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Ilford 120 ISO400 film loaded into a Yashica Mat124G. Happisburgh beach in winter.

more of the film i just got developed.

 

not completely sure when i took this

 

my front porch

 

Gravois Park neighborhood, St. Louis, Missouri, USA

  

shot with a Lomo fisheye

 

Camera: Hasselblad 500 C/M medium format film camera,

Carl Zeiss f/4 150mm Sonnar lens.

Film: Kodak T-Max 100 120

Scanned by Walkens House of Film, Melbourne, Australia

 

Just a brief return to Constitution Dock in Hobart and the 2025 Sydney to Hobart Yacht Race. These photographs were all taken with the square format of my Hasselblad 500 C/M medium format camera with a vintage Carl Zeiss 150mm Sonnar lens.

 

film, sooc. sunset in paris. oh, i would give absolutely anything to be back at this moment right now.

scanned negatives via normal scanner and inverted in photoshop. cool, but weird quality.

 

from the first week of school, iz kelly.

 

35mm.

Reworking older files and decided this was a good candidate for an updated edit, in B&W. Used 2 Canon strobes , one to each side.

A few years ago my mother gave me a bunch of loaded slide magazines she picked up at a second-hand shop. When I first started digging into them I noticed a large amount of faded-to-magenta Ektachrome and figured there wasn't going to much of value left in the exercise of going through it all.

 

But then I came across the Kodachromes.

 

All were still in excellent condition - no fade, perfect color. I had a hunch the slides were dated sometime around the mid-70s, but it wasn't until I took them out of the slide holders that the date stamp was revealed: these were 51 year old slides I was looking at. I have no idea who the photographer is nor what kind of camera was used, but this is like holding jewels from another generation.

 

Taj Mahal, Agra, Uttar Pradesh, India, 1962

Do you like pretty things?

Would you caress broken wings?

Camera - Leica M5. Lens - Canon 50mm F/1.8 (LTM). Film - Kodak Tri-X 400.

 

Digitizing setup - Carl Zeiss Macro-Planar 120mm F/4 CFE lens adapted to Fujifilm GFX 100S camera, mounted on Valoi Easy120 film scanning kit. Fujifilm’s Pixel Shift technology was utilized.

Film lomography

Instagram : retlevch

cardiff,

lomo lca+ with splitzer

 

Richard PJ Lambert

Tumblr

cold and windy in the fog even when we're pushing 90 down below.

 

It's both summer and winter over on the group blog today: letthewildrumpuslast.wordpress.com/2014/05/15/fourteen/

 

This is one of my first images from my first roll of film. This was shot on a Mamiya 645 TL pro. I did do some slight adjustments to the image but not much.

 

This was lit with a small octa I think.

 

2016年1月27日 陰晴

 

最近送洗的都是135的底片

送回來後,失敗的非常少

Pro400H這捲拍的顏色

看起來偏藍有冷調感

是我喜歡的顏色

 

拍照有時不要管別人怎麼說

默默的拍

不然,下次還有沒有這樣的機會都不知道

很高興我將他們都拍起來

帶回家了

  

#FM2 , 50mm/ 1.8f

#Fuji pro400H

 

Nikon F6, Kodak T-Max 400, Nikkor AF-S 50/1.8G @ f/2.8, 1/15, -0.3 EV

Scanned into a digital file just like the old fashioned days

 

生 活 切 片 。

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

  

之一

黑與白的深沉對應

來自於今日午后影片的感想

do you find your self?

 

最終疑問句。

  

之二

慾望趕不上所謂閱讀進行式。

 

之三

我們。

謝謝有你

「就在這裡寫生吧!」

 

這裡是個寬廣公園, 人不多 所以可以很專心的畫

有微風、有鳥鳴、有忽現忽弱的陽光,還有位全能助手

 

肩並肩地, 坐在高樹下涼蔭的長椅

在外頭作畫, 感覺和自然更貼近了

 

那天下午,我們在誤打誤撞的寫生地點

是場出槌變調的小旅行, 但轉變成了更悅耳心靜的曲調 。

Leica M6 Fuji Fujichrome RDP100D E-6 MHD starke Geldstich korrigiert 38 Grad Analog

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