (a profession and skill you have loudly shat upon), I have taken it upon myself to untangle your delightful chart. A few notes:
- I have removed the label referring to "federal website guidelines" as those are not a specific requirement of the Health and Human Services department. They are part of the U.S. Code. I should know: I have to follow them.
- I have relabeled the "Veterans Administration" to the "Department of Veterans' Affairs." The name change took effect in 1989.
- In the one change I made specifically for clarity, I omitted the line connecting the IRS and Health and Human Services department labeled "Individual Tax Return Information."
In the future, please remember that you have a duty to inform the public, and not willfully confuse your constituents.
Sincerely,
Robert Palmer
Resident,
California 53rd District
Version History:
July 21: Original version.
July 22: Added missing link from Surgeon General to Clinical Preventive Services Task Force, noticed by @Fan on freakangels.com (Thanks!)
fedex crusade, 2003, 20.5"w x 15.5"h, mixed media painting on an opened fedex envelope sent to me.
This is one of a series of pieces I did on opened-up FedEx envelopes, sent to me by various people and places. I thought they were beautiful, being a graphic designer by profession (I also created a series on GAP shopping bags), I have great appreciation for excellent branding. These envelopes inspired me and became my canvases...
I incorporated here a wine bottle label with sash; kraft paper wrapping from a great art book, Clavé Sculpteur that I had purchased; map swatch; graph tissue paper; very old religious calendar; map; crusade sticker; Frida movie ticket stub; polka dot wallpaper swatch...
I keep everything, and use them in my work. They are a part of me and they are me...
*On exhibit at Sandra Goldie Gallery, Montreal, Canada.
*M!WAA @ New Art Center, NYC, 2005.
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LADY RENE by Laura Varsky. A new Sudtipos collaborative release.
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We are proud to announce a new addition to the Sudtipos library.
This is the time for the Grammy awarded argentinian graphic designer Laura Varsky and her first commercial typeface named Lady René.
To illustrate the use of Lady René, Laura designed a wonderful piece of art available to download.
Never before illustration and typography were so close and well paired. We hope you like Laura style as much as we enjoyed building this into a complex font full of OpenType work until the limits.
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WORDS ABOUT LADY RENE by Laura Varsky
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Looking back on my production to date, neither so little nor so large, it does not come as a surprise to find myself now introducing Lady René.
A brief review of my career would read as follows: graphic designer graduated from Buenos Aires University, a 10-year professorship in Typography in the same institution, an illustrator in the making.
For almost 15 years now my work has focused on the design of editorial pieces, predominantly books and CD sleeves. Typography proper has always been central to my research projects.
All my obsessions eventually embodied as much the search for a perfect, spotless text as for a daring and provoking one. In my view, "how-to-say-something" ranks highest amongst a graphic designer’s responsibilities.
It was in this vein that I called in the written word to illustrate, to draw, to narrate. Why not reverse the saying and proclaim that “a word is worth a thousand images”? If so, one single word could trigger endless meanings, associations, ideas, and memories in every reader’s mind. Language, we know, has a strong power and is a living expression of a culture.
In my illustrations, letters and drawings reunite in one synergy said and unsaid, the finiteness of the message and the freedom of the free reading.
And this is how and when, Lady René, my first born type font sees the light of day conceived out of a love of illustration and a reverence for the written word, recalling the whimsicality of the handmade drawing and reflecting its sensitive, warmth and spontaneity.
Allowed by the characteristics of Open Type and the hard, outstanding work of designer Ale Paul, Lady René succeeds in composing texts in a simple, organic way by means of its contextual and stylistic alternates, swash characters, ligatures and connecting words.
A bundle of decorative miscellanea completes the set of signs, enabling the user considerable freedom to create new typographic landscapes.
Lady René is then prepared, very much like a character in a short story, to come to life in the reader’s mind. I expect you will enjoy her as much as I did creating her.
Laura Varsky
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More fonts check Sudtipos
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A last shot of graphic designer Tim Hoekstra at work on the beach of Bloemendaal. He uses a simple rake to create huge drawings, often mandala-like, often more free designs, inspired by french polynesian tattoos.
Nikon D80 + 17-50 TAMRON F2.8 + 2x Professional 180ws Studio Light Flash
photographer / graphic designer : me
model : Cha
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
American graphic designer Ethel Reed (1874-1912) rose to fame at the early age of eighteen as an acclaimed poster designer. To everyone's perplex, she disappeared from historical records a few years later. Strongly influenced by the Art Nouveau movement and Japonisme, her artworks usually captured female figures and floral motifs along with the use of negative space and stark contrast between the figure and the background. We have digitally enhanced Reed's notable designs in this collection and they are free to download and use under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1315468/ethel-reeds-art-nouveau-graphics-i-high-resolution-cc0-public-domain-artworks?sort=curated&mode=shop&page=1
I met Yiyi, which means happy in Vietnamese. She was born in Saigon and had moved to Amsterdam a few years ago. It was love that made her change countries. She was a graphic designer and also worked as a photo model. That day she was on her way to a photo shoot. She sat across from me on the train and we started chatting about this and that. Yiyi was a very nice person and it was easy and fun to talk to her. So it was only natural that I asked to photograph her for my project. I also asked about her future dream and the answer was event producer. I hope she will be that too! Thank you Yiyi and good luck with your dreams.
This picture is #71 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page www.flickr.com/groups/100strangers/
See also other persons in my album Mikael´s 100 Strangers www.flickr.com/photos/wellmeri/albums/72157627005508395/
Graphic designer and Olympus totting photographer in Nagasaki. If you've ever walked the streets of Nagasaki, chances are you've seen his work more than a few times.
re the caffenol experiment,... i've definitely got the wrong ingredients,... baking soda instead of washing soda, and drinking vitamin c instead of pure ascorbic acid. but the work around seems to be that you use double the amounts and develop for much longer. This negative was still very very thin even though i went an extra 5 minutes. but still better than before.
i do like the grimey look i'm getting from the extreme recovery the scanner needs to do so i've got a feeling i wont like getting caffenol 100% right :P
slowly getting there :)
pl. 9: examples of 6 label designs featuring an eagle, a giant with a club, a servant carrying a tea tray, a pen nib, and a squirrel.
Scanned from: Etiquetten Schatz [Labels Treasury] / herausgegeben und verlegt von [edited and published by] Josef Heim, Vienna and Leipzig. Volume 1 of the New Series.
15 plates, unbound, in folder, text and captions in German.
Creator: Moriz Jung (Austrian graphic designer, 1885-1915)
Culture: Austrian
Date: ca. 1908
Materials: color lithography
Measurements: 37 cm (height) x 27.5 cm (width)
Description: inscription display: Gez[eichnet] von [designed by, rendered by] M. Jung
work type: graphic design ; advertising; print advertising; documents; labels
Subjects: Animals in art ; Birds in art ; Giants in art ; Servants
Work Rights: Work in the public domain
Image_Filename: 1530209.jpg
See MCAD Library’s catalog record for this book.