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© 2020 Bong Manayon | FB: Bong Manayon Photography

Pentax K-3 + SMCP FA 80-320/4.5-5.6

Photographed in Kangasala, Finland.

 

I cleaned out some small bottles of shower gel the other day. Came up with this little idea last night. Different amounts of blue food dye in bottles.

9/29/08 - Everyone at school was so sweet. I got hugs from the people I'd expect it from least. I have hope in humanity. You guys, however, have been incredible. Thank you all. I feel very loved and very lucky.

 

Things are still rocky and they will be for a while, but as a family we're all pulling through. If I could go back and change it all, I would.

 

My polaroid got messed up so I worked with it. Made me mad, though, THAT STUFF IS NOT CHEAP!

 

undivided honesty

 

"One last glance from a taxi cab, images scar my mind. Four weeks felt like years, since your full attention was all mine." - Anberlin.

Another shot, beautiful late summer color gradients.

Kirkjufell, near Grundafjordur, Iceland.

 

I took this image shortly after 430 or so on one clearish dawn on Snaefellsness peninsula. The lighting was striking for a transition between red and blue across the horizon. The rocky beach on the coast is beautiful in the still morning air. I tried to capture the gradient (enhanced with a colour gradient layer) and the triangles in the scene from rock to reflection to mountain to cloud. Broke the rule of thirds but hey, I wasn't fussed this time.

 

View On Black

 

A great moment of 2012.

500px.com/2KP_2KP

Veliky Ustyug, Russia / January, 2009 / Fujifilm FinePix f11

 

| website | society 6 | etsy |

Sign at Tissington Station on the Tissington Trail.

You can see the moon if you look close enough.

 

Roll 5

A photo I took when the sun was setting.

Oi queridas! Como estão?

 

Hoje aproveitei o lindo esmalte Fascínio Violeta da Jade para fazer uma gradiente holográfica inspirada neste post da Kelly no blog Esmaltes da Kelly.

Pela primeira vez depois de muito tempo postarei fotos da minha mão esquerda porque achei que a gradiente ficou mais bonita que a outra mão...rs. Mesmo assim também postarei as fotos da mão direita porque gosto delas! Rs (para quem não sabe sou canhota, por isso sempre posto fotos da mão direita).

 

- Fascínio Violeta (Jade)

- Magia Negra (Jade)

02 camadas de TC Vefic

 

Beijos.

Another sunset view, taken from my window, during a stormy evening, the sky was really marvelous this time...

A calm morning @ Ammersee.

This is my entry for the gradients contest of the Summer Joust 2022

Beech leaves ranging from green to brown

  

©Yannick Garcin

www.rspb.org.uk/reserves/guide/l/leightonmoss/index.asp

  

Leighton Moss is the largest reedbed in north-west England, and home to some really special birds such as breeding bitterns, bearded tits and marsh harriers. You might see deer too, not to mention butterflies aplenty!

Opening times

The reserve and visitor centre are open daily all year round (except 25 December). The reserve is open from 9 am to dusk and the visitor centre from 9.30 am-5 pm (4.30 pm November-January inclusive).

Entrance charges

Free to the visitor centre and tearoom. Admission to hides and nature trails: £4.50 adults, £3 concessions, £1 children, £9 family. Free to RSPB members and those who come by public transport or on bike.

 

Avocet

Avocets can be seen from the hides overlooking the Allen and Eric Morecambe Pools in spring and summer.

 

Bearded tit

A year-round attraction here in the extensive reedbeds. They form flocks in autumn and can often be seen picking up grit from special tables on the causeway or directly from the paths.

 

Bittern

Bitterns can be heard 'booming' from the causeway between march and May. Scan over the reedbeds and you may catch a glimpse of one in flight - particularly in May and June. You may also see one sitting at the edge of the pools on frosty winter days.

 

Marsh harrier

Spring brings displaying marsh harriers to Leighton Moss. The males and females are busy feeding their young throughout summer and can often be seen hunting over the reedbed.

  

Water rail

Watch from the hides for water rails emerging to feed on the edge of the channels and pool within the reedbed. They may venture out onto exposed mud when the water drops in late summer and autumn or onto ice in winter.

  

Each season brings a different experience at our nature reserves. In spring, the air is filled with birdsong as they compete to establish territories and attract a mate. In summer, look out for young birds making their first venture into the outside world. Autumn brings large movements of migrating birds - some heading south to a warmer climate, others seeking refuge in the UK from the cold Arctic winter. In winter, look out for large flocks of birds gathering to feed, or flying at dusk to form large roosts to keep warm.

 

Spring

Booming bitterns in the reedbeds, best heard from the Causeway. Marsh harriers displaying high above the reedbeds. Butterflies along the reserve trails. The arrival of summer-visiting birds fills the reedbed with the rattling calls of sedge and reed warblers. Birdsong can be enjoyed in the woodland. Buzzards can be seen daily flying over the reserve. On the Allen and Eric Morecambe pools, large flocks of migrant black-tailed godwits stop off on their way to Iceland and the first avocets return to nest.

 

Summer

The special sight of marsh harriers passing food to each other in flight. Red deer grazing the Jackson and Griesdale meres in the evenings. The sight and sound of a busy black-headed gull colony. A chance to see young bitterns venturing out into the edges of the pools to feed, as well as a variety of young waterbirds. A succession of marsh flowers along the reserve tracks. Avocets and their chicks on the Allen and Eric Morecambe pools.

 

Autumn

Parties of bearded tits flying across the reeds and picking up grit from the paths. Huge flocks of starlings wheeling above the reedbed before pouring into the reeds to roost. Migrant wading birds, especially greenshanks, ruffs and returning black-tailed godwits on the pools viewed from the Allen and Eric Morecambe hides.

 

Winter

Teals, shovelers and gadwalls join the resident ducks to congregate in large numbers in the pools. Bitterns and water rails can be seen out on the ice during cold spells. Flocks of siskins feed in the alders. Flocks of wigeons and greylag geese graze the saltmarsh at the Allen and Eric Morecambe pools, and are regularly disturbed by wintering peregrines and merlins.

  

Viewing points

Seven hides with the nearest hide to visitor centre only 160 yards (150 m) away.

 

Nature trails

Three nature trails: 0.5 miles, 0.8 km to 2 miles, and 3.2 km.

 

Tearoom

A wide selection of hot and cold food and drinks throughout the day. Parties catered for on request.

Refreshments available

•Hot drinks

•Cold drinks

•Hot meals

•Cold meals

•Sandwiches

•Snacks

 

Shop

The shop stocks:

•Binoculars and telescopes

•Books

•Bird food

•Gifts

 

Educational facilities

Education visits to Leighton Moss offer an exciting opportunity for your pupils to explore nature through the first-hand study of birds, other animals and plants. Led by professional RSPB educators, the curriculum-linked programmes are safe, hands-on, thought-provoking and fun. Approved as a safe provider of outdoor education activities by Lancashire County Council, Leighton Moss's risk-assessed programmes help children to understand the value of wildlife and natural places through experiential learning. Leighton Moss has the largest remaining reedbed in north-west England - a magical place where you and your pupils could hear the bitterns booming in the spring, watch the marsh harriers swooping in the summer or see the meres full of over-wintering ducks and geese in the winter. With a well-equipped classroom, shop, picnic area, trails and bird hides, Leighton Moss is the ideal place to bring your class for an unforgettable experience of nature. You can visit any day of the year. Our start times are flexible to suit you. It is advisable to book well in advance for the summer term, which is our busiest time. We can cater for two classes (or approximately 60 children), which will be divided into smaller groups of approximately 15.

 

Access to hides and viewpoints

Bird-feeding station has a screen, with varied height viewing slots and knee hole extension, which overlooks the birdtables and feeders. Lilian's hide is accessed via 1:20 ramp; a large, glazed, picture window overlooks the lagoon and reedbeds; an induction loop is available. Jackson's hide is accessed via 1:10 ramp; there are no adapted wheelchair places.

Griesdale hide is accessed via 1:10 ramp; there are no adapted wheelchair places. Public hide is accessed via a very shallow, 1:40 ramp; specially adapted places for wheelchairs are at left end of hide. Lower hide is accessed via three steep steps.

Access to visitor centre, shop and tearoom

 

The front entrance is accessed through double doors, which open both ways, to reception desk on ground floor. The upper floor, with tearoom, is accessed via a stair-lift from the shop and rear entrance of the visitor centre. This lift does not accommodate wheelchairs; transfer from chair to lift via shallow ramp; staff are available to help.

Shop is on the ground floor of the visitor centre; staff are available to help. Tearoom is on the first floor of visitor centre, staff are available to help with carrying trays etc.

 

Path surfaces and gradients

There are 8 km of trails on the nature reserve. There is a bird-feeding station 50 m from visitor centre, down 1:15 and 1:40 gradients with an adverse camber; the path is surfaced with compacted gravel/rolled stone. From the feeding station to Lilian's hide is 100 m, initially down a 1:20 slope, levelling and then another 1:20 slope to the hide entrance; the path is surfaced with compacted gravel/rolled stone.

 

From Lilian's hide to Jackson's hide is 535 m. From Lilian's hide to Griesdale hide is 735 m; the path is surfaced with compacted gravel/rolled stone, and narrows to one metre in places. From Lilian's hide to Public hide is 1,000 m; the path is undulating, rolled stone with two non-wheelchair accessible kissing gates; it has a steep gradient of 1:10 along some of its length. There is a 100 m stretch along the public highway.

 

The final approach to the hide is along a public causeway of rough, rolled stone with a 1:10 slope. Visitors with limited mobility can drive to the start of the public causeway. From Public hide to Lower hide is 820 m; the path is surfaced with compacted mud and stone; it is narrow in places and accessible to semi-ambulant visitors.

 

Car parking

Visitors can park in front of and behind the visitor centre; the surface is rolled stone. There is an alternative car park on the opposite side of the road from the visitor centre.

 

Toilets

One adapted, unisex toilet accessed via shop and rear entrance to visitor centre.

 

Wheelchair loan

One wheelchair available for loan, contact reserve staff for availability.

 

Canon AE-1P | 50mm 1.8 | Lomo 400

EXPLORED! Highest position: 147 on Thursday, July 9, 2009

 

Still busy, these next two weeks will probably be even worse...

Getting stronger, on Thursday they scheduled me the final job interview (already succesfully passed through two) for a really interesting opportunity.

I will be meeting the General Manager of the company. Sounds good!

  

The shot

Another sunrise from my April Tuscany trip. Taken some minutes before "Tuscany Sunrise @75mm". Tighter crop, less contrasty.

I'm in love with that place.

 

The Processing

Photoshop: (SINGLE EXPOSURE)

 

- Duplicated the background layer, switched to soft light mode and applied a gradient mask (sky only)

- Switched to LAB mode and applied two curves to improve contrast and tones

- Back to RGB, added a vibrance layer to boost up minor tones

- Used color balance tool to improve colors

- Duplicated the background layer, switched to linear add and applied a gradient mask (foreground only)

- Created an Overlay layer to adjust light

- Resized

- Run Noise Ninja to reduce Noise

- Sharpening (Smart Sharpen + more accurate)

- Framing and signature.

 

Take a look at it, LARGE on Black :

The best is yet to come, on Black

  

@ You all

Comments, faves and critiques are always welcomed!

  

I wish you all a splendid sunday and a marvellous week ahead.

I will be checking your streams out tonight.

 

Maybe an hour after sunset the sky was still light in the west. There was a storm approaching which made part of the sky very dark. I was hoping to catch lightening in the distance when it started getting closer. I took a couple photos and then fled.

by : me

location : wadi AL-3a9’al :p

I thank everyone for their opinion ^_^

 

“ GRADIENT ”

DIMENSIONS: SET OF (6) 15 IN X 48 IN X 2.5 INCH ON CANVAS ON

CUSTOM AND HAND BUILT STRETCHER

MEDIUMS: ENAMEL, ACRYLIC, POLYURETHANE DETAILS

Lookout Mountain, CO

To view a video of the Gradient Sun go to: www.flickr.com/photos/gsfc/8103212817

 

Looking at a particularly beautiful image of the sun helps show how the lines between science and art can sometimes blur. But there is more to the connection between the two disciplines: science and art techniques are often quite similar, indeed one may inform the other or be improved based on lessons from the other arena. One such case is a technique known as a "gradient filter" – recognizable to many people as an option available on a photo-editing program. Gradients are, in fact, a mathematical description that highlights the places of greatest physical change in space. A gradient filter, in turn, enhances places of contrast, making them all the more obviously different, a useful tool when adjusting photos. Scientists, too, use gradient filters to enhance contrast, using them to accentuate fine structures that might otherwise be lost in the background noise. On the sun, for example, scientists wish to study a phenomenon known as coronal loops, which are giant arcs of solar material constrained to travel along that particular path by the magnetic fields in the sun's atmosphere. Observations of the loops, which can be more or less tangled and complex during different phases of the sun's 11-year activity cycle, can help researchers understand what's happening with the sun's complex magnetic fields, fields that can also power great eruptions on the sun such as solar flares or coronal mass ejections.

 

The still here shows an unfiltered image from the sun next to one that has been processed using a gradient filter. Note how the coronal loops are sharp and defined, making them all the more easy to study. On the other hand, gradients also make great art.

 

NASA/Goddard Space Flight Center

 

To download this video go to: svs.gsfc.nasa.gov/goto?11112

 

NASA image use policy.

 

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

 

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The view down Newlands valley looking towards Threlkeld with the imposing bulk of Blencathra standing proud on the distant horizon, as a Yamaha motor cycle nears the summit.

I need to get back here and get some better shots.

Modéstia parte acho que de todas as unhas que eu fiz na vida essa foi a mais linda!

Usei:

Quase para sempre - Avon

Sweet Dream - Capricho

Estilosa - Lorrac

Branco para carimbo - Blant

Plaquinha M57-1

Extra brilho - Argento (não mancha o carimbo)

Ficou lindo demais!

A foto num tá aquelas coisas porque o dia tá super escuro hoje, mas pessoalmente tá muito lindo! Espero que vcs gostem tanto quanto eu.

 

Beeijos

Canon 33

Fujifim Pro 400H

Vivitar 28mm f2.5

 

Estou na fase dos gradientes...

Acho que vai rolar post sobre essa mani <3

Só digo uma coisa: nesse sanduíche de cores que na verdade foram 5 esmaltes tem o lançamento da Dany Vianna que são os Purple Potio e o Kelly Green!

Tai Mo Shan, Hong Kong

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