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The record on the existence of Košice dating from 1230 in connected with that on the existence of the rectory church. In the process of the settlement's transformation from a rural community into a town, all its periods of success and failures had been reflected on St. Elizabeth's Cathedral. According to historic data the present-day cathedral was built on the site of an edifice of older date which was consecrated to St. Elisabeth as well. It was referred to in the document of Pope Martin V of the year 1283 and in the letter of 1290, which stated that Eger bishop Andrew II exempted Košice parish from the dean's sphere of jurisdiction.
This medieval monument was built in the High Gothic style between 1378 and 1508 in several stages on the site of a parish church that burned down in 1370, in memory of Saint Elisabeth of Hungary, the patrona of all armed mercenaries and also Portugal.
The cathedral was often damaged by calamities (1556) and underwent numerous restorations. The most extensive restoration works took place in the years 1877-1896 by the drafts of Imre Steindl. The northern tower was completed in 1775, while the southern, Matthias tower in 1904. During the last phase of the restoration a crypt was built under the northern nave of the cathedral. In 1906 the remains of Francis II Rákóczi and his friends from Rodosto were buried there.
Punk Liberation Vol.9 Special (An existence claim!!!!) at Kakamigahara city Unuma BaBaBar 2011.04.09
Darge
The Hips
Crime&The Vacation
Bloody Smile
川瀬悟
info: Oze /Darge darge@softbank.ne.jp
Rafa/Darge misoshiru_of_death@docomo.ne.jp
岐阜県各務原市鵜沼西町1-631
Village Vanguard 1F
名鉄犬山線 鵜沼宿駅より徒歩５分
Meitetsu Line - Unuma juku station
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....::::Observations
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If you use the photo, please give the proper credit:
Photo by Rafael Yaekashi
The photos are with 30% of the original size, I have all with actual size, and
without a signature, if someone needs is just send me an email.
Any use of the photos in the business circles without my permission, is prohibited.
For more information please contact me.
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Miao Xiaochun ‘The Last Judgment in Cyberspace’, exhibition ‘Transfiguration’, China, Venice Biennale 2013.
THIS IS THE MOST BEAUTIFUL VIDEO I HAVE EVER SEEN! ¨
Miao Xiaochun depicts sacred images from art history (Noah’s Ark, The Last Judgment, The Pieta etc.) transfiguring them with intercultural elements in the context of contemporary existence. ‘The Last Judgement in Cyberspace’ is a digital interpretation of Michelangelo’s Renaissance masterpiece.
imagine
every time we think there is a little more money to spare
every time we think there is always some tomorrow to bear today
imagine
every time we go to a deeper self yielding a little more faith
the girl by the brook filling her earthen pot
dark green forest, neat ribboned hair
eyes on the ripples, thoughts travelling on their troughs
imagining a deeper self
"The maintaining of someone or something in life or existence"
Part I of II, second part is gonna be uploaded tomorrow
lighting:
speedlight on floor behind me
alienbee b800 shoot-thru umbrella
Bury Football Club had been in existence for the last 134 years, but will not play again, after being expelled from the English Football League (EFL) following financial problems and failed takeovers. The death-knell sounded at 11.04pm on 27 August 2019, closely followed by this statement from the EFL:
"The EFL met and, after a long and detailed discussion, determined that Bury FC's membership of the English Football League be withdrawn after the deadline passed at 5pm today without a successful resolution."
The Football Club was the heart-beat of the town, not just a sporting team with a proud footballing history, including two FA Cup titles, and a record for goals scored in four divisions of the EFL. It was also the centre of a community, a form of therapy at the end of a long working week, with many of their supporters from working-class backgrounds gathering at the pubs beforehand and letting-off steam inside Gigg Lane, one of the oldest football grounds in the world.
78 year-old Kenny Hindle (pictured in 2009), had been supporting The Shakers since he was eight years old. He told the media "All I have is my TV and Bury FC, I can't imagine my life without it."
He and his fellow-supporters are left asking how on earth this was allowed to happen.
le matin on lit ce numéro en face du numéro 38 de la rue. tout les jours on se dit que c'est une étrange chose que les humains donnent un numéro d'existence. je me demande si derrière cette vitrine on donne un numéro d'existence aux gens. formations théoriques pour avoir un numéro d'existence.... hmmm c'est-ce que c'est
Taken in Cleethorpes! Currently on Holiday in UK visiting Family. The shot was taken for this months entry in POTY TP forum. Ive had to process it on a very old PC belonging to my dear Mum. To make things worse I've just seen another entry which is almost identicle!...... Nevermind, it's going to have to go in as I just don't have the time (or energy) to come up with something new!
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Arrow Active G-ABVE (cn 2) The Real Aeroplane Company based Breighton Yorkshire also see www.realaero.com
Percival P-6 Mew Gull E2H G-AEXF cn E22 The Real Aeroplane Company based Breighton Yorkshire also see www.realaero.com
VS349 Supermarine Spitfire LF vb5B G-LFVB EP120 cn CBAF.2403 AE-A At seven kills she is the most credited Mk V in existence and maybe most credited flying WWII fighter Fighter collection IWM Duxford based www.fighter-collection.com
Sometimes, in the humdrum of existence, we are compelled to confront the liminal spaces, those thresholds between what is seen and what is obscured. The window, in all its utilitarian transparency, serves not merely as an architectural fixture but as a metaphysical portal. It frames our view of the world, a selective lens that mediates our interaction with the exterior. The image captured here—distorted, ethereal—speaks to the inherent tension between clarity and ambiguity, between the tangible and the ephemeral.
The blinds, introduce a play of light and shadow, invoking the ancient dichotomy of Apollonian order versus Dionysian chaos. They suggest a controlled revelation, a deliberate modulation of perception. The external world, glimpsed through these slats, is rendered in streaks and blurs, an abstract mosaic of verdant greens and sky blues, disrupted by the errant intrusion of an indeterminate orange hue. This interplay mirrors our cognitive processes—how memory distorts, how emotions color our experiences, how reality is often but a kaleidoscopic interpretation rather than an absolute truth.
Consider the act of looking through a window as an existential metaphor. The glass, ostensibly clear, is never truly unblemished; it is a barrier as much as it is a conduit. It separates the observer from the observed, confining us to our subjective interiors while offering a curated glimpse of the objective exterior. The window thus embodies the paradox of connection and isolation, transparency and opacity. It is through this portal that we project our yearnings, our desires for connection, and our fears of exposure.
In the transient streaks of light, we find a reminder of impermanence. The moment captured is fleeting, a temporal snapshot of a constantly shifting tableau. It is a visual ode to the Heraclitean notion that one cannot step into the same river twice. The world outside continues to evolve, to transform, while we, the observers, remain bound by the constancy of our gaze.
The photograph encourages contemplation of the nature of perception, the construction of reality, and the inevitable interplay between order and chaos. It invites us to pause, to reflect, and perhaps, to find beauty in the fragmented and the transient, in the spaces between what is and what might be.