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One of the biggest challenges of shooting film is that there are too many things that could go wrong during the shooting process. On the other hand, it actually makes you become more discipline before hitting the shutter. When you have a scene like this, you only have a small time window to capture it before the light and colors start to fade away. I have decided to go back to film because I didn't take photography seriously in the past. Only until I picked up my first DSLR in the late 2005, had I become more serious. The chemicals and the emulsion involved are fascinating to me. But I understand the underlying challenges and I am willing to accept them for my new journey.
Film: Kodak Portra 400
Camera: Voigtlander Bessaflex TM
Lens: Carl Zeiss Distagon T* 35mm F2 ZS
I can't express how happy it made me to see there is still so much film being sold in Japan. It gives me hope that film photography will go on for another few years!
I keep forgetting the name of this shop — it's Yodobashi in Shinjuku — which was quite annoying when we wanted to go there a second time... This is only one of the few film sections there!
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Samsung NX10 • 30mm ƒ/2 Pancake
The new facade of the Petersen Automotive Museeum taken with my old Minolta XD5 film camera. Feb 2016
need to get in the kitchen and start making tonight's soup. pumpkin soup.
but thinking of pouring myself a glass of wine. early.
With the film shortage I've been struggling with finding film in Sweden (that won't completely break the bank, anyway). I've yet to receive Kodak film I paid for and ordered in August 2022.. Thank god for the Lomography web shop.
27th roll of film
Lomography color negative 400 (expired & shot at 200)
Olympus OM-2n
Zuiko Auto-s 50mm f/1.8
Scanned with Plustek Opticfilm 8200i
Macro Monday Challenge: "Film Noir"
Subject is a replica of a Colt Model 1851 Navy revolver. I used a snooted SB-600 on the left to light the end of the barrel, and a second SB-600 behind with a red gel. The gun was disassembled and the barrel was stuck though a cardboard box to hold it steady.
Now at The FPP!
Kodak Vision 200T 65mm perforated color film.
Film is ultra fresh direct from Eastman Kodak!
Tungsten Balanced (use 85 orange color correction filter in daylight)
Process Only: ECN-2
50 ft (15 meters) roll of perforated 65mm color film. In order to shoot in your 116 or 616 camera you will need to roll your own.
What you will need
You will need a 116 or 616 film spool (depending on what camera you have) as well as backing paper and some paper tape. In a completely dark room you will need to cut and roll your film.
Processing Info
This film is process ECN2. Film Rescue is the recommended lab tp process and scan this film. An order form will be included in your order. It can also be home processed using our FPP color negative kit. If home processing, you will need a 116 sized (70mm) film tank or DIY-it in a bucket.
Breaking News!
This film has just arrived and has yet to be tested by the gang at The FPP. Please consider sharing your results with us! Shoot an e-mail to Michael@FilmPhotographyProject.com