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The remains of the West Pier, Brighton.

Framework | Entramado | Struttura

Veins form delicate patterns branching into smaller and smaller veins that form the framework of the leaf.

impressions @ Ticket Office

Location: Kloster Reichenbach (Klosterkirche)

 

Architektur:

Die romanische Basilika, die aus einem Langhaus, zwei Seitenschiffen und zwei Türmen besteht, verweist auf die Hirsauer Bauschule. Die ursprünglichen drei Apsiden im Osten wurden 1300 durch einen gotischen Chor ersetzt.

Dem romanischen Westwerk wurde 1716 eine barocke Fassade vorgebaut. Der Chor (um 1300), die eingewölbten Seitenschiffe (15. Jahrhundert) und die erhöhten Kirchtürme sind in die Gotik einzuordnen.

Aus der Romanik ist, außer den beiden Türklopfern am Außenportal keine weiteren Innenausstattungsgegenstände mehr erhalten.

Der barocke Hochaltar Mariä Himmelfahrt wird Otto Gebhard zugeschrieben.

Mitte des 20 Jh. brannte der Dachstuhl den Kirche fast völlig ab und wurde durch einen neuen Dachstuhl der damaligen Zeit ersetzt. Um 2013/14 herum wurde der Dachstuhl komplett ersetzt da das geringe Gewicht des "alten" Dachstuhls aus Mitte des 20 Jh. sich als statisch nachteilig herausstellte. Der neue Dachstuhl wurde entsprechend der alten Pläne überdimensioniert.

 

Geschichte:

Das Kloster Reichenbach am Regen ist ein Kloster der Barmherzigen Brüder in der Gemeinde Reichenbach (Landkreis Cham) in Bayern in der Diözese Regensburg.

1118 gegründeten Benediktiner hier ein Kloster, das 1803 säkularisiert und 1890 durch die Barmherzigen Brüder erworben wurde.

 

Bearbeitung: Jürgen Krall Photographie

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Bild Nr.: 191_0490_cs6

www.krall-photography.com

© 2021 by Samuel Poromaa

Olympus OM2 SP, Fomapan 400. Semi stand developed in Bellini HC, 1+100, 30+30 minutes. Scanned with an Epson V800.

♫ Breaking Benjamin - Had Enough

Details, on deviantART.

(P1030715 )

Shin Takashima station, Yokohama

Newport, Rhode Island (USA)

@ Sophia Road - 18th July 2009.

The Rue du Rempart-Sud, a narrow lane in the old heart of the village of Eguisheim, Alsace, France

 

Some background information:

 

The village of Eguisheim is located in the French département of Haut-Rhin in the Grand Est region of France, just about 7 km (4.5 miles) to the southwest of the city of Colmar. Eguisheim has more than 1,700 residents and borders on the Alsace Wine Route. Wine of very high quality is grown here, mainly on shell limestone soil. The village’s municipal area belongs to the Ballons des Vosges Nature Park and lies on the eastern slopes of the Vosges, where many great wines are produced.

 

In early historic times the area was inhabited by the Gaul tribe of the Senones. In the Roman Age, there was most likely already a castellum on the spot of Eguisheim and it used to be the Romans who developed the cultivation of wine in the Alsace region. The counts of Eguisheim, who ruled the municipal territory in the Early and High Middle Ages, descended from Charlemagne, who was King of the Franks and King of the Lombards in the second half of the 8th century, as well as Roman Emperor and ruler of western and central Europe as from the year 800.

 

In 1048, Count Bruno of Eguisheim raised to the papacy and thenceforth called himself Pope Leo IX. Right after his burial 1054 in the St. Peter's Basilica in Rome, he was already venerated as a saint by the Catholic Church. In the Middle Ages, a castle was built right in the centre of the Eguisheim, whose further history is closely related to the history of the Château de Eguisheim,

 

The castle was long believed to date from the 11th or 12th century. This was because historians were relying on texts actually describing another castle, the Château de Haut Eguisheim, which used to be the birthplace of Pope Leo IX in 1002 (who is named "Saint-Léon" in French). But In fact, the castle's octagonal plan and central keep, its masonry and, most importantly, its similarity to other castles date it to the first part of the 13th century.

 

Built by the counts of Eguisheim, the castle was taken over by the Bishop of Strasbourg during the second half of the 13th century. Until the French Revolution in 1789, episcopal bailiffs occupied it for many centuries. In 1444, the building was temporarily occupied by so-called Écorcheurs (in English: "cutthroats"), demobilised mercenaries, who devastated parts of France after the Armagnac–Burgundian Civil War. During the Thirty Years' War, the château served as a repository for the church treasure of Husseren-les-Châteaux.

 

Originally the Château de Eguisheim was surrounded by a moat, but by the 18th century, the moat was filled in. Houses built in the castle courtyard and against its walls were destroyed by a fire in 1877 which also damaged the castle. Subsequently, it was left in ruins for several years. In 1885, the castle was again bought by the Bishop of Strasbourg. He organised the architect Charles Winkler to restore the residence and preserve the lower part of the circular wall. Furthermore, it was Winkler’s task to demolish the remains of the former keep and build a neo-Romanesque chapel in its place. This chapel, which is visible in the centre of my picture, was completed in 1895.

 

Today, the village is a popular tourist destination, not only because the Alsace Wine Route passes Eguisheim, but also because the commune is ranked in the top 20 of the association "The most beautiful villages of France" (in French: "Les Plus Beaux Villages de France"), which promotes small and picturesque French villages of quality heritage. Currently 164 villages throughout France are pooled under the umbrella of the organisation. In 2013, Eguisheim was even voted the "Village préféré des Français" (in English: "Favourite French Village"), an annual distinction that passes from town to town throughout France.

iPhone 14 Pro-20230713_0006

Varlens / Program Mode

"Grand Theft Auto V"

 

More test shots with ENB.

Did a bit more tweaking on the night values and fixed the transparent moon which was present in the last night time shot "City Lights".

 

-6K 21:9 UltraWide downsampled to 1080p 21:9

-FXAA

-ENB 0.275 Beta

-ReShade Framework

-Timecycle files from "Natural and Realistic Graphics Mod" by emboar9889

" A picture painted by the sun without instruction in art"

 

Shot @ Cherai, Kerala,India

Ahrweiler / Bad Neuenahr-Ahrweiler / Rhineland-Palatinate / Germany

 

Please have a look at my albums:

www.flickr.com/photos/tabliniumcarlson/albums

Detail of an old shipyard building at Chatham dockyard

This HYBYCOZO sculpture is titled Floura and is along the Discovery Trail.

Floura

Stainless Steel, Powder Coat Pigment, LED

2022

 

dbg.org/events/light-bloom/2024-10-12/

www.youtube.com/watch?v=FFelgzzzQqg

LIGHT BLOOM by HYBYCOZO is a limited-time exhibit where nature and light converge. This mesmerizing display invites you to explore the Garden transformed by stunning geometric light installations that illuminate the beauty of the desert landscape in a new way. As the sun sets, LIGHT BLOOM comes to life, casting intricate shadows and vibrant hues across the Garden. Wander the trails and let the enchanting installations transport you to a magical realm where the natural world meets the abstract.

 

www.hybycozo.com/artists

HYBYCOZO is the collaborative studio of artists Serge Beaulieu and Yelena Filipchuk. Based in Los Angeles, their work consists of larger than life geometric sculptures, often with pattern and texture that draw on inspirations from mathematics, science, and natural phenomena. Typically illuminated, the work celebrates the inherent beauty of form and pattern and represents their ongoing journey in exploring the myriad dimensions of geometry. HYBYCOZO is short for the Hyperspace Bypass Construction Zone, a nod to their favorite novel (The Hitchhikers Guide to the Galaxy) and was the title of their first installation in 2014. They continue to create under this name. In the novel earth was being destroyed to make way for a bypass. It lead Serge and Yelena to ask what it means to make art at a time where the earth’s hospitable time in the universe may be limited.

 

dbg.org/meet-the-artists-behind-light-bloom/

Q: Walk us through your creative process?

A: The focus of our creative process is to explore the intricate interplay between geometry, light, space and to inspire contemplation, wonder and a sense of place among our audiences. Geometry and pattern-making serve as the backbone of our creative expression. It is the framework through which we navigate the complexities of form, proportion and spatial relationships. Patterns, both simple and complex, have a profound impact on our perception and understanding of the world. They possess the ability to evoke a sense of order, balance and aesthetic pleasure. Pattern making and geometry offer us a means of storytelling and communication. These patterns serve as conduits for deeper exploration, provoking introspection and contemplation to uncover the underlying symbols embedded within the human psyche.

Q: What inspired the concept of LIGHT BLOOM?

A: Just as many cactus and desert plants have evolved to produce night-blooming flowers, adapting to their environment and thriving in darkness, our sculptures come alive after sunset, blossoming with light and transforming the night into a glowing landscape of art and geometry.

 

Desert Botanical Garden has an incredible collection of plants and cacti arranged in a beautiful park setting.

dbg.org/

"Think the desert is all dirt and tumbleweeds? Think again. Desert Botanical Garden is home to thousands of species of cactus, trees and flowers from all around the world spread across 55 acres in Phoenix, Arizona."

 

Desert Botanical Garden

DBG HYBYCOZO Light Bloom

The River Station Pump House Cincinnati, Ohio built 1898.

Invergordon - Foulis Hills

Mazzorbo, Venecia, Italia

 

www.jlopezsaguar.com

Please, do not use this photo without permission

Por Favor no usar esta fotografía sin permiso

52 weeks of 2025 Frame within a frame

ReShade Framework / STLM / UGOM / Debug Console Enabler / PhotoMode 2inOne

This just had to be done in mono.

23.6.2023.

The cramped conditions of a Victorian Framework Knitters workshop.

 

The workers worked a fourteen hour day in cramped noisy and dangerous conditions. Pay was so poor it led to the Luddite rebellion of 1811.

The movement began in Arnold (a suburb of Nottingham) a spread rapidly over the next two years.

The Luddites in Nottingham destroyed frames belonging to the 'Master Hosiers'

The Government of the day responded by sending in troops to protect the workshops and a Bill in parliament was proposed to make the breaking of frames punishable by death!

 

Framework Knitters Museum - Ruddington.

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