In addition to 44 published novels, Philip K. Dick (1928-1982) wrote approximately 121 short stories, most of which appeared in science fiction magazines during his lifetime. "Solar Lottery" was his first book. Although Dick spent most of his career as a writer in near-poverty, eleven popular films based on his works have been produced, including Blade Runner, Total Recall, A Scanner Darkly, Minority Report, Paycheck, Next, Screamers, The Adjustment Bureau and Impostor. In 2005, Time magazine named Ubik one of the hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer to be included in The Library of America series.

One of the greatest American illustrators of the 20th century, N. C. Wyeth created over 3,000 paintings and illustrated 112 books, 25 of them for Scribner’s. He was the father of Andrew Wyeth and the grandfather of Jamie Wyeth, both famous artists in their own right.

Welcome to the next episode of "Stuff I Bought in Vancouver". Tonight, I bring you something that is, as always exotic, but more importantly, something that again, I probably wouldn't have run into while in Toronto. The subject of tonights review is the S.H. Figuarts Sailor Moon figure, First Edition.

So, Sailor Moon. The Figuarts releases I've picked up two of them up to this point - Sailor Chibi Moon and Sailor Venus, so clearly they exist here in Toronto. I had gotten lucky so far with regards to pricing thus far, finding the right person at the right time who was willing to make a deal just to get rid of it. It was a similar situation for this particular figure, which I ended up paying $60 CAD for, making it the most expensive figure I purchased during my time out West. For those paying attention, that's pretty much MSRP - why did I do that??? Well, the answer lies in the second part of the title - First Edition. First Edition releases of Sailor Moon came with two additional face plates that were not available later on, and to be honest they're ones that should have been standard, but I digress. The point is, if one were to take into account the First Edition perks, and the fact the figure had never been opened, $60 CAD ends up being a pretty good buy.

Sailor Moon is, of course, the titular character from the Sailor Moon series. The superhero guise of Usagi Tsukino (Serena in the US dub), Sailor Moon starts off, like all many other anime heroes, kind of clumsy, childlike, but eventually matures into a competent leader of her fellow Sailor Senshi in their battle against the forces of evil and enemies of the Moon Kingdom, from whence she originated from. In superhero form, Usagi maintains her trademark twin pigtails, gets a few more pieces of jewelery, and is generally decked out in the now legendary ensemble of high school girl outfit combined with some bows and a kickass pair of boots. Being Sailor Moon, however, her outfit has a few extra bells and whistles not present on the other Sailor Senshi, like the moon on her choker, a jewel encrusted pendant on her chest ribbon, moons on her boots, and jewels in the buns of her hair.

Sailor Moon comes with the most accessories I've seen in a Sailor Moon Figuarts thus far (I admittedly haven't seen that many). There's the figure, of course, with five additional faces (winking and crying faces being the exclusives... FINALLY, a winking face), Moon Crescent Wand, Moon Crescent Wand with the Imperium Silver Crystal installed, seven additional hands with one dedicated for holding her wand, two for her trademark pose, and additional hand/effect piece for her Moon Tiara Action, a mini Luna, and a stand. To the surprise of nobody, it appears that Luna and Artemis are effectively repaints of one another, though I found that Luna stood very easily, whereas Artemis was required some futzing to get him to pose for photos. Points of articulation on Luna are her head and tail, both on ball joints.

The figure of course, looks very faithful to the the animation model. General silhouette is there, and compared to Sailor Venus, slightly more accurate body proportions, mostly with the legs, which seem to have a shorter lower leg as compared to the statuesque Sailor Venus. Otherwise, you have the same general slender high school girl physique. Sailor Moon, to me, has a more accurate facial structure as well.. in fact, if I didn't know better, I'd say they adapted Sailor Moons base face plates for use on Venus. Both are, IMO, a bit too narrow and could stand to be a bit wider at the temples. Sailor Moon fares much better at actually being able to use the included stand properly, as she does not have a giant mound of hair getting in the way of the dynamic arm of the stand. Speaking of hair, good recreation of the hair on the character, with the added "bonus" of being made from translucent plastic that is painted yellow so she has the shimmering effect on her head. The down side is tolerances, as evidences by the fact her right pigtail keeps popping out of the socket. Otherwise, you get some good sculpting in terms of detailing of the outfit and hair, both of which has been pretty consistent in terms of quality across the three characters that I have.

As mentioned above, this First Edition release comes with two additional face plates that are very much essential to Sailor Moon as a character. I can sort of get the crying face as an exclusive, as its usage is relatively limited (unless you're willing to be a bit creative, like me) but for magical girl figures to not come with winking faces ought to be made a crime punishable by public ridicule. The other faces are your typical smiling, neutral, attacking, and one face with no tiara painted on it with the intent of use with the Moon Tiara Action hand effect.

Articulation.. boy, is it nice coming back to something that is not maddening to make use. Points of articulation, again, are consistent with the other Sailor Senshi - ankles, single jointed knees, hips with pull down action to improve range of motion, waist, upper torso swivel, shoulders with some chest collapse, single jointed eblows, wirsts, and head. As stated above, there is one point of articulation on each of the pigtails to allow for some dynamic posing of the pigtails, though it mainly allows for side to side displays of hair rather than dashing forward displays. I found that perhaps due to a more pliable rubber (or maybe I just tried harder), Sailor Moon, while unable to kick high, was able to at least maintain a proper seated position. Hands come off the wrist pegs easily.. perhaps a bit TOO easily. I've read that subsequent releases of the figure (most notable being the anime coloured edition), the wrist pegs have been changed such that they have balls on the end of them to improve the grip.

Paintwork is again that lovely combination of good and meh that is present on Venus and Chibi moon. One again, the outfit itself is painted with pearl based paints on the whites, which makes for a lovely shimmering effect, if a bit thick in terms of application. Coloured sections of the outfit, along with various metal pieces are painted with metallic paints. These metallic paint apps can get a bit messy, especially on detailed areas like the small lines on her hair bun jewels, her pendant on the chest, the tiaras on her foreheads, and her earrings. The hair appears be partially solid plastic with some translucent plastics (bangs, pigtails), all of which is painted, which does make for an effective glowing effect at the cost of some less than stellar tolerances. Paint work on the hair itself is surprisingly smooth, with no splotches of colour that not only would look bad, but would also interfere with the translucent quality of the hair. Fleshy bits appear to be the base plastic colours, which are slightly different from Sailor Venus (more tan). In terms of paint masking, some weakness was observed at most transition points, with the most notable being between her outfit and her blue skirt.

Decals are applied well, with no bubbles observed, and no misalignment issues to report. In general, fit and tolerances are pretty good, with the only real issue I can mention is the one with that one pigtail that likes to fall out. Otherwise, there aren't any issues with tolerances or poorly mating parts to report. Some improvements on the parts finish side would have been nice, as mould lines and various seams were more prevalent on Sailor Moon than Venus or Chibi Moon. It's not like the latter two were perfect, and neither is Sailor Moon the worst figure ever made, it's just that by comparison to the other two, Sailor Moon does exhibit significantly weaker traits from this perspective, so I know a better product is technically possible. Build quality is the typical Figuarts level of excellence, with tight joints and a generally solid toy that can withstand some typical handling by a collector.

This is undeniably a great Sailor Moon figure, though one that is for... reasons, worse off from a parts finish perspective than her peers that I own. The base figure doesn't really offer anything that the other Sailor Senshi don't have (other than perhaps a slightly more appropriate face), but that's no surprise (or an issue) when they're all based off a pretty decent platform, though keep in mind I was able to get her seated when I couldn't get Sailor Venus or Chibi Moon to do so. While the base accessory set is pretty good (considering all the main Senshi cost the same), the First Edition faces truly make this figure shine. So while the figure is clearly a recommend for fans of the series, I'm going to do something I normally don't do, and recommend that you hunt down a First Edition version. While you may not benefit from the improved wrist pegs, the crying and winking expressions are a HUGE part of the character, and are worth going the extra mile for. If you're gonna hunt this figure down, I'd strongly recommend finding a First Edition and hassling the seller until a price that is agreeable to you can be reached.

“These flowers remind me of a barber shop,” he explained.

ADAPTED FROM

COLUMBIA’S ALL-TALKING

PICTURE BY RALPH GRAVES

A FRANK R. CAPRA PRODUCTION

PRODUCED BY HARRY COHN

“The first all-talking drama of the air will thrill you.”

“Flight” is an adventure and aviation film directed by Frank Capra. The film stars Jack Holt (as gruff Gunnery Sergeant “Panama” Williams, U.S. Marine Corps pilot), Lila Lee (as Navy nurse Elinor Murray), and Ralph Graves (as Corporal “Lefty” Phelps), who also came up with the story, for which Capra wrote the dialogue. Dedicated to the United States Marine Corps, the production was greatly aided by their full cooperation.

"Flight" is the romance of a young man (Lefty Phelps) who ran backwards in life until he finally caused his college to lose the biggest football game of the season. Disgraced and dishonored, he left his friends and family with no definite purpose in mind as to his future.

While waiting for a train to New York, he sees a poster announcing that the Marine Corps builds men. Wondering what kind of a man the Service will make of him, he enlists for aviation instruction and meets the first love of his life.

After weeks of intensive training, he fails when given his big chance. Only through the friendship of a flight sergeant (Panama Williams) is he enabled to remain in the air service as a mechanic.

At that time, the Sandino rebellion in Nicaragua broke loose and he left with his Squadron. How he finally made good, winning back the respect of his friends, the officers of the Marine Corps, and the girl he loved, is told in a gripping and constantly moving story. You will love the adventure, thrill over the hair-raising action and adore the romance of this tale. [From the synopsis on the dust jacket]

Written by William Shakespeare, published in 1623. View all four folios at digital.lib.MiamiOH.edu/folios.

A misfit and bullied high school girl, Carrie White, uses her newly discovered telekinetic powers to exact revenge on those who torment her. She gets pushed to the limit on the night of her school's prom by a humiliating prank.

Carrie's revenge (1976):

www.youtube.com/watch?v=NiPw2v02nE4

Carrie's revenge (2013):

www.youtube.com/watch?v=VqOIHMupK60

Welcome to the next episode of "Stuff I Bought in Vancouver". Tonight, I bring you something that is, as always exotic, but more importantly, something that again, I probably wouldn't have run into while in Toronto. The subject of tonights review is the S.H. Figuarts Sailor Moon figure, First Edition.

So, Sailor Moon. The Figuarts releases I've picked up two of them up to this point - Sailor Chibi Moon and Sailor Venus, so clearly they exist here in Toronto. I had gotten lucky so far with regards to pricing thus far, finding the right person at the right time who was willing to make a deal just to get rid of it. It was a similar situation for this particular figure, which I ended up paying $60 CAD for, making it the most expensive figure I purchased during my time out West. For those paying attention, that's pretty much MSRP - why did I do that??? Well, the answer lies in the second part of the title - First Edition. First Edition releases of Sailor Moon came with two additional face plates that were not available later on, and to be honest they're ones that should have been standard, but I digress. The point is, if one were to take into account the First Edition perks, and the fact the figure had never been opened, $60 CAD ends up being a pretty good buy.

Sailor Moon is, of course, the titular character from the Sailor Moon series. The superhero guise of Usagi Tsukino (Serena in the US dub), Sailor Moon starts off, like all many other anime heroes, kind of clumsy, childlike, but eventually matures into a competent leader of her fellow Sailor Senshi in their battle against the forces of evil and enemies of the Moon Kingdom, from whence she originated from. In superhero form, Usagi maintains her trademark twin pigtails, gets a few more pieces of jewelery, and is generally decked out in the now legendary ensemble of high school girl outfit combined with some bows and a kickass pair of boots. Being Sailor Moon, however, her outfit has a few extra bells and whistles not present on the other Sailor Senshi, like the moon on her choker, a jewel encrusted pendant on her chest ribbon, moons on her boots, and jewels in the buns of her hair.

Sailor Moon comes with the most accessories I've seen in a Sailor Moon Figuarts thus far (I admittedly haven't seen that many). There's the figure, of course, with five additional faces (winking and crying faces being the exclusives... FINALLY, a winking face), Moon Crescent Wand, Moon Crescent Wand with the Imperium Silver Crystal installed, seven additional hands with one dedicated for holding her wand, two for her trademark pose, and additional hand/effect piece for her Moon Tiara Action, a mini Luna, and a stand. To the surprise of nobody, it appears that Luna and Artemis are effectively repaints of one another, though I found that Luna stood very easily, whereas Artemis was required some futzing to get him to pose for photos. Points of articulation on Luna are her head and tail, both on ball joints.

The figure of course, looks very faithful to the the animation model. General silhouette is there, and compared to Sailor Venus, slightly more accurate body proportions, mostly with the legs, which seem to have a shorter lower leg as compared to the statuesque Sailor Venus. Otherwise, you have the same general slender high school girl physique. Sailor Moon, to me, has a more accurate facial structure as well.. in fact, if I didn't know better, I'd say they adapted Sailor Moons base face plates for use on Venus. Both are, IMO, a bit too narrow and could stand to be a bit wider at the temples. Sailor Moon fares much better at actually being able to use the included stand properly, as she does not have a giant mound of hair getting in the way of the dynamic arm of the stand. Speaking of hair, good recreation of the hair on the character, with the added "bonus" of being made from translucent plastic that is painted yellow so she has the shimmering effect on her head. The down side is tolerances, as evidences by the fact her right pigtail keeps popping out of the socket. Otherwise, you get some good sculpting in terms of detailing of the outfit and hair, both of which has been pretty consistent in terms of quality across the three characters that I have.

As mentioned above, this First Edition release comes with two additional face plates that are very much essential to Sailor Moon as a character. I can sort of get the crying face as an exclusive, as its usage is relatively limited (unless you're willing to be a bit creative, like me) but for magical girl figures to not come with winking faces ought to be made a crime punishable by public ridicule. The other faces are your typical smiling, neutral, attacking, and one face with no tiara painted on it with the intent of use with the Moon Tiara Action hand effect.

Articulation.. boy, is it nice coming back to something that is not maddening to make use. Points of articulation, again, are consistent with the other Sailor Senshi - ankles, single jointed knees, hips with pull down action to improve range of motion, waist, upper torso swivel, shoulders with some chest collapse, single jointed eblows, wirsts, and head. As stated above, there is one point of articulation on each of the pigtails to allow for some dynamic posing of the pigtails, though it mainly allows for side to side displays of hair rather than dashing forward displays. I found that perhaps due to a more pliable rubber (or maybe I just tried harder), Sailor Moon, while unable to kick high, was able to at least maintain a proper seated position. Hands come off the wrist pegs easily.. perhaps a bit TOO easily. I've read that subsequent releases of the figure (most notable being the anime coloured edition), the wrist pegs have been changed such that they have balls on the end of them to improve the grip.

Paintwork is again that lovely combination of good and meh that is present on Venus and Chibi moon. One again, the outfit itself is painted with pearl based paints on the whites, which makes for a lovely shimmering effect, if a bit thick in terms of application. Coloured sections of the outfit, along with various metal pieces are painted with metallic paints. These metallic paint apps can get a bit messy, especially on detailed areas like the small lines on her hair bun jewels, her pendant on the chest, the tiaras on her foreheads, and her earrings. The hair appears be partially solid plastic with some translucent plastics (bangs, pigtails), all of which is painted, which does make for an effective glowing effect at the cost of some less than stellar tolerances. Paint work on the hair itself is surprisingly smooth, with no splotches of colour that not only would look bad, but would also interfere with the translucent quality of the hair. Fleshy bits appear to be the base plastic colours, which are slightly different from Sailor Venus (more tan). In terms of paint masking, some weakness was observed at most transition points, with the most notable being between her outfit and her blue skirt.

Decals are applied well, with no bubbles observed, and no misalignment issues to report. In general, fit and tolerances are pretty good, with the only real issue I can mention is the one with that one pigtail that likes to fall out. Otherwise, there aren't any issues with tolerances or poorly mating parts to report. Some improvements on the parts finish side would have been nice, as mould lines and various seams were more prevalent on Sailor Moon than Venus or Chibi Moon. It's not like the latter two were perfect, and neither is Sailor Moon the worst figure ever made, it's just that by comparison to the other two, Sailor Moon does exhibit significantly weaker traits from this perspective, so I know a better product is technically possible. Build quality is the typical Figuarts level of excellence, with tight joints and a generally solid toy that can withstand some typical handling by a collector.

This is undeniably a great Sailor Moon figure, though one that is for... reasons, worse off from a parts finish perspective than her peers that I own. The base figure doesn't really offer anything that the other Sailor Senshi don't have (other than perhaps a slightly more appropriate face), but that's no surprise (or an issue) when they're all based off a pretty decent platform, though keep in mind I was able to get her seated when I couldn't get Sailor Venus or Chibi Moon to do so. While the base accessory set is pretty good (considering all the main Senshi cost the same), the First Edition faces truly make this figure shine. So while the figure is clearly a recommend for fans of the series, I'm going to do something I normally don't do, and recommend that you hunt down a First Edition version. While you may not benefit from the improved wrist pegs, the crying and winking expressions are a HUGE part of the character, and are worth going the extra mile for. If you're gonna hunt this figure down, I'd strongly recommend finding a First Edition and hassling the seller until a price that is agreeable to you can be reached.

Welcome to the next episode of "Stuff I Bought in Vancouver". Tonight, I bring you something that is, as always exotic, but more importantly, something that again, I probably wouldn't have run into while in Toronto. The subject of tonights review is the S.H. Figuarts Sailor Moon figure, First Edition.

So, Sailor Moon. The Figuarts releases I've picked up two of them up to this point - Sailor Chibi Moon and Sailor Venus, so clearly they exist here in Toronto. I had gotten lucky so far with regards to pricing thus far, finding the right person at the right time who was willing to make a deal just to get rid of it. It was a similar situation for this particular figure, which I ended up paying $60 CAD for, making it the most expensive figure I purchased during my time out West. For those paying attention, that's pretty much MSRP - why did I do that??? Well, the answer lies in the second part of the title - First Edition. First Edition releases of Sailor Moon came with two additional face plates that were not available later on, and to be honest they're ones that should have been standard, but I digress. The point is, if one were to take into account the First Edition perks, and the fact the figure had never been opened, $60 CAD ends up being a pretty good buy.

Sailor Moon is, of course, the titular character from the Sailor Moon series. The superhero guise of Usagi Tsukino (Serena in the US dub), Sailor Moon starts off, like all many other anime heroes, kind of clumsy, childlike, but eventually matures into a competent leader of her fellow Sailor Senshi in their battle against the forces of evil and enemies of the Moon Kingdom, from whence she originated from. In superhero form, Usagi maintains her trademark twin pigtails, gets a few more pieces of jewelery, and is generally decked out in the now legendary ensemble of high school girl outfit combined with some bows and a kickass pair of boots. Being Sailor Moon, however, her outfit has a few extra bells and whistles not present on the other Sailor Senshi, like the moon on her choker, a jewel encrusted pendant on her chest ribbon, moons on her boots, and jewels in the buns of her hair.

Sailor Moon comes with the most accessories I've seen in a Sailor Moon Figuarts thus far (I admittedly haven't seen that many). There's the figure, of course, with five additional faces (winking and crying faces being the exclusives... FINALLY, a winking face), Moon Crescent Wand, Moon Crescent Wand with the Imperium Silver Crystal installed, seven additional hands with one dedicated for holding her wand, two for her trademark pose, and additional hand/effect piece for her Moon Tiara Action, a mini Luna, and a stand. To the surprise of nobody, it appears that Luna and Artemis are effectively repaints of one another, though I found that Luna stood very easily, whereas Artemis was required some futzing to get him to pose for photos. Points of articulation on Luna are her head and tail, both on ball joints.

The figure of course, looks very faithful to the the animation model. General silhouette is there, and compared to Sailor Venus, slightly more accurate body proportions, mostly with the legs, which seem to have a shorter lower leg as compared to the statuesque Sailor Venus. Otherwise, you have the same general slender high school girl physique. Sailor Moon, to me, has a more accurate facial structure as well.. in fact, if I didn't know better, I'd say they adapted Sailor Moons base face plates for use on Venus. Both are, IMO, a bit too narrow and could stand to be a bit wider at the temples. Sailor Moon fares much better at actually being able to use the included stand properly, as she does not have a giant mound of hair getting in the way of the dynamic arm of the stand. Speaking of hair, good recreation of the hair on the character, with the added "bonus" of being made from translucent plastic that is painted yellow so she has the shimmering effect on her head. The down side is tolerances, as evidences by the fact her right pigtail keeps popping out of the socket. Otherwise, you get some good sculpting in terms of detailing of the outfit and hair, both of which has been pretty consistent in terms of quality across the three characters that I have.

As mentioned above, this First Edition release comes with two additional face plates that are very much essential to Sailor Moon as a character. I can sort of get the crying face as an exclusive, as its usage is relatively limited (unless you're willing to be a bit creative, like me) but for magical girl figures to not come with winking faces ought to be made a crime punishable by public ridicule. The other faces are your typical smiling, neutral, attacking, and one face with no tiara painted on it with the intent of use with the Moon Tiara Action hand effect.

Articulation.. boy, is it nice coming back to something that is not maddening to make use. Points of articulation, again, are consistent with the other Sailor Senshi - ankles, single jointed knees, hips with pull down action to improve range of motion, waist, upper torso swivel, shoulders with some chest collapse, single jointed eblows, wirsts, and head. As stated above, there is one point of articulation on each of the pigtails to allow for some dynamic posing of the pigtails, though it mainly allows for side to side displays of hair rather than dashing forward displays. I found that perhaps due to a more pliable rubber (or maybe I just tried harder), Sailor Moon, while unable to kick high, was able to at least maintain a proper seated position. Hands come off the wrist pegs easily.. perhaps a bit TOO easily. I've read that subsequent releases of the figure (most notable being the anime coloured edition), the wrist pegs have been changed such that they have balls on the end of them to improve the grip.

Paintwork is again that lovely combination of good and meh that is present on Venus and Chibi moon. One again, the outfit itself is painted with pearl based paints on the whites, which makes for a lovely shimmering effect, if a bit thick in terms of application. Coloured sections of the outfit, along with various metal pieces are painted with metallic paints. These metallic paint apps can get a bit messy, especially on detailed areas like the small lines on her hair bun jewels, her pendant on the chest, the tiaras on her foreheads, and her earrings. The hair appears be partially solid plastic with some translucent plastics (bangs, pigtails), all of which is painted, which does make for an effective glowing effect at the cost of some less than stellar tolerances. Paint work on the hair itself is surprisingly smooth, with no splotches of colour that not only would look bad, but would also interfere with the translucent quality of the hair. Fleshy bits appear to be the base plastic colours, which are slightly different from Sailor Venus (more tan). In terms of paint masking, some weakness was observed at most transition points, with the most notable being between her outfit and her blue skirt.

Decals are applied well, with no bubbles observed, and no misalignment issues to report. In general, fit and tolerances are pretty good, with the only real issue I can mention is the one with that one pigtail that likes to fall out. Otherwise, there aren't any issues with tolerances or poorly mating parts to report. Some improvements on the parts finish side would have been nice, as mould lines and various seams were more prevalent on Sailor Moon than Venus or Chibi Moon. It's not like the latter two were perfect, and neither is Sailor Moon the worst figure ever made, it's just that by comparison to the other two, Sailor Moon does exhibit significantly weaker traits from this perspective, so I know a better product is technically possible. Build quality is the typical Figuarts level of excellence, with tight joints and a generally solid toy that can withstand some typical handling by a collector.

This is undeniably a great Sailor Moon figure, though one that is for... reasons, worse off from a parts finish perspective than her peers that I own. The base figure doesn't really offer anything that the other Sailor Senshi don't have (other than perhaps a slightly more appropriate face), but that's no surprise (or an issue) when they're all based off a pretty decent platform, though keep in mind I was able to get her seated when I couldn't get Sailor Venus or Chibi Moon to do so. While the base accessory set is pretty good (considering all the main Senshi cost the same), the First Edition faces truly make this figure shine. So while the figure is clearly a recommend for fans of the series, I'm going to do something I normally don't do, and recommend that you hunt down a First Edition version. While you may not benefit from the improved wrist pegs, the crying and winking expressions are a HUGE part of the character, and are worth going the extra mile for. If you're gonna hunt this figure down, I'd strongly recommend finding a First Edition and hassling the seller until a price that is agreeable to you can be reached.

Bill and his family start off, with many others, on the spaceship Mayflower. Food is becoming increasingly scarce on Earth and they are going to try scientific farming on one of Jupiter’s moons, which is in the process of being terraformed. Life on Ganymede is adventurous, but it is not easy. The process of farming there is a struggle but fascinating. The family, in building a new house, discovers the delights of windows and a fireplace – features which are at that time not present in houses on Earth. Then comes a great disaster. Do they come through it and remain on Ganymede, or do they return to Earth?

Welcome to the next episode of "Stuff I Bought in Vancouver". Tonight, I bring you something that is, as always exotic, but more importantly, something that again, I probably wouldn't have run into while in Toronto. The subject of tonights review is the S.H. Figuarts Sailor Moon figure, First Edition.

So, Sailor Moon. The Figuarts releases I've picked up two of them up to this point - Sailor Chibi Moon and Sailor Venus, so clearly they exist here in Toronto. I had gotten lucky so far with regards to pricing thus far, finding the right person at the right time who was willing to make a deal just to get rid of it. It was a similar situation for this particular figure, which I ended up paying $60 CAD for, making it the most expensive figure I purchased during my time out West. For those paying attention, that's pretty much MSRP - why did I do that??? Well, the answer lies in the second part of the title - First Edition. First Edition releases of Sailor Moon came with two additional face plates that were not available later on, and to be honest they're ones that should have been standard, but I digress. The point is, if one were to take into account the First Edition perks, and the fact the figure had never been opened, $60 CAD ends up being a pretty good buy.

Sailor Moon is, of course, the titular character from the Sailor Moon series. The superhero guise of Usagi Tsukino (Serena in the US dub), Sailor Moon starts off, like all many other anime heroes, kind of clumsy, childlike, but eventually matures into a competent leader of her fellow Sailor Senshi in their battle against the forces of evil and enemies of the Moon Kingdom, from whence she originated from. In superhero form, Usagi maintains her trademark twin pigtails, gets a few more pieces of jewelery, and is generally decked out in the now legendary ensemble of high school girl outfit combined with some bows and a kickass pair of boots. Being Sailor Moon, however, her outfit has a few extra bells and whistles not present on the other Sailor Senshi, like the moon on her choker, a jewel encrusted pendant on her chest ribbon, moons on her boots, and jewels in the buns of her hair.

Sailor Moon comes with the most accessories I've seen in a Sailor Moon Figuarts thus far (I admittedly haven't seen that many). There's the figure, of course, with five additional faces (winking and crying faces being the exclusives... FINALLY, a winking face), Moon Crescent Wand, Moon Crescent Wand with the Imperium Silver Crystal installed, seven additional hands with one dedicated for holding her wand, two for her trademark pose, and additional hand/effect piece for her Moon Tiara Action, a mini Luna, and a stand. To the surprise of nobody, it appears that Luna and Artemis are effectively repaints of one another, though I found that Luna stood very easily, whereas Artemis was required some futzing to get him to pose for photos. Points of articulation on Luna are her head and tail, both on ball joints.

The figure of course, looks very faithful to the the animation model. General silhouette is there, and compared to Sailor Venus, slightly more accurate body proportions, mostly with the legs, which seem to have a shorter lower leg as compared to the statuesque Sailor Venus. Otherwise, you have the same general slender high school girl physique. Sailor Moon, to me, has a more accurate facial structure as well.. in fact, if I didn't know better, I'd say they adapted Sailor Moons base face plates for use on Venus. Both are, IMO, a bit too narrow and could stand to be a bit wider at the temples. Sailor Moon fares much better at actually being able to use the included stand properly, as she does not have a giant mound of hair getting in the way of the dynamic arm of the stand. Speaking of hair, good recreation of the hair on the character, with the added "bonus" of being made from translucent plastic that is painted yellow so she has the shimmering effect on her head. The down side is tolerances, as evidences by the fact her right pigtail keeps popping out of the socket. Otherwise, you get some good sculpting in terms of detailing of the outfit and hair, both of which has been pretty consistent in terms of quality across the three characters that I have.

As mentioned above, this First Edition release comes with two additional face plates that are very much essential to Sailor Moon as a character. I can sort of get the crying face as an exclusive, as its usage is relatively limited (unless you're willing to be a bit creative, like me) but for magical girl figures to not come with winking faces ought to be made a crime punishable by public ridicule. The other faces are your typical smiling, neutral, attacking, and one face with no tiara painted on it with the intent of use with the Moon Tiara Action hand effect.

Articulation.. boy, is it nice coming back to something that is not maddening to make use. Points of articulation, again, are consistent with the other Sailor Senshi - ankles, single jointed knees, hips with pull down action to improve range of motion, waist, upper torso swivel, shoulders with some chest collapse, single jointed eblows, wirsts, and head. As stated above, there is one point of articulation on each of the pigtails to allow for some dynamic posing of the pigtails, though it mainly allows for side to side displays of hair rather than dashing forward displays. I found that perhaps due to a more pliable rubber (or maybe I just tried harder), Sailor Moon, while unable to kick high, was able to at least maintain a proper seated position. Hands come off the wrist pegs easily.. perhaps a bit TOO easily. I've read that subsequent releases of the figure (most notable being the anime coloured edition), the wrist pegs have been changed such that they have balls on the end of them to improve the grip.

Paintwork is again that lovely combination of good and meh that is present on Venus and Chibi moon. One again, the outfit itself is painted with pearl based paints on the whites, which makes for a lovely shimmering effect, if a bit thick in terms of application. Coloured sections of the outfit, along with various metal pieces are painted with metallic paints. These metallic paint apps can get a bit messy, especially on detailed areas like the small lines on her hair bun jewels, her pendant on the chest, the tiaras on her foreheads, and her earrings. The hair appears be partially solid plastic with some translucent plastics (bangs, pigtails), all of which is painted, which does make for an effective glowing effect at the cost of some less than stellar tolerances. Paint work on the hair itself is surprisingly smooth, with no splotches of colour that not only would look bad, but would also interfere with the translucent quality of the hair. Fleshy bits appear to be the base plastic colours, which are slightly different from Sailor Venus (more tan). In terms of paint masking, some weakness was observed at most transition points, with the most notable being between her outfit and her blue skirt.

Decals are applied well, with no bubbles observed, and no misalignment issues to report. In general, fit and tolerances are pretty good, with the only real issue I can mention is the one with that one pigtail that likes to fall out. Otherwise, there aren't any issues with tolerances or poorly mating parts to report. Some improvements on the parts finish side would have been nice, as mould lines and various seams were more prevalent on Sailor Moon than Venus or Chibi Moon. It's not like the latter two were perfect, and neither is Sailor Moon the worst figure ever made, it's just that by comparison to the other two, Sailor Moon does exhibit significantly weaker traits from this perspective, so I know a better product is technically possible. Build quality is the typical Figuarts level of excellence, with tight joints and a generally solid toy that can withstand some typical handling by a collector.

This is undeniably a great Sailor Moon figure, though one that is for... reasons, worse off from a parts finish perspective than her peers that I own. The base figure doesn't really offer anything that the other Sailor Senshi don't have (other than perhaps a slightly more appropriate face), but that's no surprise (or an issue) when they're all based off a pretty decent platform, though keep in mind I was able to get her seated when I couldn't get Sailor Venus or Chibi Moon to do so. While the base accessory set is pretty good (considering all the main Senshi cost the same), the First Edition faces truly make this figure shine. So while the figure is clearly a recommend for fans of the series, I'm going to do something I normally don't do, and recommend that you hunt down a First Edition version. While you may not benefit from the improved wrist pegs, the crying and winking expressions are a HUGE part of the character, and are worth going the extra mile for. If you're gonna hunt this figure down, I'd strongly recommend finding a First Edition and hassling the seller until a price that is agreeable to you can be reached.

From "Rip Van Winkle" by Washington Irving. London: William Heinemann, 1905. First Rackham Trade Edition.

"Dune Messiah" carries on the monumental story begun in "Dune," which won Nebula and Hugo awards. A holy war fought in space and on a thousand planets had made Paul Atreides the religious and political leader of the Galaxy. The product of generations of controlled breeding, trained in arcane disciplines by the Bene Gesserit sisterhood, he had more than human powers, including the ability to sense the shape of the future.

Then the Bene Gesserit, unable to dominate the man they had made a god, set out to overthrow him. But Paul Atreides could foresee their plans and shape them to an unexpected and shocking goal...

“The Gift” was an annual literary anthology published in a gift book format for the years 1836, 1837, 1839, 1840, and 1842-1845. Each book was published by Carey & Hart of Philadelphia in the fall of the year prior to the date given in the title, so that The Gift for 1836 was actually issued in October of 1835. Five of the gift books include new tales by Edgar Allan Poe – “Manuscript Found in a Bottle” (1836), “William Wilson” (1840), “Eleonora” (1842), “The Pit and the Pendulum” (1843), and “The Purloined Letter” (1845).

The bloody death toll of WWI had left so many bereaved that people who had never been able to say goodbye to loved ones flocked to mediums in hopes of re-establishing contact. One of the key figures stirring the revival in Spiritualism was Sir Arthur Conan Doyle, who had himself lost a son, a brother and nine other relatives in the war. He became a proselytizer for Spiritualism, writing books about it, including two in 1918 alone, and became one of the public leaders of the movement.

Contemptuous of frauds and fakes, Houdini desperately wanted to believe in things undreamt of in his philosophy, but he was continually disappointed. His time at the carnivals had made him aware of many of the tricks used by unscrupulous mediums, and his experience as an illusionist made it easy for him to disprove them. He began to resent how he and bereaved people in general had been bamboozled by scam-artists who preyed on vulnerability, and he grew active in exposing them. He stepped up his exposure of dishonest mediums with his book “A Magician Among the Spirits,” which revealed the secrets behind floating handkerchiefs, “spirit hands,” and messages from the beyond. Following the deaths of Houdini and Doyle, Spiritualism fell into disrepute, once again the province of carnival fortune tellers and con men. [Source: www.biography.com/news/houdini-arthur-conan-doyle]

Leonardo Da Vinci’s “Treatise on Painting,” the most important treatise on art to be written during the Renaissance, was actually compiled by Francesco Melzi, one of Leonardo’s pupils, around 1540. It circulated widely, first in separate manuscripts and later in printed books, and for centuries it was thought to have been written by Leonardo himself. Artists, scientists, and scholars including Galileo, read it avidly as an authoritative record of Leonardo’s thoughts. In the 19th century, when the artist’s original notes became available, scholars realized that the text poorly reflected Leonardo’s sophisticated ideas. The text was very influential nonetheless. For better or worse, it was the primary source for disseminating Leonardo’s art theory in Renaissance and Baroque Europe, from the mid-sixteenth century to the early nineteenth century.

[Source: www.treatiseonpainting.org/]

Written by William Shakespeare, published in 1623. View all four folios at digital.lib.MiamiOH.edu/folios.

Stories about everyone's favorite bear with absolutely adorable illustrations.

"Paddington Takes the Air"

Written by Michael Bond

illustrated by Peggy Fortnum

Published by Houghton Mifflin Company; 1970

Martha Endell attempts to overhear Mr. Peggotty reading to David the letters from Em'ly, Mr. Peggotty's orphaned niece and David's childhood sweetheart. Em'ly was seduced by and ran away with the selfish James Steerforth, who later deserts her.

“David Copperfield” is one of Dickens’ most popular and critically acclaimed novels. The story follows David’s life from childhood to maturity and many of its elements follow events in Dickens’ own life, especially in the early chapters describing David’s provincial upbringing. The story is filled with vivid characters such as Uriah Heep, Mr. Micawber, the Pegottys, and eccentric Aunt Betsey and it ranks as the finest of Dickens’ works. “Of all my books,” Dickens wrote in the preface to the 1867 edition, “I like this the best… like many fond parents, I have in my heart of hearts a favourite child. And his name is David Copperfield.”

Publisher Bradbury & Evans first released the story in monthly parts from May, 1849 through November, 1850, and in book form in 1850. The text was embellished with full-page, black & white engravings by H. K. Browne (“Phiz”). Subscribers who wished a hardcover edition for their libraries would either purchase a copy from the publisher when available or have the serial parts bound into book form, often in leather.

This edition of the novel contains six color illustrations by Pamela Colman Smith. The book was first published in the US in 1966 under the title “The Garden of Evil” by Paperback Library. In 1988, it was adapted into a film by Ken Russell.

www.youtube.com/watch?v=Z4Q-PyZxZjw

“The Lair of the White Worm” was Bram Stoker’s twelfth and last novel, published a year before his death. The novel, along with “The Jewel of Seven Stars, is one of his most famous after “Dracula.” It is a horror story about a giant white worm that can transform itself into a woman. Partly based on the legend of the Lambton Worm from North East England, the White Worm in Stoker’s story is a large snake-like creature that dwells in a hole or pit and feeds on whatever is thrown to it. It is thought to reside in the house of Arabella March, a local lady and a suspect in numerous crimes that cannot be proven.

This edition of the novel contains six color illustrations by Pamela Colman Smith. The book was first published in the US in 1966 under the title “The Garden of Evil” by Paperback Library. In 1988, it was adapted into a film by Ken Russell.

www.youtube.com/watch?v=Z4Q-PyZxZjw

“The Lair of the White Worm” was Bram Stoker’s twelfth and last novel, published a year before his death. The novel, along with “The Jewel of Seven Stars, is one of his most famous after “Dracula.” It is a horror story about a giant white worm that can transform itself into a woman. Partly based on the legend of the Lambton Worm from North East England, the White Worm in Stoker’s story is a large snake-like creature that dwells in a hole or pit and feeds on whatever is thrown to it. It is thought to reside in the house of Arabella March, a local lady and a suspect in numerous crimes that cannot be proven.

“Captains Courageous” is a coming-of-age tale of fishing off the New England coast. It is the story of Harvey Cheyne, a spoiled rich kid, who stumbles overboard an ocean liner and is rescued by fisherman Manuel Fidello off the Grand Banks of Newfoundland and brought aboard a small fishing boat. There he meets Disko Troop, captain of the fishing boat, who refuses to take the young man back to port but agrees to take him on as part of the crew against Harvey’s wishes. Over the course of the novel, Harvey befriends the captain’s son Dan and has some sense knocked into him. Dan helps the arrogant, overly pampered Harvey become a hard-working, self-reliant man at sea.

“Captains Courageous” is also an excellent portrayal of life in the Gloucester fishing fleet of Massachusetts, written while the newlywed Kipling lived in Vermont. Although Kipling lived in Vermont several years and was married to an American this is his only novel with entirely American settings, themes and major characters. The American edition of the book is dedicated to James Conland, M.D., of Brattleboro, Vermont. Dr. Conland had brought the Kiplings elder daughter into the world and had been a member of the Massachusetts fishing fleet. It is he who took Kipling to explore the wharves and quays of Boston and Gloucester.

Considered one of the great sea novels of the 19th century, “Captains Courageous” was made into an excellent Victor Fleming film in 1937 starring Freddie Bartholomew (Harvey Cheyne), Spencer Tracy (his rescuer Manuel Fidello),

Lionel Barrymore (Captain Disko Troop) and Mickey Rooney (Dan Troop).

www.youtube.com/watch?v=nqxk0bYt4U8

1,6 Liter

4 Cylinder

208 pk

300 Nm

Elektro :

163 pk

350 Nm

Expo : Dream Cars for Wishes

91° European Motor Show Brussels : Auto, Moto & Van

Autosalon Brussel

Salon de l'Auto Bruxelles

Brussels - Belgium

January 2013

A collection of 17 short stories.

"R Is for Rocket"

"The End of the Beginning"

"The Fog Horn"

"The Rocket"

"The Rocket Man"

"The Golden Apples of the Sun"

"A Sound of Thunder"

"The Long Rain"

"The Exiles"

"Here There Be Tygers"

"The Strawberry Window"

"The Dragon"

"The Gift"

"Frost and Fire"

"Uncle Einar"

"The Time Machine"

"The Sound of Summer Running"

Nombre: Vehicon

Afiliación: Decepticons

Línea: Transformers Prime First Edition

Clase: Deluxe

Año: 2012

Número de adquisición: 574

-----------------------------------------------------------

Name: Vehicon

Allegiance: Decepticons

Line: Transformers Prime First Edition

Class: Deluxe

Year: 2012

Number in Collection: 574

blog.mdverde.com

Olaf Wieghorst (1899-1988), born and raised in Denmark, was a painter of the American West in the vein of Frederic Remington and Charles Russell. I first saw his artwork in the opening credits of the 1967 motion picture “El Dorado” starring John Wayne and Robert Mitchum. I viewed a fully-restored version of the film on Blu-Ray and Olaf’s paintings served as backdrops during the credits. George Alexander sings the haunting “El Dorado” theme song by Nelson Riddle and John Gabriel. The paintings and the song are the best two minutes in the movie. For a low-quality version of the opening credits (which should actually be seen in HD to do justice to the paintings), check out:

www.youtube.com/watch?v=zihn6FuFWZg

The fifteen paintings in El Dorado’s opening credits are also on display at this website:

www.wieghorst.com/eldorado/eldorado_index.html

Written by William Shakespeare, published in 1623. View all four folios at digital.lib.MiamiOH.edu/folios.

In the distant future, a strange plan for civilization is being followed by man. Two different planets are involved, two separate worlds in space -- and yet they are joined , though only by a mysterious pathway whose secret very few know.

The story centers around Ketan in the strange, isolated world of Kronweld. He is a Seeker, defying law and tradition to search into forbidden knowledge. It is he who challenges the unquestioned rule of a mighty machine which forms the community mind of Kronweld. And there is his companion, Elta, both friend and enemy, who also is seeking some unknown goal.

What Ketan does to solve the Mystery of the Origin of Life and his penetration into the Temple of Birth brings him into contact with the other world. With determination he penetrates the infinite curtain which so weirdly surrounds his city. And from then on, uncovering fact after fact, he slowly discovers the monstrous secret of two human worlds.

This was the very first science fiction novel I read and I was intrigued by the idea of having extra bodies that are activated when you die. Die on one planet and awaken on another, It was a good read and I was hooked from the start. Since then, stories by A.E. Van Vogt have remained high on my reading list.

This illustrated edition of “Rip Van Winkle” contains 51 mounted color plates by Arthur Rackham. Rip is a henpecked husband who loathes “profitable labor” and who wanders off to the Catskill Mountains where he meets the ghosts of Henry Hudson’s crew playing ninepins. He drinks some of their moonshine, soon falls asleep and wakes up some twenty years later, having slept through the American Revolution. The story was first published in 1819 as part of a short story collection entitled “The Sketch Book of Geoffrey Crayon, Gent.” Although the story is set in New York’s Catskill Mountains, Irving later admitted, “When I wrote the story, I had never been on the Catskills.” [Source: Wikipedia]

Percival Lowell (1855-1916) was an American businessman, author, mathematician, and astronomer who fueled speculation that there were canals on Mars. In 1894, he chose Flagstaff, Arizona as the home of his new observatory, the now famous Lowell Observatory. For the next fifteen years, he studied Mars extensively, and made intricate drawings of the surface markings as he perceived them. He was particularly interested in the canals of Mars, as drawn by Italian astronomer Giovanni Schiaparelli, who was director of the Milan Observatory. Lowell published his views in three books: “Mars” (1895), “Mars and Its Canals” (1906), and “Mars As the Abode of Life” (1908).

Lowell’s works include a full account of the “canals,” single and double, the “oases,” as he termed the dark spots at their intersections, and the varying visibility of both, depending partly on the Martian seasons. He theorized that an advanced but desperate culture had built the canals to tap Mars’ polar ice caps, the last source of water on an inexorably drying planet.

While this idea excited the public, the astronomical community was skeptical. Many astronomers could not see these markings, and few believed that they were as extensive as Lowell claimed. In 1909 the sixty-inch Mount Wilson Observatory telescope in Southern California allowed closer observation of the structures Lowell had interpreted as canals, and revealed irregular geological features, probably the result of natural erosion. The existence of canal-like features was definitely disproved in the 1960s by NASA’s Mariner missions. Today, the surface markings taken to be canals are regarded as an optical illusion.

Lowell's greatest contribution to planetary studies came during the last decade of his life, which he devoted to the search for Planet X, a hypothetical planet beyond Neptune. In 1930 Clyde Tombaugh, working at the Lowell Observatory, discovered Pluto near the location expected for Planet X. Partly in recognition of Lowell's efforts, a stylized P-L monogram – the first two letters of the new planet's name and also Lowell's initials – was chosen as Pluto's astronomical symbol.

Although Lowell's theories of the Martian canals are now discredited, his building of an observatory at the position where it would best function has been adopted as a principle for all observatories. He also established the program and an environment which made the discovery of Pluto by Clyde Tombaugh possible. Craters on the Moon and on Mars have been named after Percival Lowell. He has been described by other planetary scientists as "the most influential popularizer of planetary science in America before Carl Sagan". Lowell is buried on Mars Hill near his observatory. [Source: Wikipedia]

Joe Servello's art is reminiscent of a classic paperback book cover:

www.flickr.com/photos/57440551@N03/12331859333/in/album-7...

The following is a brief biography of Fredric Brown (1906-1972) from the Goodreads website (at www.goodreads.com/author/show/51503.Fredric_Brown):

"Fredric Brown was an American science fiction and mystery writer. He was one of the boldest early writers in genre fiction in his use of narrative experimentation. While never in the front rank of popularity in his lifetime, Brown has developed a considerable cult following in the almost half century since he last wrote. His works have been periodically reprinted and he has a worldwide fan base, most notably in the U.S. and Europe, and especially in France, where there have been several recent movie adaptations of his work. He also remains popular in Japan.

"Never financially secure, Brown - like many other pulp writers - often wrote at a furious pace in order to pay bills. This accounts, at least in part, for the uneven quality of his work. A newspaperman by profession, Brown was only able to devote 14 years of his life as a full-time fiction writer. Brown was also a heavy drinker, and this at times doubtless affected his productivity. A cultured man and omnivorous reader whose interests ranged far beyond those of most pulp writers, Brown had a lifelong interest in the flute, chess, poker, and the works of Lewis Carroll. Brown married twice and was the father of two sons."

"Greater Magic: A Practical Treatise on Modern Magic" was released in 1938 as an encyclopedia of magic intended specifically for magicians, not the general public. It was only distributed and advertised within the conjuring world. It covers magic with cards, silks, billiard balls, sponge balls, cups & balls, coins, cigarettes and cigars, bills, ropes, the linking rings, mind reading, magic squares, apparatus magic, stage illusions, and more.

It contains 715 effects, contributed by over 100 magicians, including some of the greatest names of the day. It is a massive tome, with 1030 pages and 1120 illustrations. The illustrations are by Dr. Harlan Tarbell, foremost illustrator of magic, and a famous professional magician.

[Source: www.geniimagazine.com/magicpedia/Greater_Magic]

From May through November 1864, 20-year-old Sergeant Major Robert H. Kellogg of the 16th Regiment Connecticut volunteers and most of his regiment were confined in Confederate prisons at Andersonville, Georgia and Florence, South Carolina. Upon entering the notorious Andersonville prison, Kellogg scribbled into his diary: “Our hearts failed us as we saw what used to be men now nothing but mere skeletons covered with filth & vermin.”

Robert Kellogg’s “Life and Death in Rebel Prisons” was published in 1865, right after the American Civil War while the horrors of that time were still fresh in the author’s memory. The book was based on his journal and the accounts of other Union Army prisoners. It details the harsh conditions and daily atrocities of life in Confederate prisons as well as some details of the war.

“Bambi: A Life in the Woods” by Felix Salten was originally published in Austria in 1923. Simon & Schuster’s 1928 edition is based on an English translation by Whittaker Chambers. The novel has since been translated and published in over 20 languages around the world.

The novel traces the life of Bambi, a male deer, from his birth through childhood, the loss of his mother, the finding of a mate, the lessons he learns from his father and experience about the dangers posed by human hunters in the forest. The novel is considered a classic, as well as one of the first environmental novels ever published. Beside several live-action and stage adaptations, the novel was adapted into an animated film by Walt Disney Studios in 1942. [Source: Wikipedia]

Here is a link to the movie trailer:

www.youtube.com/watch?v=nLvX-erABqY

I like the whole pink & black thing best on Lagoona.

From "The Wonderful Wizard of Oz" by L. Frank Baum. Art by W. W. Denslow. Chicago: Geo. M. Hill, 1900. 1st ed.

Few Americans are unfamiliar with this century-old children’s tale. A cyclone carries Dorothy from her home in Kansas into the magical Land of Oz where she meets the scarecrow, the tin woodman, and the cowardly lion. Their adventures looking for the Emerald City and the Wizard have become a permanent part of American popular culture. Baum’s work is illustrated by W. W. Denslow and features 24 inserted color plates and many black & white drawings. Denslow’s artwork was an obvious inspiration for the look and feel of the 1939 film starring Judy Garland as Dorothy.

"And a good south wind

sprung up behind;

The Albatross did follow,

And every day for food

or play,

Came to the mariner's

hollo!"

William Andrew Pogány (1882-1955) was born in Hungary, studied art in Budapest, and worked in Paris briefly before moving to London in 1905 where he worked as a book illustrator for ten years. He moved to New York in 1915 and had success as a book illustrator and designer of stage sets and hotel interiors. “The Rime of the Ancient Mariner” is one of Pogany’s best-known books. It is a bold artistic experiment in unifying text and images. Every page is elaborately decorated in Pogany’s distinctive style, which attempts to create a printed version of a medieval illuminated manuscript. He was responsible for the beautiful calligraphic text, green and mauve page decorations and borders, and the many black and white drawings and tipped-in plates in full color.

This extremely rare first edition of "Beasts" (1983) plays up the film's horror and outdoor adventure elements. Almost impossible to find in any kind of good condition - an early rental workhorse.

no cropping allowed

Written by William Shakespeare, published in 1623. View all four folios at digital.lib.MiamiOH.edu/folios.

I'll never forget my first Doctor. What about you?

Dr. Who Journey Through Time

Anthology

Hardcover, minor wear.

Publisher: Crescent; First Edition (1985)

These are family books.

Next on my reading list as I delve back into my own literary and musical obsessions.

2006

Title: end of a war

Author: Edward Loomis

copyright date: 1958

publisher: William Heinemann Ltd., London

edition / print date: first edition, 1958

genre: war / drama

"Norman Rockwell: Artist and Illustrator" by Thomas S. Buechner. New York: Harry N. Abrams, (1970). First edition.

"Mapplethorpe" prepared in collaboration with The Robert Mapplethorpe Foundation, with an essay by Arthur C. Danto. New York: Random House, (1992). First edition.

"Daily Encounters Photographs from Fleet Street" by Roger Hargreaves published by the National Portrait Gallery to accompany an exhibition there from 5 July to 21 October 2007. I visited the exhibition, and bought this book, on Thursday 18 October 2007 – it was a fine sunny day .