View allAll Photos Tagged Fluidity
" purpose of graceful fluidity, such that moves with tactful elegance throughout" def of Poetry in Motion
The sea is my poetry.
I admit I was alittle nervous venturing back to this spot where I nearly got wiped out by a wave a few months ago.
But alas the temptation was too great to stay away.
I was very careful, and waited till the tide had completely gone out. That makes getting the shot I want harder as much fewer waves break over the rocks. I was patient enough to at least capture a few larger waves coming in. Wonderful to watch their creeping appearance in the distance, grow large and larger before splashing over the rocks and cascading in little waterfalls before swirling around in the cavernous sea.
Will catch up with everyone tonight. x
The watercolor painting depicts a narrow street in Lisbon with a Route 28 tramway running down the center. The street is lined with colorful buildings that are typical of the city's architecture, with their bright pastel hues and decorative tiles.
The tramway is the focal point of the painting, with its yellow and cream-colored exterior contrasting sharply against the reds, greens, and pinks of the surrounding buildings. The tram is depicted with its curved windows, wooden seats, and intricate metalwork.
The narrowness of the street is emphasized by the towering buildings that rise up on either side, their facades adorned with ornate balconies and wrought-iron railings. The street itself is paved with cobblestones, adding to the overall charm and character of the scene.
The painting captures the essence of Lisbon's historic neighborhoods, with their winding streets, old-world architecture, and bustling atmosphere. The use of watercolors adds a softness and fluidity to the image, enhancing the dreamlike quality of the scene. Overall, the painting is a beautiful and evocative representation of one of Lisbon's most iconic sights.
20220512_RX_01184_LISBOA
Arp Museum Rolandseck
Bettina Pousttchi: Fluidity
Diese tanzende Leichtigkeit der Skulpturen (aus Leitplanken) ist mir vor Ort nicht so bewusst geworden, sie wird durch das Foto erst sichtbar.
This is a series that I am currently working on. I thought I would try a merge between people and water as an experiment and I really liked the fluidity that the merge gave to the people and the slightly unworldly feel it gives.
I would really appreciate feedback on what you think about these merges.
Zar Bar's Closet
Blog Name sweet dreams are made of these
Feature Designer Fluidity Designs Magika Hive
what I am wearing
Hair Magika Kit
Garmonbozia power rings found @ maps.secondlife.com/secondlife/Sweet%20Daydream/56/244/28
Avada Bento Nails Novah found @ maps.secondlife.com/secondlife/Sweet%20Daydream/56/244/28
Outfit Fluidity Design Cuddles outfit mega pack find me @ the Mainstore maps.secondlife.com/secondlife/Go/220/79/28
Cuddles Leggings
Cuddles Top
this amazing lil number is the perfect lounger outfit for cuddles with that special someone, made for a few mesh Body's Kupra Legacy Maitreya Lara and Reborn..
New Release so run and grab it
Back Ground
ASO! Vintage Curtains Black
Myth Starglobe Silver
Hive sweet teddy bear pink heart
Urls
Sunlit stream waters, Rocky Mountain National Park, Colorado
Nikon D7500, Sigma 18-300, ISO 400, f/6.3, 300mm, 1/200s
This is not the same deer seen in yesterday's upload, but she was photographed on the same day. Leaping from her hind legs, she looks quite different from the more common Mule Deer in our area that typically "stot" - ie. jump from all four feet at once.
This one is all angular grace and fluidity, and although those legs almost look too spindly to handle her weight, she is nimble as they come and was quickly gone across that field.
Photographed near Val Marie, Saskatchewan (Canada). Don't use this image on websites, blogs, or other media without explicit permission ©2022 James R. Page - all rights reserved.
"The future is fluid. Each act, each decision, and each development creates new possibilities and eliminates others. The future is ours to direct." Jacque Fresco
HAPPY SLIDER SUNDAY
I have to admit to having a lot of fun creating the swirls 😁
.
a macro shot of a glass candlestick
Facebook + Twitter + RedBubble + 9876543210
Press L to view in Lightbox
© Jon Downs 2012 All Rights Reserved
_____
“Obviously, it's a huge deal when your little girl starts to turn into a woman, but the change has a gentle fluidity, so it seems to happen like time-lapse photography of a flower blooming.”
- Maggie Alderson
A more balanced colour shot showing this structure from directly underneath.
This enclosed bridge is at the Covent Garden Ballet School in London. This time a colour shot against a washed out London sky showing this structure from directly underneath.
Architects: Wilkinson Eyre.
This is a series that I am currently working on. I thought I would try a merge between people and water as an experiment and I really liked the fluidity that the merge gave to the people and the slightly unworldly feel it gives.
I would really appreciate feedback on what you think about these merges.
Seattle
Washington
USA
The Museum of Pop Culture (MoPOP) is housed in a 140,000 square foot Frank O. Gehry designed building. A fusion of textures and myriad colors, MoPOP’s exterior conveys all the energy and fluidity of music. Three-thousand panels, made up of 21 thousand individually cut and shaped stainless steel and painted aluminum shingles, encase the outside of the building.
Their individual finishes respond to different light conditions and appear to change when viewed from different angles, reminding audiences that music and culture is constantly evolving.
You can see the entire building in the first comment.
I posted a couple of similar shots recently, but I am so intrigued by this façade, that I decided to post another one. This was shot on
a more overcast day and catching the reflection of the buildings on the opposite side of the road.
This is a series that I am currently working on. I thought I would try a merge between people and water as an experiment and I really liked the fluidity that the merge gave to the people and the slightly unworldly feel it gives.
I would really appreciate feedback on what you think about these merges.
A summer evening with the last rays reaching the river bank. A tranquil and restorative time to be taking in this scene. I tried to soften the scene with a pseudo "Orton effect" treatment.
Fluidity & Form
Find a connection with every image
Photography: www.flickr.com/photos/iainmerchant/
#IainMerchant #Art #Photography #PhotoOfTheDay #PicOfTheDay #TheArtofLife #ThinkingOutLoud #Beautiful #Leicestershire
Photo by: Iain Merchant Photography (www.iainmerchant.com)
Samuel H Boardman SP, Oregon.
I stood back from the edge, not trusting the crumbly soil of the cliffs that have been battered forever by the great ocean. Although you would think I could step from the green grass onto the rock before me, it is an optical illusion. Where the grass ends is a long drop to harm. The day has been flat, colorless, and calm, and so I find myself waiting here at daylight's end, hoping for a show of color, a reward for those who wait. Waiting isn't good for me, for a wandering mind. That most distant darkness, where earth meets sky, is where we seem to look for things to come. The line of delineation is unachievable for me, yet what is there now is slowly coming to me, pulled forward by the moon rising somewhere behind me. Swells pulse into the shoreline, great volumes breaking apart on the rocks. Above me the great vault of cloud begins to separate too, catching the last bends of light from beyond that same horizon, casting an illusion of fluidity around me. I am more accustomed to mountain horizons, to ridge lines or high points that I see and then go to. I used to dare to dream. That I would get the girl, make the money, achieve some kind of notoriety. Time races in these dreams, a jumble of thoughts, goals made of wishful thinking. But fate has its own horizon. Now, I make my expectations small, so as not to be disappointed, and look out there, into the future, and think maybe its better not to dream.
www.raypalmerphotography.com/portfolio/G0000MKPwo8mrDM8/I...
On a cool summer's morning this scene presented itself on an early-morning cycle: unclip from peddles while screeching to a halt, backtrack, grab phone from rear jersey-pocket, then fumble to grab this shot! Practice has resulted in second-nature fluidity, seldom falling off these days! Some bias may distort this claim, "I think it was worth it!"
It was as if I'd found a needle in a haystack. I came across this tiny figurine that had been placed on a grave amid several acres in a nearby cemetery. It was just a few inches tall, and largely concealed by dead grass and flowers. Yet my internal guidance system brought me here. The scene was compelling. It's always this way for me. The sheer humanity of the scene is my initial reaction. I never seem to recognize the names inscribed on the stones, but I feel an empathy for the deceased and the surviving family members and whoever placed this little angel here. I've seen all manner of angel figurines. This one was particularly emotive. The downcast, mournful pose; the bare arms and shoulders exuded a sense of vulnerability on this chilly, rainy, windswept day. Everything I felt and sensed as I stood here seemed to boil down to the thin line where the side of the face intersected with the arm. Amazing fluidity and emotion in the space of about two inches. A microcosm of sorrow, delicate in rendering but so harsh in its symbolism. I held the iPhone as close as I possibly could while maintaining focus on that thin line. Usually the face is the most powerful aspect of these figurines. But here the energy was magnified many fold because the face was concealed. It's as if the energy here is derived in large part by the mind of the viewer.
I've tried to capture the surf vibe at Key West beach, Mullaloo. Using a longish exposure Í've tried to show the fluidity of the surf whilst maintain the surfers as discernible entities. I'm impressed with how they turned out
Nikon FM, Tokina 17-35, Kodacolor 200. 2 minutes at F8, probably.
There's a fluidity to 35mm and digital that doesn't always happen with the bigger film cameras.
all great car designs portray a sense of fluidity and motion while the car is sitting still
copyright SB ImageWorks
I am back, after two weeks of absence. I rushed on the coast one evening of the week and I came back with this photo.
I met Anne-Marie during my absence, we will show soon our photographs of our day spent together
The song of the yellow-breasted chat is a wonderful collection of sounds which the Cornell Lab of Ornithology describes as "streams of whistles, cackles, chuckles, and gurgles with the fluidity of improvisational jazz." I suspect this individual, nicely nestled in a mountain mahogany bush, was a recent arrival setting up its nesting territory. Spring is the best time to see and hear yellow-breasted chats, as they tend to be more secretive the rest of the year.
This might be the least post-processed photo I've posted on Flickr. The light and setting were quite nice sooc- the main adjustment was cropping the photo.
A wonderful movement with the dance performers with great energy, fluidity, connection of a spiritual and soulful performance. By courtesy of Akademi Dance Academy at the Royal festival Hall.
(Inde) – Faute avouée, à moitié pardonnée. Contrairement à mes principes, selon lesquels une photo doit être pensée et publiée dans son format natif, cette photo a été recadrée en 4:3. Une exception qui confirme la règle.
Cette scène fait partie de la même série que la photo publiée hier. Comme ces deux photos ont été prises à partir d’une voiture en roulant, je n’ai pas pu travailler soigneusement le cadrage de l’image.
Hier, le cheval qui était trop près avait les sabots partiellement coupés. La version originale de l’image d’aujourd’hui laissait quant à elle trop de place à la route. Le chauffeur prenait de la vitesse et la scène s’éloignait rapidement quand j’ai déclenché. De plus, un autre cavalier et quelques chevaux étaient mal placés au fond sur la gauche, nuisant à la fluidité de la composition. J'ai donc rogné mon cadre à gauche et en bas, en préservant l’homothétie, pour proposer cette interprétation plus équilibrée. Initialement cette photo avait été placée dans mon 3ᵉ choix (photos techniquement réussies, mais à la composition contestable). Le 3ᵉ choix est le dernier stade avant la relégation à la poubelle.
The Cavalier's Smile
(India) – A fault confessed is half forgiven. Contrary to my principles, according to which a photo should be thought of and published in its native format, this photo has been cropped to 4:3. An exception that proves the rule.
This scene is part of the same series as the photo published yesterday. Since these two photos were taken from a moving car, I wasn't able to carefully frame the image. Yesterday, the horse that was too close had its hooves partially clipped. The original version of today's image, however, left too much room for the road. The driver was speeding, and the scene was rapidly receding when I took the shot. Additionally, another rider and some horses were poorly placed in the background on the left, detracting from the fluidity of the composition. So I cropped my frame on the left and bottom, preserving the homothety, to offer this more balanced interpretation. This photo was originally placed in my 3rd choice (technically successful photos, but with questionable composition). 3rd choice is the last stage before relegation to the trash.