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What I get when I log into SecondLife and do an Area Search...
Visit this location at Innsmouth, HP Lovecraft Tribute - early 1930s Massachusetts in Second Life
Fuzzbutt sleeps, as yet unaware of changes taken place in KittyCatS ranks....
Visit this location at Innsmouth, HP Lovecraft Tribute - early 1930s Massachusetts in Second Life
And that's all you need to build a distortion pedal.
In this case, this original Arbiter Fuzz Face reissue sounded like ass (apparently like all of the reissues). I swapped the transistors (that had hFE of 30 to 40) to higher gain AC128s and restored the resistor values to stock values. That did the trick.
hoy me corte el pelo
me compre ese pantaloncito adidas
de los 80 en la 5ta avenida muyyyy barato jajaja
y fui FELIZ.
con poco.
de a ratos.
hey las sonrisas cuestan caro! o escasean mejor dicho jajaja
buen dia para ustedes gente.
Pentax 67 Macro 100mm F22 1/30th of a second Cactus flash 1/8th power. Fujifilm Acros pushed to 400. Test roll. New lens!
Old, but a valued member of our family. Except when she graces us with one of her special smells, then leaves the room!
I bought this from Fuzz. He custom painted it, and for me it has a value beyond words or money.
I gotta say - not only was the art perfect, the price was too.
Support the brother by buying his art - djfuzzone@yahoo.com.
Fuzz is a great bloke and he'll hook you up with quality art at a good price.
Practising loose with these little cat studies. The originals are a mess...not too much angst about result. Then playing in edit a little and create something between the doodle and computer.
This is an extremely well-engineered pedal, but I don't know that I'm its target demo.
It seems like a fuzz pedal for people who really hate dealing with fuzz pedals. It's got a ton of filters. A lot of those switches that I assumed were changing values in the circuit (like most fuzz pedals) are apparently engaging filters. Like the "Edge-Smooth" switch and the "Tone 60's-70's" switch both sound like RC or RLC filters. The "Tight" control sounds like a high-pass filter. I'm pretty sure the "Germanium-Silicon" switch is a filter, as well, because I don't see a germanium transistor in the pedal, but I may be missing it.
That said, it's a very stable pedal. I tried it with the Steinberger and the Tinsel Tart and it does the job great with whatever pickups you're using and cleans up with the guitar's Volume knob.
The Boost can be switched into an Octave Boost and it's really cool-sounding, but it's also really, really bright. Of course, there are three effects loops on this box, all of which are switchable internally for pre/post operation. There's one that engages when you kick the Fuzz on. There's one that engages when the Boost comes on. There's also one that engages when you bypass the pedal, so you could put something like a Tube Screamer in the bypass loop and switch between overdrive and fuzz just by engaging the fuzz. So an EQ in the Boost loop could even out the crazy going on there...but I don't own an EQ pedal.
Anyway, pretty cool stuff.
We were told strictly not to take photos of Cubans in uniform, but not one to miss a photo opportunity I asked this guy if it was OK. He seemed a bit bemused, but agreed.
Promo shot of my fuzz pedals. If you find it interesting, follow Blue Colander at fb.
www.facebook.com/bluecolander/?ref=br_rs
Do you need another FF? This one is a face from another space. You dial in and it takes you to a special sonic expanse. It does wham and it can make you swish.
FFAS fuzz is equipped with high gain silicon transistors and is carefully tuned to sound as smooth and warm as a germanium one with extra gain available. You have control of input gain instead of fuzz pot seen in the most FFs, what allows to have sensible flexibility in available amount of distortion and keep clarity and dynamics in a whole range. There’s also a filter pot to let you turn from really bulky, beefy fuzz to cutting through drive. Volume knob is set to have a little boost available. Suitable for both guitar and bass.
Pentax LX, Pentax A 50/2.8 macro, DIY honeycomb grid, Kodak 2302 (pushed 1EV), Rodinal, Epson V600.