View allAll Photos Tagged FirstEditions,
Another Australian writer whose works are now hard to find.
ill met by a fish shop on george street (1969 first UK edition, Hodder and Stoughton, jacket art by Ellen Raskin)
Night's Evil (1966 first US edition, Doubleday, jacket art by Larry Lurin)
Seance on a Wet Afternoon (1970 Horwitz paperback edition)
The following is a brief biography of Fredric Brown (1906-1972) from the Goodreads website (at www.goodreads.com/author/show/51503.Fredric_Brown):
"Fredric Brown was an American science fiction and mystery writer. He was one of the boldest early writers in genre fiction in his use of narrative experimentation. While never in the front rank of popularity in his lifetime, Brown has developed a considerable cult following in the almost half century since he last wrote. His works have been periodically reprinted and he has a worldwide fan base, most notably in the U.S. and Europe, and especially in France, where there have been several recent movie adaptations of his work. He also remains popular in Japan.
"Never financially secure, Brown - like many other pulp writers - often wrote at a furious pace in order to pay bills. This accounts, at least in part, for the uneven quality of his work. A newspaperman by profession, Brown was only able to devote 14 years of his life as a full-time fiction writer. Brown was also a heavy drinker, and this at times doubtless affected his productivity. A cultured man and omnivorous reader whose interests ranged far beyond those of most pulp writers, Brown had a lifelong interest in the flute, chess, poker, and the works of Lewis Carroll. Brown married twice and was the father of two sons."
“He said he would sail his balloon around the world.”
“Tom Sawyer Abroad” features Tom Sawyer and Huckleberry Finn in a parody of adventure stories like those of Jules Verne. In the story, Tom, Huck, and Jim set sail to Africa in a futuristic hot air balloon, where they survive encounters with lions, robbers, and fleas to see some of the world’s greatest wonders, including the Pyramids and the Sphinx. The story is told using the first-person narrative voice of Huck Finn and is a sequel, set in the time following the title story of the Tom Sawyer series, “Adventures of Tom Sawyer.” [Source: Wikipedia]
Fantasia is Walt Disney’s animated orchestral masterpiece and untold youngsters were introduced to and inspired by its music. This companion volume to the motion picture has many color images from the film. The musicians whose works are featured in both the motion picture and the book include Bach, Beethoven, Schubert, Mussorgsky, Tchaikovsky, Dukas, Ponchielli, and Stravinsky. Actual musical phrases are printed decoratively throughout the book together with illustrations by Disney artists. Leopold Stokowski conducted the Philadelphia Orchestra in the score of the motion picture.
Fantasia is divided into seven parts, each built around a well-loved musical work. In the first part Bach’s Toccata and Fugue in D Minor is visualized in a whirl of brilliant abstractions. The second part is Tchaikovsky’s Nutcracker Suite with the Russian Dance performed by orchids and thistles and with tropical fish swimming sinuously through the exotic Arabian dance. Dukas’ The Sorcerer’s Apprentice comes next, starring Mickey Mouse in his greatest dramatic role.
Sections four and five are built on Stravinsky’s Rite of Spring and Beethoven’s Pastoral Symphony. In the sixth part ostriches, hippos, and elephants, in ballet dresses reminiscent of Degas, dance to the music of the Dance of the Hours from Ponchielli’s opera La Gioconda.
The seventh and final section represents the triumph of good over evil. In the opening – Mussorgsky’s Night on Bald Mountain – Satan and the dark spirits of the night perform a stormy danse-macabre. Then, as the music fades into Schubert’s Ave Maria, the forces of darkness are routed, the church bells ring, and Fantasia is brought to a close in streaming sunlight.
From "Rip Van Winkle" by Washington Irving. London: William Heinemann, 1905. First Rackham Trade Edition.
Modern Magic by Professor Hoffmann (Angelo Lewis) was the first book in the English language to really explain how to perform feats of magic. The book contains advice on the appearance, dress and staging of a magician. It then goes on to describe many tricks with playing cards, coins, watches, rings, handkerchiefs, dominoes, dice, cups and balls, balls, hats and a large chapter of miscellaneous tricks, including magic with strings, gloves, eggs, rice and some utility devices. The penultimate chapter describes large stage illusions, and the final chapter contains advice on routining a magic show, and more advice on staging.
From "Rip Van Winkle" by Washington Irving. London: William Heinemann, 1905. First Rackham Trade Edition.
Bill and his family start off, with many others, on the spaceship Mayflower. Food is becoming increasingly scarce on Earth and they are going to try scientific farming on one of Jupiter’s moons, which is in the process of being terraformed. Life on Ganymede is adventurous, but it is not easy. The process of farming there is a struggle but fascinating. The family, in building a new house, discovers the delights of windows and a fireplace – features which are at that time not present in houses on Earth. Then comes a great disaster. Do they come through it and remain on Ganymede, or do they return to Earth?
“Captains Courageous” is a coming-of-age tale of fishing off the New England coast. It is the story of Harvey Cheyne, a spoiled rich kid, who stumbles overboard an ocean liner and is rescued by fisherman Manuel Fidello off the Grand Banks of Newfoundland and brought aboard a small fishing boat. There he meets Disko Troop, captain of the fishing boat, who refuses to take the young man back to port but agrees to take him on as part of the crew against Harvey’s wishes. Over the course of the novel, Harvey befriends the captain’s son Dan and has some sense knocked into him. Dan helps the arrogant, overly pampered Harvey become a hard-working, self-reliant man at sea.
“Captains Courageous” is also an excellent portrayal of life in the Gloucester fishing fleet of Massachusetts, written while the newlywed Kipling lived in Vermont. Although Kipling lived in Vermont several years and was married to an American this is his only novel with entirely American settings, themes and major characters. The American edition of the book is dedicated to James Conland, M.D., of Brattleboro, Vermont. Dr. Conland had brought the Kiplings elder daughter into the world and had been a member of the Massachusetts fishing fleet. It is he who took Kipling to explore the wharves and quays of Boston and Gloucester.
Considered one of the great sea novels of the 19th century, “Captains Courageous” was made into an excellent Victor Fleming film in 1937 starring Freddie Bartholomew (Harvey Cheyne), Spencer Tracy (his rescuer Manuel Fidello),
Lionel Barrymore (Captain Disko Troop) and Mickey Rooney (Dan Troop).
Nombre: Vehicon
Afiliación: Decepticons
Línea: Transformers Prime First Edition
Clase: Deluxe
Año: 2012
Número de adquisición: 574
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Name: Vehicon
Allegiance: Decepticons
Line: Transformers Prime First Edition
Class: Deluxe
Year: 2012
Number in Collection: 574
Wells coined the term “time machine” and is generally credited with popularizing the concept of time travel. Wells’ story transports the reader from Victorian England to a society 800-thousand years into the future for a close encounter with the childlike Eloi who live on the surface of planet Earth and the apelike Morlocks who live underground. The time traveler and narrator, an English inventor, tells a remarkable tale of his adventures in that distant future.
One of the greatest American illustrators of the 20th century, N. C. Wyeth created over 3,000 paintings and illustrated 112 books, 25 of them for Scribner’s. He was the father of Andrew Wyeth and the grandfather of Jamie Wyeth, both famous artists in their own right.
The bloody death toll of WWI had left so many bereaved that people who had never been able to say goodbye to loved ones flocked to mediums in hopes of re-establishing contact. One of the key figures stirring the revival in Spiritualism was Sir Arthur Conan Doyle, who had himself lost a son, a brother and nine other relatives in the war. He became a proselytizer for Spiritualism, writing books about it, including two in 1918 alone, and became one of the public leaders of the movement.
Contemptuous of frauds and fakes, Houdini desperately wanted to believe in things undreamt of in his philosophy, but he was continually disappointed. His time at the carnivals had made him aware of many of the tricks used by unscrupulous mediums, and his experience as an illusionist made it easy for him to disprove them. He began to resent how he and bereaved people in general had been bamboozled by scam-artists who preyed on vulnerability, and he grew active in exposing them. He stepped up his exposure of dishonest mediums with his book “A Magician Among the Spirits,” which revealed the secrets behind floating handkerchiefs, “spirit hands,” and messages from the beyond. Following the deaths of Houdini and Doyle, Spiritualism fell into disrepute, once again the province of carnival fortune tellers and con men. [Source: www.biography.com/news/houdini-arthur-conan-doyle]
This is pure pulp from the golden age of pulp fiction, Flash flies to another planet , rescues a princess from the horrible, devouring octopus-things that surround her kingdom, enlists her aid and returns to destroy the monstrous cavern men overrunning Mongo. Flash, his sweetheart Dale Arden and the scientist Dr. Zarkov, the only earthlings on the planet, who, with Vultan's bravest nobleman, descend deep into the heart of Mongo.
Deep in the core of the planet lives a race who have been sealed in their dark caverns for centuries. Tirelessly they work to break through the upper crust of Mongo to destroy King Vultan and his people. And they would have succeeded but for ...
"Daily Encounters Photographs from Fleet Street" by Roger Hargreaves published by the National Portrait Gallery to accompany an exhibition there from 5 July to 21 October 2007. I visited the exhibition, and bought this book, on Thursday 18 October 2007 – it was a fine sunny day .
Leonardo Da Vinci’s “Treatise on Painting,” the most important treatise on art to be written during the Renaissance, was actually compiled by Francesco Melzi, one of Leonardo’s pupils, around 1540. It circulated widely, first in separate manuscripts and later in printed books, and for centuries it was thought to have been written by Leonardo himself. Artists, scientists, and scholars including Galileo, read it avidly as an authoritative record of Leonardo’s thoughts. In the 19th century, when the artist’s original notes became available, scholars realized that the text poorly reflected Leonardo’s sophisticated ideas. The text was very influential nonetheless. For better or worse, it was the primary source for disseminating Leonardo’s art theory in Renaissance and Baroque Europe, from the mid-sixteenth century to the early nineteenth century.
[Source: www.treatiseonpainting.org/]
"In the emotion-charged atmosphere of mid-nineteenth-century America “Uncle Tom's Cabin” exploded like a bombshell. To those engaged in fighting slavery it appeared as an indictment of all the evils inherent in the system they opposed; to the pro-slavery forces it was a slanderous attack on 'the Southern way of life.' Whatever its weakness as a literary work -- structural looseness and excess of sentiment among them - the social impact of Uncle Tom's Cabin on the United States was greater than of any book before or since." (Source: Printing and the Mind of Man).
When Abraham Lincoln met its author at the White House in 1862, he is said to have exclaimed, “So this is the little lady who made this big war?” For Harriet Beecher Stowe, the battle against slavery was a God-ordained crusade to cleanse the United States of an evil affront to humanity. Stowe presented her story in the style of popular works of the day, melodramatically and with religious undertones, but the themes of the novel – the breaking up of families, violence, the naive idea of a return to Africa – are historically significant. Stowe had not only witnessed incidents like the ones described in her novel, but had long been concerned about slavery, having read the autobiographies of Frederick Douglass and Louis Clark, as well as the abolitionist tracts.
When the Fugitive Slave Act was passed in 1850, Stowe began writing “Uncle Tom’s Cabin.” It first appeared in serial installments in the abolitionist newspaper “The National Era.” Boston publisher John P. Jewett published the novel in book form on March 20, 1852, two installments before the conclusion of the serial in “The National Era.” The initial printing of the book sold out immediately upon publication and the book went through continual reissue for years. The book eventually sold more copies in the 19th century than any other book except the Bible. The Fugitive Slave Act, in combination with her book, were arguably the catalysts for the Civil War, as even Lincoln implied upon meeting Stowe.
In addition to 44 published novels, Philip K. Dick (1928-1982) wrote approximately 121 short stories, most of which appeared in science fiction magazines during his lifetime. "Solar Lottery" was his first book. Although Dick spent most of his career as a writer in near-poverty, eleven popular films based on his works have been produced, including Blade Runner, Total Recall, A Scanner Darkly, Minority Report, Paycheck, Next, Screamers, The Adjustment Bureau and Impostor. In 2005, Time magazine named Ubik one of the hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer to be included in The Library of America series.
This was the very first science fiction novel I read and I was intrigued by the idea of having extra bodies that are activated when you die. Die on one planet and awaken on another, It was a good read and I was hooked from the start. Since then, stories by A.E. Van Vogt have remained high on my reading list.
1,6 Liter
4 Cylinder
208 pk
300 Nm
Elektro :
163 pk
350 Nm
Expo : Dream Cars for Wishes
91° European Motor Show Brussels : Auto, Moto & Van
Autosalon Brussel
Salon de l'Auto Bruxelles
Brussels - Belgium
January 2013
Leonardo Da Vinci’s “Treatise on Painting,” the most important treatise on art to be written during the Renaissance, was actually compiled by Francesco Melzi, one of Leonardo’s pupils, around 1540. It circulated widely, first in separate manuscripts and later in printed books, and for centuries it was thought to have been written by Leonardo himself. Artists, scientists, and scholars including Galileo, read it avidly as an authoritative record of Leonardo’s thoughts. In the 19th century, when the artist’s original notes became available, scholars realized that the text poorly reflected Leonardo’s sophisticated ideas. The text was very influential nonetheless. For better or worse, it was the primary source for disseminating Leonardo’s art theory in Renaissance and Baroque Europe, from the mid-sixteenth century to the early nineteenth century.
[Source: www.treatiseonpainting.org/]
"Dune Messiah" carries on the monumental story begun in "Dune," which won Nebula and Hugo awards. A holy war fought in space and on a thousand planets had made Paul Atreides the religious and political leader of the Galaxy. The product of generations of controlled breeding, trained in arcane disciplines by the Bene Gesserit sisterhood, he had more than human powers, including the ability to sense the shape of the future.
Then the Bene Gesserit, unable to dominate the man they had made a god, set out to overthrow him. But Paul Atreides could foresee their plans and shape them to an unexpected and shocking goal...
Welcome to the next episode of "Stuff I Bought in Vancouver". Tonight, I bring you something that is, as always exotic, but more importantly, something that again, I probably wouldn't have run into while in Toronto. The subject of tonights review is the S.H. Figuarts Sailor Moon figure, First Edition.
So, Sailor Moon. The Figuarts releases I've picked up two of them up to this point - Sailor Chibi Moon and Sailor Venus, so clearly they exist here in Toronto. I had gotten lucky so far with regards to pricing thus far, finding the right person at the right time who was willing to make a deal just to get rid of it. It was a similar situation for this particular figure, which I ended up paying $60 CAD for, making it the most expensive figure I purchased during my time out West. For those paying attention, that's pretty much MSRP - why did I do that??? Well, the answer lies in the second part of the title - First Edition. First Edition releases of Sailor Moon came with two additional face plates that were not available later on, and to be honest they're ones that should have been standard, but I digress. The point is, if one were to take into account the First Edition perks, and the fact the figure had never been opened, $60 CAD ends up being a pretty good buy.
Sailor Moon is, of course, the titular character from the Sailor Moon series. The superhero guise of Usagi Tsukino (Serena in the US dub), Sailor Moon starts off, like all many other anime heroes, kind of clumsy, childlike, but eventually matures into a competent leader of her fellow Sailor Senshi in their battle against the forces of evil and enemies of the Moon Kingdom, from whence she originated from. In superhero form, Usagi maintains her trademark twin pigtails, gets a few more pieces of jewelery, and is generally decked out in the now legendary ensemble of high school girl outfit combined with some bows and a kickass pair of boots. Being Sailor Moon, however, her outfit has a few extra bells and whistles not present on the other Sailor Senshi, like the moon on her choker, a jewel encrusted pendant on her chest ribbon, moons on her boots, and jewels in the buns of her hair.
Sailor Moon comes with the most accessories I've seen in a Sailor Moon Figuarts thus far (I admittedly haven't seen that many). There's the figure, of course, with five additional faces (winking and crying faces being the exclusives... FINALLY, a winking face), Moon Crescent Wand, Moon Crescent Wand with the Imperium Silver Crystal installed, seven additional hands with one dedicated for holding her wand, two for her trademark pose, and additional hand/effect piece for her Moon Tiara Action, a mini Luna, and a stand. To the surprise of nobody, it appears that Luna and Artemis are effectively repaints of one another, though I found that Luna stood very easily, whereas Artemis was required some futzing to get him to pose for photos. Points of articulation on Luna are her head and tail, both on ball joints.
The figure of course, looks very faithful to the the animation model. General silhouette is there, and compared to Sailor Venus, slightly more accurate body proportions, mostly with the legs, which seem to have a shorter lower leg as compared to the statuesque Sailor Venus. Otherwise, you have the same general slender high school girl physique. Sailor Moon, to me, has a more accurate facial structure as well.. in fact, if I didn't know better, I'd say they adapted Sailor Moons base face plates for use on Venus. Both are, IMO, a bit too narrow and could stand to be a bit wider at the temples. Sailor Moon fares much better at actually being able to use the included stand properly, as she does not have a giant mound of hair getting in the way of the dynamic arm of the stand. Speaking of hair, good recreation of the hair on the character, with the added "bonus" of being made from translucent plastic that is painted yellow so she has the shimmering effect on her head. The down side is tolerances, as evidences by the fact her right pigtail keeps popping out of the socket. Otherwise, you get some good sculpting in terms of detailing of the outfit and hair, both of which has been pretty consistent in terms of quality across the three characters that I have.
As mentioned above, this First Edition release comes with two additional face plates that are very much essential to Sailor Moon as a character. I can sort of get the crying face as an exclusive, as its usage is relatively limited (unless you're willing to be a bit creative, like me) but for magical girl figures to not come with winking faces ought to be made a crime punishable by public ridicule. The other faces are your typical smiling, neutral, attacking, and one face with no tiara painted on it with the intent of use with the Moon Tiara Action hand effect.
Articulation.. boy, is it nice coming back to something that is not maddening to make use. Points of articulation, again, are consistent with the other Sailor Senshi - ankles, single jointed knees, hips with pull down action to improve range of motion, waist, upper torso swivel, shoulders with some chest collapse, single jointed eblows, wirsts, and head. As stated above, there is one point of articulation on each of the pigtails to allow for some dynamic posing of the pigtails, though it mainly allows for side to side displays of hair rather than dashing forward displays. I found that perhaps due to a more pliable rubber (or maybe I just tried harder), Sailor Moon, while unable to kick high, was able to at least maintain a proper seated position. Hands come off the wrist pegs easily.. perhaps a bit TOO easily. I've read that subsequent releases of the figure (most notable being the anime coloured edition), the wrist pegs have been changed such that they have balls on the end of them to improve the grip.
Paintwork is again that lovely combination of good and meh that is present on Venus and Chibi moon. One again, the outfit itself is painted with pearl based paints on the whites, which makes for a lovely shimmering effect, if a bit thick in terms of application. Coloured sections of the outfit, along with various metal pieces are painted with metallic paints. These metallic paint apps can get a bit messy, especially on detailed areas like the small lines on her hair bun jewels, her pendant on the chest, the tiaras on her foreheads, and her earrings. The hair appears be partially solid plastic with some translucent plastics (bangs, pigtails), all of which is painted, which does make for an effective glowing effect at the cost of some less than stellar tolerances. Paint work on the hair itself is surprisingly smooth, with no splotches of colour that not only would look bad, but would also interfere with the translucent quality of the hair. Fleshy bits appear to be the base plastic colours, which are slightly different from Sailor Venus (more tan). In terms of paint masking, some weakness was observed at most transition points, with the most notable being between her outfit and her blue skirt.
Decals are applied well, with no bubbles observed, and no misalignment issues to report. In general, fit and tolerances are pretty good, with the only real issue I can mention is the one with that one pigtail that likes to fall out. Otherwise, there aren't any issues with tolerances or poorly mating parts to report. Some improvements on the parts finish side would have been nice, as mould lines and various seams were more prevalent on Sailor Moon than Venus or Chibi Moon. It's not like the latter two were perfect, and neither is Sailor Moon the worst figure ever made, it's just that by comparison to the other two, Sailor Moon does exhibit significantly weaker traits from this perspective, so I know a better product is technically possible. Build quality is the typical Figuarts level of excellence, with tight joints and a generally solid toy that can withstand some typical handling by a collector.
This is undeniably a great Sailor Moon figure, though one that is for... reasons, worse off from a parts finish perspective than her peers that I own. The base figure doesn't really offer anything that the other Sailor Senshi don't have (other than perhaps a slightly more appropriate face), but that's no surprise (or an issue) when they're all based off a pretty decent platform, though keep in mind I was able to get her seated when I couldn't get Sailor Venus or Chibi Moon to do so. While the base accessory set is pretty good (considering all the main Senshi cost the same), the First Edition faces truly make this figure shine. So while the figure is clearly a recommend for fans of the series, I'm going to do something I normally don't do, and recommend that you hunt down a First Edition version. While you may not benefit from the improved wrist pegs, the crying and winking expressions are a HUGE part of the character, and are worth going the extra mile for. If you're gonna hunt this figure down, I'd strongly recommend finding a First Edition and hassling the seller until a price that is agreeable to you can be reached.
Written by William Shakespeare, published in 1623. View all four folios at digital.lib.MiamiOH.edu/folios.
A misfit and bullied high school girl, Carrie White, uses her newly discovered telekinetic powers to exact revenge on those who torment her. She gets pushed to the limit on the night of her school's prom by a humiliating prank.
Carrie's revenge (1976):
www.youtube.com/watch?v=NiPw2v02nE4
Carrie's revenge (2013):
This edition of the novel contains six color illustrations by Pamela Colman Smith. The book was first published in the US in 1966 under the title “The Garden of Evil” by Paperback Library. In 1988, it was adapted into a film by Ken Russell.
www.youtube.com/watch?v=Z4Q-PyZxZjw
“The Lair of the White Worm” was Bram Stoker’s twelfth and last novel, published a year before his death. The novel, along with “The Jewel of Seven Stars, is one of his most famous after “Dracula.” It is a horror story about a giant white worm that can transform itself into a woman. Partly based on the legend of the Lambton Worm from North East England, the White Worm in Stoker’s story is a large snake-like creature that dwells in a hole or pit and feeds on whatever is thrown to it. It is thought to reside in the house of Arabella March, a local lady and a suspect in numerous crimes that cannot be proven.
Stories about everyone's favorite bear with absolutely adorable illustrations.
"Paddington Takes the Air"
Written by Michael Bond
illustrated by Peggy Fortnum
Published by Houghton Mifflin Company; 1970
Joe Servello's art is reminiscent of a classic paperback book cover:
www.flickr.com/photos/57440551@N03/12331859333/in/album-7...
The following is a brief biography of Fredric Brown (1906-1972) from the Goodreads website (at www.goodreads.com/author/show/51503.Fredric_Brown):
"Fredric Brown was an American science fiction and mystery writer. He was one of the boldest early writers in genre fiction in his use of narrative experimentation. While never in the front rank of popularity in his lifetime, Brown has developed a considerable cult following in the almost half century since he last wrote. His works have been periodically reprinted and he has a worldwide fan base, most notably in the U.S. and Europe, and especially in France, where there have been several recent movie adaptations of his work. He also remains popular in Japan.
"Never financially secure, Brown - like many other pulp writers - often wrote at a furious pace in order to pay bills. This accounts, at least in part, for the uneven quality of his work. A newspaperman by profession, Brown was only able to devote 14 years of his life as a full-time fiction writer. Brown was also a heavy drinker, and this at times doubtless affected his productivity. A cultured man and omnivorous reader whose interests ranged far beyond those of most pulp writers, Brown had a lifelong interest in the flute, chess, poker, and the works of Lewis Carroll. Brown married twice and was the father of two sons."
The Illustrated News of the World – First Edition 1858.
Woodcut from The Illustrated News of the World and National Portrait Gallery of Eminent Personages’ was a new publication with the strong visual emphasis of numerous large woodcuts to illustrate local and world events, and also featuring a number of fine steel engravings of eminent persons. The publishers stated their hopes that the publication would match or supplement the existing illustrated magazines:- The Illustrated London News and Punch Magazine .
Published by Illustrated News of the World, The Strand, London. Annual bound collection, red cloth boards 338 pages 42cm x 29cm.
This extremely rare first edition of "Beasts" (1983) plays up the film's horror and outdoor adventure elements. Almost impossible to find in any kind of good condition - an early rental workhorse.
"Greater Magic: A Practical Treatise on Modern Magic" was released in 1938 as an encyclopedia of magic intended specifically for magicians, not the general public. It was only distributed and advertised within the conjuring world. It covers magic with cards, silks, billiard balls, sponge balls, cups & balls, coins, cigarettes and cigars, bills, ropes, the linking rings, mind reading, magic squares, apparatus magic, stage illusions, and more.
It contains 715 effects, contributed by over 100 magicians, including some of the greatest names of the day. It is a massive tome, with 1030 pages and 1120 illustrations. The illustrations are by Dr. Harlan Tarbell, foremost illustrator of magic, and a famous professional magician.
Electric Drive
98° Motor Show Brussels
Autosalon Brussel
Salon de l'Auto Bruxelles
Brussels - Belgium
January 2020
"There passed a weary
time. Each throat
was parched, and
glazed each eye.
A weary time! a weary
time!
Now glazed each weary
eye,
When looking westward,
I beheld
A something in the sky."
William Andrew Pogány (1882-1955) was born in Hungary, studied art in Budapest, and worked in Paris briefly before moving to London in 1905 where he worked as a book illustrator for ten years. He moved to New York in 1915 and had success as a book illustrator and designer of stage sets and hotel interiors. “The Rime of the Ancient Mariner” is one of Pogany’s best-known books. It is a bold artistic experiment in unifying text and images. Every page is elaborately decorated in Pogany’s distinctive style, which attempts to create a printed version of a medieval illuminated manuscript. He was responsible for the beautiful calligraphic text, green and mauve page decorations and borders, and the many black and white drawings and tipped-in plates in full color.
This edition of the novel contains six color illustrations by Pamela Colman Smith. The book was first published in the US in 1966 under the title “The Garden of Evil” by Paperback Library. In 1988, it was adapted into a film by Ken Russell.
www.youtube.com/watch?v=Z4Q-PyZxZjw
“The Lair of the White Worm” was Bram Stoker’s twelfth and last novel, published a year before his death. The novel, along with “The Jewel of Seven Stars, is one of his most famous after “Dracula.” It is a horror story about a giant white worm that can transform itself into a woman. Partly based on the legend of the Lambton Worm from North East England, the White Worm in Stoker’s story is a large snake-like creature that dwells in a hole or pit and feeds on whatever is thrown to it. It is thought to reside in the house of Arabella March, a local lady and a suspect in numerous crimes that cannot be proven.
For Macro Mondays 'Comfort' Theme.
Suddenly remembered Sunday evening I'd not even looked at this weeks theme. Saw the theme and thought immediatly of Alfie who I had just snuggled up in bed with his favourite teddy, light wasn't fantastic so the image is quite grainy, but I didnt want to disturb him.
Mr Fox is usually spotted reading engineering manuals and reference books five times his own body weight, but occasionally he makes time for a good novel.
One of his all time favorites happens to be the aptly titled "Fantastic Mr Fox"; Roald Dahl's epic tale of foxy heroism and cunning. So he was particularly chuffed to be presented with a first edition copy for services to foxkind.
With sales of about 200 million copies, “A Tale of Two Cities” is the biggest selling novel in history. It began as weekly installments from April 30, 1859 to November 26, 1859 in Dickens’ literary periodical titled “All the Year Round.” It depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the French revolution, the corresponding brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution, and many unflattering social parallels with life in London during the same period.
Chapman & Hall published the novel in 8 monthly parts (July – December 1859) and in book form that same year and commissioned Hablot K. Browne [Phiz] to create full page illustrations for the story. It was the last of Dickens’ books to be illustrated by Hablot K. Browne.
In the distant future, a strange plan for civilization is being followed by man. Two different planets are involved, two separate worlds in space -- and yet they are joined , though only by a mysterious pathway whose secret very few know.
The story centers around Ketan in the strange, isolated world of Kronweld. He is a Seeker, defying law and tradition to search into forbidden knowledge. It is he who challenges the unquestioned rule of a mighty machine which forms the community mind of Kronweld. And there is his companion, Elta, both friend and enemy, who also is seeking some unknown goal.
What Ketan does to solve the Mystery of the Origin of Life and his penetration into the Temple of Birth brings him into contact with the other world. With determination he penetrates the infinite curtain which so weirdly surrounds his city. And from then on, uncovering fact after fact, he slowly discovers the monstrous secret of two human worlds.
Olaf Wieghorst (1899-1988), born and raised in Denmark, was a painter of the American West in the vein of Frederic Remington and Charles Russell. I first saw his artwork in the opening credits of the 1967 motion picture “El Dorado” starring John Wayne and Robert Mitchum. I viewed a fully-restored version of the film on Blu-Ray and Olaf’s paintings served as backdrops during the credits. George Alexander sings the haunting “El Dorado” theme song by Nelson Riddle and John Gabriel. The paintings and the song are the best two minutes in the movie. For a low-quality version of the opening credits (which should actually be seen in HD to do justice to the paintings), check out:
www.youtube.com/watch?v=zihn6FuFWZg
The fifteen paintings in El Dorado’s opening credits are also on display at this website:
"Norman Rockwell: Artist and Illustrator" by Thomas S. Buechner. New York: Harry N. Abrams, (1970). First edition.
"Mapplethorpe" prepared in collaboration with The Robert Mapplethorpe Foundation, with an essay by Arthur C. Danto. New York: Random House, (1992). First edition.
This book was one of the first color editions and the last Brer Rabbit collection published during the lifetime of the author, Georgia native Joel Chandler Harris (1845-1908). Raised in poverty, Harris was an apprentice to a Southern newspaper as a teenager and he made friends with plantation slaves who passed along their stories. Harris hoped that the charming illustrations and his use of dialect in retelling these old black legends would “suggest a certain picturesque sensitiveness – a curious exaltation of mind and temperament (of the black man).”
The characters of Uncle Remus and Brer Rabbit are best known from the classic 1946 Disney movie, “Song of the South.” Here is a memorable scene in that movie:
This illustrated edition of “Rip Van Winkle” contains 51 mounted color plates by Arthur Rackham. Rip is a henpecked husband who loathes “profitable labor” and who wanders off to the Catskill Mountains where he meets the ghosts of Henry Hudson’s crew playing ninepins. He drinks some of their moonshine, soon falls asleep and wakes up some twenty years later, having slept through the American Revolution. The story was first published in 1819 as part of a short story collection entitled “The Sketch Book of Geoffrey Crayon, Gent.” Although the story is set in New York’s Catskill Mountains, Irving later admitted, “When I wrote the story, I had never been on the Catskills.” [Source: Wikipedia]
“These flowers remind me of a barber shop,” he explained.
ADAPTED FROM
COLUMBIA’S ALL-TALKING
PICTURE BY RALPH GRAVES
A FRANK R. CAPRA PRODUCTION
PRODUCED BY HARRY COHN
“The first all-talking drama of the air will thrill you.”
“Flight” is an adventure and aviation film directed by Frank Capra. The film stars Jack Holt (as gruff Gunnery Sergeant “Panama” Williams, U.S. Marine Corps pilot), Lila Lee (as Navy nurse Elinor Murray), and Ralph Graves (as Corporal “Lefty” Phelps), who also came up with the story, for which Capra wrote the dialogue. Dedicated to the United States Marine Corps, the production was greatly aided by their full cooperation.
"Flight" is the romance of a young man (Lefty Phelps) who ran backwards in life until he finally caused his college to lose the biggest football game of the season. Disgraced and dishonored, he left his friends and family with no definite purpose in mind as to his future.
While waiting for a train to New York, he sees a poster announcing that the Marine Corps builds men. Wondering what kind of a man the Service will make of him, he enlists for aviation instruction and meets the first love of his life.
After weeks of intensive training, he fails when given his big chance. Only through the friendship of a flight sergeant (Panama Williams) is he enabled to remain in the air service as a mechanic.
At that time, the Sandino rebellion in Nicaragua broke loose and he left with his Squadron. How he finally made good, winning back the respect of his friends, the officers of the Marine Corps, and the girl he loved, is told in a gripping and constantly moving story. You will love the adventure, thrill over the hair-raising action and adore the romance of this tale. [From the synopsis on the dust jacket]
I'll never forget my first Doctor. What about you?
Dr. Who Journey Through Time
Anthology
Hardcover, minor wear.
Publisher: Crescent; First Edition (1985)
Written by William Shakespeare, published in 1623. View all four folios at digital.lib.MiamiOH.edu/folios.
“Bambi: A Life in the Woods” by Felix Salten was originally published in Austria in 1923. Simon & Schuster’s 1928 edition is based on an English translation by Whittaker Chambers. The novel has since been translated and published in over 20 languages around the world.
The novel traces the life of Bambi, a male deer, from his birth through childhood, the loss of his mother, the finding of a mate, the lessons he learns from his father and experience about the dangers posed by human hunters in the forest. The novel is considered a classic, as well as one of the first environmental novels ever published. Beside several live-action and stage adaptations, the novel was adapted into an animated film by Walt Disney Studios in 1942. [Source: Wikipedia]
Here is a link to the movie trailer: