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Modern Art, Oxford.
Mamiya RZ67, Fuji Acros 100, HC110 (E) 7 mins.
View other shots on my photo blog.
I found the holding lot where they're keeping a bunch of 30's-50's era cars for use in a period film being shoot around Toronto this week.
Film in Chinatown no. 54
Last shot on roll so there are defects on left part of frame (Frame # 36, exposure 40). Had to unload film in dark bag, as the film broke and camera err.
Grant Ave x Pacific
Chinatown, San Francisco
camera: Yashica Microtec zoom 90
film: Fujifilm 35mm 400iso C41 color film
Developed in B&W with Caffenol / test roll /
Pakon F135 Plus scanner
Adobe Photoshop CS2 Windows
day: 2014-01-01
desc:
winning goal for UPC Vienna Capitals against EHC Liwest Black Wings Linz
after a relaxing day we went to the new years hockey game in vienna. it was a really good game and vienna capitals turned out as winners with 7-4 against the black wings linz and this photo shows the last goal in the game.
Actor and film director
In 1922, Walsh was traveling with a group of actors and crew to Tahiti to direct scenes for "Lost and Found on a South Sea Island" which was released in 1923.
From Wikipedia, the free encyclopedia
Raoul Walsh (March 11, 1887 – December 31, 1980) was an American film director, actor, founding member of the Academy of Motion Picture Arts and Sciences (AMPAS) and the brother of silent screen actor George Walsh...
Walsh began as a stage actor in New York City, quickly progressing into film acting. Walsh was educated at Seton Hall College and began acting in 1909. In 1914, he became an assistant to D.W. Griffith and made his first full-length feature film The Life of General Villa, followed by the critically-acclaimed Regeneration in 1915, possibly the earliest feature gangster film. Walsh played John Wilkes Booth in Griffith's epic The Birth of a Nation (1915) for which he was also Assistant Director. Walsh later directed The Thief of Bagdad (1924), starring Douglas Fairbanks and Anna May Wong.
In Sadie Thompson (1928) starring Gloria Swanson as a prostitute seeking a new life in Samoa, Walsh starred as Swanson's boyfriend in his first acting role since 1915; he also directed the film. Walsh was then hired to direct and star in In Old Arizona, a film about The Cisco Kid. While on location for that film Walsh suffered a car accident in which he lost his right eye. He gave up the part (but not the directing job), and never acted again. Walsh would wear an eyepatch for the rest of his life.
In the early days of sound with Fox, Walsh directed the first widescreen spectacle, The Big Trail (1930), a wagon train western shot on location across the West. It starred then unknown John Wayne, whom Walsh discovered as prop boy Marion Morrison and renamed after Revolutionary War general Mad Anthony Wayne (Walsh happened to be reading a book about General Wayne at the time). Walsh directed The Bowery (1933), featuring Wallace Beery, George Raft, Fay Wray and Pert Kelton; the movie recounts the story of Steve Brodie, the first man to supposedly jump off the Brooklyn Bridge and live to brag about it.
An undistinguished period followed with Paramount Pictures from 1935 to 1939, but Walsh's career rose to new heights soon after moving to Warner Brothers, with The Roaring Twenties (1939) featuring James Cagney and Humphrey Bogart; Dark Command (1940) with John Wayne and Roy Rogers; They Drive By Night (1940) with George Raft, Ann Sheridan, Ida Lupino, and Bogart; High Sierra (1941) with Lupino and Bogart again; They Died with Their Boots On (1941) with Errol Flynn as Custer; Manpower (1941) with Edward G. Robinson, Marlene Dietrich, and George Raft; and White Heat (1949) with Cagney. Walsh's contract at Warners expired in 1953.
He directed several films afterwards, including two with Clark Gable, The Tall Men (1955) and The King and Four Queens (1956). Walsh retired in 1964."
Washi Film ist ein neuer handgefertigter fotografischer Film aus traditionellem Japanpapier (Washi) der mit allen Mittel- und Großformat-Kameras belichtet werden kann. Einfach zu handhaben und zu entwickeln liefert der Washi-Film durch seine feine Faserstruktur eine ganz besondere Ästhetik. Das Negativ kann entweder gescannt oder als analoger Kontaktabzug oder Vergrößerung verarbeitet werden.
Foto © Loming PERROTIN
Kaufen: monoc.me/washi-film