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Camera: Hasselblad 500 C/M medium format film camera,
Carl Zeiss f/4 150mm Sonnar lens.
Film: Kodak T-Max 100 120
Scanned by Walkens House of Film, Melbourne, Australia
Just a brief return to Constitution Dock in Hobart and the 2025 Sydney to Hobart Yacht Race. These photographs were all taken with the square format of my Hasselblad 500 C/M medium format camera with a vintage Carl Zeiss 150mm Sonnar lens.
film, sooc. sunset in paris. oh, i would give absolutely anything to be back at this moment right now.
A few years ago my mother gave me a bunch of loaded slide magazines she picked up at a second-hand shop. When I first started digging into them I noticed a large amount of faded-to-magenta Ektachrome and figured there wasn't going to much of value left in the exercise of going through it all.
But then I came across the Kodachromes.
All were still in excellent condition - no fade, perfect color. I had a hunch the slides were dated sometime around the mid-70s, but it wasn't until I took them out of the slide holders that the date stamp was revealed: these were 51 year old slides I was looking at. I have no idea who the photographer is nor what kind of camera was used, but this is like holding jewels from another generation.
Taj Mahal, Agra, Uttar Pradesh, India, 1962
scanned negatives via normal scanner and inverted in photoshop. cool, but weird quality.
from the first week of school, iz kelly.
35mm.
Reworking older files and decided this was a good candidate for an updated edit, in B&W. Used 2 Canon strobes , one to each side.
I shot Ashley in my studio space with my Mamiya 645 then after rewinding the film, I did a walk about in my garden for the second exposure. I was quite surprised and pleased at how closely the frames aligned between the two exposures, it's not usualy so accurate!
I developed the HP5 (shot at ISO1 1600) with Ilfosol3 and scanned with my Coolscan 9000.
was not vacant
and vacant at the moment
then, going to be not vacant again
when could we catch the right timing?
@cafe miyama, shibuya, tokyo
Digitized using Carl Zeiss Macro-Planar 120mm F/4 CFE lens adapted to Fujifilm GFX 100S camera, coupled with Valoi Easy120 film scanning kit.