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Photo by Gregory Peterson.
AIA New Mexico Recognizes George Pearl Hall
George Pearl Hall, home to the University of New Mexico School of Architecture and Planning and the Fine Arts and Design Library, received an Honor Award in the 2011 Design Awards Program sponsored biannually by the American Institute of Architects/New Mexico.
Designed by AIA Gold Medal recipient Antoine Predock, FAIA, the 108,000 square foot, five level facility occupies a gateway site on the UNM campus, flanking the primary pedestrian entrance adjacent to Central Avenue, Historic Route 66.
The school includes accredited professional degree programs in architecture, landscape architecture and community & regional planning. Executive Architect for $29 million project was Jon Anderson and Associates, also of Albuquerque.
Jury Chair for the statewide competition was John Kane, FAIA, principal of Architekton in Tempe, Ariz. The selection jury commented that the project is "a wonderful example of a subtractive process that carves the urban block into an amazing composition. It is urban, reinforcing the pedestrian experience, while at the same time, having a strong iconic presence that sophistically re-interprets its Southwest regional design heritage," and provides "a connection to the community through a wonderfully articulated façade," and in section establishes a "great weaving of spaces and interaction of internal programs."
news.unm.edu/news/aia-new-mexico-recognizes-george-pearl-...
Georges Leygues , name ship of a class of French warships , completed in 1979 . By 2001 , when this was taken , she was in use as a training ship .
French postcard by Editions Cap Theojac, Toulouse. Sent by mail in 1986. Photos: Jimmy Rague.
Singer-songwriter and poet Georges Brassens (1921-1981) is an iconic figure in France. He wrote and sang, with his guitar, more than a hundred of his poems, as well as texts from many others such as Victor Hugo, Paul Verlaine, or Louis Aragon. Between 1952 and 1976, he recorded fourteen albums that include several popular French Chansons. Most of his texts are black humour-tinged and often anarchist-minded. His most famous film is Porte des Lilas/Gates of Paris (René Clair, 1957).
Georges Charles Brassens was born in 1921 in the town of Sète, a town in southern France near Montpellier. Brassens grew up in the family home in Sète with his mother, Elvira Dagrosa, father, Jean-Louis, half-sister, Simone, and paternal grandfather, Jules. His mother was a devout Roman Catholic, while his father was an easy-going, generous, openminded, anticlerical man. Brassens grew up between these two starkly contrasting personalities, who nonetheless shared a love for music. His mother, Simone and Jules, were always singing. This environment imparted to Brassens a passion for singing that would come to define his life. A poor student, Brassens performed badly in school. Alphonse Bonnafé, his literature teacher strongly encouraged the 15-years-old Braassens’s apparent gift for poetry and creativity. Bonnafé would later write the first Brassens biography in 1963. Georges listened constantly to his early idols: Charles Trenet, Tino Rossi, and Ray Ventura. At age seventeen, Georges and his gang started to steal from their families and others. Georges stole a ring and a bracelet from his sister. The police found and caught him, which caused a scandal. The young men were publicly characterized as ‘voyous’ (high school scum). Brassens was expelled from school. Following a short trial as an apprentice mason in his father's business, he moved to Paris in 1940 to live with his aunt and work at the Renault car factory. In the meantime, he learned piano and wrote some of his first original compositions. He stayed there after World War II had broken out while he felt that this was where his future lay and wrote his first collection of poems. Brassens published two short poetry collections in 1942, thanks to the money of his family and friends. In 1943, he was forced by the Germans to work in a labor camp at a BMW aircraft engine plant in Basdorf near Berlin in Germany. Here Brassens met some of his future friends, such as Pierre Onténiente, whom he called Gibraltar because he was "steady as a rock." Onténiente later became his right-hand man and his private secretary. After being given ten days' leave in France, he took refuge in a small cul-de-sac called "Impasse Florimont," in the 14th arrondissement of Paris. Without much else to occupy him, Brassens spent his days composing songs and writing music, eventually teaching himself the guitar based on his prior experience with the mandolin. There he lived for several years with its owner, Jeanne Planche and her husband Marcel in relative poverty: without gas, running water, or electricity. Brassens remained hidden there until the end of the war five months later, but ended up staying for 22 years. Planche was the inspiration for Brassens's song Jeanne.
In 1946, after the war had ended, Georges Brassens published the first of a series of virulent, black humour-tinged articles in the anarchist journal Le Libertaire. The following year, he also published his first novel, La Lune Écoute Aux Portes, and met Joha Heiman, the woman he would love -- and write about -- for the remainder of his life. His friends who heard and liked his songs urged him to go and try them out in a cabaret, café or concert hall. He was shy and had difficulty performing in front of people. At first, he wanted to sell his songs to well-known singers such as "les frères Jacques". In 1952 he met the singer Patachou, owner of a very well known cafe, Les Trois Baudets. Though Brassens had never considered himself a singer, Patachou convinced him to try his hand at performing himself. A bass player present at the audition, Pierre Nicolas, quickly joined Brassens in support, and would serve in that capacity for the remainder of the singer's career. Jacques Brel and Léo Ferré came also into the music industry with the help of Patachou. With her help, Brassens met Polydor exec Jacques Canetti, and landed a record deal. His first single, Le Gorille, was released later in 1952, and stirred up controversy with its strong anti-death penalty stance; in fact, it was banned from French radio until 1955. In these years, Brassens achieved fame with his elegant songs with their harmonically complex music for voice and guitar and articulate, diverse lyrics. He won the prestigious Grand Prix du Disque de l'Academie Charles Cros in 1954 for his EP Le Parapluie, and spent much of the year touring Europe and northern Africa. In 1957, he made his film debut in Porte des Lilas/Gates of Paris (René Clair, 1957). An old bum (Pierre Brassens) becomes infatuated with a pretty young girl (Dany Carrel) who gets entangled with a young gangster (Henri Vidal). Brassens played an important part as an the bum’s friend, L'Artiste, a taciturn, solitary bard, whose character seems to have been based on Brassens himself. Peter Beagle at IMDb: “The film turned out to be a delightful, warmhearted work, holding up remarkably well on repeated viewings, and Brassens makes an excellent deadpan foil for the great Pierre Brasseur. And the songs he wrote for the film remain among the best of his classic repertoire.” Brassens performed his songs in several other films, but his main focus was live performing. He later on made several appearances at the Paris Olympia and at the Bobino music hall theater. He toured with Pierre Louki, who wrote a book of recollections entitled Avec Brassens. During these performances he accompanied himself on acoustic guitar. Most of the time the only other accompaniment came from his friend Pierre Nicolas with a double bass, and sometimes a second guitar (Barthélémy Rosso, Joël Favreau). He released several more LPs over the remainder of the 1950s, during which time chronic kidney ailments began to affect his health, resulting in periodic hospitalizations. In the following decades he continued to tour. His songs often decry hypocrisy and self-righteousness in the conservative French society of the time, especially among the religious, the well-to-do, and those in law enforcement. The criticism is often indirect, focusing on the good deeds or innocence of others in contrast. His elegant use of florid language and dark humor, along with bouncy rhythms, often give a rather jocular feel to even the grimmest lyrics. Brassens’s lyrics are difficult to translate, though his work is translated in more than 20 languages. Georges Brassens died of cancer in 1981, in Saint-Gély-du-Fesc, having suffered health problems for many years. He was 60. Brassens rests at the Cimetière le Py in Sète.Steve Huey at AllMusic: “Along with Jacques Brel, he became one of the most unique voices on the French cabaret circuit, and exerted a tremendous influence on many other singers and songwriters of the postwar era. His poetry and lyrics are still studied as part of France's standard educational curriculum.”
Sources: Peter Beagle (IMDb), Steve Huey (AllMusic), Wikipedia and IMDb.
GEORGE ANSON
GBR
Owners: Dominion Nav Co Ltd
Port of Registry: GBR Liverpool
IDNo:5128481
Year:1948
Name:NEWFOUNDLAND
Keel:
Type:Passenger/cargo (rf)
Launch Date:22.5.47
Flag:GBR
Date of completion:2.48
Tons:7437
Link:1490
DWT:6140
Yard No:102
Length overall:134.3
Ship Design:
LPP:126.7
Country of build:GBR
Beam:18.6
Builder:Vickers-Armstrongs
Material of build:
Location of yard:High Walker
Number of
screws/Mchy/
Speed(kn):1ST-15
Naval or paramilitary marking :
A:*
End:1971
Subsequent History:
62 GEORGE ANSON
Disposal Data:
BU Kaohsiung 15.2.71 [Great China Steel Development Corp]
Details: Mirimar Index
Photo credits: Supplied by the late Don Ross Collection
French postcard. Ed. Cinémagazine. No. 268. Film Gaumont. Postcard for Le roi de la pédale (Maurice Champreux 1925).
Georges Biscot (1886-1945) was a popular French music-hall and revue singer and actor, who also knew a career in French silent and sound film.
Date of Birth: 21.5.1877
Date of Enlistment: 26.4.1918
Trade or Calling: Dairyman
Born in or near what Town: Grafton
Address prior to Enlistment: Cautts Crossing via S.Grafton, Clarence River
Rank, Number, Battalion, Distinctions: Pte 60119 Composite Battalion 5th Train. Div.
Casualities and where: RTA 9.8.1919
Name & Address of Next of Kin: Elizabeth Emily Ellis c/o R.Ellis Cambridge St S.Grafton (Wife)
Name and last address of Father: Robinson Ellis Cambridge St S.Grafton
www.acmssearch.sl.nsw.gov.au/search/itemDetailPaged.cgi?i...
Madurodam is a miniature theme park in The Hague, Netherlands. It is a delightful place for both children and adults to visit. As is often the case, the inspiration behind it is a sad story. The park is a memorial to George Maduro, a student who helped the Dutch fight the Nazis during WW2.
Above is a little monument found inside the park.
Co. C, 15th IND. Infantry Medal of Honor Recepient.
This is a new marker placed behind his Civilian marker.
George L. Banks was born in Lake county, OH., Oct. 13, 1839. His parents, Orin and Olive (Brown) Banks, were natives of Scoharrie county, New York, and born the father January 25, 1803, and the mother March 12, 1805. They were married in 1823, and settled in Lake county, Indiana, in 1845 and stopped, first, in LaPorte county. They passed their lives as country people, were upright Christian folk and were thrifty as farmers of their time. They died in Lake county, Indiana, the father October 29, 1857, and the mother January 27, 1887. The Banks were Scotch-Irish origin and the Browns of English lineage. The parents both belonged to old families of the east and reared a large family of children, as follows: Charles, of Salina, Kansas; Elisha, of McPherson county, Kansas; Parley, of Lake county, Indiana; Mary C., wife of Simon White, of LaPorte county, Indiana; George L., of this notice; Nathaniel P., of Lake county, Indiana; Sarah L., wife of W. B. Adams of Montgomery county, Kansas.
George L. Banks spent his youth and early manhood in LaPorte county, Indiana, and had the advantage of a good country school education. The Civil war came on just after he had reached his majority, and was concerned with the serious affairs of peace, but he enlisted, June 6, 1861, in Company “C”, 15th Inf. under Col. Geo. D. Wagner. The regiment was ordered at once into the field and it took part in the battles of Greenbriar and Elk Water that same year. As the war progressed it participated in the battles of Shiloh, Perryville, Stone River and Missionary Ridge, where Mr. Banks was wounded, and rendered unfit for service for some weeks. During his later active service he was in battle at Charleston and Dandridge, Tennessee. He was discharged from the army June 25, 1864. In 1897, he received from the Secretary of War a medal of bronze, appropriately engraved and inscribed in commemoration of distinguished service while in the line of duty. Engraved on the face of the medal is:
“The Congress to Color Sergeant George L. Banks, 15th Indiana Infantry,
“For gallantry at Missionary Ridge, Tennessee, November 25, 1863.”
The letter from the Secretary of War notifying Mr. Banks of the honor accorded him and announcing the issuing of the medal states the specific acts of gallantry and is herewith made a part of this record:
MEDAL OF HONOR.
War Department, Washington, D. C. Sept. 21, 1897.
George L. Banks, Esq. – Independence, Kansas.
Sir:--You are hereby notified that by direction of the President and under the provisions of the Act of Congress approved March 3, 1963, providing for the presentation of medals of honor to such officers, non-commissioned officers and privates as have most distinguished themselves in action, a Congressional Medal of Honor has this day been presented to you for most distinguished gallantry in action, the following being a statement of the particular service: At Missionary Ridge, November 25, 1863, this soldier, then a Color Sergeant, 15th, Indiana Vols., in the assault, led his regiment, calling upon his comrades to follow, and near the summit he was wounded and left behind insensible, but having recovered consciousness rejoined the advance, again took the flag and carried it forward to the enemy’s works, where he was again wounded. In the brigade of eight regiments the flag of the 15th Indiana was the first planted on the Parapet.
The medal will be forwarded to you by registered mail as soon as it shall have been engraved.
Respectfully, R. A. Alger, Secretary of War.
From volume 4, pages 1840-1841 of A Standard History of Kansas and Kansans, written and compiled by William E. Connelley, Secretary of the Kansas State Historical Society, Topeka. Chicago: Lewis Publishing Company, copyright 1918
GEORGE L. BANKS. A sterling pioneer and citizen who is now living virtually retired in the City of Independence, Mr. Banks is specially entitled to recognition in this history. He was one of the early settlers of Montgomery County and has contributed his full quota to its civic and industrial development and progress, and he was long one of the prominent and influential exponents of agricultural industry in this section of the state. High honors also are his for the valiant service which he gave as a soldier of the Union in the Civil war.
Mr. Banks was born in Lake County, Indiana, October 13, 1839. His father, Orin Banks, was born in the State of New York, in 1800, and was there reared to manhood, his marriage having been solemnized in Schoharie County, that state. His entire active career was one of close association with the basic industry of agriculture and he was one of the pioneer farmers of LaPorte County, Indiana, where he established his home in 1845. In about 1850 he removed to Lake County, Indiana, where he died in 1856. He was a supporter of the democratic party until the organization of the republican party, when he transferred his allegiance to the latter. He was influential in community affairs and was called upon to serve in various township offices. Both he and his wife were devout members of the Baptist Church, in which he served as a deacon. Mrs. Banks, whose maiden name was Olive Brown, was born in Schoharie County, New York, in 1803, and thus she was eighty-three years old at the time of her death, in 1891, she having been at the time one of the most venerable pioneer women of Lake County, Indiana. Of the children the eldest was Betsey, who became the wife of Major Atkins, and who died in Lake County, Indiana, in 1866, her husband having long survived her and having been a farmer and capitalist of influence. Charles W., a lawyer by profession, died in 1907, in Chambers County, Texas. Morgan, a farmer and merchant, died in McPherson County, Kansas, in 1890. Elisha, who likewise became a representative farmer in McPherson County, died in 1906. Parley A. is a retired farmer and resides at Crown Point, Lake County, Indiana. Mary C. first married Balsar Keith, a farmer, near Union Mills, Indiana, and after his death she became the wife of Simon White, likewise a prosperous farmer of LaPorte County, Indiana. He likewise is deceased and his widow now resides at LaPorte, that county. William A., who died at LaPorte, Indiana, in 1903, had served six years as postmaster of that city and had been a leading importer of live stock in that section of the Hoosier state. George L., of this review, was the next in order of birth. The next two children were sons, both of whom died in infancy. Nathaniel P. is president of a bank at Hobart, Lake County, Indiana. Sarah Lavina is the wife of W. B. Adams, and they reside at Dearing, Montgomery County, Kansas, where Mr. Adams is vice president of a banking institution.
George L. Banks acquired his early education in the common schools of Lake and LaPorte counties, Indiana, and he continued to be associated with his father's farming operations until he had attained to the age of seventeen years. In the autumn of the year in which he reached this age he went to Minnesota and found employment in a pioneer sawmill at St. Anthony, the nucleus of the present great City of Minneapolis. The next year, 1857, found him employed in the lumber woods in the wilds of Northern Michigan, and he then returned to the old homestead farm. In Lake County, Indiana, he did a large amount of contract work in the digging of drainage ditches and for one year there he clerked in a grocery store, and afterward was a clerk in a dry-goods store. He finally resumed farming in his native county and was thus engaged at the outbreak of the Civil war. On the 6th of June, 1861, in response to President Lincoln's first call for volunteers, Mr. Banks enlisted as a private in Company C, Fifteenth Indiana Volunteer Infantry, with which gallant command he proceeded to West Virginia and took part in the engagements at Greenbriar and Elkwater. Later he was a participant in the memorable battles of Shiloh, Perryville, Murfreesboro, Chickamauga and Chattanooga. In the battle of Chattanooga he was thrice wounded but his injuries were not serious and he was incapacitated for a few weeks only. Mr. Banks was color sergeant of his regiment in the storming of Missionary Ridge, and most gallantly did he acquit himself on this historic field. The colors were shot down six times, and Mr. Banks himself was wounded on the first and last of these occasions. He was first shot in the ribs, and after regaining consciousness he was again wounded,—this time through the top of the head. His severe injuries incapacitated him from November, 1863, until January 14, 1864, and on the 25th of June of the latter year he was mustered out. Mr. Banks received and greatly prizes the Congressional medal of honor that was presented to him and that bears date of November 25, 1863, and he also has a letter from Hon. Russell A. Alger, at the time the latter was serving as Secretary of War, many years later, congratulating him on his admirable service during the ever memorable battle of Missionary Ridge. Mr. Banks, as color bearer for his regiment, was the first regimental color sergeant to plant the colors on the enemy's works at Missionary Ridge out of a brigade of six regiments, and for this gallant deed he received a medal of honor from Washington, District of Columbia.
After the close of the war Mr. Banks returned to his native county, where he followed farming until the spring of 1871, when he came to Kansas and numbered himself among the pioneers of Montgomery County. He settled in Fawn Creek Township, where he took up a pre-emption claim of 160 acres, and there he continued his farming operations for sixteen years. He developed and improved one of the fine farms of the county and was specially influential in township and community affairs. To his efforts was due the defining of the school district and the erection of the first schoolhouse of District No. 91, and this pioneer school was named in his honor. He had the supervision of the erection of the school building and was a member of the school board until he left his farm, in the autumn of 1886, when he returned to Indiana and became the proprietor of a hotel at Angola. In the following spring he exchanged his hotel property for a farm in Hillsdale County, Michigan, where he remained six years. He then sold his Michigan farm, or exchanged the same for property in Montgomery County, Kansas, where he again was actively engaged in agricultural pursuits for the ensuing two years. He thereafter passed two years at Independence, the county seat, but in 1896 he returned to his farm, upon which he continued to reside until 1903, when he resumed his residence at Independence. Here he has been engaged in the real estate and loan business and in the supervision of his various properties, so that he is not yet fully retired from active business, idleness and apathy being entirely foreign to his nature. He is the owner of valuable residential property in Independence, including his own attractive home, at 417 North Fifth Street, and near Bolton, this county, he owns 240 acres of valuable farm land, besides having another farm, of 160 acres, south of Dearing, this county, and 300 acres in Chambers County, Texas. On the farm near Bolton Mr. Banks effected the drilling of the first large oil well in Montgomery County, in 1903, and the same is still producing extensively.
Mr. Banks has not only achieved large and worthy success in connection with the practical affairs of life but he has also been most loyal and influential in public affairs in Southeastern Kansas. He served two terms as a representative of Montgomery County in the Kansas Legislature, 1905-7, and made a characteristically excellent record in furthering the interests of his constituent district and of wise legislation in general. He is a progressive republican and is well fortified in his convictions concerning governmental policies. While a resident of Fawn Creek Township he served six years as justice of the peace and later held the office of township trustee, his retirement from the office of justice of the peace having occurred in 1882. He has long been a zealous member of the Presbyterian Church, and is affiliated with the Grand Army of the Republic, the Independent Order of Odd Fellows, and the Anti-Horse Thief Society. Mr. Banks is one of the most appreciative and valued members of McPherson Post No. 4, Grand Army of the Republic, at Independence, and has not only served several terms as commander of the same but also as junior vice commander of the Department of the Grand Army for Kansas. It is worthy of special record that on the occasion of the fiftieth anniversary of his being mustered in for service in the Civil war his surviving regimental comrades presented him with a beautiful silk flag of the United States, this being a tribute that he deeply appreciated. Mr. Banks is one of the representative men of Montgomery County, has inviolable place in popular esteem and is one of the substantial citizens of Independence, and he is a director and the secretary of the Jefferson State Bank, at Jefferson, this county.
On the 8th of October, 1864, was solemnized the marriage of Mr. Banks to Miss Olive W. Chandler, and she was summoned to the life eternal nearly forty years later, while their home was on the farm near Bolton, Montgomery County. She was a gracious and gentle woman who was loved by those who came within the compass of her influence, and she died in the year 1902. Of the children of this union the eldest is William N., who is a representative member of the bar of Montgomery County, and is engaged in the practice of his profession at Independence; Charles B. is engaged in the real estate business at Caldwell, Idaho; and Arthur A. is at Denver, Colorado.
In 1904 Mr. Banks contracted a second marriage, when Mrs. Helen J. (Clarkson) Shoemaker, widow of Philo Shoemaker, became his wife. They reside in an attractive home at Independence, in which city she had resided prior to her marriage to Mr. Banks. No children have been born of the second marriage.
Former President George W. Bush is swarmed by photographers before the Houston Texans Game on 25 Oct 09 at Reliant Stadium.
This fresco is a 14th century example of a St George icon at Staro Nagoricane in the Republic of Macadonia (former Yugoslavia). I'd love to know when Icons showing the battle with the dragon began to be made. The oldest examples I have come upon are from the 15th century.
from Wikipedia: The Church of St. George, a Serbian Orthodox church in the village of Staro Nagoricane near Kumanovo in the Republic of Macedonia, is noteworthy both for its architecture and its frescoes. The church was first constructed in 1071, and reconstructed between 1313 and 1318 by the Serbian king Stefan Milutin. During this reconstruction period, the church's walls were painted with frescoes by Mihailo and Evtihij.
Mdallaleh George (née Rafidis), 1906-1971
Born in Ramallah, Palestine, Mdallaleh was en route to New York via Cairo with her husband (Khalil George, 1891-1975) at the time of this photo in 1921. She was just four months married and had never been to the U.S.
Source: catalog.archives.gov/id/207736388?objectPage=366
32296_620305173_0026-00367
French postcard by Erpé, no. 384.
Georges Rigaud (1905-1984) was a noted Argentine film actor, who started his career in the French cinema of the 1930s. His best known film is René Clair’s classic comedy Quatorze Juillet (1932). Rigaud also played in Italian, American, Argentine and Spanish films. Between 1932 and 1981, he appeared in 194 films.
Georges (or George) Rigaud was born Pedro Jorge Rigato Delissetche in Buenos Aires, Argentina, in 1905. In 1931, he moved to France, where he made his film debut with a bit part in Grains de beauté (Pierre Caron, Léonce Perret, 1932). That same year he played a bigger role in the crime film Fantômas (Pál Fejös, 1932), starring Jean Galland. His best known film is René Clair’s classic comedy Quatorze Juillet (1932). Hal Erickson at AllMovie: “Quatorze Juliet translates to "July 14th"--and if you know your French history, you'll know that July 14th is Bastille Day. This Rene Clair film deals not with the tumultuous events of the French Revolution, but with a 1932 celebration of that particular French holiday. The hero, George Rigaud, is a Parisian cabdriver; the heroine, Annabella, is a flower peddler. As the Bastille Day festivities stretch on into the night, the young lovers come in contact with several of Paris' more eccentric citizens. Director Clair felt that Quatorze Juliet was better in parts than in sum total; modern audiences will most likely enjoy the film as a whole, excusing the weaknesses of its structure while revelling in its music and atmosphere.” The following year, Rigaud starred opposite Renate Müller in the comedy Idylle au Caire (Claude Heymann, Reinhold Schünzel, 1933). It was an alternate language version of the Ufa production Saison in Kairo/Season in Cairo (Reinhold Schünzel, 1933). He then starred in the historical drama Une histoire d'amour/A Love Story (Max Ophüls, 1933), based on Arthur Schnitzler's play Liebelei about a musician's daughter in 1890s Imperial Vienna who falls in love with a young army officer, only for him to be killed in a duel. It is a French-language version of Liebelei (Max Ophüls, 1933). Popular was also the drama Nitchevo (Jacques de Baroncelli, 1936) starring Harry Baur, which is a remake of the 1926 silent film of the same name. Less successful was the musical La vie parisienne/Parisian Life (Robert Siodmak, 1936) starring Max Dearly, Conchita Montenegro and Rigaud, and based on the opera La vie parisienne. The production caused financial problems for its company, Nero Film, run by the émigré producer Seymour Nebenzal. Other French films in which he appeared were the drama Nuits de feu/Nights of Fire (Marcel L'Herbier, 1937), starring Gaby Morlay, Sarati, le terrible/Sarati the Terrible (André Hugon, 1937), featuring Harry Baur, and the adventure film Puits en flammes/Wells in Flames (Viktor Tourjansky, 1937).
In Italy, George Rigaud starred opposite Corinne Luchaire in the drama Abbandono (Mario Mattoli, 1940). Then followed a short period in Hollywood, where he appeared in Paris Underground (Gregory Ratoff, 1945), Masquerade in Mexico (Mitchell Leisen, 1945), and the Film Noir I Walk Alone (Byron Haskin, 1948) starring Burt Lancaster. After this he returned to Argentina, and co-starred with Zully Moreno in the thriller La trampa/The Trap (Carlos Hugo Christensen, 1949). He had a supporting part in Sangre negra/Native Son (Pierre Chenal, 1951). In 1957, he moved definitely to Spain, where he continued his film career credited as Jorge Rigaud. His Spanish films include the drama Mi calle/My Street (Edgar Neville, 1960), Vuelve San Valentín (1962), and Estambul 65/That Man in Istanbul (Antonio Isasi-Isasmendi, 1965) starriing Horst Buchholz. His parts were now mostly supporting roles. He worked in Italy where he appeared in the Peplum Il Colosso di Rodi/The Colossus of Rhodes (1961), directed by Sergio Leone, and starring Rory Calhoun. In Hollywood he played in the flop The Happy Thieves (George Marshall, 1961), a crime/comedy-drama film starring Rex Harrison and Rita Hayworth. And in France he had a part in the Alain Delon vehicle La Tulipe noire/The Black Tulip (Christian-Jacque, 1964). He also was seen in some Eurospy films and Spaghetti Westerns. Interesting were the Italian crime film Ad ogni costo/Grand Slam (Giuliano Montaldo, 1967), starring Janet Leigh, and the Giallo Una lucertola con la pelle di donna/Schizoid (Lucio Fulci, 1971) with Florinda Balkan as the daughter of a respected politician, who experiences a series of vivid, psychedelic nightmares consisting of depraved sex orgies and LSD use. Later films are Pánico en el Transiberian/Horror Express (Eugenio Martín, 1972), starring Christopher Lee and Peter Cushing, and Maravillas (Manuel Gutiérrez Aragón, 1980). In 1981, George Rigaud died in a road accident in Madrid, Spain. He was 78.
Sources: Hal Erickson (AllMovie), José L. Bernabé Tronchoni (Find A Grave), Wikipedia and IMDb.
Double Fairlie 'David Lloyd George' entering Tan-y-Bwlch with 'Ysbryd-y-Mynydd/Mountain Spirit' - 1040 from Porthmadog to Blaenau Ffestiniog. 18th June 2026.
CIA had two sets of cufflinks made for operations officer George Kisevalter to use as a recognition signal with CIA asset Maj. Petr Semenovich Popov, the Agency’s first major postwar Soviet source of positive intelligence information. One set was kept at CIA Headquarters; the other sent to Popov. Upon Kisevalter’s retirement, DCI Helms presented the Headquarters set (shown here) to Popov’s case officer, George Kisevalter.
For more information on CIA history and this artifact please visit www.cia.gov
From which bridge? And what is the name of the river right next to it? To get the bonus prize, what sits behind me?
Void where prohibited.
Must be 18 to qualify
Only valid for residents of West Australia, Virginia and parts of Iceland
The George Washington Bridge, which spans the Hudson River to connect the states of New York (upper Manhattan, New York City) and New Jersey (Ft. Lee).
I shot the same scene with eight different imaging devices. Which device shot George best?
Each photo was shot in full-auto mode and I made no adjustments to the image afterward. All I did was crop and scale each one to a size of 2048 pixels to facilitate your side-by-side comparison. Go ahead and click through to the full-size version if y'like.
To give you some idea of the detail in the image, I've also compiled a lightbox of thumbnails, clipped from the same region of the image at the file's full original resolution (and then scaled to common dimensions).
What to you think? Leave your comments in the comments. I'll post the "answer key" after these have been online for a bit.
(Edited to reveal: Shot with Lumia 1020)
attends the Orange British Academy Film Awards 2012 at the Royal Opera House on February 12, 2012 in London, England.
The Postcard
A postally unused postcard bearing no publisher's name.
There is what appears to be a genuine signature of George Hamilton IV on the back of the card.
George Hamilton IV
George Hege Hamilton IV was an American country musician. He began performing in the late 1950's as a teen idol, switching to country music in the early 1960's.
Biography of George Hamilton IV
Hamilton was born in Winston-Salem, North Carolina, on the 19th. July 1937. While a 19-year-old student at the University of North Carolina at Chapel Hill, Hamilton recorded "A Rose and a Baby Ruth" for a Chapel Hill record label, Colonial Records.
The song, written by John D. Loudermilk, climbed to No. 6 on the United States Billboard Hot 100 chart. By 1960, "A Rose and a Baby Ruth" had attained gold record status for ABC-Paramount (which had acquired the song from Colonial). The self-penned B-side of the record, "If You Don't Know", revealed Hamilton's ambitions to be a rockabilly-country singer.
After a string of pop hits, Hamilton joined the Rockabilly Tour playing with Eddie Cochran, Buddy Holly, the Everly Brothers, Little Richard and several others throughout the country.
George was then invited to Washington, DC to become a member of the cast of the Jimmy Dean Show where he performed regularly with Patsy Cline and Jimmy Dean. He also appeared on Dick Clark’s “American Bandstand”, Arthur Godfrey's “Talent Scouts”, and the Perry Como Show.
Hamilton also went on to host his own National Television Musical/Variety shows on ABC and CBS in the late 1950's. In late 1959, Hamilton moved his family to Nashville, Tennessee to further his work as a country musician. On the 8th. February 1960, Hamilton officially became a member of the Grand Ole Opry. Later that same year, he began recording for RCA Records, having been signed by Chet Atkins.
Hamilton's breakthrough hit was the 1961 song "Before this Day Ends". His biggest hit came two years later with "Abilene", another song penned by Loudermilk and Bob Gibson. The song spent four weeks at No. 1 on Billboard's country singles chart, and reached the Top 20 of the Hot 100. The success of "Abilene" was followed with the song "Fort Worth, Dallas or Houston" (a Top 5 hit in late 1964).
In 1962, Hamilton started the first Music City USA & Homes of the Stars Bus Tour in Nashville. By the mid-1960's, Hamilton's music began showing a decidedly folk influence. This was especially evident with 1966's "Steel Rail Blues" and "Early Morning Rain" (both by Gordon Lightfoot), and 1967's "Urge for Going" by Joni Mitchell.
Another 1967 hit was "Break My Mind" (by John D. Loudermilk). One more Hamilton song of this genre was a moderate hit in 1969—the Ray Griff-penned "Canadian Pacific". His last Top 5 single came in 1970, with "She's a Little Bit Country".
After his American chart success declined in the early 1970's, Hamilton began touring the world, across the Soviet Union, Poland, Australia, the Middle East, and East Asia. These widely acclaimed international performances earned Hamilton the nickname The International Ambassador of Country Music.
He also hosted several successful television programs in the UK and Canada during the 1970's, and in the 1990's he played himself in the West End musical Patsy, based on the life of Patsy Cline.
In the 1980's Hamilton appeared with Billy Graham on Ministry Tours throughout the US and Canada, as well as the UK tour 'Mission England'.
In 2004, he recorded an acoustic gospel album with producer Dave Moody entitled On a Blue Ridge Sunday which earned Hamilton a Dove Award nomination in the "Best Bluegrass Album of the Year" category by the members of the Gospel Music Association. A single from the album, "Little Mountain Church House", won nominee recognition in the "Best Bluegrass Recorded Song" category the following year.
Until the very late years of his life, Hamilton was a regular at the Grand Ole Opry in Nashville and in country shows throughout the U.S. and the UK. Hamilton celebrated his 50th. year as a Grand Ole Opry member in 2010.
He mainly concentrated on gospel tours both at home and abroad. In 2007 he collaborated with Live Issue, a group from Northern Ireland, to record a live album based on the life of Joseph Scriven, who wrote the hymn "What a Friend We Have in Jesus". The two also toured together again in 2009.
In 2008, Hamilton released a parody of his classic hit "Abilene" in the height of the soaring U.S. gas prices called "Gasoline". The acoustic single featured "The Oil Spots" (a.k.a. the Moody Brothers & George Hamilton V) and became a hit with audiences during Hamilton's Opry appearances. Hamilton was also a regular participant in the Country's Family Reunion video series.
In 2010, Lamon Records released the album Old Fashioned Hymns, recorded transatlantic with producers Dave Moody in Nashville and Colin Elliott in Ireland. Hamilton was joined on the 28-track collection by a number of musical guests, including Ricky Skaggs, Marty Stuart, Gail Davies, Pat Boone, Del McCoury, Bill Anderson, Connie Smith, Tommy Cash, Cliff Barrows, and George Beverly Shea, among others.
On June 25, 2019, The New York Times Magazine listed George Hamilton IV among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.
George Hamilton IV's Personal Life
Hamilton married his high school sweetheart Adelaide “Tink” Peyton and had two sons, George and Peyton, and one daughter, Mary. Hamilton’s middle son George Hege Hamilton V became a singer using the name Hege V, since his father and the actor were already using the name George Hamilton.
When he was seven years old, he found one of his father's guitars and began writing songs. The younger Hamilton said his father "never pushed me", but he eventually began playing in nightclubs. On tours, which sometimes included his father, Hege V played rhythm guitar and sang harmony and occasionally the lead, including some of his father's songs.
Death and Legacy of George Hamilton IV
Hamilton had a heart attack on the 13th. September 2014, and died at the age of 77 on the 17th. September 2014 at Saint Thomas Midtown Hospital in Nashville, Tennessee.
On the 24th. September, the Ryman Auditorium hosted a memorial service which included performances by Marty Stuart, Ricky Skaggs, the Whites, Jett Williams, Gail Davies, Connie Smith, Dave Moody, Jimmy Capps, Barry and Holly Tashian, the Babcocks, Andrew Greer, and Cindy Morgan. English music historian and journalist Tony Byworth, music writer and author Frye Galliard, artists and songwriters John D. Loudermilk and Bill Anderson, Grand Ole Opry general manager Pete Fisher, and WSM announcer Eddie Stubbs all shared stories of Hamilton's life and career during the memorial. The service concluded with "Amazing Grace" performed on bagpipes by Nashville Pipes and Drums Pipe Sergeant David Goodman.
The George Hamilton IV Collection is located in the Southern Folklife Collection of the Wilson Library of the University of North Carolina at Chapel Hill.
Hamilton had been inducted into the North Carolina Music Hall of Fame in 2010.
The North Carolina Board of Transportation voted to name a bridge on Business 40 after Hamilton. The ceremony naming the bridge was held on the 19th. July 2016, which would have been Hamilton's 79th. birthday.
50 George Square, Edinburgh University was designed by Robert Matthew, Johnston-Marshall and Partners, and completed in 1970. It is Category B listed and forms part of the Category A listed Modernist campus buildings which includes David Hume Tower.
Page/Park architects, Harley Haddow engineers, Thomson Bethune quantity surveyors and Balfour Beatty construction refurbished 50 George Square and the linked basement level of David Hume Tower as part of a £40m project (completed 2014). A new semi-circular glazed extension above the projecting lecture theatre provides a project room. The development has been designed to have a low energy and CO2 emissions to the BREEAM 2008 Education standard. The project won the building conservation category at the RICS Scotland Annual Awards 2015.
The School of Languages, Literatures & Cultures has relocated to 50 George Square with a central teaching hub formed in the DHT basement.
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