View allAll Photos Tagged Existence
teamLab Planets TOKYO / チームラボ プラネッツ TOKYO DMM.com
人と共に踊る鯉によって描かれる水面のドローイング / Drawing on the Water Surface Created by the Dance of Koi and People - Infinity
The Infinite Crystal Universe
Floating in the Falling Universe of Flowers
意思を持ち変容する空間、広がる立体的存在 - 自由浮遊、平面化する3色と曖昧な9色 / Expanding Three-Dimensional Existence in Transforming Space - Free Floating, Flattening 3 Colors and 9 Blurred Colors
坂の上にある光の滝 / Waterfall of Light Particles at the Top of an Incline
冷たい生命 / Cold Life
やわらかいブラックホール - あなたの身体は空間であり、空間は他者の身体である
"The castle seems to have been in existence by the late 11th century or the early 12th century when it was known as Godric’s Castle, named probably after Godric of Mappestone. In 1144 William fitzOsbern seized the castle during the Anarchy of the reign of Stephen. During this time the small Norman keep to the south of the entrance gate was built by Gilbert de Clare.
During the following reign the castle and manor were held by the Crown. In 1203 King John granted the castle and manor to William Marshall, Earl of Pembroke. When his son died the castle reverted to the Crown again. . . . . . . "
en.wikipedia.org/wiki/Goodrich_Castle
"Roaring Meg was a mortar cast in 1643 and used during the English Civil War by the Cavaliers (commanded by the Earl of Northampton) until 1644 when she was captured by the Roundheads. With a 15.5 inch barrel diameter Roaring Meg was the largest mortar of the war. She was instrumental in the capture of Goodrich Castle in 1646 by Sir Thomas Fairfax. During the siege the Roundhead commander, Colonel Birch, was so excited with his new weapon he personally fired the last 19 balls. Roaring Meg is preserved by Herefordshire Council and has been on display at Goodrich Castle since 2004.
Capernaum:
Also known as Tell Hum, Khirbet Karazeh, Bethsaida, Capharnaum, Chorazin, Kefar Nahum, Kafarnaum, Kefar Tanhum, Talhum, Tanhum
In existence from the 2nd c. B.C. to the 7th c. A.D., Capernaum was built along the edge of the Sea of Galilee and had up to 1500 residents.
Today the ruins are owned by two churches: the Franciscans control the western portion with the synagogue and the Greek Orthodox’s property is marked by the white church with red domes.
Jesus made Capernaum his home during the years of his ministry: “Leaving Nazareth he went and lived in Capernaum” (Matt 4:13).
Peter, Andrew, James and John were fishermen living in the village. Matthew the tax collector also dwelt here.
Capernaum is one of the three cities cursed by Jesus for its lack of faith.
The Synagogue
The dating of this synagogue is debated, but it is clearly later than the first century. Excavations have revealed a synagogue from the time of Jesus with walls made of worked stone and 4 feet thick.
These earlier walls were preserved up to 3 feet high and the entire western wall still exists and was used as the foundation for the later synagogue.
Jesus was confronted by a demoniac while teaching here (Mark 1:21-27).
In Capernaum, Jesus healed the servant of the centurion. This Roman official was credited with building the synagogue (Luke 7:3).
In this synagogue, Jesus gave sermon on the bread of life (John 6:35-59).
The House of Peter
Excavations revealed one residence that stood out from the others. This house was the object of early Christian attention with 2nd century graffiti and a 4th century house church built above it. In the 5th century a large octagonal Byzantine church was erected above this, complete with a baptistery. Pilgrims referred to this as the house of the ap
ostle Peter.
The city of Barcelona must have received the light of Christian faith very early on. The martyrdoms of Saint Eulalia and Saint Cucuphas during the Diocletianic Persecution bear witness to the existence of Christians in Barcelona at least by the late 3rd and early 4th centuries.
Unfortunately, we have no historically proven records of the ecclesiastical organization of our dioceses until 343, when Bishop Praetextatus of Barcelona and another five bishops of Hispania attended the Council of Sardica to ratify the provisions set forth in the Ecumenical Council of Nicea (325) as to the divinity of Jesus Christ.
Certain solidly grounded conjectures lead us to believe that Barcelona already had an Episcopal temple or Cathedral at that time, which would be used soon thereafter for pastoral ministry by other key bishops of our diocese: Saint Pacian (390), Lampius (400), Nundinarius (461), Nebridius (540), Ugne (599), Severus (633), Quiricus (656), Idalici (688), Laülf (693), Frodoí (890), etc. In the year 599 our Cathedral appears in a document dedicating it to the Holy Cross (Second Council of Barcelona).
Recent excavations of the substrata of the Carrer dels Comtes of Barcelona (which currently runs along the Eastern wall of the Cathedral) brought to light a building comprising three naves separated by two series of white marble columns. This undoubtedly identifies with the paleo-Christian basilica constructed in the 4th century and ennobled by subsequent bishops over seven centuries despite the difficulties caused by the Arian fight.
That early basilica solemnly housed the relics of Saint Eulalia in one of its chapels, hidden to avoid profanation by the Arab invaders of our peninsula (711). In 877 they were miraculously discovered at the temple of Santa María de les Arenes (or Santa María del Mar).
The primitive Cathedral, profoundly affected when the Arab chieftain Almanzor burned and destroyed the city, remained standing until 1046, when the Count of Barcelona, Ramon Berenguer the Old and his wife Almodis, together with Bishop Guislabert, commenced construction of another Cathedral, called the Romanesque Cathedral. That second Cathedral was consecrated o sn 18 November 1058 by the Archbishop Wilfred of Narbonne.
The Gothic Cathedral we have today was built on the foundations of the primitive paleo-Christian basilica and the subsequent Romanesque Cathedral. Construction commenced on 1 May 1298 during the mandate of Bishop Bernardo Pelegrí and the reign of King James II of Aragon, the Just, and was virtually completed by the mid-15th century, under the mandate of Bishop Francisco Clemente Sapera and the rule of King Alfonso V of Aragon.
Three distinct periods can be defined within the 150 years of construction: in the first, the building was planned and the apse and radial chapels were built, as were the presbytery - with its altar and crypt- and the pseudo transept; afterward, the three naves, with their respective lateral chapels, were extended back to the choir; finally, construction of the basilica continued to the façade, which was later closed with a simple wall (1417). The Cloister was finished in 1448.
At the end of the 19th century, the Barcelona industrialist Manuel Girona Agrafel offered to undertake the work on the façade and on the two side towers, in keeping with the plans drawn up by the architect Josep O. Mestres and inspired by the initial 15th-century project. Mr Girona's children finalized their father's work in 1913 on completion of the cimborio.
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Skinner is more than just an artist who paints psychodellic images of metal band mayhem, he is an event, a personality, a one-stop-shop of the super rad. It is within this personality that we begin to understand Skinner's work, and the detail, time, and focus he puts into everything he produces. We sat down with the artist to talk about his new show at The Shooting Gallery entitled "The Fragile Art of Existence" which explores a new place in the Skinner's body of work.
Read the full interview on Warholian here: www.warholian.com/2011/08/11/skinner-fragile-existence/
Studio photos by Hal Rotter
Opening Night Photos by Michael Cuffe
The Athlone 10KM and 5KM road races were held in Clonown Village, Co. Roscommon, Ireland on Sunday 28th of April 2013 at 14:30 and 15:00. Clonown is a small townland on the west bank of the River Shannon and is situated about 3 miles south of the town of Athlone. Whilst the townland is almost completely rural it is accessed easily from major routes and towns by the M6 motorway.
This race completely defied the fact that it is only the second year of it's existence. Every aspect of the organisation was professional: from stewarting, registration, start of races exactly on time, car-parking, and post race refreshments. The 10KM route followed an anti-clockwise loop. The race started on the L2035 Togher Road (about 100m from Clonown Centre) and heads towards the old Ballinasloe Rd and back via Creggan with the finish at the Clonown Community Centre. The 5KM run was added this year to provide a managable challenge for people who are following programmes such as Operation Transformation. The 5KM race route follows a meandering around the townland. The race starts at the church in Clonown and head clockwise around the Ballinaculla townland which offers lovely views of the River Shannon. The route then goes to the Drumlosh road and runs for 1.5 km before the roundabout which is the 3km mark. The race then turns around and returns back to the village and finish at Clonown Community Centre. Both races share some of the race route for the Flatline Athlone Half held in September (www.athlonehalfmarathon.com/) which makes the race routes very fast and flat.
Overall Race Summary
Participants: Approximately 400 people took part in both events with runners, joggers, walkers, and families involved.
Weather: This was a wonderfully bright dry afternoon but a very strong wind made difficult running conditions in places.
Course: Very flat accurately measured course on rural roads and bog roadway. There were waterstops provided at various points and by locals along the route. Very well stewarded.
Refreshments: There were lots of refreshments served in the community center aftwards.
Location Map: This is the start/finish area on Google StreetView [goo.gl/maps/W0Hxc]
Some Useful Links
The Clonown area on Google Streetview [goo.gl/maps/W0Hxc]
Facebook Page for the Athlone 10KM Race 2013 www.facebook.com/Athlone10krun?fref=ts
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All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, Google Orkut etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also means the use of these images for Facebook profile pictures. In these cases please make a wall post with a link to our Flickr page. If you do not know how this should be done for Facebook or other media please email us and we will be happy to help suggest how to link to us.
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I ran the race - but my photograph doesn't appear here in your Flickr set!
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Fieldy of Korn. IZOD Center, NJ. 12.06.14
Feature Gallery on Music Existence: musicexistence.com/blog/2014/12/08/gallery-korn-live-at-i...
I was pumping gas and, looking at this row of dismal topiary, I was struck with thought: is this it? The fabric of memory, the structure of existence, the progression of time? What has my life come to, and where is it headed?
The holy priest's Bajra (Genta).
History of Bajra according to legend, starting from the rumbling sound of a cow in the Himalayas, India. The rumbling sound of cattle believed to be able to deliver the petition of the herders to the gods, especially when the cow was shaking his head. The existence of the belief that the rumbling sound of cattle is capable of connecting to the gods Pengangon request, then the cow rumbling then purified and named Bell as a means to connect the human race in India with Ida Sanghyang Widhi.
In Bali, also Bajra history is similar to that in India. It is said that when Danghyang Nirarta or Danghyang Dwijendra or Rauh Wawu Dharmayatra traveling around Bali, he met a pengalu (traders) who are leading a horse. In the horse's neck draped rumbling that his voice is very melodious and beautiful. The priest was very impressed with the sound rumbling around his horse's neck. Because of the attraction of him with a growling sound of the horse, so he then tried to ask him to pengalu. The pengalu feel very happy to meet the demand of the priest. Once accepted, Rauh Wawu then purify the rumbling. Wherever he went he always carried with the intention of improving his mind in his quest to unite themselves with the gods. Rumbling that has been the holy and sacred was then called bell and passed down through the generations to his sisya.
Religiously, the Bajra is seen as a weapon of the god Iswara occupied the east direction of the universe, with the script (Sa), first holy script Dasaksara. As Lord Iswara weapon, then the Bajra is very sacred and therefore should not be used by any people. Bajra should only be used by those who are already "mewinten", they purified the abstract by priest.
In each Yadnya ceremony, certainly often heard the sound of the bell. Perhaps not many people pay attention to what can be expected from the bell sounds. Actually preferred accompaniment of bells as pujastawa is magical spiritual vibration.
'Kolam' also called 'Rangoli' is thought to bestow prosperity to homes in many parts of India. Every morning it is made in front of the house, mainly on a wet floor with rice powder, as a gesture to Welcome All. Decoration is not the sole purpose of a Kolam. In olden days, kolams used to be drawn in coarse rice flour, so that the ants don't have to work that much for too long for a meal. The rice powder is said to invite birds and other small critters to eat it, thus inviting other beings into one's home and everyday life: a daily tribute to harmonious co-existence. Woh thats lot of info :-)
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