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You don't see this much - and by much I mean at all - in Ottawa. People driving their ski-doos up to the gas station to fill 'em up. Good week for getting out on the snow, there were loads of people out.
Fog filled backdrop was this morning’s Mountain View.
A quiet and calm atmosphere seemed to embrace the morning dew along with the thick fog.
The wind seemed calm this morning adding to the unique and almost eeriness of the photo.
Nice!
Gold plated, 14k gold-filled, Swarovski fire opal crystals, sun crystals.
Designed in memory of a young 17 year old girl who died on November 17, 2007.
Read the story at my on-line shop:
www.circleofstonesjewel.etsy.com
Learn more about my Living Legacy Commemorative Jewelry:
Carly & Charles at The Gardens of Castle Rock ~ Joy-filled MN Wedding with Lace Accents #MNWedding
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Visit our webiste : THE GARDENS of Castle Rock ~ Minnesota Wedding Venue & Event Center
Minnesota Wedding Venue & Event Center : Providing a beautiful setting for outdoor weddings ceremonies & receptions and special events. Located in the southern Twin Cities area.
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Concert de Fills Monkey à l'Epicerie Moderne, Feyzin (69)
Abonnez-vous :
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Concert de Fills Monkey à l'Epicerie Moderne, Feyzin (69)
Abonnez-vous :
- www.facebook.com/pippojawor.photography
- twitter.com/pippojawor
After a days run on the C&TS Railroad, 487 will be filled with water for the overnight stay in Antonito, Colorado.
This bouquet is filled with half open cream cabbage roses, ranunculas, freesias and muscaris. You will find it filled with fern, variegated ivy and pearl sprays. . Stems are hand wrapped with a double sided satin and finished with a row of pearls.
who does fills on this wall?these 2 meatsticks apparently.this wasnt the plan,just the result of a bunch of bad decisions,n shitty circumstances.still fun to paint.
The toilet fill valve (ballcock) manages the water flow that refills the toilet tank. It often needs adjustments for appropriate flushing. This article also gives you the exact information regarding the proper adjustments for a toilet fill valve.
Jean-Baptiste-Camille Corot - French, 1796 - 1875
Forest of Fontainebleau, 1834
West Building, Main Floor — Gallery 93
A young woman reclines and reads a book near a stream that winds through a wooded landscape in this horizontal painting. Painted with rich pine green, trees tower along the riverbanks and fill most of the painting. The olive-colored water seems to have cut straight down over time, creating high banks painted with tones of caramel and honey brown. Steel and slate-gray boulders are scattered in intervals near the river. Deep in the hazy blue distance, mountains line the horizon, which comes halfway up the composition. In the lower left corner of the painting, close to the river, the woman lies on her stomach as she props herself up on her elbows to read. She has pale white skin and her long, dark hair falls over her shoulders. Her white shirt hangs low over her shoulders, and her rose-pink skirt falls just short of her bare feet.
The impressionist style developed as a method to render more accurately the appearance of the natural world, and was principally a technique for landscape painting. Corot, whose career began in the late 1820s when the academic tradition of landscape painting was being revived, was one of the most prolific and influential exponents of the genre. Forest of Fontainebleau, painted for and exhibited at the Salon of 1834, is a historic landscape, the hybrid category devised to elevate the status of landscape painting by combining with it the subjects of history painting. Although Corot's principal subject here was landscape, contemporaries readily identified the reclining woman in the foreground as Mary Magdalene. Her unbound hair and peasant costume, the deer in the background, and her solitude in the wilderness are traditional attributes of the saint.
In accord with academic training, Forest of Fontainebleau was created in the studio on the basis of sketches and studies that had been painted outdoors. The artist's humble attitude toward nature, unostentatious compositions, responsive paint handling, and conscientious clarity and freshness of vision distinguish his work from the formulaic landscapes of academic contemporaries. Corot declined to participate in the first impressionist exhibition, but his pervasive influence was manifest in works by pupils and followers including Pissarro, Morisot, Renoir, Monet, and Sisley.
More information on this painting can be found in the Gallery publication French Paintings of the Nineteenth Century, Part I: Before Impressionism, which is available as a free PDF www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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