View allAll Photos Tagged FILMSWAP
Film swap with London based photographer Simon Bohrsmann, taken while he was in Australia and then swapped with me in York, UK.
Film: Kodak Professional Portra 400
A second image from the return EBS (expose both sides) project, with hodachrome (one of my absolute favourite photographers!). This film swap took the following process: I shot a roll of film on the "normal" side and posted this to Hodaka in Japan, who then reversed and rewound the film, and shot the roll again so that the second exposure was shot on the "wrong" side. When shooting on the reverse side, the image is "red scaled" - all colours become shades of red, so the images are a combination of true and red scaled colours. With this first image I shot a boat in Shoreham Harbour, just outside Brighton at dusk, then hodachrome shot on the redscale side an old tunnel in Otaki village, Nagano.
LC-A+, Fuji 800, EBS Film Swap with Hodaka
Please check out the links below too..
exa 1c with pancolar 1.8 50 on apx 100
i shot the whole film, windet it back and gave it to Angie to shoot the second layer over all frames. we had pretty interresting results and it was fun.
so it maybe was more of a camera-swap than a film-swap...
A Yorkshire film swap with Bradford based photographer Danny Marsh.
First exposure by Danny in Bradford and second exposure by me whilst on holiday in the Lake District.
Film: Kodacolor 200
Brighton Vs Hong Kong. Filmswap with Raymond Chin. Lomo LC-A both times using expired Fuji Provia, cross processed.
this is an image from a recent filmswap with the amazingly talented gocchin - one of my favourite lomographers, who lives in japan.. he's not on flickr, but prepare to be amazed by his lomohome on the lomography site.. for this, gocchin shot a retired aircraft at an aerospace museum and I shot a "rat's eye" image in the cool foot passages by the imax cinema in waterloo, london..
lc-a+, kodak elite chrome 100, x-pro (film-swap double with gocchin)
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and you can even do some shopping now at the fotobes store..
These are a few shots of the first roll from the Lomolovers filmswap I did with spikyzebra. You can learn more about Lomolovers at www.lomolovers.com and visit them on flickr. Find more about the filmswap here.
Film swap with London based photographer Simon Bohrsmann, taken while he was in Australia and then swapped with me in York, UK.
Film: Kodak Professional Portra 400
from a filmswap collaboration with la fille renne. do check out her wonderful photostream! this roll of film contained some of my filmswap favourites.. (model: sabrina sako)
lc-a+ and Zenit-E 50mm f/1.8, fuji velvia 100, x-pro (filmswap with la fille renne)
please check out the links below too..
please check out the links below too..
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When Mike McLean and I decided to work on a filmswap project together, we were keen to try something a little different.. Knowing Mike’s expertise with pinhole cameras, we agreed to attempt a series of swaps using one of Mike’s Noon pinhole cameras (this image was shot with a 6x12), and a Lomography LC-A 120 (with overlapping frames on this image). The medium format 120 was chosen as they felt at that stage that this would allow for a better chance of getting frames accurately aligned..
lc-a 120 and noon pinhole, kodak e100vs, x-pro
please check out the links below too..
Film swap project made by me and Nico Westlicht from Netherlands. Photos were exposed both in Netherlands by Nico and in Vietnam by me.
• Film: Kodak Ektar 100
A Yorkshire film swap with Bradford based photographer Danny Marsh.
First exposure by Danny in Bradford and second exposure by me whilst on holiday in the Lake District.
Film: Kodacolor 200
Film, expired 2007 - Pentax MV +
Film swap with Ale Bohemia
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rubostars and lore_stars
Brighton Vs Hong Kong. Filmswap with Raymond Chin. Lomo LC-A both times using Fuji Sensia 100, cross processed.
Filmswap with .scribe. Olympus XA2 & Lomo LC-A vs Agfa CT Precisa 100, cross processed.
This photograph was best part of a year (or more, I can't remember exactly) in the making, it is the first collaboration as a result of the Analogue Brighton 'filmswap box'. See the group discussion thread for more info.
Film swap with London based photographer Simon Bohrsmann, taken while he was in Australia and then swapped with me in York, UK.
Film: Kodak Professional Portra 400
Lomo LC-A vs expired Fuji Sensia 100. Filmswap with myself: shot @200iso both times. 'The Thatchinator' courtesy of the most awesome AVK_ONE :)
Film swap with London based photographer Simon Bohrsmann, taken while he was in Australia and then swapped with me in York, UK.
Film: Kodak Professional Portra 400
Film swap with London based photographer Simon Bohrsmann, taken while he was in Australia and then swapped with me in York, UK.
Film: Kodak Professional Portra 400
Lomo LCA vs Nikon FM2 / Kodak Elitechrome EBX.
transatlantic film swap with Graziella Ines.
Please check out her fabulous photographs: www.flickr.com/photos/iella/
Film swap with rueckenwind as part of the Lomo Lovers international film swap.
Germany vs UK
Lomography Xpro 100
LC-A vs XA4
My favourite shot from my first collaborative roll with the remarkable Jana Obscura. First shots were exposed in Seattle, the roll was then mailed to me in the UK. I shot Stonehenge with an 8Banners Graphite Dragon 6x18 pinhole camera (curved film plane).
A Tale of Two Cities - Film Swap with RCM273LDN
Bangkok, Thailand and New York City, USA
Kodak Elite Chrome 100 - XPRO
LC-A and LCA+
From the "Film-soup-swap Project" with my favorite photographer fotobes in UK.
He shot at Angel tube station in London, a "rat's eye view". I shot at Gohouden lake in Nagano, one of the famous landing zone for migratory swans in winter.
About the 1st roll, fotobes ”cooked” the film after we finished each shootings. He mixed together some boiled water with silica gel and washing detergent, and left it to cool a little. Then he went into his make-shift darkroom and pulled out the film from the canister. He then flicked and dabbed the "soup" onto the exposed film. He waited for a few minutes and then rewound the film into the canister, and next he dropped the film into just-boiled water, and after 5 minutes I transferred it into cold water for a minute. Then back in the darkroom he pulled the film out from the canister again and dried it with a hairdryer and when done he rewound the film. The film was then developed at Asda, and scanned at The Vault in Brighton (the Lomography lab in London refused to process it).
LOMO LC-A+/Lomography X-Pro100/X-Process/Film soup