View allAll Photos Tagged Films

Ah, new films " Scharf "??

No! No! ;p

 

I found them at the stationary shop.

They're pencil sharpeners, you see "FILM SHARPENER" on the bodys.

They're really cute so I bought some, different colors, just for fun!

 

On the opposite side, it's written like that; " The pen is mightier than the sword." .

canon ae-1 program

fuji c200

50mm f/1.4

Yashica Mat 124 G

Rolleinar 2

Kodak Portra 400 (expired 2016) - converted to B&W in Lightroom

Nikon FA

Nikkor 50mm 1:1.8

你會怎麼做

 

百般姿態的你 拍不厭

  

Rollei 35 T / AGFA400

Some leftover film from Jeff's cabin.

Mamiya RB67 Pro S / Sekor 90mm / Tmax 400 film

Rodinal 1 25

 

Contax S2b + Zeiss 1,4/50

Lomography Color Negative 100

Expired 7/2013

 

I am loving the colors of this film. I plan on ordering newer stock.

Daphne would be the perfect short-haired brunette for a film noir.

 

Film noir films (mostly shot in gloomy grays, blacks and whites) showed the dark and inhumane side of human nature with cynicism and doomed love, and they emphasized the brutal, unhealthy, seamy, shadowy, dark and sadistic sides of the human experience. An oppressive atmosphere of menace, pessimism, anxiety, suspicion that anything can go wrong, dingy realism, futility, fatalism, defeat and entrapment were stylized characteristics of film noir. The protagonists in film noir were normally driven by their past or by human weakness to repeat former mistakes.

 

Film noir was marked by expressionistic lighting, deep-focus camera work, disorienting visual schemes, jarring editing or juxtaposition of elements, skewed camera angles (usually vertical or diagonal rather than horizontal), circling cigarette smoke, existential sensibilities, and unbalanced compositions. Settings were often interiors with low-key lighting, venetian-blinded windows and rooms, and dark, claustrophobic, gloomy appearances. Exteriors were often urban night scenes with deep shadows, wet asphalt, dark alleyways, rain-slicked or mean streets, flashing neon lights, and low key lighting. Story locations were often in murky and dark streets, dimly-lit apartments and hotel rooms of big cities, or abandoned warehouses. [Often-times, war-time scarcities were the reason for the reduced budgets and shadowy, stark sets of B-pictures and film noirs.]

 

Narratives were frequently complex, maze-like and convoluted, and typically told with foreboding background music, flashbacks (or a series of flashbacks), witty, razor-sharp and acerbic dialogue, and/or reflective and confessional, first-person voice-over narration. Amnesia suffered by the protagonist was a common plot device, as was the downfall of an innocent Everyman who fell victim to temptation or was framed. Revelations regarding the hero were made to explain/justify the hero's own cynical perspective on life. Some of the most prominent directors of film noir included Orson Welles, John Huston, Billy Wilder, Edgar Ulmer, Robert Siodmak, Fritz Lang, Otto Preminger, and Howard Hawks. "

www.filmsite.org/filmnoir.html

 

I absolutely love dox.media2.org/barista/archives/film noir.jpg' target= pool.

mosbies-san lends me his kiev.

This is one of my first roll. need to practice a lot ....

 

mosbiesさんがキエフを貸してくれました。

まだまだ修行が必要です...

Taken w/ Olympus Stylus, CVS 35mm film.

 

www.patrickftobin.com

sum expired ass film in chicago 2011

Film Photography Minolta Dynax a-7 Golden

olympus XA2 kodak gold 100

    

When about two years ago is born, they are photographs. www.flickr.com/photos/42138679@N04/5403754669/

Il est parfois besoin de s'égarer pour éviter de se perdre.

 

www.youtube.com/watch?v=LSFYyFhXo7s

Camera:Hasselblad 500C/M

Lens:Carl Zeiss Planar 80/2.8T*

Film:Kodak PORTRA 160

 

祖父母の周辺

祖父の軽トラック

  

Follow my Instagram →instagram.com/kazuyukikawahara

Nikon FE

Solaris 400

an accident

♫ Woman-John Lennon

I usually carry multiple backs of film so I can quickly replace a used roll of film with a fresh roll.

 

I also like to carry multiple backs so I can change films in the middle of a roll.

 

I could change from black & white to color but I primarily shoot only black & white with my Mamiya RB67. I like being able to change from one film speed to another.

 

I use the following eight film backs with my RB67:

 

back #1 Ilford HP5 Plus (ISO 400)

back #2 Ilford HP5 Plus (ISO 400)

back #3 defective (use only for parts)

back #4 FomaPan (ISO 100)

back #5 FomaPan (ISO 100)

back #6 Ilford Delta Pro (ISO 3200)

back #7 Ilford Delta Pro (ISO 3200)

back #8 Ilford HP5 Plus (ISO 400)

 

As I recall, I was about 24 years old when a friend of mine took the pictures. I was then too shy to even develop the film so I kept it aside, until I recently decided to do so, and even to publish them here...

 

When I developed film from camera and saw this frame I asked myself, why the heck I took this picture. Nothing interesting, just a random girl sitting near the fountain. It had to attract my attention somehow. It feels vintage in some way. Its hard to explain. I just like everything about it. The fact she is reading near the fontain, her clothes, the cube she was sitting on etc.

Pentax Asahi SP 500

Fujicolor 200

It's not as if it's easy for me to ask to take a stranger's photo; it's a minor masochistic torture.

I'm embarrassed, I'm shy, I'm unsure of what I want, I'm afraid they'll say no.

 

But look at how beautiful they are. And just existing in the world!

Leica M3 / Summicron 50mm

Film- Double Exposure.

Model- Gaya Wajsman

(And there's also me if you can see).

フジカラー SUPERIA ズームマスター800

写ルンですNew Waterproof

kazan coffee spots

yasniy bar | july’24

35mm Kodak ColorPlus 200, Canonet QL19

Pentax K1000, Kodak Ektar 100

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