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This was a bit of a test, for future refinement. 1st exp. [50mm f/5 20s] for window. Swapped to 14mm for 2nd exp. [f/5 25s] Orange flash. Capped. 3rd exp. [f/5 40s] Blue back lighting & mood lamp - MITZ6085
USB-C DisplayPort adapter from a laptop and AirPods sans charging case onna broken chair...
1) a thing that's part of a larger thing, but not attached to the thing of which it's a part.
2) a different thing that's a part of an entirely different thing, also not attached the entirely different thing.
3) onna chair.
Lies Baas 2011 Framework needs to keep up any structure....balance is needed to hold it all together....mine seems off a bit lately. So there are plans to be made, health to be kept, and an open mind to fine tune the lay out. But most of all...open your shutters to let the light shine in.
frame - kamaro frameworks (columbus life (dt, st), spirit (tt), xcr (rear triangle, ht)
fork - kamaro frameworks (reynolds 953, columbus steerer)
shifters, rd - sram red
hubs - chris king
headset - cane creek reserve
brake, stem - frm
cranks, qr - tune
bb - hope ti
saddle - gilles berthoud galibier
...
Waiting to go to exercise class and enjoyed looking at the Bus Station lean-to. For the record the aperture was f8.
This HYBYCOZO sculpture is titled Axis Mundi. It is in the Lewis Desert Portal and anchors the keystone of the Desert Discovery Trail.
Axis Mundi 2024.
Stainless Steel, Powder Coat Pigment, LED
Axis Mundi draws inspiration from the crystalline structure of fluorite, which contains shapes similar to honeycomb. This artwork is made up of hexagons and squares that efficiently fill space without gaps. These patterns are remarkably elegant and balanced in their division of three-dimensional space.
dbg.org/events/light-bloom/2024-10-12/
www.youtube.com/watch?v=FFelgzzzQqg
LIGHT BLOOM by HYBYCOZO is a limited-time exhibit where nature and light converge. This mesmerizing display invites you to explore the Garden transformed by stunning geometric light installations that illuminate the beauty of the desert landscape in a new way. As the sun sets, LIGHT BLOOM comes to life, casting intricate shadows and vibrant hues across the Garden. Wander the trails and let the enchanting installations transport you to a magical realm where the natural world meets the abstract.
HYBYCOZO is the collaborative studio of artists Serge Beaulieu and Yelena Filipchuk. Based in Los Angeles, their work consists of larger than life geometric sculptures, often with pattern and texture that draw on inspirations from mathematics, science, and natural phenomena. Typically illuminated, the work celebrates the inherent beauty of form and pattern and represents their ongoing journey in exploring the myriad dimensions of geometry. HYBYCOZO is short for the Hyperspace Bypass Construction Zone, a nod to their favorite novel (The Hitchhikers Guide to the Galaxy) and was the title of their first installation in 2014. They continue to create under this name. In the novel earth was being destroyed to make way for a bypass. It lead Serge and Yelena to ask what it means to make art at a time where the earth’s hospitable time in the universe may be limited.
dbg.org/meet-the-artists-behind-light-bloom/
Q: Walk us through your creative process?
A: The focus of our creative process is to explore the intricate interplay between geometry, light, space and to inspire contemplation, wonder and a sense of place among our audiences. Geometry and pattern-making serve as the backbone of our creative expression. It is the framework through which we navigate the complexities of form, proportion and spatial relationships. Patterns, both simple and complex, have a profound impact on our perception and understanding of the world. They possess the ability to evoke a sense of order, balance and aesthetic pleasure. Pattern making and geometry offer us a means of storytelling and communication. These patterns serve as conduits for deeper exploration, provoking introspection and contemplation to uncover the underlying symbols embedded within the human psyche.
Q: What inspired the concept of LIGHT BLOOM?
A: Just as many cactus and desert plants have evolved to produce night-blooming flowers, adapting to their environment and thriving in darkness, our sculptures come alive after sunset, blossoming with light and transforming the night into a glowing landscape of art and geometry.
Desert Botanical Garden has an incredible collection of plants and cacti arranged in a beautiful park setting.
"Think the desert is all dirt and tumbleweeds? Think again. Desert Botanical Garden is home to thousands of species of cactus, trees and flowers from all around the world spread across 55 acres in Phoenix, Arizona."
Desert Botanical Garden
DBG HYBYCOZO Light Bloom
Walnut Canyon Bridge, Winona, Arizona. In 1922, the United States Bureau of Public Roads undertook a 23-mile road-building project along the Winslow Highway that stretched between Flagstaff and Angel through the Coconino National Forest in Arizona. The largest structure built as part of the project was the Walnut Canyon Bridge, which spans the canyon crossing Walnut Creek one mile northwest of Winona. Soon after completion in 1924, the road and the bridge became part of Route 66.
The bridge employs a straightforward design. It has a single span of 101 feet and a 19-foot-wide roadbed. The superstructure is of riveted steel and uses a five-panel Parker through truss. Truss bridges have a combination of members, usually arranged in a triangular configuration, to form a rigid framework. A Parker truss includes an additional element: an upper polygonal chord. The substructure has concrete abutments and wing walls. The floor is a concrete deck over steel stringers. The bridge has steel lattice guardrails with concrete curbs. The design and materials were efficient.
While the Walnut Canyon Bridge represents common construction of its time, it is now a rare surviving example on Route 66. The bridge is closed to traffic, but remains intact on a short stretch of abandoned roadbed. The National Park Service listed the Walnut Canyon Bridge in the National Register of Historic Places in 1988.
The Witcher 3: Wild Hunt
- 3000x4000;
- Zanzer's cheat table for setting time of day;
- HD reworked project, increased LOD and other mods;
- Timestop, weather toggle and tilt via Photomode2inOne.
"Mad Max"
-5250x7000 (Windowed Borderless Gaming Hotsampling)
-Duncan Harris' CE Table (FOV, aspect ratio)
-In-game Photomode
Backdoor/Patio area on one of the units. The framework for the sliding glass door can still be seen in the middle of the doorway although all the glass is scattered across the patio & kitchen floor. Alley on one of the 6 streets in what was supposed to be a semi high end 4-plex housing develpment. To date a total of 37 units were built and currently are in some state of completion as they were when work was halted. Doomed from the start due to no county building permits, some units being built in a flood zone and the spending of loan money on the developers sons wedding not to mention floating a loan to a relative to start up a car dealership.
Night, near full moon, fair amount of low cloud cover, 240 second exposure, protomachines flashlight set to blue and orange.
If your interested you can read a short article here about it. www.onlyinyourstate.com/texas/abandoned-houses-tx/
My current project is the construction of a meter-scale modular origami tower using my ZEBRA construction system. This is the tip of the tower under construction, folded from 250 uncut sheets of 100 g/m² A4 office paper and assembled without glue or other means of fixation. Its base is built on top of the 47 cm x 47 cm framework segment shown here.
Presently, the tower measures 2.25 m from bottom to top (I'm not done yet, but this is as far as my living room allows me to go). Does this already set the world record for the tallest origami object built from standard small-scale paper formats? The tallest comparable object I'm aware of is Jeannine Moseley's business card cube model of Worcester Union Station (shown on this web page), which is less than 2 m high.
Comments and pointers to related work are welcome!
La légende raconte que l'ilot Saint-Géry est le berceau de Bruxelles. L’église Saint-Géry qui s’élevait au centre des îles formées par les bras de la Senne accueillit les reliques de sainte Gudule avant qu’elles soient transférées, au milieu du XIe siècle, dans la future cathédrale qui porte aujourd’hui son nom. On peut d’ailleurs y découvrir et admirer le dernier vestige à ciel ouvert de la Senne dans le pentagone !
L’édifice gothique de la fin du Moyen Age fut démolie entre 1798 et 1801, sous le Régime français. À son emplacement, la Ville fit aménager une place publique au centre de laquelle fut érigée en 1802 une fontaine pyramidale datant de 1767 et provenant de la cour principale de l’abbaye de Grimbergen. Cette place accueillit plusieurs marchés. 1881 vit le début de la construction des Halles, œuvre de l’architecte A. Vanderheggen. Elles furent inaugurées en 1882 et abritaient alors quatre rangées de doubles étals et un comptoir de vente.
Le marché Saint-Géry continua ses activités de nombreuses années, mais délaissé de plus en plus par les commerçants après la seconde guerre mondiale, il fut finalement fermé le 28 février 1977. Remarquable témoin de l’architecture des marchés couverts alliant un extérieur de style néo-renaissant flamand et un intérieur faisant appel aux techniques de l’ossature métallique, il compte aujourd’hui au nombre des édifices classés de la région bruxelloise depuis le 21 janvier 1987. Depuis avril 1999, les Halles Saint-Géry accueillent un centre d’information et d’exposition consacré au patrimoine et au cadre de vie des Bruxellois, placé sous l’égide de la Région de Bruxelles-Capitale.
Legend has it that Saint-Géry island is the cradle of Brussels. Saint-Géry church, which stood in the centre of the islands formed by the branches of the Senne river, held the relics of Saint Gudula before they were transferred, in the middle of the 11th century, to the future cathedral that bears her name today. You can also discover and admire the last open-air remnant of the Senne in the pentagon!
The Gothic building dating back to the late Middle Ages was demolished between 1798 and 1801 under the French regime. In 1802, a pyramid-shaped fountain dating from 1767, which came from the main courtyard of Grimbergen Abbey, was erected in the centre of a public square built by the City. Several markets were held at the square. Construction of the Halles, designed by architect A. Vanderheggen, started in 1881. The building was inaugurated in 1882 and housed four rows of double stalls and a sales counter.
The Saint-Géry market continued its activities for many years, but after the Second World War it was increasingly abandoned by traders and eventually closed on 28 February 1977. It is a stunning example of the architecture of covered markets, combining a Flemish neo-Renaissance style exterior with an interior using metal framework techniques. On 21 January 1987, the Brussels Region listed it as a protected building. Since April 1999, the Halles Saint-Géry have housed an information and exhibition centre dedicated to the heritage and living environment of the people of Brussels, under the auspices of the Brussels-Capital Region.
Según la leyenda, la isla de Saint-Géry es la cuna de Bruselas. La iglesia de Saint-Géry, situada en el centro de las islas formadas por los brazos del río Senne, albergaba las reliquias de Santa Gúdula antes de que fueran trasladadas, a mediados del siglo XI, a la futura catedral que hoy lleva su nombre. También podrá descubrir y admirar el último vestigio al aire libre de la Senne en el pentágono.
El edificio gótico de finales de la Edad Media fue demolido entre 1798 y 1801 bajo el régimen francés. En 1802, se erigió una fuente piramidal de 1767, procedente del patio principal de la abadía de Grimbergen, en el centro de una plaza pública construida por la ciudad. En la plaza se celebraban varios mercados. La construcción de las Halles, diseñadas por el arquitecto A. Vanderheggen, comenzó en 1881. El edificio se inauguró en 1882 y albergaba cuatro filas de puestos dobles y un mostrador de ventas.
El mercado de Saint-Géry siguió funcionando durante muchos años, pero tras la Segunda Guerra Mundial fue abandonado por los comerciantes y cerró sus puertas el 28 de febrero de 1977. Es un ejemplo impresionante de la arquitectura de los mercados cubiertos, que combina un exterior de estilo neorrenacentista flamenco con un interior con técnicas de estructura metálica. El 21 de enero de 1987, la Región de Bruselas lo declaró edificio protegido. Desde abril de 1999, las Halles Saint-Géry albergan un centro de información y exposición dedicado al patrimonio y al entorno vital de los bruselenses, bajo los auspicios de la Región de Bruselas-Capital.
Série limitée et numérotée, avec certificat joint, pour chaque modèle de cadre.
PHOTO & TIRAGE en VENTE directe. DEVIS personnalisé SUR DEMANDE relevez la référence sous la photo
Me contacter : comlaphoto@gmail.com
Les photos, pour une lecture plus rapide, sont ici en basse résolution.
Tous ces clichés sont disponibles en haute résolution pour des tirages de qualité supérieure sur tous types de supports.
Tirages et impression sur tous supports : tirage classique, d’art, supports rigides (dibond, plexi, bois et pvc), toile, bâche etc.…
Réalisation de trompe l’œil.
A l’exception des œuvres d’artistes bénéficiant de la protection propriété intellectuelle (sculpteurs, architectes, peintres, marques, tags, graffitis, dessinateurs etc.)
Series limited and numbered, with certificate attached, for each model framework.
PHOTO & drawing in direct sales. Custom application specifications take the reference under the photo
Contact me: comlaphoto@gmail.com
The photos, for a faster reading, are here in low resolution.
All these clichés are available in high resolution for prints of superior quality on all types of media.
Prints and print in all formats: Classic, fine art print, rigid supports (dibond, selection, wood and pvc), canvas, tarpaulin etc....
Realization of proboscis eye.
Except the works of artists protected intellectual property (sculptors, architects, painters, designers etc.)
Last night I've climbed on the top of cable-stayed red bridge (highest in Moscow) and met here very beautiful morning.
This is just the basic framework for this pattern. You can make it different sizes, but it's nice if you make it with gaps that are 10 x 10 half-studs, because then you can fit lots of other things into them. The one on the right has holes that are 6x6, which is a somewhat awkward size to work with. I still liked how it looked, though.