View allAll Photos Tagged FTZ
Band-winged Dragonlet (Erythrodiplax umbrata) female.
River Legacy Living Science Center.
River Legacy Park. Arlington, Texas.
Tarrant County. July 30, 2022.
Nikon Z fc + Nikon FTZ II mount adapter.
Nikkor AF-S 300mm f/4E ED PF VR + TC-14e III teleconverter.
(420mm) f/5.6 @ 1/640 sec. ISO 250.
Nikon Z7 (pre-production)
FTZ Connector
NIKKOR AF-S
Some more from one of the recent evenings at the Wedge in Newport Beach.
This is the top part of an admirable little soup bowl from the 18th century, signed by Paul Hannong, the royal manufacturer of glazed earthenware under King Louis XV.
It is a family piece that’s been ours on my mother’s side for generations. Maybe one ancestor on the Rohan side got it from the marquise de Pompadour herself... :o)
Composite shot made up of 24 focus-stacked exposures, using the built-in function on the Nikon Z7. Stack processed with Helicon Focus. Micro-Nikkor 105mm ƒ/2.8 macro lens with FTZ adapter.
Z7
FTZ + Kenko Extension Tubes + NIKKOR AF-S 60mm Micro
3x Lume Cubes
Zerene Stacking Software
I have been asked several times why I use the Kenko extension tubes. Why not the Nikon tubes?
The Kenko tubes have the Auto Focus contacts that are needed for the Focus Shift Shooting feature of the Z6, Z7 and D850 to function. The Nikon extension tubes don't have the contacts.
When using Focus Shift Shooting (FSS), the camera captures an image an then uses the AF motors to move the lens to the next calculated plain of focus before shooting again. Without the AF contacts found in the Kenko tubes, the camera has no way to communicate with the AF motors.
First West of England Mint 5 Dennis Dart WA56 FTZ 42969 , Bristol Temple Meads Station Approach 31.3.18
Z7 + FTZ + TC14B + Nikkor 300mm f/4.5K ED non-IF (= 420mm f/6.3), hand held, ISO 500, f/8 at 1/640s; 44% crop (20/45MP).
Multiple photos taken at 1/8 sec (hand held) with my Z6 and 70-200 F/4 lens and stitched together with Affinty Photo. As I didn't have my landscape lens with me, I used my 700-200mm F4 lens. Unfortunately, I forgot to use a high F-stop for greater depth of field. Lesson learned.
@ Showa Kinen Park / Tokyo, Japan
Enlarge and have fun!
Check out my photostream. Thanks.
--
Thank you for visiting.
Don't use this image without my explicit permission.
Please refer to tag about equipments.
2次利用の際は事前に声をかけて下さい。
使用機材に関してはタグを参照してください。
Justin Winery Restaurant
3 shot hand held HDR, 2 EV apart.
Thank you for your views, faves, and comments.
Northern Shrike (Lanius excubitor).
Village Creek Drying Beds. Fort Worth/Arlington, Texas.
Tarrant County. January 13, 2022.
Nikon Z fc + Nikon FTZ II mount adapter.
AF-P Nikkor 70-300mm f/4.5-5.6E ED VR.
(300mm) f/7.1 @ 1/500 sec. ISO 280.
A rarity for Texas and a first record for Tarrant County. The bird had been present at the drying beds since November 2021 and has been seen and photographed by many birders. This was a long sought after state bird for me. KN
Nikon Z5
FTZ Adapter
AF-S Nikkor 28-70mm 1:3.5-6.3D
In this version I was able to include more of the creek bed into the image.
No corrections.
Z6
FTZ + AF-S 105mm f/1.4
Playing around with the Z6 at the recent Paul's Photo Z6 Launch Celebration (Torrance, CA)
Zaylaa was a wonderful model and fire dancer! Loads of fun to work with.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Tried a different take on the usual photo of buses, the timetable with the bus operating the route! Citybus WA17 FTZ is seen working the 14 to Derriford Hospital (Just in case you never guessed it) on the 16th March 2018.
Nikon Z6 ftz with vintage 50mm AI lens.
This musician is often heard around Toronto playing, I believe, a Sanxian?
Northern Shrike (Lanius excubitor).
Village Creek Drying Beds. Fort Worth/Arlington, Texas.
Tarrant County. January 13, 2022.
Nikon Z fc + Nikon FTZ II mount adapter.
AF-P Nikkor 70-300mm f/4.5-5.6E ED VR.
(300mm) f/7.1 @ 1/500 sec. ISO 180.
A rarity for Texas and a first record for Tarrant County. The bird had been present at the drying beds since November 2021 and has been seen and photographed by many birders. This was a long sought after state bird for me. KN
Warten auf den Zug. Eine gute Gelegenheit nach Streetmotiven zu sehen.
St.Gallen, Bahnhof Appenzellerbahn
Foto/Bearbeitung: Fredi Schefer
20250117_15-39-07_73_2048
Z50 Test #2, using a the FTZ adapter with a Nikkor 18-300 f/6.3 (for a set-up to compare to a super-zoom bridge camera such as my FZ300).
Camera courtesy of Mirrorless March Madness - George's Camera offering a free 2-day rental to check this model out!!
Test de prise de vue à faible vitesse et à main levée
Shooting test at low speed and at hand held.
f/11 - 1/30 - 800 ISO
Z6
AF-S 80-400mm VR via the FTZ
B&W conversation done in post via Sliver Efex Pro 2.
More from the Fort Worth indoor rodeo.
Alexander Dennis E200,
Go Ahead London Metrobus (MB) YX60FTZ.
Mickleham Road,
St Pauls Cray.
Photo ( c ) Tom G.2015.
Z6
AF-S 80-400mm VR via the FTZ
B&W conversation done in post via Sliver Efex Pro 2.
More from the Fort Worth indoor rodeo.
Snow in Grand Prairie.
Grand Prairie, Texas. Dallas County. February 3, 2022.
Nikon Z fc. AF-S DX Nikkor 35mm f/1.8G + FTZ II adapter.
(35mm) f/3.5 @ 1/60 sec. ISO 160.
Our typical once or twice per year light snow. A much milder event than the major disaster we experienced last winter. KN
Camera: #Nikon #Z30
Lens: #Nikon #300mm f/4 PF ED VR (on Nikon #FTZ II adapter)
This photo turned out completely different than I was anticipating. I was taking the dog out around 5am on a foggy morning. When I looked up, the moon was bright but somewhat obscured by the fog. It was creating an interesting glowing halo around the moon in the fog so I grabbed the camera to take a picture.
Without even really thinking about it, I just automatically selected approximate exposure settings I would use to capture the moon. I think the exposure was too low to catch the glowing halo created in the fog (so that didn't show up at all in the picture) but what really surprised me was how clear the moon was in the shot. Probably one of the clearest shot of the moon surface I've ever taken.
WIth all the fog, it wasn't clear looking at it with the naked eye at all. I'm not really sure why the surface came out so clear in the shot. My guess is the fog helped diffuse the brighter parts of the moon light, allowing me to get a more even exposure of the surface then I would normally get on a clear day. I'm not sure if that actually made a difference or not. Anybody else know?
Four images created using my Z6 with the Sigma 105mm f2.8 macro lens via the FTZ. The point about these four images is that they were created using "tethered capture" in Capture One Pro 21. I used C1P to completely control the Z6 remotely and take 15 shots per composition where the point of focus was changed remotely between each shot having already selected the aperture, shutter speed, and other relevant settings through Capture One and never once having to touch the camera. The NEF (RAW) files were then processed in C1P before using the Helicon Focus plug-in to use HF for the stacking process. I ran two different stacking methods in HF (B&C) before passing the stacked images back to C1P as TIF files which were then given a final "polish" before being output to jpeg. This is the first time I had tried this whole process from start to finish without touching the camera and only leaving the computer in order to reposition the subject. I have now transitioned from Adobe Lightroom to Capture One Pro. I was, and still am, a fan of the Adobe products, but Capture One has really impressed me and wasn't difficult to transition to.