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ODC ... film noir ...
Photowalk met Mirjam naar de Meelfabriek Leiden
she agreed to pose for me for this topic :) whát a gal !
LIMG_6455_lr2
Camera: Leica IIF with the 50mm/3.5 Elmar lens, 1952.
Film: Kodak Portra 160.
Processing: Walkens House of Film, Melbourne, Australia.
This view of the "new" front entrance was started in 1840 and finally completed in 1845. It opens onto a beautifully designed formal front garden.
The light here is perfect for film photography, and my vintage 1952 Leica IIf handles the conditions superbly. The camera is completely mechanical and all light metering was done externally with my Sekonic light meter.
this band was playing in the street, and i had to snap a picture of them because they were all so ridiculously good looking.
I decided that my Plustek film scanner needed a film holder for 127 film. So I designed and built one via 3d printing.
www.printables.com/model/1332807-plustek-scanner-film-hol...
This is a comparison of different frame sizes on 16mm film used in subminiature still cameras.
* The 10x14mm frames are shot with a Minolta 16 MG (1966-1971).
* The 12x17mm size frames are made with a Minolta 16 MG-s (1970-1974).
Double perf film - that is the old school movie film perforated on both sides - will of course work too, but the sprocket holes will likely protrude into the picture frame, particulary with the 12x17mm frame size.
Film strip length
Cut the film to about 48-50 cm (approximately 19 inches) to secure 18-20 exposures on each cassette. Be carefull with making longer film strips as the receiving chamber of the 16mm film cartridge is really small. Too much film may cause jamming of the film transport.
Number of frames
The Minolta 16 MG takes 20 10x14mm frames and the later Minolta 16 MG-s takes 18 12x17mm frames with slightly narrower frame spacing. This means that the sufficient film length is the same for both cameras.
Loading the cassettes
Try to get the side with sprocket holes down in the cassette first, then there is less risk of protrusion of the sprocket holes into the frames.
film. pentax k1000. fujicolor press 400. expired.
anna.
hammock.
can you stand more anna hammock photos?
Ashridge Estate, Chiltern Hills, Hertfordshire, England.
May 2025
Leica M3 camera
Zeiss Planar f2.0 50mm lens
Kodak Ultramax 400 film
人與人之間的認識
有很多人是你不能認同的
所以你離開
有些人是你感覺與你是同類的
所以你們在一起了
有時候因為是同類
反而太多的無法妥協,所以你離開
有時後因為有那麼的差異互補性
所以你們在一起了
當自己被丟入在茫茫人海,人性的差異又更顯得龐大
於是你選擇嘗試去融入去了解
於是你也很可能想一個人靜靜的
於是你或許發現自己排斥一切
又於是你或許無意間撿拾到些什麼
厭惡人類
卻又總是透過拍攝人類來找尋自己的生存之道
人啊
真是個讓人又愛又恨的生物呢
Chinese guardian lions or Imperial guardian lions, often called "Foo Dogs" in the West, are a common representation of the lion in imperial China. Chinese guardian lions are sometimes referred to in English as shishi, from the Chinese shí shī (Chinese: 石獅; pinyin: shíshī; literally: "stone lion"), which refers specifically to lion sculptures in stone. The concept, which originated and became popular in Chinese Buddhism, subsequently spread to other parts of Asia including, Japan, Korea, Tibet, Thailand, Burma, Vietnam, Sri Lanka, Nepal, Cambodia and Laos.
Leica M4
Leica 50mm F1.5
Film: Foma retropan 320
Develop: HC-110 8min
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