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Yeah I know right?, You wait ages for a Night Shot from me, and then I give you 3 in one week..., and I know what your thinking, does he even go to bed? LOL!
So Yeah I'm Still doing night shots, well somebody has to..., and this YMS Travel vehicle was on SouthEastern Trains Late Night Rail Replacement Services from Dover to Assford in East Kent.
A Thank You should also go to the Tipster who told me that this Rail Replacement would be happening for 3 nights this week and that something different would be on it, and this was the best I could do in the dark, but still not that bad considering the conditions I had to work with, and besides I've actually done worse night shots right?
But yes I'm sure you still think I'm crazy for going out at 23:55PM, especially when John Lee Hooker sang that "Night Time is the Right Time to be with the Woman You Love!", however unfortunately I still don't have any of that...
This year I am making Photography Calendars, and so if you still like my work as much as all your favourites and comments say you do, here is the EBAY link: www.ebay.co.uk/itm/375115679073?hash=item5756a30561:g:Xrc..., and you do not need an EBAY Account to buy one, as you can "Check Out as Guest".
All Feedback is Welcome, and I look forward to doing business with you!
For TRP I did a chair session: Grab your camera and a chair. Sit in the chair. Take photos from the chair.
O ISCTE’s Christmas for Children no ISCTE-IUL decorreu a 14 de Dezembro de 2011 e a organização é da AEISCTE-IUL com o apoio do ISCTE-IUL, a ISCTE Business School, o Ágora e o Clube ISCTE. Fotografia de Hugo Alexandre Cruz do Gabinete de Comunicação e Imagem.
Just messing around for my own record. Thanks to everyone who helped put my latest Chickadee photo into Explore! I really appreciate your taking the time to have a look at this (and any!) photo of mine! Very kind of you. Later: just replaced the previous poster with an updated poster that now includes yet another of my Chickadee images. Thank you all!
1. There's no time like snow time, 2. In the blink of an eye, 3. Purple beauty, 4. If I just sit and wait..., 5. Now I can see better, 6. Are you really my mother?, 7. Curves, 8. A winter scene, 9. That tasted so good, 10. First sign of spring, 11. Proud Mama, 12. Long-eared Owl 1, 13. Male Snowy Owl, 14. Gaillardia Fanfare, 15. White-breasted Nuthatch
Created with fd's Flickr Toys.
By Erik. These Sandhill Cranes were milling about in the morning sun on the flanks of Summer Lake. These large birds can have a wingspan up to seven feet. They mate for life.
For 52 weeks of fit: things you love mini challenge...I can't really get in the mood to workout unless I have some good upbeat music to pump me up!
Day 89 Year 2
For info write to: valentina.defassi@gmail.com
This image is
copyright © Valentina Defassi. All right reserved. This photo must not be used under ANY circumstances without written consent
Questa immagine è protetta da copyright © Valentina Defassi. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza liberatoria scritta dell'autore.
Scene during the Fund for the Arts Campaign Celebration at Central Park in Louisville, KY. July 11, 2014 (Frankie Steele/Fund for the Arts)
They say fire makes everything better. And while I did not light Agent Shadow on fire, Pyro certainly made a major improvement on this film, adding that yellow filter. You get a good grain structure allowing for excellent sharpness and a beautiful deep rich contrast. This is certainly a perfect developer for this film!
You can read the full review online!
www.alexluyckx.com/blog/index.php/2022/12/12/film-review-...
Nikon FE2 - AI-S Nikkor 35mm 1:2.8 (Yellow-12) - Kosmo Foto Agent Shadow @ ASA-400
510-Pyro (1+100) 10:30 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Making lunch for work the other morning I noticed a beautiful orange light shining through my kitchen louvers.It was around 5:30am(I rise at 4:30am six days a week).Without even bothering to waste time"looking" at the source,I dropped the butter knife and made a dash for the camera.I opened my back door,pushed the camera through my security gate and grabbed a couple of shots of this sunrise behind all the satellite dishes.I had to share this with you all.This is one of the things photography is really all about I think,being able to share beauty that blows us away,with others.F7.1 at -1ev,ISO 100.
For some reason, we haven't been to the dog park lately. We've been doing more in-town kinda stuff. Since it was so nice though (63 and sunny!!!), we made it a point to get out to the dog park. I'm glad we did because it was a great time. Archie was so good! He did hump Roxy, the Husky back there to the left, but she's a known seductress (Even her owner says so. Haha). But other than that, he was completely perfect. I think he's really starting to understand that all dogs don't play like Bullies do. We were so proud of him.
Xinye Ancient Village - 150 ancient buildings of Ming and Qing Dynasty. "The Open Air Museum of Ming and Qing Dynasty" wonderful preservation of 15 ancestral temples, halls and pavillions.
Photo Courtesy: McMaster Institute for Sustainable Development in Commerce.
Join the Fun, Peace Plus One - Send your 3 finger photo to Copenhagen to make the CLIMATE TREATY include EVERYONE on the PLANET_\!/
Juniper is provide the kurta sets for women with a traditional twist. The word Juniper is an endearment for young and pretty girls implying sublime qualitative Indian women with a traditional twist.
Roll of hand-painted silk, c1760s
Chinese
Sericulture (the practice of cultivating silkworms to make silk) was established in China around 2,700BC and the country had long been renowned for the quality of its silk textiles, which were imported to Britain in large quantities during the eighteenth century. The pattern on this example is characteristic of Chinese silks produced for export during the Qianlong period (1736-95), with trailing stems and colourful flowers against a pale ground of silk taffeta.*
From the exhibition
Style & Society: Dressing the Georgians
(April to October 2023)
The display brings together over 200 works from the Royal Collection, including paintings, prints and drawings by artists such as Gainsborough, Zoffany and Hogarth, as well as rare surviving examples of clothing and accessories. The exhibition builds up a layer-by-layer picture of what the Georgians wore - from the practical dress of laundry maids to the glittering gowns worn at court - and chart the transformation of clothing and silhouettes from the accession of George I in 1714 to the death of George IV in 1830.
At the heart of the exhibition is a rarely displayed, full-length portrait of Queen Charlotte by Thomas Gainsborough, c.1781, which usually hangs in the White Drawing Room at Windsor Castle. Painted by candlelight, it depicts the Queen in a magnificent gown, worn over a wide hoop and covered with gold spangles and tassels. The painting is be shown alongside a beautifully preserved gown of a similar style, worn at Queen Charlotte’s court in the 1760s, on loan from the Fashion Museum Bath.
On display for the first time is Queen Charlotte’s book of psalms, covered in the only silk fabric known to survive from one of her dresses. The expensive fabric, decorated with metal threads to glimmer in candlelight, was most likely repurposed after the dress had passed out of fashion. As textiles were highly prized, Georgian clothing was constantly recycled, even by the royal family, and there was a thriving market for second-hand clothes.
The exhibition includes items of jewellery from Queen Charlotte’s famed collection, such as a diamond ring featuring a miniature of her husband George III, given to her on her wedding day. Other accessories on display will include beautiful English and French fans, which reached their fashionable zenith during this period, some representing topical events such as the first hot air balloon flight, and jewel-encrusted snuffboxes, reflecting the craze amongst both men and women for taking snuff throughout the 18th century.
The exhibition reveals how the Georgians ushered in many of the cultural trends we know today, including the first stylists and influencers, the birth of a specialised fashion press and the development of shopping as a leisure activity. From the popularity of fancy-dress and the evolution of childrenswear, to the introduction of military uniforms and the role of clothing in showing support for revolutions at home and abroad, Style & Society will explore what clothing can tell us about all areas of life in the rapidly changing world of 18th-century Britain.
[*IanVisits]
From the Queen's Gallery, Buckingham Palace
Buckingham Palace
Royal Palace. 1825 design, begun 1826 by John Nash, rebuilding Buckingham House of 1705 as a palace for George IV, completed 1837 with alterations by Edward Blore; The east range added 1847-50 by Blore; the Ballroom block of 1853-54, with Ambassadors' Court, by Sir James Pennethorne; the east front refaced 1913 by Sir Aston Webb for George V
Marble faced east front, the rest Bath stone except for Blore's west quadrangle front in Caen stone; slate and leaded roofs. Quadrangle plan. Monumental Graeco-Roman, composed with picturesque intent by Nash; Webb's east front a stiff Dixhuitieme exercise constrained by Blore's existing range but with elegant detailing: East front: three storeys with ground and attic floor mezzanines. Fenestration in rhythm 3:7:3:7:3 with centrepiece and terminal pavilion. Channelled ground floor with semicircular arched central gateway flanked by square headed doorways, all with fine ornamental iron gates of 1847; end pavilions and main range with square headed and semicircular arched gateways respectively; architraved sashes with open pediments on first floor and cornices on second floor; fluted Corinthian pilasters rise through first and second floors supporting main entablature with blocking course and balustraded parapet; centrepiece and terminal pavilions with Corinthian columns in antis and plain outer pilasters, in pairs on centrepiece, crowned by blind attics with pediments; continuous balustraded balcony to first floor.
West front: of Blore's east range; advanced centrepiece with tetrastyle giant fluted Corinthian column portico above archway; sculpture in pediment. North and South quadrangle ranges: by Nash and given uniform three storey height, with attic, by him in 1828; slightly advanced five-window wide pilastered centrepieces; ground floor Greek Doric colonnades filled in by Blore; to the south Ambassadors' Court with temple portico-porch and flanking ranges with Corinthian colonnade in antis, adjoining Pennethorne's 1853-1854 Ballroom block which continues giant columned corner pavilion theme of Nash's garden front.
East front of Nash's West range: originally open to deep forecourt and Mall, has storeys and attic main block, 11 windows wide, with three storey three-window wings, the main block with prominent, tetrastyle, two storey portico centrepiece, its low ground storey with cast iron coupled Greek Doric columns and the upper with giant coupled stone Corinthian columns carrying entablature and pediment with sculpture by Baily and crowning figures in Coade stone by W Croggan; the cast iron Doric colonnade is returned across ground floor of main block which has pavilion end bays dressed with giant pairs of Corinthian columns; tall blind attic; the friezes either side of portico by Westmacott and originally intended for the attic of Marble Arch.
West garden front, by Nash: Long symmetrical composition with five accents; basement, ground floor, piano nobile through two storeys and attic to main block with three-storey wings; the main block with five-window central bow and three-window side ranges terminating in one-window pavilions; the wings each of four windows with similar pavilion end bays; ground floor channelled, giant engaged Corinthian columns to bow and detached coupled Corinthian columns to pavilions carrying entablature with rich rinceau frieze; large frieze panels of Coade stone over first floor by Croggan; the attic above half dome of bow (Blore's replacement of Nash's dome) has a frieze by Westmacott intended for Marble Arch; the range is flanked at east of terrace by projecting conservatories in the form of hexastyle Ionic temples with pediments; the south conservatory altered as palace chapel in 1893 and as the Queen's Gallery in 1962.
Interior: State Apartments in west range at firs floor level, with two suites divided by the Picture Gallery, c1829-36 by Nash and Blore, in rich and already eclectic Graeco-Roman style with Louis XIV and Wren details in mouldings and motifs, approached via the Grand Hall with marble columns and Nash's recasting of the original Buckingham House staircase as well as by Pennethorne's Grand Staircase to south extended by Pennethorne to give access to his Ballroom block; the Picture Gallery redecorated 1914; the interior of the Ballroom retains Pennethorne's ceiling and throne recess but redecorated by Ludwig Gruner in 1902 when the walls, windows and doorways were remodelled by Verity; the plainer ground floor rooms below the State Apartments survive virtually as designed by Nash. Marble Arch (qv) designed by Nash in 1828 as the forecourt gateway was removed by Blore's east range and re-erected in 1851 on its present site.
[Historic England]
Moroccan spiced steak with sweet potato and tomato over couscous. garnished with a cherry tomato and parsley from my garden
for recipe in english: sundayskitchen.com/?p=2901
ricetta in Italiano: sundayskitchen.com/?p=2908&lang=it
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Photos by Garo Goodrow, Multimedia Specialist
Penn State Pesticide Education Program
© The Pennsylvania State University 2016
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For the last course, our waiter brought out a rubber like mat and we helped him roll it out over the table. On my side was placed a quartet of bowls filled with (in clockwise order from the top left) a lingonberry sauce, marigold petals, a Goose Island stout beer reduction that had notes of chocolate, and a citrus and butternut squash sauce.
For instance, one of the most important things to look at when signing up with a provider is their distribution reach. How many Points of Presence (PoPs) do they have and do they have data centers in the regions and countries that matter to your business the most? These things are crucial because this is exactly what helps reduce latency.
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For the latest grooming tips and how to's jaespeak.wordpress.com/
For Men's Grooming Product Reviews www.theemporiumbarber.com.au/pages/blog
Holiday Gift Ideas: 10 Best Selling Men’s Cologne & Fragrances jaespeak.wordpress.com/2017/12/25/holiday-gift-ideas-10-b...