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Shot using: Olympus OM-1 | G.Zuiko 50mm F/1.4 lens | Fujifilm 400

nikon fm

hp5+

warsawa

Praktica VLC2

Pancolar Carl Zeiss Jena 50mm f1.8

Kodak Ultra Max 400

Pentax 67

Portra 400

Horizon S3 Pro, Argenti Low-Speed 50, R09.

Epson Perfection V850 with Vuescan, SmartConvert and Lightroom.

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This photograph captures a moment of quiet serenity on a sun-drenched beach, but there’s a subtle tension that makes the scene compelling. Taken with the **Horizon S3 Pro**, the camera’s sweeping panoramic frame allowed me to embrace the vast expanse of sky and sea while carefully balancing the human elements. Shooting on **Argenti Low-Speed** film, I was drawn to the way the low sensitivity rendered a fine, almost dreamy grain structure—enough texture to feel alive but delicate enough to let the light breathe.

 

The composition came together almost serendipitously. The figure standing at the water’s edge serves as a solitary focal point, grounded yet disconnected, as if lost in their own thoughts. Meanwhile, the sunbather under the umbrella introduces a lighthearted counterbalance, their relaxed pose and outstretched arm lending the scene a candid, almost playful quality. The oversized umbrella dominates the lower right third, offering an anchor that pulls the eye back after wandering through the airy, open sky. I particularly love how the distant sailboats on the horizon add depth and structure, small yet significant details that fill the frame without overwhelming it.

 

For me, this image is all about contrasts—the expanse of emptiness against the anchored figures, the scorching sun implied through the high tones, and the stillness of the moment against the gentle motion of the sea. It’s a quiet kind of storytelling, one where the viewer is invited to fill in the gaps and linger a little longer. This is one of those shots where the equipment, film, and timing all clicked into place, creating something simple yet quietly cinematic.

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Camera : Canon Prima 4

Film : Fujicolor C200

Zenit 122 50mm Æ’ 2.5

Camera : Canon EOS 3

Lens : Sigma 50mm f/1.4 DG HSM Art

Film : Wolfen NC500

 

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500cm I TMAX400 I distagon4-50c

 

occasionally but far too rarely I use the ND3.0

1 minute and 16 seconds later

the chance for 10 stops more time is always a little bit like a "surprise gift"

 

it changes everything...

 

www.mikesphotographyandmore.de/

 

Camera : Canon EOS 1n

Lens : Sigma 50mm f/1.4 DG HSM Art

Film : Ilford FP4

 

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Camera : Canon EOS 3

Lens : Sigma 50mm f/1.4 DG HSM Art

Film : Amber T800

 

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Camera : Canon EOS 1n

Lens : Sigma 50mm f/1.4 DG HSM Art

Film : Rollei Retro 400S

 

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Kodak Portra 400, 35mm

Bronica,

tmax 400,

daylight,

scan from negativ

Camera : Canon EOS 1000f

Lens : Canon EF 50mm f/1.8 II

Film : Fujicolor C200

 

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Nikon F5 with Fujifilm 200

Camera : Canon EOS 3

Lens : Sigma 50mm f/1.4 DG HSM Art

Film : Fujifilm Provia 100F

 

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Camera : Canon EOS 1n

Lens : Sigma 50mm f/1.4 DG HSM Art

Film : Ilford PAN 100

 

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Nikon FM2 105mm ais f2.8

ilford HP5+ 400

D76 Developer

With the Ricoh I used Kodak Ultramax 400 film. Processed by the local Kodak shop and Scanned by my Epson V550.

Canon FT

Fujifilm 400

Film Swap

Double Exposure

Leica M6 TTL and Kodak Ultramax

Camera : Canon EOS 1000f

Lens : Canon EF 50mm f/1.8 II

Film : Fujicolor C200

 

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