View allAll Photos Tagged Films
Facebook: www.facebook.com/OndaOcho.Photography
Website: oliverliria.wix.com/oliverliria
Tumblr: ondaocho.tumblr.com/</
人與人之間的認識
有很多人是你不能認同的
所以你離開
有些人是你感覺與你是同類的
所以你們在一起了
有時候因為是同類
反而太多的無法妥協,所以你離開
有時後因為有那麼的差異互補性
所以你們在一起了
當自己被丟入在茫茫人海,人性的差異又更顯得龐大
於是你選擇嘗試去融入去了解
於是你也很可能想一個人靜靜的
於是你或許發現自己排斥一切
又於是你或許無意間撿拾到些什麼
厭惡人類
卻又總是透過拍攝人類來找尋自己的生存之道
人啊
真是個讓人又愛又恨的生物呢
How hard is it?
to lose something
So important, so significant, so treasured
How hard is it?
To move on, I mean.
This is a comparison of different frame sizes on 16mm film used in subminiature still cameras.
* The 10x14mm frames are shot with a Minolta 16 MG (1966-1971).
* The 12x17mm size frames are made with a Minolta 16 MG-s (1970-1974).
Double perf film - that is the old school movie film perforated on both sides - will of course work too, but the sprocket holes will likely protrude into the picture frame, particulary with the 12x17mm frame size.
Film strip length
Cut the film to about 48-50 cm (approximately 19 inches) to secure 18-20 exposures on each cassette. Be carefull with making longer film strips as the receiving chamber of the 16mm film cartridge is really small. Too much film may cause jamming of the film transport.
Number of frames
The Minolta 16 MG takes 20 10x14mm frames and the later Minolta 16 MG-s takes 18 12x17mm frames with slightly narrower frame spacing. This means that the sufficient film length is the same for both cameras.
Loading the cassettes
Try to get the side with sprocket holes down in the cassette first, then there is less risk of protrusion of the sprocket holes into the frames.