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Willy Ley (1906-1969) was a German-American science writer and space advocate who helped popularize rocketry and spaceflight both in Germany and in the United States. He was a rocket designer and co-founder of the world’s first rocket airfield in Berlin. In 1935, he fled Nazi Germany for Great Britain and then the United States.
Willy Ley also enjoyed writing about the mysteries of natural history and was one of the early chroniclers of cryptozoology. He wrote about Sea Serpents, Yeti and the possibilities of living dinosaurs. He also suggested that some legendary creatures (e.g. the Sirrush, the Unicorn and the Cyclops) might have been based on real species (or the misinterpretation of certain animals or their fossils or remains).
Many of his articles published in journals, newpapers and magazines were on cryptozoological topics. The German book “Drachen Riesen” (Dragon Giants) appears to be the German edition of Willy Ley’s “Dragons in Amber: Further Adventures of a Romantic Naturalist,” first published in the UK in 1951. It is an early example of Ley’s cryptozoological writings where he describes strange animals from yesterday and today and makes amazing connections between science and legend. He writes about extinct animals and animals from the distant past that are still living in hidden corners of the earth.
"I saw Esau" is a cute book of verse for children and adults alike with fun illustrations by Maruice Sendak.
I saw Esau
Written by Peter and Iona Opie
illustrated by Maurice Sendak
First US Edition 1992
Written by William Shakespeare, published in 1623. View all four folios at digital.lib.MiamiOH.edu/folios.
Wernher von Braun (1912–1977) was one of the most important rocket developers and champions of space exploration during the period between the 1930s and the 1970s. As a youth he became enamored with the possibilities of space exploration by reading the science fiction of Jules Verne and H.G. Wells, and from the science fact writings of Hermann Oberth, whose 1923 classic study, Die Rakete zu den Planetenräumen (By Rocket to Space), prompted young von Braun to master calculus and trigonometry so he could understand the physics of rocketry. From his teenage years, von Braun had held a keen interest in space flight, becoming involved in the German rocket society, Verein fur Raumschiffarht (VfR), as early as 1929. As a means of furthering his desire to build large and capable rockets, in 1932 he went to work for the German army to develop ballistic missiles. While engaged in this work, von Braun received a Ph.D. in physics on July 27, 1934.
Von Braun is well known as the leader of what has been called the “rocket team” which developed the V–2 ballistic missile for the Nazis during World War II. The V–2s were manufactured at a forced labor factory called Mittelwerk. Scholars are still reassessing his role in these controversial activities. Before the Allied capture of the V–2 rocket complex, von Braun engineered the surrender of 500 of his top rocket scientists, along with plans and test vehicles, to the Americans.
In 1960, his rocket development center near Huntsville, Alabama transferred from the Army to the newly established NASA and received a mandate to build the giant Saturn rockets. Accordingly, von Braun became director of NASA’s Marshall Space Flight Center and the chief architect of the Saturn V launch vehicle, the superbooster that would propel Americans to the Moon.
Von Braun also became one of the most prominent spokesmen of space exploration in the United States during the 1950s. In 1970, NASA leadership asked von Braun to move to Washington, D.C., to head up the strategic planning effort for the agency. He left his home in Huntsville, Ala., but in 1972 he decided to retire from NASA and work for Fairchild Industries of Germantown, Md. He died in Alexandria, Va., on June 16, 1977. [Source: Marshall Space Flight Center at history.msfc.nasa.gov/vonbraun/bio.html]
This is a humorous 1960s book about a lion who is sick of being hunted and decides to take up arms himself, written by the great Shel Silverstein.
Brian Wildsmith's Circus picture book is a fabulous childrens' book filled to the brim with colorful two-page illustrations.
Published by Franklin Watts Inc. (1970) - First American Edition
“James Myers Thompson (1906-1977) was a United States writer of novels, short stories and screenplays, largely in the hardboiled style of crime fiction.
Thompson wrote more than thirty novels, the majority of which were original paperback publications by pulp fiction houses, from the late-1940s through mid-1950s. Despite some positive critical notice, notably by Anthony Boucher in the New York Times, he was little-recognized in his lifetime. Only after death did Thompson's literary stature grow, when in the late 1980s, several novels were re-published in the Black Lizard series of re-discovered crime fiction.
Thompson's writing culminated in a few of his best-regarded works: The Killer Inside Me, Savage Night, A Hell of a Woman and Pop. 1280. In these works, Thompson turned the derided pulp genre into literature and art, featuring unreliable narrators, odd structure, and surrealism.
The writer R.V. Cassills has suggested that of all pulp fiction, Thompson's was the rawest and most harrowing; that neither Dashiell Hammett nor Raymond Chandler nor even Horace McCoy, author of the bleak They Shoot Horses, Don't They?, ever "wrote a book within miles of Thompson". [1] Similarly, in the introduction to Now and on Earth, Stephen King says he most admires Thompson's work because "The guy was over the top. The guy was absolutely over the top. Big Jim didn't know the meaning of the word stop. There are three brave lets inherent in the forgoing: he let himself see everything, he let himself write it down, then he let himself publish it."
Thompson admired Fyodor Dostoevsky and was nicknamed "Dimestore Dostoevsky" by writer Geoffrey O'Brien. Film director Stephen Frears, who directed an adaptation of Thompson's The Grifters as 1990's The Grifters, also identified elements of Greek tragedy in his themes.”
[From the Goodreads website at www.goodreads.com/author/show/7621.Jim_Thompson]
An Orange County resident, Douglas Corrigan, besides helping to build Lindberg's Spirit of St Lous, was famous for after a transcontinental flight from Long Beach, California, to New York City, he flew from Floyd Bennett Field in Brooklyn, New York, to Ireland, though his flight plan was filed to return to Long Beach.
Doug was a customer when I worked at Garden Photo in Santa Ana in the early 80's. Picked this book up a few days ago.
Charles Mell is David's teacher at the Salem House boarding school. James Steerforth is a spoiled young man whom David admires.
"David Copperfield” is one of Dickens’ most popular and critically acclaimed novels. The story follows David’s life from childhood to maturity and many of its elements follow events in Dickens’ own life, especially in the early chapters describing David’s provincial upbringing. The story is filled with vivid characters such as Uriah Heep, Mr. Micawber, the Pegottys, and eccentric Aunt Betsey and it ranks as the finest of Dickens’ works. “Of all my books,” Dickens wrote in the preface to the 1867 edition, “I like this the best… like many fond parents, I have in my heart of hearts a favourite child. And his name is David Copperfield.”
Publisher Bradbury & Evans first released the story in monthly parts from May, 1849 through November, 1850, and in book form in 1850. The text was embellished with full-page, black & white engravings by H. K. Browne (“Phiz”). Subscribers who wished a hardcover edition for their libraries would either purchase a copy from the publisher when available or have the serial parts bound into book form, often in leather.
Commissioner Yeh of Canton was deposed by the British in the Battle of Canton of 1857.
The Illustrated News of the World – First Edition 1858.
‘The Illustrated News of the World and National Portrait Gallery of Eminent Personages’ was a new publication with the strong visual emphasis of numerous large woodcuts to illustrate local and world events, and also featuring a number of fine steel engravings of eminent persons. A competitor to the existing illustrated magazines:- The Illustrated London News and Punch Magazine .
Published by Illustrated News of the World, The Strand, London. Annual bound collection, red cloth boards 338 pages 42cm x 29cm.
More on the Battle of Canton:
Welcome to the next episode of "Stuff I Bought in Vancouver". Tonight, I bring you something that is, as always exotic, but more importantly, something that again, I probably wouldn't have run into while in Toronto. The subject of tonights review is the S.H. Figuarts Sailor Moon figure, First Edition.
So, Sailor Moon. The Figuarts releases I've picked up two of them up to this point - Sailor Chibi Moon and Sailor Venus, so clearly they exist here in Toronto. I had gotten lucky so far with regards to pricing thus far, finding the right person at the right time who was willing to make a deal just to get rid of it. It was a similar situation for this particular figure, which I ended up paying $60 CAD for, making it the most expensive figure I purchased during my time out West. For those paying attention, that's pretty much MSRP - why did I do that??? Well, the answer lies in the second part of the title - First Edition. First Edition releases of Sailor Moon came with two additional face plates that were not available later on, and to be honest they're ones that should have been standard, but I digress. The point is, if one were to take into account the First Edition perks, and the fact the figure had never been opened, $60 CAD ends up being a pretty good buy.
Sailor Moon is, of course, the titular character from the Sailor Moon series. The superhero guise of Usagi Tsukino (Serena in the US dub), Sailor Moon starts off, like all many other anime heroes, kind of clumsy, childlike, but eventually matures into a competent leader of her fellow Sailor Senshi in their battle against the forces of evil and enemies of the Moon Kingdom, from whence she originated from. In superhero form, Usagi maintains her trademark twin pigtails, gets a few more pieces of jewelery, and is generally decked out in the now legendary ensemble of high school girl outfit combined with some bows and a kickass pair of boots. Being Sailor Moon, however, her outfit has a few extra bells and whistles not present on the other Sailor Senshi, like the moon on her choker, a jewel encrusted pendant on her chest ribbon, moons on her boots, and jewels in the buns of her hair.
Sailor Moon comes with the most accessories I've seen in a Sailor Moon Figuarts thus far (I admittedly haven't seen that many). There's the figure, of course, with five additional faces (winking and crying faces being the exclusives... FINALLY, a winking face), Moon Crescent Wand, Moon Crescent Wand with the Imperium Silver Crystal installed, seven additional hands with one dedicated for holding her wand, two for her trademark pose, and additional hand/effect piece for her Moon Tiara Action, a mini Luna, and a stand. To the surprise of nobody, it appears that Luna and Artemis are effectively repaints of one another, though I found that Luna stood very easily, whereas Artemis was required some futzing to get him to pose for photos. Points of articulation on Luna are her head and tail, both on ball joints.
The figure of course, looks very faithful to the the animation model. General silhouette is there, and compared to Sailor Venus, slightly more accurate body proportions, mostly with the legs, which seem to have a shorter lower leg as compared to the statuesque Sailor Venus. Otherwise, you have the same general slender high school girl physique. Sailor Moon, to me, has a more accurate facial structure as well.. in fact, if I didn't know better, I'd say they adapted Sailor Moons base face plates for use on Venus. Both are, IMO, a bit too narrow and could stand to be a bit wider at the temples. Sailor Moon fares much better at actually being able to use the included stand properly, as she does not have a giant mound of hair getting in the way of the dynamic arm of the stand. Speaking of hair, good recreation of the hair on the character, with the added "bonus" of being made from translucent plastic that is painted yellow so she has the shimmering effect on her head. The down side is tolerances, as evidences by the fact her right pigtail keeps popping out of the socket. Otherwise, you get some good sculpting in terms of detailing of the outfit and hair, both of which has been pretty consistent in terms of quality across the three characters that I have.
As mentioned above, this First Edition release comes with two additional face plates that are very much essential to Sailor Moon as a character. I can sort of get the crying face as an exclusive, as its usage is relatively limited (unless you're willing to be a bit creative, like me) but for magical girl figures to not come with winking faces ought to be made a crime punishable by public ridicule. The other faces are your typical smiling, neutral, attacking, and one face with no tiara painted on it with the intent of use with the Moon Tiara Action hand effect.
Articulation.. boy, is it nice coming back to something that is not maddening to make use. Points of articulation, again, are consistent with the other Sailor Senshi - ankles, single jointed knees, hips with pull down action to improve range of motion, waist, upper torso swivel, shoulders with some chest collapse, single jointed eblows, wirsts, and head. As stated above, there is one point of articulation on each of the pigtails to allow for some dynamic posing of the pigtails, though it mainly allows for side to side displays of hair rather than dashing forward displays. I found that perhaps due to a more pliable rubber (or maybe I just tried harder), Sailor Moon, while unable to kick high, was able to at least maintain a proper seated position. Hands come off the wrist pegs easily.. perhaps a bit TOO easily. I've read that subsequent releases of the figure (most notable being the anime coloured edition), the wrist pegs have been changed such that they have balls on the end of them to improve the grip.
Paintwork is again that lovely combination of good and meh that is present on Venus and Chibi moon. One again, the outfit itself is painted with pearl based paints on the whites, which makes for a lovely shimmering effect, if a bit thick in terms of application. Coloured sections of the outfit, along with various metal pieces are painted with metallic paints. These metallic paint apps can get a bit messy, especially on detailed areas like the small lines on her hair bun jewels, her pendant on the chest, the tiaras on her foreheads, and her earrings. The hair appears be partially solid plastic with some translucent plastics (bangs, pigtails), all of which is painted, which does make for an effective glowing effect at the cost of some less than stellar tolerances. Paint work on the hair itself is surprisingly smooth, with no splotches of colour that not only would look bad, but would also interfere with the translucent quality of the hair. Fleshy bits appear to be the base plastic colours, which are slightly different from Sailor Venus (more tan). In terms of paint masking, some weakness was observed at most transition points, with the most notable being between her outfit and her blue skirt.
Decals are applied well, with no bubbles observed, and no misalignment issues to report. In general, fit and tolerances are pretty good, with the only real issue I can mention is the one with that one pigtail that likes to fall out. Otherwise, there aren't any issues with tolerances or poorly mating parts to report. Some improvements on the parts finish side would have been nice, as mould lines and various seams were more prevalent on Sailor Moon than Venus or Chibi Moon. It's not like the latter two were perfect, and neither is Sailor Moon the worst figure ever made, it's just that by comparison to the other two, Sailor Moon does exhibit significantly weaker traits from this perspective, so I know a better product is technically possible. Build quality is the typical Figuarts level of excellence, with tight joints and a generally solid toy that can withstand some typical handling by a collector.
This is undeniably a great Sailor Moon figure, though one that is for... reasons, worse off from a parts finish perspective than her peers that I own. The base figure doesn't really offer anything that the other Sailor Senshi don't have (other than perhaps a slightly more appropriate face), but that's no surprise (or an issue) when they're all based off a pretty decent platform, though keep in mind I was able to get her seated when I couldn't get Sailor Venus or Chibi Moon to do so. While the base accessory set is pretty good (considering all the main Senshi cost the same), the First Edition faces truly make this figure shine. So while the figure is clearly a recommend for fans of the series, I'm going to do something I normally don't do, and recommend that you hunt down a First Edition version. While you may not benefit from the improved wrist pegs, the crying and winking expressions are a HUGE part of the character, and are worth going the extra mile for. If you're gonna hunt this figure down, I'd strongly recommend finding a First Edition and hassling the seller until a price that is agreeable to you can be reached.
Frank Herbert (1920 - 1986) was best known as the author of the novel Dune and its five sequels. Though he became famous for science fiction, he was also a newspaper journalist, photographer, short story writer, book reviewer, ecological consultant and lecturer.
The Dune saga, set in the distant future and taking place over millennia, deals with complex themes such as human survival and evolution, ecology, and the intersection of religion, politics and power. Dune itself is the best-selling science fiction novel of all time and the series is widely considered to be among the classics of the genre. [Source: Wikipedia]
“The Man That Corrupted Hadleyburg” features 8 stories including the title story that appear here for the first time in book form. The title story, a depiction of the universality of hypocrisy, ranks among the finest of Mark Twain’s short stories and has been acclaimed his masterpiece.
A collection of 17 short stories.
"R Is for Rocket"
"The End of the Beginning"
"The Fog Horn"
"The Rocket"
"The Rocket Man"
"The Golden Apples of the Sun"
"A Sound of Thunder"
"The Long Rain"
"The Exiles"
"Here There Be Tygers"
"The Strawberry Window"
"The Dragon"
"The Gift"
"Frost and Fire"
"Uncle Einar"
"The Time Machine"
"The Sound of Summer Running"
One of forty-nine photographs in “Bury My Heart at Wounded Knee” by Dee Brown. NY: Holt, Rinehart & Winston, (1970).
Little Wolf (1820-1904) was a chief of the Northern Cheyenne and known as a great military tactician. In 1878, he and fellow chief, Dull Knife, led a dramatic escape of almost 300 Cheyenne from confinement near Fort Reno, Oklahoma back to their homeland in Montana, known as the “Northern Cheyenne Exodus.”
During the journey, they managed to elude the U.S. Cavalry units trying to capture them. The two groups split up after reaching Nebraska, and while Dull Knife’s party was eventually forced to surrender, those in Little Wolf’s group made their way to Montana where they were finally allowed to remain. [Source: Wikipedia]
Quoting Little Wolf in Dee Brown’s book (p. 331):
“We have been south and suffered a great deal down there. Many have died of diseases which we have no name for. Our hearts looked and longed for this country where we were born. There are only a few of us left, and we only wanted a little ground, where we could live. We left our lodges standing, and ran away in the night. The troops followed us. I rode out and told the troops we did not want to fight; we only wanted to go north, and if they would let us alone we would kill no one. The only reply we got was a volley. After that we had to fight our way, but we killed none who did not fire at us first. My brother, Dull Knife, took one-half of the band and surrendered near Fort Robinson . . . They gave up their guns, and then the whites killed them all.”
Everyone's favorite bear is back in collection of stories paired with absolutely adorable illustrations.
"Paddington Marches On"
Written by Michael Bond
illustrated by Peggy Fortnum
Published by Houghton Mifflin Company; First American edition (1955)
I come from a family of book lovers, treasurers, and readers. I think my family’s DNA has a marker on it for “lovers of books”.
This hand bound soft leather book is a first edition, published in the early 1900’s, includes the complete works of Poe in one volume, and was published by Walter J. Black, Inc. The original price of the book was 87 cents!
It was in mint condition prior to our move three years ago. The movers from hell lacked, and no doubt, still do, an appreciation for books or anything for that matter except, beer, BIG STEEL watches, puffy sneakers, tats, and head rags. They wrapped the book so tightly and shoved it into a box against a vase (a vase??!!) that now, it has some flaws. But, the spine is perfect and it can be opened carefully and still read.
For my Flickr groups…
This is a truly dumb story from these otherwise competent writers. A mysterious illness wipes out most of the world's women in a matter of weeks and all the men turn into a bunch of perverts who'll stop at nothing to get a woman. Give me a break!! I do like the cover though. It is far more appealing than the story within.
From the book "Peter and Wendy" by J. M. Barrie. London: Hodder & Stoughton, (1911). First edition. This is the first book that tells the story of Peter Pan, Wendy and their exploits in Neverland along with the now familiar cast of characters that includes Captain Hook, Tinker Bell, the Lost Boys and Tiger Lily.
Few Americans are unfamiliar with this century-old children’s tale. A cyclone carries Dorothy from her home in Kansas into the magical Land of Oz where she meets the scarecrow, the tin woodman, and the cowardly lion. Their adventures looking for the Emerald City and the Wizard have become a permanent part of American popular culture. Baum’s work is illustrated by W. W. Denslow and features 24 inserted color plates and many black & white drawings. Denslow’s artwork was an obvious inspiration for the look and feel of the 1939 film starring Judy Garland as Dorothy.
“The Gift” was an annual literary anthology published in a gift book format for the years 1836, 1837, 1839, 1840, and 1842-1845. Each book was published by Carey & Hart of Philadelphia in the fall of the year prior to the date given in the title, so that The Gift for 1836 was actually issued in October of 1835. Five of the gift books include new tales by Edgar Allan Poe – “Manuscript Found in a Bottle” (1836), “William Wilson” (1840), “Eleonora” (1842), “The Pit and the Pendulum” (1843), and “The Purloined Letter” (1845).
Welcome to the next episode of "Stuff I Bought in Vancouver". Tonight, I bring you something that is, as always exotic, but more importantly, something that again, I probably wouldn't have run into while in Toronto. The subject of tonights review is the S.H. Figuarts Sailor Moon figure, First Edition.
So, Sailor Moon. The Figuarts releases I've picked up two of them up to this point - Sailor Chibi Moon and Sailor Venus, so clearly they exist here in Toronto. I had gotten lucky so far with regards to pricing thus far, finding the right person at the right time who was willing to make a deal just to get rid of it. It was a similar situation for this particular figure, which I ended up paying $60 CAD for, making it the most expensive figure I purchased during my time out West. For those paying attention, that's pretty much MSRP - why did I do that??? Well, the answer lies in the second part of the title - First Edition. First Edition releases of Sailor Moon came with two additional face plates that were not available later on, and to be honest they're ones that should have been standard, but I digress. The point is, if one were to take into account the First Edition perks, and the fact the figure had never been opened, $60 CAD ends up being a pretty good buy.
Sailor Moon is, of course, the titular character from the Sailor Moon series. The superhero guise of Usagi Tsukino (Serena in the US dub), Sailor Moon starts off, like all many other anime heroes, kind of clumsy, childlike, but eventually matures into a competent leader of her fellow Sailor Senshi in their battle against the forces of evil and enemies of the Moon Kingdom, from whence she originated from. In superhero form, Usagi maintains her trademark twin pigtails, gets a few more pieces of jewelery, and is generally decked out in the now legendary ensemble of high school girl outfit combined with some bows and a kickass pair of boots. Being Sailor Moon, however, her outfit has a few extra bells and whistles not present on the other Sailor Senshi, like the moon on her choker, a jewel encrusted pendant on her chest ribbon, moons on her boots, and jewels in the buns of her hair.
Sailor Moon comes with the most accessories I've seen in a Sailor Moon Figuarts thus far (I admittedly haven't seen that many). There's the figure, of course, with five additional faces (winking and crying faces being the exclusives... FINALLY, a winking face), Moon Crescent Wand, Moon Crescent Wand with the Imperium Silver Crystal installed, seven additional hands with one dedicated for holding her wand, two for her trademark pose, and additional hand/effect piece for her Moon Tiara Action, a mini Luna, and a stand. To the surprise of nobody, it appears that Luna and Artemis are effectively repaints of one another, though I found that Luna stood very easily, whereas Artemis was required some futzing to get him to pose for photos. Points of articulation on Luna are her head and tail, both on ball joints.
The figure of course, looks very faithful to the the animation model. General silhouette is there, and compared to Sailor Venus, slightly more accurate body proportions, mostly with the legs, which seem to have a shorter lower leg as compared to the statuesque Sailor Venus. Otherwise, you have the same general slender high school girl physique. Sailor Moon, to me, has a more accurate facial structure as well.. in fact, if I didn't know better, I'd say they adapted Sailor Moons base face plates for use on Venus. Both are, IMO, a bit too narrow and could stand to be a bit wider at the temples. Sailor Moon fares much better at actually being able to use the included stand properly, as she does not have a giant mound of hair getting in the way of the dynamic arm of the stand. Speaking of hair, good recreation of the hair on the character, with the added "bonus" of being made from translucent plastic that is painted yellow so she has the shimmering effect on her head. The down side is tolerances, as evidences by the fact her right pigtail keeps popping out of the socket. Otherwise, you get some good sculpting in terms of detailing of the outfit and hair, both of which has been pretty consistent in terms of quality across the three characters that I have.
As mentioned above, this First Edition release comes with two additional face plates that are very much essential to Sailor Moon as a character. I can sort of get the crying face as an exclusive, as its usage is relatively limited (unless you're willing to be a bit creative, like me) but for magical girl figures to not come with winking faces ought to be made a crime punishable by public ridicule. The other faces are your typical smiling, neutral, attacking, and one face with no tiara painted on it with the intent of use with the Moon Tiara Action hand effect.
Articulation.. boy, is it nice coming back to something that is not maddening to make use. Points of articulation, again, are consistent with the other Sailor Senshi - ankles, single jointed knees, hips with pull down action to improve range of motion, waist, upper torso swivel, shoulders with some chest collapse, single jointed eblows, wirsts, and head. As stated above, there is one point of articulation on each of the pigtails to allow for some dynamic posing of the pigtails, though it mainly allows for side to side displays of hair rather than dashing forward displays. I found that perhaps due to a more pliable rubber (or maybe I just tried harder), Sailor Moon, while unable to kick high, was able to at least maintain a proper seated position. Hands come off the wrist pegs easily.. perhaps a bit TOO easily. I've read that subsequent releases of the figure (most notable being the anime coloured edition), the wrist pegs have been changed such that they have balls on the end of them to improve the grip.
Paintwork is again that lovely combination of good and meh that is present on Venus and Chibi moon. One again, the outfit itself is painted with pearl based paints on the whites, which makes for a lovely shimmering effect, if a bit thick in terms of application. Coloured sections of the outfit, along with various metal pieces are painted with metallic paints. These metallic paint apps can get a bit messy, especially on detailed areas like the small lines on her hair bun jewels, her pendant on the chest, the tiaras on her foreheads, and her earrings. The hair appears be partially solid plastic with some translucent plastics (bangs, pigtails), all of which is painted, which does make for an effective glowing effect at the cost of some less than stellar tolerances. Paint work on the hair itself is surprisingly smooth, with no splotches of colour that not only would look bad, but would also interfere with the translucent quality of the hair. Fleshy bits appear to be the base plastic colours, which are slightly different from Sailor Venus (more tan). In terms of paint masking, some weakness was observed at most transition points, with the most notable being between her outfit and her blue skirt.
Decals are applied well, with no bubbles observed, and no misalignment issues to report. In general, fit and tolerances are pretty good, with the only real issue I can mention is the one with that one pigtail that likes to fall out. Otherwise, there aren't any issues with tolerances or poorly mating parts to report. Some improvements on the parts finish side would have been nice, as mould lines and various seams were more prevalent on Sailor Moon than Venus or Chibi Moon. It's not like the latter two were perfect, and neither is Sailor Moon the worst figure ever made, it's just that by comparison to the other two, Sailor Moon does exhibit significantly weaker traits from this perspective, so I know a better product is technically possible. Build quality is the typical Figuarts level of excellence, with tight joints and a generally solid toy that can withstand some typical handling by a collector.
This is undeniably a great Sailor Moon figure, though one that is for... reasons, worse off from a parts finish perspective than her peers that I own. The base figure doesn't really offer anything that the other Sailor Senshi don't have (other than perhaps a slightly more appropriate face), but that's no surprise (or an issue) when they're all based off a pretty decent platform, though keep in mind I was able to get her seated when I couldn't get Sailor Venus or Chibi Moon to do so. While the base accessory set is pretty good (considering all the main Senshi cost the same), the First Edition faces truly make this figure shine. So while the figure is clearly a recommend for fans of the series, I'm going to do something I normally don't do, and recommend that you hunt down a First Edition version. While you may not benefit from the improved wrist pegs, the crying and winking expressions are a HUGE part of the character, and are worth going the extra mile for. If you're gonna hunt this figure down, I'd strongly recommend finding a First Edition and hassling the seller until a price that is agreeable to you can be reached.
Welcome to the next episode of "Stuff I Bought in Vancouver". Tonight, I bring you something that is, as always exotic, but more importantly, something that again, I probably wouldn't have run into while in Toronto. The subject of tonights review is the S.H. Figuarts Sailor Moon figure, First Edition.
So, Sailor Moon. The Figuarts releases I've picked up two of them up to this point - Sailor Chibi Moon and Sailor Venus, so clearly they exist here in Toronto. I had gotten lucky so far with regards to pricing thus far, finding the right person at the right time who was willing to make a deal just to get rid of it. It was a similar situation for this particular figure, which I ended up paying $60 CAD for, making it the most expensive figure I purchased during my time out West. For those paying attention, that's pretty much MSRP - why did I do that??? Well, the answer lies in the second part of the title - First Edition. First Edition releases of Sailor Moon came with two additional face plates that were not available later on, and to be honest they're ones that should have been standard, but I digress. The point is, if one were to take into account the First Edition perks, and the fact the figure had never been opened, $60 CAD ends up being a pretty good buy.
Sailor Moon is, of course, the titular character from the Sailor Moon series. The superhero guise of Usagi Tsukino (Serena in the US dub), Sailor Moon starts off, like all many other anime heroes, kind of clumsy, childlike, but eventually matures into a competent leader of her fellow Sailor Senshi in their battle against the forces of evil and enemies of the Moon Kingdom, from whence she originated from. In superhero form, Usagi maintains her trademark twin pigtails, gets a few more pieces of jewelery, and is generally decked out in the now legendary ensemble of high school girl outfit combined with some bows and a kickass pair of boots. Being Sailor Moon, however, her outfit has a few extra bells and whistles not present on the other Sailor Senshi, like the moon on her choker, a jewel encrusted pendant on her chest ribbon, moons on her boots, and jewels in the buns of her hair.
Sailor Moon comes with the most accessories I've seen in a Sailor Moon Figuarts thus far (I admittedly haven't seen that many). There's the figure, of course, with five additional faces (winking and crying faces being the exclusives... FINALLY, a winking face), Moon Crescent Wand, Moon Crescent Wand with the Imperium Silver Crystal installed, seven additional hands with one dedicated for holding her wand, two for her trademark pose, and additional hand/effect piece for her Moon Tiara Action, a mini Luna, and a stand. To the surprise of nobody, it appears that Luna and Artemis are effectively repaints of one another, though I found that Luna stood very easily, whereas Artemis was required some futzing to get him to pose for photos. Points of articulation on Luna are her head and tail, both on ball joints.
The figure of course, looks very faithful to the the animation model. General silhouette is there, and compared to Sailor Venus, slightly more accurate body proportions, mostly with the legs, which seem to have a shorter lower leg as compared to the statuesque Sailor Venus. Otherwise, you have the same general slender high school girl physique. Sailor Moon, to me, has a more accurate facial structure as well.. in fact, if I didn't know better, I'd say they adapted Sailor Moons base face plates for use on Venus. Both are, IMO, a bit too narrow and could stand to be a bit wider at the temples. Sailor Moon fares much better at actually being able to use the included stand properly, as she does not have a giant mound of hair getting in the way of the dynamic arm of the stand. Speaking of hair, good recreation of the hair on the character, with the added "bonus" of being made from translucent plastic that is painted yellow so she has the shimmering effect on her head. The down side is tolerances, as evidences by the fact her right pigtail keeps popping out of the socket. Otherwise, you get some good sculpting in terms of detailing of the outfit and hair, both of which has been pretty consistent in terms of quality across the three characters that I have.
As mentioned above, this First Edition release comes with two additional face plates that are very much essential to Sailor Moon as a character. I can sort of get the crying face as an exclusive, as its usage is relatively limited (unless you're willing to be a bit creative, like me) but for magical girl figures to not come with winking faces ought to be made a crime punishable by public ridicule. The other faces are your typical smiling, neutral, attacking, and one face with no tiara painted on it with the intent of use with the Moon Tiara Action hand effect.
Articulation.. boy, is it nice coming back to something that is not maddening to make use. Points of articulation, again, are consistent with the other Sailor Senshi - ankles, single jointed knees, hips with pull down action to improve range of motion, waist, upper torso swivel, shoulders with some chest collapse, single jointed eblows, wirsts, and head. As stated above, there is one point of articulation on each of the pigtails to allow for some dynamic posing of the pigtails, though it mainly allows for side to side displays of hair rather than dashing forward displays. I found that perhaps due to a more pliable rubber (or maybe I just tried harder), Sailor Moon, while unable to kick high, was able to at least maintain a proper seated position. Hands come off the wrist pegs easily.. perhaps a bit TOO easily. I've read that subsequent releases of the figure (most notable being the anime coloured edition), the wrist pegs have been changed such that they have balls on the end of them to improve the grip.
Paintwork is again that lovely combination of good and meh that is present on Venus and Chibi moon. One again, the outfit itself is painted with pearl based paints on the whites, which makes for a lovely shimmering effect, if a bit thick in terms of application. Coloured sections of the outfit, along with various metal pieces are painted with metallic paints. These metallic paint apps can get a bit messy, especially on detailed areas like the small lines on her hair bun jewels, her pendant on the chest, the tiaras on her foreheads, and her earrings. The hair appears be partially solid plastic with some translucent plastics (bangs, pigtails), all of which is painted, which does make for an effective glowing effect at the cost of some less than stellar tolerances. Paint work on the hair itself is surprisingly smooth, with no splotches of colour that not only would look bad, but would also interfere with the translucent quality of the hair. Fleshy bits appear to be the base plastic colours, which are slightly different from Sailor Venus (more tan). In terms of paint masking, some weakness was observed at most transition points, with the most notable being between her outfit and her blue skirt.
Decals are applied well, with no bubbles observed, and no misalignment issues to report. In general, fit and tolerances are pretty good, with the only real issue I can mention is the one with that one pigtail that likes to fall out. Otherwise, there aren't any issues with tolerances or poorly mating parts to report. Some improvements on the parts finish side would have been nice, as mould lines and various seams were more prevalent on Sailor Moon than Venus or Chibi Moon. It's not like the latter two were perfect, and neither is Sailor Moon the worst figure ever made, it's just that by comparison to the other two, Sailor Moon does exhibit significantly weaker traits from this perspective, so I know a better product is technically possible. Build quality is the typical Figuarts level of excellence, with tight joints and a generally solid toy that can withstand some typical handling by a collector.
This is undeniably a great Sailor Moon figure, though one that is for... reasons, worse off from a parts finish perspective than her peers that I own. The base figure doesn't really offer anything that the other Sailor Senshi don't have (other than perhaps a slightly more appropriate face), but that's no surprise (or an issue) when they're all based off a pretty decent platform, though keep in mind I was able to get her seated when I couldn't get Sailor Venus or Chibi Moon to do so. While the base accessory set is pretty good (considering all the main Senshi cost the same), the First Edition faces truly make this figure shine. So while the figure is clearly a recommend for fans of the series, I'm going to do something I normally don't do, and recommend that you hunt down a First Edition version. While you may not benefit from the improved wrist pegs, the crying and winking expressions are a HUGE part of the character, and are worth going the extra mile for. If you're gonna hunt this figure down, I'd strongly recommend finding a First Edition and hassling the seller until a price that is agreeable to you can be reached.
Electric Drive
98° Motor Show Brussels
Autosalon Brussel
Salon de l'Auto Bruxelles
Brussels - Belgium
January 2020
This book has 11 short stories by one of the best science fiction writers ever, Arthur C. Clarke (1917-2008). The stories were originally published in pulp magazines between 1949 and 1953 and most are great. One of them, “Sentinel,” is the basis for the movie “2001” and is way better than the movie. Another story, “Breaking Strain,” is about two crewmen trapped in a damaged spaceship with enough oxygen for only one to survive. The tension is palpable as each crewman tries to figure out when the other is going to kill him.
During the early 1950s, Ballantine Books was one of the leading publishers of paperback science fiction and fantasy. Beginning with “The Space Merchants” (#21) by Frederik Pohl and C.M Kornbluth, Ballantine published paperback originals by major science fiction authors including Ray Bradbury, Arthur C. Clarke, Theodore Sturgeon, John Wyndham and many others. Ian Ballantine who with his wife Betty Ballantine founded Ballantine Books in 1952, announced that he would offer trade publishers original titles in two simultaneous editions, a hardcover “regular” edition for bookstore sale, and a paper-cover, low-priced “news stand” edition for mass market sale. So, these Ballantine paperbacks were true first editions.
An Art Deco version of the perennial horse-lovers classic.
Black Beauty.
Retold by Malcolm Claire
Illustrated by Bernice Magnia
Published by American Crayon Company (1946)
Another Australian writer whose works are now hard to find.
ill met by a fish shop on george street (1969 first UK edition, Hodder and Stoughton, jacket art by Ellen Raskin)
Night's Evil (1966 first US edition, Doubleday, jacket art by Larry Lurin)
Seance on a Wet Afternoon (1970 Horwitz paperback edition)
The following is a brief biography of Fredric Brown (1906-1972) from the Goodreads website (at www.goodreads.com/author/show/51503.Fredric_Brown):
"Fredric Brown was an American science fiction and mystery writer. He was one of the boldest early writers in genre fiction in his use of narrative experimentation. While never in the front rank of popularity in his lifetime, Brown has developed a considerable cult following in the almost half century since he last wrote. His works have been periodically reprinted and he has a worldwide fan base, most notably in the U.S. and Europe, and especially in France, where there have been several recent movie adaptations of his work. He also remains popular in Japan.
"Never financially secure, Brown - like many other pulp writers - often wrote at a furious pace in order to pay bills. This accounts, at least in part, for the uneven quality of his work. A newspaperman by profession, Brown was only able to devote 14 years of his life as a full-time fiction writer. Brown was also a heavy drinker, and this at times doubtless affected his productivity. A cultured man and omnivorous reader whose interests ranged far beyond those of most pulp writers, Brown had a lifelong interest in the flute, chess, poker, and the works of Lewis Carroll. Brown married twice and was the father of two sons."
“He said he would sail his balloon around the world.”
“Tom Sawyer Abroad” features Tom Sawyer and Huckleberry Finn in a parody of adventure stories like those of Jules Verne. In the story, Tom, Huck, and Jim set sail to Africa in a futuristic hot air balloon, where they survive encounters with lions, robbers, and fleas to see some of the world’s greatest wonders, including the Pyramids and the Sphinx. The story is told using the first-person narrative voice of Huck Finn and is a sequel, set in the time following the title story of the Tom Sawyer series, “Adventures of Tom Sawyer.” [Source: Wikipedia]
Fantasia is Walt Disney’s animated orchestral masterpiece and untold youngsters were introduced to and inspired by its music. This companion volume to the motion picture has many color images from the film. The musicians whose works are featured in both the motion picture and the book include Bach, Beethoven, Schubert, Mussorgsky, Tchaikovsky, Dukas, Ponchielli, and Stravinsky. Actual musical phrases are printed decoratively throughout the book together with illustrations by Disney artists. Leopold Stokowski conducted the Philadelphia Orchestra in the score of the motion picture.
Fantasia is divided into seven parts, each built around a well-loved musical work. In the first part Bach’s Toccata and Fugue in D Minor is visualized in a whirl of brilliant abstractions. The second part is Tchaikovsky’s Nutcracker Suite with the Russian Dance performed by orchids and thistles and with tropical fish swimming sinuously through the exotic Arabian dance. Dukas’ The Sorcerer’s Apprentice comes next, starring Mickey Mouse in his greatest dramatic role.
Sections four and five are built on Stravinsky’s Rite of Spring and Beethoven’s Pastoral Symphony. In the sixth part ostriches, hippos, and elephants, in ballet dresses reminiscent of Degas, dance to the music of the Dance of the Hours from Ponchielli’s opera La Gioconda.
The seventh and final section represents the triumph of good over evil. In the opening – Mussorgsky’s Night on Bald Mountain – Satan and the dark spirits of the night perform a stormy danse-macabre. Then, as the music fades into Schubert’s Ave Maria, the forces of darkness are routed, the church bells ring, and Fantasia is brought to a close in streaming sunlight.
From "Rip Van Winkle" by Washington Irving. London: William Heinemann, 1905. First Rackham Trade Edition.
Modern Magic by Professor Hoffmann (Angelo Lewis) was the first book in the English language to really explain how to perform feats of magic. The book contains advice on the appearance, dress and staging of a magician. It then goes on to describe many tricks with playing cards, coins, watches, rings, handkerchiefs, dominoes, dice, cups and balls, balls, hats and a large chapter of miscellaneous tricks, including magic with strings, gloves, eggs, rice and some utility devices. The penultimate chapter describes large stage illusions, and the final chapter contains advice on routining a magic show, and more advice on staging.
From "Rip Van Winkle" by Washington Irving. London: William Heinemann, 1905. First Rackham Trade Edition.
Bill and his family start off, with many others, on the spaceship Mayflower. Food is becoming increasingly scarce on Earth and they are going to try scientific farming on one of Jupiter’s moons, which is in the process of being terraformed. Life on Ganymede is adventurous, but it is not easy. The process of farming there is a struggle but fascinating. The family, in building a new house, discovers the delights of windows and a fireplace – features which are at that time not present in houses on Earth. Then comes a great disaster. Do they come through it and remain on Ganymede, or do they return to Earth?
“Captains Courageous” is a coming-of-age tale of fishing off the New England coast. It is the story of Harvey Cheyne, a spoiled rich kid, who stumbles overboard an ocean liner and is rescued by fisherman Manuel Fidello off the Grand Banks of Newfoundland and brought aboard a small fishing boat. There he meets Disko Troop, captain of the fishing boat, who refuses to take the young man back to port but agrees to take him on as part of the crew against Harvey’s wishes. Over the course of the novel, Harvey befriends the captain’s son Dan and has some sense knocked into him. Dan helps the arrogant, overly pampered Harvey become a hard-working, self-reliant man at sea.
“Captains Courageous” is also an excellent portrayal of life in the Gloucester fishing fleet of Massachusetts, written while the newlywed Kipling lived in Vermont. Although Kipling lived in Vermont several years and was married to an American this is his only novel with entirely American settings, themes and major characters. The American edition of the book is dedicated to James Conland, M.D., of Brattleboro, Vermont. Dr. Conland had brought the Kiplings elder daughter into the world and had been a member of the Massachusetts fishing fleet. It is he who took Kipling to explore the wharves and quays of Boston and Gloucester.
Considered one of the great sea novels of the 19th century, “Captains Courageous” was made into an excellent Victor Fleming film in 1937 starring Freddie Bartholomew (Harvey Cheyne), Spencer Tracy (his rescuer Manuel Fidello),
Lionel Barrymore (Captain Disko Troop) and Mickey Rooney (Dan Troop).
Nombre: Vehicon
Afiliación: Decepticons
Línea: Transformers Prime First Edition
Clase: Deluxe
Año: 2012
Número de adquisición: 574
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Name: Vehicon
Allegiance: Decepticons
Line: Transformers Prime First Edition
Class: Deluxe
Year: 2012
Number in Collection: 574
Wells coined the term “time machine” and is generally credited with popularizing the concept of time travel. Wells’ story transports the reader from Victorian England to a society 800-thousand years into the future for a close encounter with the childlike Eloi who live on the surface of planet Earth and the apelike Morlocks who live underground. The time traveler and narrator, an English inventor, tells a remarkable tale of his adventures in that distant future.
One of the greatest American illustrators of the 20th century, N. C. Wyeth created over 3,000 paintings and illustrated 112 books, 25 of them for Scribner’s. He was the father of Andrew Wyeth and the grandfather of Jamie Wyeth, both famous artists in their own right.
The bloody death toll of WWI had left so many bereaved that people who had never been able to say goodbye to loved ones flocked to mediums in hopes of re-establishing contact. One of the key figures stirring the revival in Spiritualism was Sir Arthur Conan Doyle, who had himself lost a son, a brother and nine other relatives in the war. He became a proselytizer for Spiritualism, writing books about it, including two in 1918 alone, and became one of the public leaders of the movement.
Contemptuous of frauds and fakes, Houdini desperately wanted to believe in things undreamt of in his philosophy, but he was continually disappointed. His time at the carnivals had made him aware of many of the tricks used by unscrupulous mediums, and his experience as an illusionist made it easy for him to disprove them. He began to resent how he and bereaved people in general had been bamboozled by scam-artists who preyed on vulnerability, and he grew active in exposing them. He stepped up his exposure of dishonest mediums with his book “A Magician Among the Spirits,” which revealed the secrets behind floating handkerchiefs, “spirit hands,” and messages from the beyond. Following the deaths of Houdini and Doyle, Spiritualism fell into disrepute, once again the province of carnival fortune tellers and con men. [Source: www.biography.com/news/houdini-arthur-conan-doyle]
This is pure pulp from the golden age of pulp fiction, Flash flies to another planet , rescues a princess from the horrible, devouring octopus-things that surround her kingdom, enlists her aid and returns to destroy the monstrous cavern men overrunning Mongo. Flash, his sweetheart Dale Arden and the scientist Dr. Zarkov, the only earthlings on the planet, who, with Vultan's bravest nobleman, descend deep into the heart of Mongo.
Deep in the core of the planet lives a race who have been sealed in their dark caverns for centuries. Tirelessly they work to break through the upper crust of Mongo to destroy King Vultan and his people. And they would have succeeded but for ...
"Daily Encounters Photographs from Fleet Street" by Roger Hargreaves published by the National Portrait Gallery to accompany an exhibition there from 5 July to 21 October 2007. I visited the exhibition, and bought this book, on Thursday 18 October 2007 – it was a fine sunny day .
Leonardo Da Vinci’s “Treatise on Painting,” the most important treatise on art to be written during the Renaissance, was actually compiled by Francesco Melzi, one of Leonardo’s pupils, around 1540. It circulated widely, first in separate manuscripts and later in printed books, and for centuries it was thought to have been written by Leonardo himself. Artists, scientists, and scholars including Galileo, read it avidly as an authoritative record of Leonardo’s thoughts. In the 19th century, when the artist’s original notes became available, scholars realized that the text poorly reflected Leonardo’s sophisticated ideas. The text was very influential nonetheless. For better or worse, it was the primary source for disseminating Leonardo’s art theory in Renaissance and Baroque Europe, from the mid-sixteenth century to the early nineteenth century.
[Source: www.treatiseonpainting.org/]