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Trimming the attic windows before the great insulation happening. Like this work on a relaxed and rainy afternoon. As I am stepping in the foot steps of my father who actually was a carpenter.
The Todaiji Hall of the Great Buddha is a building of the world's largest wooden framework construction method of structure completed in A.D. 758.
In the building, great big Rushanabutsu and the Buddha statue of many bodies are installed.
On the way, according to war devastation or a disaster, it is rebuilt repeatedly, and this figure will be rebuilt in A.D. 1709 and will continue up to now.
東大寺大仏殿は西暦758年に完成した、世界最大の木造軸組構法の建物。
建物の中にはすごく大きな盧遮那仏と何体もの仏像が安置されている。
途中戦災や災害によって何度も再建され、この姿は西暦1709年に再建し現在に至る。
Illustration of a web analytics framework - data gathering, data reporting, data analysis - then the bonus stage of optimisation.
Inspired by a blog post by Avinash Kaushik (Occam's Razor)
www.kaushik.net/avinash/web-analytics-consulting-framewor...
A graphic overview identifying the environmental hotspots and ares of major environmental concern on the coast of the Mediterranean Sea.
For any form of publication, please include the link to this page:
This photo has been graciously provided to be used in the GRID-Arendal resources library by: GRID-Arendal
Went to San Francisco to see the Blood Moon with some interesting foreground, However the marine layer didn't cooperate. I did finally, get to see the Bay Bridge Light Show and play around with some night photography.
Kodak Gold 200, Leica M4, Jupiter 3+ 50/1.5, a little church in a small village in the Northeast of Germany
Die Geburtsstadt von Hermann Hesse mit ihren wunderschönen Fachwerkhäusern - The native town of Hermann Hesse with its wonderful framework houses.
Série limitée et numérotée, avec certificat joint, pour chaque modèle de cadre.
PHOTO & TIRAGE en VENTE directe. DEVIS personnalisé SUR DEMANDE relevez la référence sous la photo
Me contacter : comlaphoto@gmail.com
Les photos, pour une lecture plus rapide, sont ici en basse résolution.
Tous ces clichés sont disponibles en haute résolution pour des tirages de qualité supérieure sur tous types de supports.
Tirages et impression sur tous supports : tirage classique, d’art, supports rigides (dibond, plexi, bois et pvc), toile, bâche etc.…
Réalisation de trompe l’œil.
A l’exception des œuvres d’artistes bénéficiant de la protection propriété intellectuelle (sculpteurs, architectes, peintres, marques, tags, graffitis, dessinateurs etc.)
Series limited and numbered, with certificate attached, for each model framework.
PHOTO & drawing in direct sales. Custom application specifications take the reference under the photo
Contact me: comlaphoto@gmail.com
The photos, for a faster reading, are here in low resolution.
All these clichés are available in high resolution for prints of superior quality on all types of media.
Prints and print in all formats: Classic, fine art print, rigid supports (dibond, selection, wood and pvc), canvas, tarpaulin etc....
Realization of proboscis eye.
Except the works of artists protected intellectual property (sculptors, architects, painters, designers etc.)
Série limitée et numérotée, avec certificat joint, pour chaque modèle de cadre.
PHOTO & TIRAGE en VENTE directe. DEVIS personnalisé SUR DEMANDE relevez la référence sous la photo
Me contacter : comlaphoto@gmail.com
Les photos, pour une lecture plus rapide, sont ici en basse résolution.
Tous ces clichés sont disponibles en haute résolution pour des tirages de qualité supérieure sur tous types de supports.
Tirages et impression sur tous supports : tirage classique, d’art, supports rigides (dibond, plexi, bois et pvc), toile, bâche etc.…
Réalisation de trompe l’œil.
A l’exception des œuvres d’artistes bénéficiant de la protection propriété intellectuelle (sculpteurs, architectes, peintres, marques, tags, graffitis, dessinateurs etc.)
Series limited and numbered, with certificate attached, for each model framework.
PHOTO & drawing in direct sales. Custom application specifications take the reference under the photo
Contact me: comlaphoto@gmail.com
The photos, for a faster reading, are here in low resolution.
All these clichés are available in high resolution for prints of superior quality on all types of media.
Prints and print in all formats: Classic, fine art print, rigid supports (dibond, selection, wood and pvc), canvas, tarpaulin etc....
Realization of proboscis eye.
Except the works of artists protected intellectual property (sculptors, architects, painters, designers etc.)
atelier ying, nyc.
This is a homage to the famous Godzilla actor who also played the monsters in the original Ultraman Tv episodes of the 1960's. All of us fans who loved Godzilla and the kaiju monsters owe a large debt of gratitude to this wonderful film actor who made these monsters iconic.
A model of a communications tower houses a digitized Olympus Pen S, which shoots through a choice of smoked glass or tinted filters to apply a period look onto the images. This camera came out in 1960, just six years prior to the air date of the Ultraman series.
The film winder concept for a vintage camera is changed to a tower serving table that recalls the later manga innovations of Patlabor and Evangelion, specifically the mobile transport vehicles for the robots in those series. Here this is transformed to a structural framework for Ultraman (the opponent to Nakajima's monster characters) as the ultimate deified androgynous form for the art of "Body Sushi".
As a contrast, Ultraman himself becomes the serving trolley on rails for a six servings of pre-packaged bar snacks, ready for the heating element at the base.
The radio tower thus looks more like an oil rig or construction crane, dispensing trays of food down for heating and then out onto the ultraman serving trolley reminiscent of conveyor belt sushi bars and a much saner morally acceptable version of 'nyotaimori'or in this case nantaimori (body sushi) assuming that Ultraman was not androgynous. In any case, the proposed design seeks to strike a delicate balance with my customary use of technology and improvisation as well as taking an artistic aesthetic distance to provide the counterpoint. Herein the humorous elements, the linking of Ultraman to later science fiction history and popular icons of manga all serve to give a lighthearted nod to intimate gatherings of the tv series cast in order to reminisce.
Some technical features:
1. The height of the base provides adequate distance for heat dissipation.
A simple heating element at the bottom makes this tower very similar to ancient brass charcoal braziers and hot water pots in Shanghai many decades ago.
2. A mechanized trolley launches Ultraman along the rails with the cold and hot food.
3. a decorative "scissor stairwell" design at the sides of the tower has wall openings that redirect the heat around the tower to the sides. The house creates a faux kotatsu function for the table guests.
4. This design can only be a portrait camera. The underlying airport theme (the Ultraman science patrol aircraft use a very similar runway) combines beautifully with the glorified airline meal being served from the tower. Note that the tiddlywinks cups and paint pochade were an inspiration for the form, not to be confused with the final design. The Sake set would be more formal and the sketch shows Ultraman's surfboard and motif as the shape of the serving trays
5. Nakajima gets to control this camera tower outfit with the "Beta capsule" used to transform to Ultraman in each episode of the tv series. This device has a cooking timer and a Director's Viewfinder to check out the possibilities for any shot.
6. an extra-wide shoulder strap for carrying. The camera outfit's heft and weight would be nothing strange to the famous Godzilla suit actor.
Lastly, I'd like to have the pleasure to give the improvised Omakase menu for this presentation edition:
1. Sashimi on an tea-infused dry ice "nantaimori" serving tray. This is located at the very bottom of the camera. As each tray is served with the Sake set that is also inside the tower enclosure, the next tray drops down for heating.
2. Matsutake Mushrooms with yuzu in broth. This tray actually is already subdivided into six small cups (like an ice cube tray) and each holds a portion of mushroom and shavings of yuzu.
3. Pre-seared foie gras in a black vinegar syrup. This poesy lifts off the plate by the virtue of the scent of some toasted pine nuts. This particular dish needs minimal heating, it is served slightly warm.
4. Chicken in chestnuts and wine the last three dishes are decidedly un-gourmet, however they are typical Chinese drinking foods so the menu is half Japanese half Chinese.
5. Smoked tofu and freshly shelled peanuts parboiled. The combination can taste faintly like ham.
6. Pork belly stewed in mustard greens, a Shanghai dish. I prefer to serve this with a smear of Chinese mustard.
The above menu starts out with hints, like in a poem and then turns rustic pulling at memory in a different way as the sake begins to work its wonders.
Needless to say, there are other accoutrements that could follow, and Nakajima would probably pull out a small box of Cuban Lonsdales to share and take seated portraits.
This Izakaya tower bar serves 3 to 6 guests.
Design, text and drawing are copyright 2013 by David Lo.
Die Geburtsstadt von Hermann Hesse mit ihren wunderschönen Fachwerkhäusern - The native town of Hermann Hesse with its wonderful framework houses.
Lab2014 students presented their final design explorations for Benjamin Bratton's Critical Frameworks section, "2 or 3 Things I Know About The Stack" at The California Institute for Telecommunications and Information Technology (Calit2) at UCSD. The group visited an immersive 3-D projection "CAVE", a 4K digital theater and the nanotech cleanrooms on campus, as well as The Salk Institute for Biological Studies.