View allAll Photos Tagged Fuzz
hoy me corte el pelo
me compre ese pantaloncito adidas
de los 80 en la 5ta avenida muyyyy barato jajaja
y fui FELIZ.
con poco.
de a ratos.
hey las sonrisas cuestan caro! o escasean mejor dicho jajaja
buen dia para ustedes gente.
"I hate Mandos"
-CT-3426 Forge
"So, walking towards our objective when Fuzz tells us to stop. He heard a speeder. We crouched in the grass and saw a Mandolorian on a 74-Z. Fuzz and Ticker said I should take it out because I have a sniper. Yeah, great logic. I climbed onto a tree, and waited for the speeder to come by again. I jump off the tree, no-scope the Mando, then barrel roll to the ground. Fuzz and Ticker are a bit behind me, laughing like crazy. The speeder exploded against a rock, alerting all the Seppies to our location. Good job, Fuzz, you were supposed to take control of the speeder.
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Yep. Also for my challenge at Best Bricker against Brick Surge. Its not my best, I know.
Taken for Beginner's Daily Challenge: 'Bumpy'. My cat's brush tips in exterme close-up view. The lighting comes from a lamp at camera-right which one can see reflected in each tip (the center one shows it best) as well as the flash from my phone camera on continuous mode providing back light. The blue in the shadows is actually the case of my phone seen through the brush tines. The keen-eyed can see the camera lens from my phone in the top right corner of the picture.
This is an extremely well-engineered pedal, but I don't know that I'm its target demo.
It seems like a fuzz pedal for people who really hate dealing with fuzz pedals. It's got a ton of filters. A lot of those switches that I assumed were changing values in the circuit (like most fuzz pedals) are apparently engaging filters. Like the "Edge-Smooth" switch and the "Tone 60's-70's" switch both sound like RC or RLC filters. The "Tight" control sounds like a high-pass filter. I'm pretty sure the "Germanium-Silicon" switch is a filter, as well, because I don't see a germanium transistor in the pedal, but I may be missing it.
That said, it's a very stable pedal. I tried it with the Steinberger and the Tinsel Tart and it does the job great with whatever pickups you're using and cleans up with the guitar's Volume knob.
The Boost can be switched into an Octave Boost and it's really cool-sounding, but it's also really, really bright. Of course, there are three effects loops on this box, all of which are switchable internally for pre/post operation. There's one that engages when you kick the Fuzz on. There's one that engages when the Boost comes on. There's also one that engages when you bypass the pedal, so you could put something like a Tube Screamer in the bypass loop and switch between overdrive and fuzz just by engaging the fuzz. So an EQ in the Boost loop could even out the crazy going on there...but I don't own an EQ pedal.
Anyway, pretty cool stuff.
What I get when I log into SecondLife and do an Area Search...
Visit this location at Innsmouth, HP Lovecraft Tribute - early 1930s Massachusetts in Second Life
We were told strictly not to take photos of Cubans in uniform, but not one to miss a photo opportunity I asked this guy if it was OK. He seemed a bit bemused, but agreed.
Vittadinia sp. Seen along a trail in Hallett Cove Conservation Park, South Australia.
EDIT: Narrow-leaf New Holland Daisy (Vittadinia blackii)
Practising loose with these little cat studies. The originals are a mess...not too much angst about result. Then playing in edit a little and create something between the doodle and computer.
Promo shot of my fuzz pedals. If you find it interesting, follow Blue Colander at fb.
www.facebook.com/bluecolander/?ref=br_rs
Do you need another FF? This one is a face from another space. You dial in and it takes you to a special sonic expanse. It does wham and it can make you swish.
FFAS fuzz is equipped with high gain silicon transistors and is carefully tuned to sound as smooth and warm as a germanium one with extra gain available. You have control of input gain instead of fuzz pot seen in the most FFs, what allows to have sensible flexibility in available amount of distortion and keep clarity and dynamics in a whole range. There’s also a filter pot to let you turn from really bulky, beefy fuzz to cutting through drive. Volume knob is set to have a little boost available. Suitable for both guitar and bass.
Pentax LX, Pentax A 50/2.8 macro, DIY honeycomb grid, Kodak 2302 (pushed 1EV), Rodinal, Epson V600.