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The record on the existence of Košice dating from 1230 in connected with that on the existence of the rectory church. In the process of the settlement's transformation from a rural community into a town, all its periods of success and failures had been reflected on St. Elizabeth's Cathedral. According to historic data the present-day cathedral was built on the site of an edifice of older date which was consecrated to St. Elisabeth as well. It was referred to in the document of Pope Martin V of the year 1283 and in the letter of 1290, which stated that Eger bishop Andrew II exempted Košice parish from the dean's sphere of jurisdiction.
This medieval monument was built in the High Gothic style between 1378 and 1508 in several stages on the site of a parish church that burned down in 1370, in memory of Saint Elisabeth of Hungary, the patrona of all armed mercenaries and also Portugal.
The cathedral was often damaged by calamities (1556) and underwent numerous restorations. The most extensive restoration works took place in the years 1877-1896 by the drafts of Imre Steindl. The northern tower was completed in 1775, while the southern, Matthias tower in 1904. During the last phase of the restoration a crypt was built under the northern nave of the cathedral. In 1906 the remains of Francis II Rákóczi and his friends from Rodosto were buried there.
Gilbert Carrizales & Gabriel Vasquez (from the band EXODO) in the shoot for their collaboration ''Distant Existence". Gilbert & Gabriel are seen with their instruments to represent the talent that went into their song - Photo taken by Josh Newell
There are moments of existence when time and space are more profound, and the awareness of existence is immensely heightened.
Charles Baudelaire
For the first time in its 487 years of existence, The Last Judgment by Lucas van Leyden will be on view outside the city of Leiden. It will be on display in the Gallery of Honour of the Rijksmuseum from 2015 to 2017.
The Last Judgement is typically viewed as Lucas van Leyden’s most important and impressive work. Van Leyden gained prominence during the Northern Renaissance as a talented printmaker and engraver; however, he painted the triptych, The Last Judgement—one of the three altarpieces that he painted— near the end of his life and career (he died at the young of 39 from tuberculosis) and it has since gained much art historical clout. Another of van Leyden’s altarpieces, The Dance around the Golden Calf (ca. 1530), is part of the Rijksmuseum’s permanent collection and can be seen in the rooms on the Middle Ages and Renaissance, precursors to the Dutch Golden Age artists whose works are typically displayed in the Gallery of Honour.
The Last Judgement was commissioned by the Catholic Church of St. Peter in Leiden in the 1520s. Due to the conflict between the Netherlands and the Spanish Kingdom, however, which was initiated largely due to Spain’s imposition of the Inquisition in the Dutch provinces, Iconoclasm endangered The Last Judgement and many other Catholic works in churches and elsewhere throughout the country. After years of suppressed Protestantism and Judaism, the Dutch lashed out against Catholicism as they gained their independence from the Spanish, often damaging or removing religious images, in general, but Catholic images specifically. In order to save The Last Judgement, the city authorities of Leiden captured the altarpiece and it has since been in the hands of the municipality. Since 1874, the altarpiece has been on display at the Museum de Lakenhal, in cooperation with the municipal collections.
More detailed pictures:
www.flickr.com/photos/pensionado_rca/albums/7215765177144...
Existence.
Well, what is it matter?
Existencia.
Bueno, ¿qué importancia tiene?
Inspirada en Control, de Anton Corbijn: la vida de Ian Curtis, el líder de Joy Division
(Quienes vieron la película saben que escena es)
from the book
STRATEGIES d'EXISTENCE"
from the book
STRATEGIES d'EXISTENCE" by Thierry Geoffroy / Colonel
ISBN877245456949
Rhodos Publishing h
from the book
STRATEGIES d'EXISTENCE" by Thierry Geoffroy / Colonel
ISBN877245456949
Rhodos Publishing house 1996
The parish came into existence following the decision of the Diocesan Council, in the fall of 1998, following the repeated insistence of the faithful from the Drumul Taberei neighborhood, who were disappointed by the lack of places of worship in this neighborhood.
Thus, at the initiative of the priest Nicolae Burlan, a disassembled wooden church was brought from the Vicovul de Jos commune in Suceava county and reassembled on a plot of land belonging to the Ministry of National Defense located in Brașov Street, no. 21C, sector 6.
Later, interventions were made at the City Hall of the Capital, which ceded a 3000 square meter plot of land for the purpose of building a church and which was given in exchange to the Ministry of National Defense for the equivalent area on which the wooden church is already located.
The wooden church was consecrated by His Holiness Teodosie Snagoveanul, Vicar Bishop of the Archdiocese of Bucharest at that time, on July 26, 1998.
The shrine of the church is Saint Pious Parascheva, (in Greek "paraschevi" means "Friday") whom Orthodox Christianity celebrates on October 14 and whose Holy Relics are in the Metropolitan Cathedral of Iași.
Since the wooden church proved inadequate for the more than 1,000 believers from various neighborhoods who regularly participate in the Holy services, the decision was made to build a brick church, of larger dimensions absolutely necessary for a neighborhood like Drumul Taberei.
The plan of the new church belonging to the architect Florin Bucur Crăciun is in the form of an inscribed Greek cross.
From an architectural point of view, it fits into the style prefigured by the churches "Sfânta Sofia" in Constantinople and "Sfântul Nicolae Domnesc" in Curtea de Argeș.
A large central hemispherical dome dominates the spatial composition of the edifice.
A wide porch with six free and two engaged columns precedes the entrance.
Access to the church is through a portal with an arched frame, made of finely carved stone.
The vault is made up of 25 semi-arches, resting at the ends on two metal caisson rings, with other intermediate rings unfolding between them.
The covering of the altar, similar to the apses of the proscomidiary and the diaconicon, is made by a cone connected to a semi-cylinder.
On the opposite side, on the first floor, there is the cage which is accessed by stairs placed inside, in the northwest and southwest corners of the building, which also lead to the two balconies.
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Skinner is more than just an artist who paints psychodellic images of metal band mayhem, he is an event, a personality, a one-stop-shop of the super rad. It is within this personality that we begin to understand Skinner's work, and the detail, time, and focus he puts into everything he produces. We sat down with the artist to talk about his new show at The Shooting Gallery entitled "The Fragile Art of Existence" which explores a new place in the Skinner's body of work.
Read the full interview on Warholian here: www.warholian.com/2011/08/11/skinner-fragile-existence/
Studio photos by Hal Rotter
Opening Night Photos by Michael Cuffe