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A demonstration of a hybrid generator prototype that combines solar, wind, and a fuel cell battery with a fuel-run generator at the Project Manager Mobile Electric Power (PM MEP) Users’ Conference 5 May 2010 in Orlando, Fla. The image was electronically altered. Portions of image blurred
Photo: © all rights reserved by Ervanofoto (Günther)
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See the whole album Oldtimer Trains
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Opendeur dag in de SNCB - AC Salzinnes Namur (NMBS Centrale Werkplaats Salzinnes Namen).
Een zicht in de machineruimte van de 6255.
Hier staat een 2 takt V12 dieselmotor van 1200 pk. GM EMD 567-C
Deze drijft een elektrische generator aan die de nodige stroom levert voor de voeding van de vier parallel geschakelde motoren die deze loc aandrijven.
Tage der offenen Tür bei der NMBS - SNCB Werkstatt in Salzinnes (Namur).
Ein blick im Maschinenkammer der 6255.
Hier steht ein 1200 PS starke 2 takt Dieselmotor, Type GM EMD 567-C.
Der Motor treibt einen Elektro-Generator an, zur Stromspeisung der 4 in parallel geschaltete Elektromotoren des Lok-Antriebs.
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TACOMA, Wash. — Joe Tribbey, Quality Assurance Representative (left), Marsha Phillips, Logistics Specialist (middle), and Sgt. First Class Douglas Eshenbaugh, 249th Engineer Battalion "Yard Dog," inventoryi and review generator work order requests with generator support contractor during day one of the Evergreen Earthquake Exercise generator staging area located on Joint Base Lewis-McChord. (U.S. Army Corps of Engineers photo)
Former BSK 34227 converted by BR to Steam Generator for Irish Railways (CIE) for steam heating coaches and numbered by them to 3177 TL. Now back on British rails in Boat of Garten Yard on 28 August 2010.
Champion watt portable generator provides dependable portable power for your home or jobsite watts Rated watts Rated watts Rated watts Maximum output Champion generator can run lights TV refrigerator sump pump furnace fan security systems and Window AC all at the same time Great for running power tools or HP air compressor Powered by Champion cc OHV engine with cast iron sleeve will run hours on a full tank of gas at load Electric Start Battery Included EPACARB approved for sale in States Features durable frame with portability kit winch wheels
Rolls Royce-Proteus, Gas Turbine, 11,250 RPM
This machine was overhauled for Rolls Royce, by a major Scottish Turbine specialist and has not been run since.
This Diesel Generator, together with the Aft Emergency Switchboard nearby, supplied emergency electricity to critical equipment.
Aboard the Battleship North Carolina, at Battleship Park, near Wilmington, North Carolina. I visited here the USS North Carolina (BB 55), a North Carolina-class battleship, now a museum ship. This battleship was launched in 1940, commissioned in 1941 and served in World War II in the Atlantic and Pacific theaters. She has been at this location as a museum ship since 1962. I visited this ship on April 13, 2018.
The Skaguay Power Plant, in what is now the Beaver Creek Wilderness Study Area, operated from 1901 to 1965
Read more: www.gazette.com/articles/canyon-37887-skaguay-power.html#...
Te-Chi Reservoir 德基水庫
At 180 meters high and 290 meters in length, with a storage capacity of more than 175,000,000 cubic meters, Te-Chi Dam is one of the largest/tallest dams in the world. Construction of the dam was started in 1969 by the Taiwan Power Company and was completed five years later in 1974. Its power station contains three 78 MW generators for a total installed capacity of 234 MW.
德基水庫大壩180公尺高、290公尺寬，有效蓄水量17,500百萬立方米，是台灣蓄水量第四大的水庫，也是世界十大水壩之一。1969年開工，1974年完工，德基水庫有三座78,000千瓦的發電機，總容量達234,000千瓦，年發電量約4億度。
Hoping District, Taichung City 台中市和平區
Monsters generator for Uovo Kids festival.
Project in collaboration with Zetalab & artigianato digitale.
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So there's this weird schism going on between big time film guys and big time photo guys. The availability of dSLRs that shoot really good video means that suddenly every photographer wants to be a filmmaker. And I'm not sure if filmmakers are scared or...but I think mostly filmmakers have spent a lot of time learning their craft, and I think there is a lot more to putting moving images together than filmmakers realize!
I spend a lot of time in both communities, though I'd consider myself much more of a filmmaker than a photographer. That should be apparent by the quality of some of the images that are coming across this 365 project!!
But this is not the point I wish to make right now. The point I wish to make is that photo and video are very different things, and though Video is kind of explosive in popularity right now...wow, sometimes a single, carefully composed image can tell a story clearer and quicker than a 30 minute documentary. You realize 1080p HD video is just barely 2 megapixels? There's a clarity and sharpness that photos can have that video just doesn't have yet.
That said, it can go the other way too. There's something in this photo that would be extremely obvious if it were a video clip, but as a photo it's much more subtle. This generator is running! There had just been a big dump of rain, and I think there was some wind too, but I'm pretty sure the generator was just running as a periodic test. You can tell it's running by that little black speck on top -- that's the exhaust, and it's normally closed but when it's running the exhaust gases blow that little cap open.
Photo. Video. They're different mediums. There's no reason they can't get along.
Unfortunately I am not allow to take photos of the Generator sets that I work on at Cummins Power Generation, so this is the closest I can get - a photo taken from the internet. At least it gives an idea of the sort of kit I am testing up to full load - ear defenders a must!!!!
(Although this is most probably a QSK60 with a 3201 panel and is bigger than those I currently test, the biggest being a KTA50)
Read the nameplate, said it generated a higher frequency AC from 60 cycle power.Steel mills use a lot of different voltages & frequencies for their machinery.Picture taken 1990.
25-100 kva Cummins Diesel Generator General Features
1. Every generator set is subjected to a comprehensive test program which includes 50% load, 75% load, 100% load, 110% load and the checking and proving of all control and safety shut-down functions.
2. Equipped with battery charger and 24V high performance maintenance-free lead-acid starting batteries and connecting with cables.
3. Equipped with industrial silencer and flexible exhaust hose.
4. Equipped with 8-hours operation base tank.
5. Equipped with CHINT MCCB circuit breaker.
6. Designed to Comply with ISO8528/GB2820.
7. Powered by Cummins engine and coupled with Stamford alternator.
MPMC has good diesel generators for sale, if you need some information, you can email to us.
Cummins Open Diesel Generator Control System DSE3110
All MPMC series genset have a control cubicle (the deepsea controller DSE3110 as standard) mounted on a isolated support, which has the following features:
1. Electronic digital control module with monitoring/control facility and warning indicators.
2. Automatic shutdown protection.
3. Emergency stop button (lock-down type).
4. AC output circuit breaker with over-current protection.
5. DC circuit control switch.
October 27, 2018 at 12:00pmuntil November 11, 2018 at 5:00pm at GENERATOR Projects
The exhibition, “Flesh and Finitude”, has borrowed its title from Cary Wolfe’s book, What is Posthumanism (2010). It explores the boundaries of human life and body. What is the end of the human and where does something else begin? This year’s NEoN festival’s theme is ‘Lifespans’ and our exhibition’s aim is to investigate the ‘posthuman condition’, the lifespan of ‘human’ as we know it.
Five artists were invited to provide different points of enquiry into what it means to be human in relation to other species, Nature, objects, technology, and humanity itself.
“Not all of us can say, with any degree of certainty, that we have always been human, or that we are only that.” (Rosi Braidotti, The Posthuman (2013) p.1) Today, when artificial intelligence, 3D printed organs and genetic engineering are a reality, what it means to be human is extended and redesigned. At the same time, technological advancement also reflects on our relationship (and most importantly similarities) with the Other.
Digital and sculptural works reflect on different aspects of human and its boundaries, its uncanny symbiotic relationship with others, held together by a melancholic sense of uncertainty.
Curated by Zsofia Jakab
Artists:
Caitlin Dick (UK) – Caitlin Dick recently graduated from her Master’s in Contemporary Art from Edinburgh College of Art and previously studied a BA (Hons) in Contemporary Art Practice at Gray’s School of Art, Aberdeen. Caitlin’s most recent work The Problem Begins When…, shown in Embassy Gallery Edinburgh, has focussed on the fusion of the technological and the human, creating an uncomfortable hybrid through digital and kinetic sculpture.
Give in to that Easy Living expands upon this previous work, attempting to explore these matters in a playfully cynical way, experimentally introducing an object-based installation which highlights our relationship with the bizarre, posthuman form that technology has created. Mobility assistance devices, kinetic sculpture and film create a sad scene of near total technological integration. Technology has become an extension of ourselves, no longer a separate entity; we feel lost or uneasy without it. The expectation of connection to anything and anyone at any time and for it then to be reciprocated immediately is an assumed part of capitalist consumer culture. Not only do we need to be accessible 24/7, we also believe that it is essential to be constantly active as part of our techno-ego. Our technological addiction has melted into everyday life, becoming monotonously accepted as part of normality. Website
Caitlyn Main (UK) – Caitlyn Mains practice operates from a state of uncertainty: through sustained linguistic unravelling and temporal installation, she presents works that speak of intimacy, agitation and balance. She accommodates, and indeed, propagates conditions encouraging fragility: every piece has the potential to collapse in on itself, and contains obvious indications of temporality. The work is a physical manifestation of precariousness – the use of dangling, leaning, bound and suspended elements serves to underline the flimsiness of matter.
Mains compositions reverberate between a situation of familiarity and abstraction. As firm edges become dissolved, or ignored, the parameters of her work seem to become floppy, saggy, and fluid – seeping outward to be absolved into the daily mass of visual information that surrounds us. The flesh of her assemblages is that of the world – the bones and tendons extrapolated from the domestic and the detrital, from our illuminated back lit phone screens and the phrases uttered to one another. Her frantic constellations continually oscillate between contradictory states: they are simultaneously saturated and empty, humorous, pathetic, sexual, exquisite and insignificant. Website
Rodrigo Arteaga (CHILE) – Rodrigo’s work aims to redefine some notions and ideas around nature and culture, considering what sort of division can exist between them. He has used material culture that comes from science and its varied systematic methods in the form of books, maps, diagrams, furniture and tools. There is some inherent contradiction in this effort to bring together order and disorder, the useful and the useless, unearthing the coded enigmas of our relationship to the environment. He has responded to scientific culture in an attempt to embrace its limits, maybe turn it back onto itself, finding a crack, subjectivizing something meant to be objective. Website
Alicia Fidler (UK) – Alicia’s practice expands how aesthetics of an object can be used to allude to the presence of action and a premise for performance. Functionality and Agency are contexts, which she employs to transcend an object’s still state. Adopting motifs such as handles, hooks, hinges, nets, harnesses and hoops, she dips into our preexisting relationships with objects and actions. Using Function as a guide for how the body enters the work. ‘Where the handle meets the hand to produce the thing’.
The work’s interaction is the crux, the genesis. She is fascinated by the anticipation and desire for engagement with sculpture. Changing and twisting the nature of the body and the object, into a moment caught in time. She makes works, which in every sense give instructions and demand usage but are so still. Wrapped up in potentiality. Stalling the moment of activity, producing an object that screams its performative past and future out. Recently working with visual suggestion, she has begun to use photographs of past performances. Distorting them with pattern and abstraction. Absorbing images directly onto materials. Re-digesting the echoes of action, presenting a twisted instruction. Through self-referencing, function and performance my work has become anthropomorphic. The sculptures embody their own Agency through visual clues.
They play out their own situations and actions extending beyond the tools, objects and apparatus they resemble. She moves from the realms of interaction, into works that represent a single moment; Bodilyobjects. Website
Callum Johnstone (UK) Callum Johnstone’s practice explores environmental collapse and the implications it will have on humanity. Knowing that our environment is changing at an accelerated pace due to climate change, humanity must quickly adapt by re-imagining and re-designing the structures in which we live. Johnstone aims to show that it is not the physical structures alone which must change, by also the underlying structures of our society which need to be rethought.
Though his work is primarily understood as sculpture, it often verges on the boundaries of architecture and design. His structures often incorporate repeating modular elements which allow the potential for a continuation, acting simply as a beginning component to a much larger superstructure. These ideas can then extend to the actions of the individual which as a collective become a greater movement and have the potential to alter society as we know it. Johnstone sees himself not only as a commentator and illustrator of current events but also as a module of the superstructure we call society. As a catalyst of ideas, the artist intends to inspire a conversation on ways in which humanity may adapt to imminent environmental threats.
Image Credit: Kathryn Rattray Photography